MATRIXSYNTH: Sunday, February 19, 2006


Sunday, February 19, 2006

Axiom's GX7 - DX7 to G2 Conversion Tool

Now this is pretty cool. Luca Capozzi created a tool that lets you upload any DX7 sysex bank into your Clavia G2 Modular. The tool comes with the original DX7 ROM1a bank. Title link takes you there.

Introduction
How many times you have desired to convert your old Yamaha DX7 sounds to your new Clavia Nord Modular G2? Clavia gave us a good starting point, including FM Operators and a DX Router as modules. Each parameter is here, ready to be tweaked to achive our beloved DX sounds. But how tedious is tweak all those parameters manually? People starts asking for a tool that helps G2 users to load Yamaha patches into their new G2 synthesizer but, until now, nothing was created. This tool let you load any Yamaha DX7 SysEx bank and let you send patch parameters as Midi CC# to your G2 synthesizer. There are some limitations that don’t let us to send all parameters at once. DX7 parameters are over 150 while G2 usable Midi CC are less then 120. The workaround is to send parameters one Operator per time, doing some hand work on your G2 Editor.

Korg Radias Video on One Blue Monkey

Title link takes you there. Video link under date under title.

Waldorf Microwave Cookbook Via Carbon111

Title link takes you to the post on Synthwire. Love this shot and others by Carbon111.

If only...

Jimmy posted a few links in the comments section of this post. Title link takes you to one of them with the following shot. Make sure to read the caption.



"I got into collecting old synthesizers in 1990, about the time that a LOT of people were unloading their beautiful synths to get the latest digital beasts from Korg, Roland, and Yamaha.

In this picture from 1993, you can see my TWO PPG Wave 2.3s, and the PRKFD keyboard. Not shown is the Waveterm B "brain". Also in the picture is the Rhodes Chroma that I got for $200 in perfect working order, and a Roland Jupiter 8. Cropped out was a Linndrum."

I on the other hand completely missed the sell off, and I think I'm actually glad I did for one reason. It would have been way too painful to see my dream synths go for so cheap and not be able to afford them. Back then I was on the ramen and spaghetti diet working at the local Sizzler, trying to make my way through college. Now, if only... this were happening today. But then again, most vintage synths, especially the DCO poly analogs are going for cheap compared to their original prices. I never would have dreamed this would be the case back in 1986 when I picked up my first synth, a new Oberheim Matrix-6 for about $1100.

Syntax Terror - New Flickr Shot

At first I thought this was all on a wall. : )

Tau - New Synthesis Algorithm by Symbolic Sound

Cool to see something new from Symbolic Sound, makers of the Kyma system.



"Tau sound synthesis and processing for time/frequency warping and multi-way morphing in Kyma X.3
CHAMPAIGN, IL—February 14, 2006—Symbolic Sound Corporation has developed a new technique for morphing, warping, and synthesizing sound in the Kyma sound design environment. The Tau and its accompanying graphic editor provide tools for creating natural sounding multi-way audio morphs, insane transmogrifications, and mysterious synthesized effects. Listen to some examples here."

List of features

In the Tau Editor you can:

* Time-align multiple files
* Match or transform the frequency, amplitude, and formant envelopes of files
* Morph across two, three or more sounds
* Record your real time transformations on disk for later editing
* Create an entire library of synthesis patches at the touch of a button (Galleries)
* Test the mix and morphing combinations in real time as you are editing
* Analyze a new sound by simply dragging it and dropping it into the editor
* Morph without time-smearing or "robotic" comb filtering effects
* Edit with complete freedom, knowing that you have unlimited undos

Title link takes you to more.

INetSynth

Update2: Make sure to read the comments section of this post.

Update via Tom of MusicThing in the comments: "it started out as hardware: http://musicthing.blogspot.com/2005/09/strange-story-of-keytosound-synth.html"

I forgot about that. Here's a link to the shots I pulled from the auction linked in Tom's post: http://matrixsynth.blogspot.com/2005/09/inetsynth.html

Title link takes you to the INetSynth site with more info and demos. So why the INetSynth name? Apparently it has a built in browser where you can audition and grab patches instantly. Kind of interesting in that it's immediate and saves you some steps, but not quite revolutionary. I was curious if there might be more to it like some sort of online processing or the ability to collaborate with others, real time, online. But, no go. Now that would be very interesting. Hmm... Someone should come out with that. Online jam sessions, programming sessions, etc.



