MATRIXSYNTH: Monday, December 10, 2007


Monday, December 10, 2007

Amtron Oscillator


via Luca of ESP Records

"here is a couple of pictures of the latest addiction to esp-records studio. Unfortunatly I've not yet been able to find any info on this unit."

If anyone has any more info, feel free to comment.

Korg Mono/Poly in the background

Customized IBM

This one in via Josh. This custom qwerty keyboard controller was featured on CDM. It is currently up for auction

* IBM Keyboard, clicky style with removable key caps, custom painted. Includes all the original key caps (all are now painted)
* PS/2 cable for keyboard
* PS/2 to USB adapter cable for keyboard
* 2 Flashpoint vintage joysticks
* One of the joysticks has the springs removed, for free movement
* 1 joystick to USB adapter cable.

Update via Joshua in the comments:
"Just for clarity's sake, the keyboard for sale is the IBM style one featured in the bottom two photos. The keys were painted by Bill Van Loo, who did the stuff in the top photo."

Snoop Dogg -Sensual seduction (official Video)


YouTube via jeanmartz. via Scott in the comments of this post.
"official -snoop doggy dogg new vid."
Anyone know what the keytar is? Answer in the comments.

All MOTM CD

via sir_dss on the Matrixsynth Forum. Reposting here after checking with sir_dss.

"Hi,
I'm new to the board and have been reading the Matrixsynth blog for over a year now. I do hope it's alright to post this here but I cant think of a better place!

I just released a CD of music from my MOTM system. No other synths were involved but there are some Blacet and Cyndustries modules making guest appearances(all MOTM format though...). NO MODERN COMPUTER TRICKS WERE INVOLVED!

It's about 34 minutes long and covers many moods and styles that I've explored on my Modular Synth. From soundtrack(ish) to Suicide(ish), noise/glitch to French pop...and even as Paul would say "Bug Music". It is 11 tracks with a proper mastering job done at the studio built by The Mars Volta and crew.

This is the link...It is ppm13.

I am also starting a residency this Sunday the 9 to the 13th at Family, this art, music, and underground culture bookstore in Los Angeles.

http://www.familylosangeles.com

I will be setting up and playing my MOTM system in the late afternoon for a few hours everyday trying to develop new music and hopefully be "entertaining"! The director Lance Bangs(David Cross, Nirvana,Sonic Youth, YYY's...) is going to be filming a feature with me for VICE TV at some point during the stay.

If you are in LA come by and hang/nerd out with the me and my MOTM!

Thanks,
David Scott Stone
http://myspace.com/sirdsssound
http://en.wikipedia.org/wiki/David_Scott_Stone"

Update more info here.

The Sisters of Transistors at the George Tavern

flickr by lazyhour

full size

Roland Promars
Spot the rest

Update: more info on the Sisters here

Inside electronic instruments


via Inverse Room:

"I just put up a small set on flickr of the innards of various synths. I'll try to add to it from time to time. So far there's the Yamaha SY2, Yamaha YC-25D, and a Russian handclapper stompbox. Also a homemade Triwave Picogenerator.

Link"

Pictured:
"The Yamaha SY2 oscillator and filter modules. Apparently the filter is the same as the one in the enormous GX1 monster synth, and thus the same as the one in the MOTM GX1 filter. Old Crow actually reverse-engineered this filter for MOTM by dissolving the material it's potted in--see his page on the project at www.cs80.com/ne_proj.html."

MOOG Moogerfooger Murf

images via this auction

"The MF-105 MuRF is a new and unique effect designed by Bob Moog. MuRF is short for Multiple Resonance Filter Array. The MuRF provides sequenced filter effects that have not been heard before!

MuRF stands for "Multiple Resonance Filter Array". What this means is the MuRF has 8 filters - their levels are controlled by 8 sliders. It looks like a graphic eq, but the sound of the filters are very different: warm and resonant.

What is really unique is the ability to animate the levels of the 8 filters in up to 24 preset patterns. The rate of the patterns can be set by a knob, expression pedal, or plug a footswitch into the tap tempo input to match the rate to the tempo of your song. Rhythmic variations can be created by adjusting the levels of the filters. The Envelope control sets the shape of the modulation, which can be set for percolating techno rhythmic modulation or shimmering timbral morphing. Other controls include Input Drive, Output Level and Wet/Dry Mix.

