MATRIXSYNTH: Monday, April 28, 2008


Monday, April 28, 2008

Wire to the Ear takes you to Jomox.


Wire to the Ear takes you to Jomox. from wiretotheear on Vimeo.
"Oliver Chesler (The Horrorist) goes to Jomox in Berlin, Germany to purchase a Mbase 01 analog kick drum module. At Jomox the owner Jürgen Michaelis shows Oliver his workshop and toys.

jomox.de/
wiretotheear.com/
myspace.com/oliverchesler"

Update: see the write up on wire to the ear.

Modular Synthesizer Meeting 9.-11.5.2008 (Happy Knobbing)

"Modular Meeting - we” gonna do another modular synth meeting in germany.

Info: Happy_Knobbing_Modular_Meeting

& Forum: viewtopic.php?p=253849#253849"

via sequencer.de

Something Wicked This Way Comes

flickr by _mpd_

full size

Virion

flickr by _mpd_

full size

Piero Umiliani - Musica Elettronica Vol. 1

track list and link on 36 15 MOOG

I'm guessing that's EMS. If anyone knows otherwise, feel free to comment.

VA - Moog Madness (Compilation)

track list and link on 36 15 MOOG

Access Virus TI Atomizer


YouTube via pong2600. via /m. I spy Richard Devine. He keeps popping up in these videos. I swear, the next time I walk into my studio, he's going to be in there, just plugging away. "M: Hey, what's up? R: Not much. M: Cool," as I shut the door on the way out to get me a sandwich...
"Random footage from Remix Hotel 08 at the Access booth. Access folks were all showing the Virus + Atomizer, while show-goers enjoyed music, drinks and the POOL!"

Emu Emulator II Sound Designer software

via this auction
"Sound Designer software for the Emu Emulator II sampler. Includes custom cable, Apple LC III computer, MOTU Midi Time Piece interface and 98 page manual (pdf on CD-r). Does not include monitor. Note: Dual drive Emulators with s/n below 1100 may be incompatible with the software. Also, EPROMS should be version 2.1 or higher and OS should be 2.2 or higher."
via nick

Roland SH-09 with Malekko 300ms Analog Delay


YouTube via bigcitymusic
"This is the "bright" version of the amazingly awesome and affordable analog delay from Malekko Heavy Industry. Squawk!

http://www.bigcitymusic.com
http://www.myspace.com/bigcitymusicdo...
http://www.bigcitymusicblog.blogspot.com"

Mondo Modular Episode 4


YouTube via scootermccrae
"What kind of modular madman makes use of not one, but TWO Sample & Hold modules at the same time?!? Prepare to have your ears seared right off by the twinkly-dinkly beauty of randomly generated tones and whatnot.

This episode has a very special guest whom I hope will be making many more appearances as these audio experiments continue (and I hope you find her as adorable as I do).

Thanks as always to the faithful, patient and downright curious who choose to give these videos a perusal.

Scooter McCrae"

Dave Smith Prophet '08

images via this auction
"Dave Smith Instruments Prophet '08 Synthesizer Specifications:
* 5-octave keyboard with semi-weighted action, velocity, and aftertouch.
* Spring-loaded pitch wheel and assignable mod wheel
* 256 fully editable Programs (2 banks of 128) with 2 Layers (2 separate sounds) in each Program.
* 16 x 4 gated step sequencer
* Arpeggiator
* 2 digitally controlled analog oscillators (DCOs) per voice with selectable sawtooth, triangle, saw/triangle mix, and pulse waves (with pulse-width modulation), and hard sync.
* White noise generator
* 1 Analog Curtis low-pass filter per voice, selectable 2- and 4-pole operation (self-resonating in 4-pole mode).
* 3 Envelope Generators: filter, VCA, and assignable (four-stage ADSR + delay); Envelope 3 can loop.
* 4 LFOs
* Glide (portamento): separate rates per oscillator.
* Analog VCAs

Ins and Outs:
* MIDI In, Out, Thru, and Poly Chain
* Main stereo audio output: 1/4" unbalanced
* Output B stereo audio output: 1/4" unbalanced
* Sustain pedal input: accepts normally on or normally off momentary footswitch.
* Pedal/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages).
* Headphone output: 1/4" stereo phone jack.
* Includes power supply for 110V 240V AC operation (13-15 VDC, 400 mA) and operation manual.

