MATRIXSYNTH: Sunday, March 12, 2006


Sunday, March 12, 2006

The Casio DM-100

Trip. I've never seen one of these before. Retro Thing has a post up on the double decker Casio DM-100. It's a Casio PCM based home keyboard with an SK-5 sampling keyboard built in. Title link takes you to more.

The Sonic Emulsifier

Title link takes you to more. Via Frank Vanaman. Update: Looks like Carbon111 beat me to it on Synthwire! I was wondering when this would happen. : ) Oh well, the more the merrier in my book.



"I call it the Sonic Emulsifier, a name coined by someone at work who knows nothing of analogue synthesis or sound processing."

"The History:
It started out with a WersiVoice card, which is basically a triple BBD contraption that was very commonly installed in Wersi organs, that gives both ensemble and rotary speaker effects, and, for its time, was actually pretty decent sounding. What it turned into:

(1) the Wersivoice BBD device
(2) a Ken Stone bandpass filter (SH-5 Bandpass clone)
(3) a Ken Stone Real Ring Modulator (two transformers, four diodes)
(4) a Paia “Roctave divider” board
(5) a multi filter band pass unit tuned to vocal frequencies (based on the VP-330 filters)
(6) a 566-based VCO using Thomas Henry’s schematics
(7) a 4-in, 1-out DC mixer, and
(8) a 4-way mult

The VCO is there basically so that if you want to use the ring modulator with a single input, there’s something there to modulate with. It’s a strange assortment of things, some of which are included because I happened to have the boards sitting around (like the PAiA Roctave).

I couldn’t resist the desire to make something that looked “technical’ from the front. The big central dial is the main frequency control for the oscillator. Pots to the upper left control the PAiA divider; pots to the right are for the mixer, the oscillator has an output attenuator control (left of the big dial) and a wave-shape sweep control (to the right of the big dial). Switches at the bottom left select the Wersivoice modes, switches to the bottom right control the selection of groups of filters in the vocal filter matrix.

Nothing’s blown up yet, so I’m assuming I’ve managed to put it all together right the first time.

MP3s? Eh, eventually…"

Frank

The Mighty Logan Vocal Synthesizer

Shot pulled from this auction. Description pulled below. If you know more feel free to comment.



"Logan Vocal Synthesizer is fully working. Was stored 25 years in heated room."

Sanctuary - New Flickr Shot



Shot by Luca Capozzi. I saw this shot and the first thing that came to mind was how un-Moogy a Roland JP8080 was. I thought of perspectives on how Roland has not come out with something innovative in years, how "digital" the JP8080 was, and how far away from the mighty moog analog sound it was. A lot of people see Roland and their digital synths as the anithesis of Moog. Then I saw the title of the shot, and I remembered how Bob described himself. He described himself as a tool-maker who made wonderful musical instruments for people to enjoy; magical instruments at that. There is no doubt in my mind that a JP8080 is capable of bringing this magic to its owners. Bob brought synthesis to the mainstream, making it affordable and accessible. This shot forces you to see that. A shot of the Roland JP8080, the magic synthesis brings and respect to Bob.

Grunge MS10

Shot by Luca Capozzi.

Racked Synths Done Right


In the comments section of this post, Mr. Array posted a link to the Sudio Electronics Museum page with a number of classic synths in rack format. Above is a Roland Juno-106. Beautiful. Title link takes you to more. Thanks Mr. Array.

Alesis Fusion

Title link takes you to another gear p*rn thread on HC. I particularly liked this shot of an Alesis Fusion.



Shot by Carbon111 who also posted on the Alesis Fusion on Synthwire.
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