MuRF shares the musician-oriented features that are common to all Moogerfoogers. All the audio processing is 100% genuine analog, for warm, fat sound quality. Any line level or instrument level audio signal may be processed. Wide-ranging player parameters may be controlled from the panel knobs as well as from expression pedals or CV-compatible analog synthesis instruments. Components are rugged and long lasting, to withstand the rigors of stage and studio. The MuRF is housed in the classic Moogerfooger "double-wedge" enclosure that may be used on a table or on the floor.

More information plus lots of nice audio examples at the Moog Site

Independent review from Sound on Sound"

Moog Synthesizer 201


YouTube via DoKashiteru. Follow-up to this post.
"A description on how to use the sequencer section of the Moog synthesizer. WIRING DIAGRAM UP SOON - until then, see http://myspace.com/dokashiteru"

1982 Music Emporium Catalog



via REwire. Click on the images for the full size shots. Compare the price of the Casio's vs the others.

MOTM-521 Cloud Generator Expansion Breadboard

via My Synthesis Technology MOTM Analog Modular Synth where you can find an update from Paul S. of MOTM. For those not familiar with what a breadboard is, it's where you prototype and work on designs before actual manufacturing. The breadboard itself is the brown board you see the components sitting on.

Happy 25th C64!

The Commodore 64 turns 25 today.
Article on CNN.

More links on ThisIsNotALabel.com

DSC02943

flickr by industrial drawing (click for more).

full size

SCOPE & M-TRACK: CHRONOLOGIE 4 Jean-Michel Jarre


YouTube via grandmoff. Sent my way via fischek.
"Hoy lo pasamos increible tocando temas de JMJ. Aqui pueden ver un momento entretenido. Esta es la version de Memo Scope.

Melodia: DIVO - Roland D-50 as a Controller
Strings: VARO - Korg 01/Wfd
Solo: MEMOSCOPE - Yamaha SY99 as a Controller

Today we had a great day playing some Jarre songs... Wow... we had a really god time isn't? Memo made this very good new version of this great song."

serge modular56


YouTube via cray56. Follow up to this post.

Snuff Box - Empty Room


YouTube via Exulus.

"Empty Room Suicide song." Via Suit & Tie Guy of STG Soundlabs:
"Matt Berry is one of the actors on The Mighty Boosh, he plays the owner of the zoo i believe. anyway this is from a show he did called Snuff Box. this skit is a parody of Edgar Winters' Old Grey Whistle Test appearance. i think it's important to point out this isn't pissing all over synth rock ... it's fairly obvious Matt and his friends are pretty intelligent dudes who can love something and laugh at it simultaneously. it also seems like he actually played the lines you hear on an SH-1000, and there's a bunch of EU-format modular stuff with a Minimoog sitting on top of it also in the shot which don't get used: for reference, this is the quite fantastic Edgar Winter clip being referenced:"

Edgar Winter Group - Frankenstein (previously posted)

YouTube via joneps.

And two more not directly synth related:
snuff box guitar lesson


Dark Place Opening Titles


"and these are the opening titles to Garth Marenghi's Darkplace, which was another series Matt Berry was in with another comedian/musician named Matthew Holness. if this doesn't make you want to go watch all 6 episodes in a viewing binge i don't know what would"

Build a Not so Ghetto Talk box out of a Toilet Plunger


YouTube via widgetphreak
"WidgetPhreak shows you how to build a ghetto talkbox with some simple household tools (plumbing supplies, pc speaker, and a toilet plunger)"

The Ghetto Talkbox

YouTube via mootbooxle. Funny I always thought it was moot-boo-il like pop-si-cle.
"MooT BooXLe demonstrates how he made a talkbox out of common parts, for a very small amount of money and time. The idea for this project came from paranorm's article here. NOTE: This will NOT give you a sound like a pro talkbox, but it's cheap, easy, and fun."

Follow up to this post.

You might recognize Mootbooxle from these videos:
MooT BooXLe's Synthesizers.com movie


Explosion - An improvised synth solo

Serge Modular TKB Doepfer Plan B Livewire Panther


YouTube via cray56. "Serge TKB"
"Serge/ Plan B/Livewire/Doepfer/CGS Panther modular . Using the TKB as sequencer."

Casio CZ-101

images via this auction

Touched By Sound Clap Cussion ACM2

images via this auction

"The ACM2 is a German made analog clap synthesizer capable of many kinds of clap sounds due to the number of, and range of the clap real-time controls.