Dave Smith Instruments Prophet '08 Synthesizer Features:
* Two analog oscillators per voice
* Classic Curtis analog low-pass filters
* Extensive modulation routing capabilities.
* Four-on-four splits and layers with separate stereo outputs for each layer
* Arpeggiator, gated 16 x 4 step sequencer, and LFOs all syncable"

Waldorf Q

images via this auction

KORG DW-8000

images via this auction

The BIN on this one is low. Always be careful. Always buy with a CC that will cover you should the deal go south.

MFOS WSG Weird Sound Generator



images via this auction

"MFOS--- Music From Outer Space---- WSG----Weird Sound Generator!!!! Analog Synthesizer---Noise Funk Box!!!! This one is in perfect condition, built by Ray Wilson of MFOS himself"

RS370 Polyphonic harmonic generator - Samples

via Bakis on AH:

click here for the samples

"For the above audio demo clips the following has been used: apart from the sound source that is an Analogue Systems RS-Integrator modular (including two RS370's, two RS375's and two RS290's), many Doepfer envelopes, multiples, mixers, vca's, lfo's, plus Metalbox/CGs, sequential switches, Gated Comparators, Burst generator, Pulse Divider/ Logic, VC Divider, Gate Sequencer, Digital Noise, plus Blacet VCO's, Attenuator. Reverb, Delay and Chorus from Sony and Roland Digital Effect processers have been also added sometimes."

MOONMODULAR trigger sequencer M563


YouTube via moonmodular. via moonmodular in the comments of this post.
"Prototyp test of the M563.

Text from the http://www.Matrixsynth.blogspot.com YUSYNTH says: "This Moon Modular 563 module is apparently the commercial version of a module that was custom-made for Gert Jalass. For Xmas 2006, Gert Jalass sent me a Xmas card showing his sequencer unit including two prototypes of the module that were labelled 963. This is a four voices 8 steps trigger sequencers.
Each switch has three states:
Trigger on, OFF, reset.
The pulse width of the triggers can be adjusted independantly for each row.
The module has a clock of its own, but each row can be independantly driven by an external clock."

The M563 drives two ARP sequencer, one ARP for the VCOs and the second for the VCF of a minimoog."

Amplitude Modulation, AM

"What is amplitude modulation?

In order that a radio signal can carry audio or other information for broadcasting or for two way radio communication, it must be modulated or changed in some way. Although there are a number of ways in which a radio signal may be modulated, one of the easiest, and one of the first methods to be used was to change its amplitude in line with variations of the sound.

The basic concept surrounding what is amplitude modulation, AM, is quite straightforward. The amplitude of the signal is changed in line with the instantaneous intensity of the sound. In this way the radio frequency signal has a representation of the sound wave superimposed in it. In view of the way the basic signal "carries" the sound or modulation, the radio frequency signal is often termed the 'carrier'."

You can read more about AM here.
Note the John Bowen Solaris features AM. You can read about that here.

"Good Evening Mr.Echo" Gattobus LIVE Experiment


YouTube via gattobus
"I made this video about a month ago. It was an experiment using an old Ibanez Analog Delay AD100 I found at work in the shop. The song wasn't very good so I didn't upload it at first, but... what the hell... It was fun while playing it, so here it is...
I also added some tutorial comments about the sounds..."

Universal Techno - Thema Arte



AQ Interactive Korg DS-10

flickr by jochenWolters
(click for more)

full size

Inside a Roland SH2 Synthesiser

via David:
"We had to replace the pot (slider) for the LFO rate as the speed varied randomly. Unfortunately we couldn’t find an exact match so the LFO now runs fast than it did before!

Now that it’s fixed, we use this synth a fair bit in our band, Destination Moon. Probably the most prominent use is in ‘Just Out Of Reach.’ This features the SH2’s white noise being filtered, with the filter cutoff modulated by the LFO in sample and hold mode. Meanwhile the bass guitar is played through the synth, so it’s filtered in sync with the white noise. Then we added violin and voice over the top, plus some whooshes (more white noise!) from an Alpha Juno.

If you think your readers might be interested in hearing this, they can download the song from
http://www.destinationmoonband.com/Reach.html
There’s no link to the download from the main part of our website, so this would be sort of an exclusive for Matrixsynth readers."

Interviews: Wowa Cwejman by Bryan Erickson.

You can find the interview on VAC.