Details:
"KeyToSound is proud to announce the release of the INetSynth. The INetSynth is a stand-alone synthesizer or plugin supporting AU, VST, and RTAS formats on both Mac and PC.

The INetSynth runs a True Stereo® Signal Path (two signals, left and right) throughout the entire preset, starting with the oscillators, passing through modulation, filters, and effects, to the final output. The INetSynth’s true stereo signal path opens up the stereo image of the sound without reducing the number of voices or polyphony. This True-Stereo® signal path opens the doors of creativity when designing soaring leads, pads, or growling bass lines.

XWM®- Extreme Wave Memory accommodates large stereo samples by providing key-maps and individual loop points for both left and right channels. XWM technology not only produces rich and full sounds, but by handling samples efficiently, you get more performance and lower latency on playback. The INetSynth handles samples much the same way as a hardware sampler, yet gives you unlimited modulation options to create complex sounds easily.

The INetSynth is the first synthesizer ever to feature Resonance Noise Oscillators or R-Noise Oscillators®. The R-Noise Oscillator modulates a signal in a very unique way, creating a recognizable signature to the final sound. You won’t find a R-Noise Oscillator® on any other synthesizer – hardware or software!

"Multi" Oscillators are stacked Saw Tooth wave oscillators. The oscillators are layered and can be slightly detuned, producing a natural and bright timber. This is simply achieved by selecting one of the many preprogrammed “stacks” in a preset and adjusting the detune amount. This is another feature you won’t get from a hardware synthesizer!

The INetSynth has sixteen Multi-timbral layers each capable of loading a key-map with up to 128 presets making it not just a multi-timbral synthesizer, but a “Super Multi-timbral” synthesizer. That’s a Super Multi-timbral layer capable of layering 2048 presets to be triggered with one push of a key!

The INetSynth Presets are platform independent and can be auditioned and distributed online through the built in INetSynth Preset Browser. Using the NetNotes™ system, the INetSynth gives you access to presets in a way that no other synthesizer can – immediately!

Dynamic CPU Load Management - DCLM

DCLM does exactly what it says. DCLM manages the CPU load by allocating CPU resources specifically for certain components (Osc. Filter, LFO, Env., etc.) of a preset, precisely when they are needed. This ultimately enables the maximum performance from your system allowing greater polyphony of complex sounds. The more resources you have available for the INetSynth, the greater performance you get. There are no limits!

Industrial Strength Interface

Instead of being crowded with buttons and knobs that are difficult to control and view, the INetSynth’s interface is split into views which are populated by sliders, dials, and knobs in such a way that the interface is very fast and efficient to work with. Work flow for sound design and synthesizer playability are achieved by allowing quick and easy viewing of a presets layout in a well organized and structured manner.

The INetSynth can be viewed easily from a display that is 6 feet away such as behind a console or rack of keyboards and controllers. When you use INetSynth onstage, the interface and layout make it easy to read during live performances – no more squinting into a display while you should be performing!

Complete Integration

The INetSynth integrates seamlessly with all platforms and host programs. When a project using the INetSynth is saved and reloaded from any host sequencer, the INetSynth will have total recall of the presets and settings associated with that particular project. It’s all stored automatically when you save the INetSynth preset. The INetSynth is supported on both Mac and PC platforms of course. "

Electro Acid - Pete

MOTM, Fat controler and sample based drums. Title link takes you to the download. Via Pete on AH.

Mild Maniac - Stefan Trippler

Name of the track, not Stefan. Well, who knows with music like that. ; ) Title link takes you to the 2.62M mp3. All poly evolver.

Buchla 200e Sample - Mathew Rittenburg

Title link takes you to a 2.87M mp3 of the Buchla 200e by Mathew Rittenburg.
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