ACM 2 Features:
* Quality analog clap synthesis
* 7 real-time sound controls and master volume:
o Decay Reverb
o Reverb (Length)
o Clap (Spacing)
o Noise
o Resonance
o Filter (Frequency)
o High Pass (Post Filter)
* Trigger button for manual claps or via MIDI
* 19" 1U
* AC adapter included"

Simmons SDS800

images via this auction

"The SDS 800 has 4 separate analog drum synthesizer modules: Bass/Kick, Snare, Tom 1, and Tom 2. In addition to the individual sound generators, there is a global trigger section for configuring the external triggers. The sound modules create the classic Simmons analog drum sounds, and can create a wide range of percussive synth special effect-like sounds (think bleeps, space drum, ray guns, and resonant synth drums).

Individual ¼” line outputs for each of the sound modules are located on the rear of the SDS 800, as well as a handy headphone jack on the top."

Roland TR-808 and a Poll

images via this auction

Atari Synthcart

via this auction
"custom [white] atari 2600 synth ! The bit crushing low end , this creates is unlike anything you've heard . This model is upgraded from the ones I normally sell . It has been custom painted and the controllers have been upgraded from the video touch pads and keyboard controllers that are available . The biggest and most essential add-on , is the MIDI2600 external kit from highly_liquid adding midi capabilities to this little bitcrushing Monster, without any other modifications . I have also added a 1/4 inch out put for easy use with amps, pa's mixers, computers , and more !! Thus making it perfect for many live and studio applications.

First off , I want to start out by saying that I believe in this machine. Its power is unbelievable ! The bass tone that this unit produces is one of the best I've heard. Sometimes I can't believe it's actually a 4-bit machine producing these tones. The cartridge was designed by a brillant man by the name of Paul Slocum . He's also created a cynthcart for the Commodore 64 and he's working on another cartridge for the 2600 called the Loopcart, that's actually going to be a sequencer for this machine. It should be ready by the end of the year. So you have even more to look forward to with this unit . With the synthcart you can do the following (as written on Mr. Slocum's website)


Play using an assortment of familiar Atari sounds
- Use two different sound types at a time, one assigned to each controller
- Intelligent voice management constantly re-assigns the two oscillators for maximum perceived polyphony
- 8th, 16th, and 32nd note arpeggiator
- Can arpeggiate both oscillators simultaneously
- Beat Box with many pre-programmed beats and fills
- Play two beats simultaneously to create custom beats
- Two tremelo settings
- Four attack/release settings

and now the hardware.....

oAtari 2600 fitted with a quarter-inch jack for easy use with amplifiers, PA systems and mixers
o2 upgraded controllers to play notes and drum patterns
o power supply
oSynthcart (brand new)
oOwner's manual/documentation for synthcart
o MIDI2600 kit w/ joystick extensions
o wired with a 1/4 inch output jack for easy use with PAs',mixers, amps, etc."

Update via wgungfu in the comments: "Its not a 4-bit system making these sounds, its an 8-bit. The 2600 is an 8-bit system."

RadioShack MOOG MG-1 with MIDI

images via this auction
"Although Moog built this synth for Radio Shack, Moog liked the design so much that they took the design of the MG-1, dropped the polyphony and ring mod and added pitch/mod wheels) to produce the Rogue.

Go here to find out more about the EXCELLENT 16 channel Synhouse MIDIJACK installed on this unit.

PDF user's guide and service manual (covers the principles of operation, basic repair, tune up, schematics, parts lists, etc) here.

User review here.

Some features:

* 31 note keyboard (F to C) * Monophonic
* Two tone sources / oscillators, square and saw waves
* Oscillators can be synced or detuned
* Pink noise generator
* Bell tone generator (ring modulator)
* A countour generator
* External ports for trigger and pitch
* 50dB signal to noise ratio"

Waldorf XT

images via this auction

"This is among the greatest and most original sounding and looking instruments to have come out of the 1990's, the Microwave XT. Fortunately, it sounds as great as it looks, and the burnt-orange "powdercoat" paint job is really nice, and this is one of the early models, before they cheaped out and went to glossy bright orange paint; this unit has the aqua-colored plastic cover over the LCD as well, unlike the later models. The original "fat-style" knobs are all present, all encoders and buttons work flawlessly, and the LCD shines brightly. The jacks on the rear are all intact and in flawless condition. The sound of this instrument is very versatile, going from very warm, dramatic pads with lots of movement (thanks to the wavetables and one of the nicest-sounding filters around) to some of the coldest, hardest digital timbres. 7-stage envelopes also provide endless possibilities for the dedicated programmer. The Microwave XT is descended from a line of landmark instruments that began with the PPG Wave synthesizers in the 1980s, and offers the benefit of knobby goodness for tweaking on the fly and really dialing in complexity with ease."
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