"I took it upon myself to interview Cwejman because I need a little bit more information about his products. Well, that was one of the reasons. The other reasons were that I felt that there is not enough coverage about these products and their creators. There are a lot of synth companies out there now making new and interesting analog synthesizers that have their own sound and bring something new to the table. Cwejman makes a full synth and Modules for the Eurorack(doepfer) modular systems. I wanted to pick his brain on a few subjects regarding his products. I seriously am fed up with most magazines that cover this gear. I wanted an even more in depth form of covering and asking questions about this gear that true synth-nerds will understand. I cannot thank him enough for answering my questions."

Hamster plays Opal Sonome


YouTube via notepool2.

via brian c, via Deviant Synth. You can find more info on the Opal here.
"Hamster Sammy enjoys improvising on an Opal Sonome. She gives herself a little wash and clean while holding down a minor 9th chord! The plastic sphere is her means of transport while chasing humans across the kitchen floor, her equivalent to a skateboard or bike!"

Dan McPharlin Exhibition at LA Modernism

Exhibition: LA Modernism

Selected miniatures will be available at the show.
2 - 4 May 2008
Santa Monica Civic Auditorium
1855 Main Street
Santa Monica, California

www.lamodernism.com
www.conversomod.com

via Dan McPharlin

Update: the piece featured on the cover of Wallpaper will be included and for sale.

Wrapping Rainbows - Shagghie - Rozzbox demo



"K-
This track was recorded live, in a single take.
Rozzbox into Eventide TimeFactor, into E-H 2ube pre running two 1949 Wurlitzer 12Ax7's out of my old 4100BD organ.
That went straight into Logic Studio 8, along with the Jomox xbase 888 on the drums using some simple, but effective patterns.

I chose not to sequence the melody, but rather played it by hand, while reserving my left hand for the Rozzbox knobs. This helped me do legato pads and velocity emotionally. I rehearsed the general idea twice, but then just 'let it out'.

Backstory.. my girlfriend Kate couldn't sleep one night. I got a text message from her. So I awoke, went to studio that was lit only by a blacklight, and fired up the rozz and the 8's, etc. 2 hours later, is what you hear here.... a lullaby called "Wrapping Rainbows" that shows the Rozz's beauty and the beast....and expresses my love for my girlfriend. I emailed her the .mp3 to her iPhone..she popped in some earbuds, and awoke the next morning with a pillow that was still wet from the tears she cried.

I've never known a synth that can capture and *convey* so much raw emotion so effectively.

Now, if you would just come out with that ENGLISH manual! :)

Shagghie"

KORG SQ10 plays the MS20 Patch

follow-up to this video post. You can find images of the patch setup here.

via Newueel
via dbm

"In The Stu-Stu-Studio" - Roger Joseph Manning Jr


YouTube via rjmanningjrmusic. via Benjamin in the comments of this post.

KRAFTWERK "Die Roboter" Tribute Cover


YouTube via gattobus
"This is my tribute to Kraftwerk, the fathers of electronic music. I used the Nord Modular G2 for all the sequenced stuff and for vocoder, Moog Little Phatty for the lead sound and Virus TI for FX. Enjoy!"

ER1+ES1+MS2000R Jam


YouTube via shadowfac
"This is an improvisation with the Korg ER-1 and ES-1 electribes and a Korg MS2000R synthesizer."

OMD Live in Paris 1979 / Intro Statues Bunker Soldiers


YouTube via PlastikOD. Anyone know what synths they used back then? I spotted a KORG MS20.

Update via Micke in the comments:
"The material on their eponymous debut album was recorded around that time, ie from mid-to-late 1979.

On that album they used the following setup:
Korg micro-preset
Selmer pianotron (type of electro-mechanic keyboard sounding not unlike vibes or a xylophone)
Elgam Symphony combo-organ (2-manual) and Vox Continental.
Korg MS-20
Roland CR-78 drum-machine
and a left-handed bass-guitar."

DELIA DERBYSHIRE- "The Wizards Laboratory" (1972)


YouTube via funknroll

"The Women of ELECTRONIC MUSIC! From the 30's to the 70's!

Before synthesizers, electronic music was honed the hard way in universities, by splicing tape loops, distorting sounds, endless dubbing, and blind instinct. Here are the timeless women of future music who created our present...

Since the 1930's, CLARA ROCKMORE was the master of the notoriously difficult Theremin, and later championed by synthesizer-creator Bob Moog; LOUIS & BEBE BARRON created the first all-electronic score for the film "FORBIDDEN PLANET" (1957), using oscillated sounds and tape loops; //STUDIO d'ASSAI (Paris): Danish ELSE MARIE PADE studied under musique concrete founder Pierre Schaeffer, becoming a noted composer; ELAINE RADIGUE used the Buchla and Arp synthesizers in her work, heavily influenced by Buddhist meditation, and records now with laptop improv group The Lappetites; MICHELE BOKANOWSKI has composed for film, televison, and theatre; //BBC RADIOPHONIC WORKSHOP (London): ...was created and directed by DAPHNE ORAM, inventor and sonic pioneer; she was followed by DELIA DERBYSHIRE, who brought Ron Grainer's "DR. WHO" theme to brilliant, eerie life with her studio wizardry; MADDALENA FAGANDINI co-created the proto-Techno single "Time Beat/ Waltz In Space" (1962) with young producer George Martin under the alias 'Ray Cathode'; GLYNIS JONES produced some of the Workshop's classic albums like "Out Of This World" (1976); ELIZABETH PARKER scored many BBC shows including "BLAKE'S 7", and was the person to see the Workshop out in its 1998 finale; //Fluxus performance artist YOKO ONO expanded John Lennon's mind and range with electronic music, musique concrete, and 'happening' experiments; //COLUMBIA-PRINCETON ELECTRONIC MUSIC CENTER (New York): A premiere focal point for international composers since the 50's, including composer and Associate Director PRIL SMILEY; ALICE SHIELDS combined her operatic voice and poetry with the revolutionary synthesizers of the late 60's and early 70's; teacher DARIA SEMEGEN wrote traditional classical music as well as electronic; WENDY CARLOS had massive mainstream success with the all-synth "Switched On Bach", before writing groundbreaking film scores for "A CLOCKWORK ORANGE," "THE SHINING" and 'TRON"; nearby at Bell Labs, LAURIE SPIEGEL spearheaded computer graphics and software design as well as new music; maverick ANNETTE PEACOCK went from Free Jazz piano to the first synthesizers, threading her early 70's raps and rock with freeform electronics; //Argentinian BEATRIZ FERREYRA, who also studied with Schaeffer, is an esteemed composer and teacher; //SAN FRANCISCO TAPE MUSIC CENTER: The crucial West Coast electronic center, including Morton Subotnick, Terry Riley, Steve Reich and PAULINE OLIVEROS in 1962; it moved across the Bay to become the... //CENTER FOR CONTEMPORARY MUSIC (Mills College, Oakland, CA): Oliveros was the first Director, perfecting her signal processing system for live performance; student and now Co-Director MAGGI PAYNE trailblazed video imagery and record engineering along with her music; alum CYNTHIA WEBSTER played in the early synth band Triode, founded electro mag SYNAPSE, and now runs Cyndustries designing software for electronic music, such as the Zeroscillator.

Their innovations led to Progressiv Rock, Krautrock, New Wave, Coldwave, Darkwave, Electro Funk, Industrial, Techno, and Electroclash. Their fringe future music is now the soundtrack of today.

DELIA DERBYSHIRE: This song is from a 1972 LP called "Ultrasonic", collecting music library pieces Delia scored for use in TV shows. It was recently issued on CD, as was "Oramics" by Daphne Oram:
http://www.boomkat.com/item.cfm?id=89395
http://www.boomkat.com/item.cfm?id=35793

See also:
ALICE SHIELDS -"STUDY FOR VOICE AND TAPE" (1968)


"Sound, the infinite frontier! Science had chopped the world into atoms, components from which to build. Modern art deconstructed reality, reconstructing our perceptions of it. And the first Electronic Music likewise took apart sound and turned it inside out for new compositions. Vladimir Ussachevsky founded the first Electronic Music Center jointly with Columbian and Princeton universities in 1952. He brought in avant composers from countries worldwide with new perspectives and radical expirementation. This included women like Daria Semegen, Pril Smiley, Wendy Carlos, and Alice Shields. In the 50's, Electronic Music was distortions of recordings. Sounds on a tape recorder would be manipulated by feedback, repeated spliced loops, overlapping tracks with multiple recorders, and using oscillators and reverb to sculpt the tempo, tone, or texture. This prevailed in continually advancing ways well through the 1960s. Alice used these techniques in creating this composition. A gifted mezzesoprano, she first sang a poem she'd written. She accompanied this with the first analog Buchla synthesizer, a rare and recent device only beginning to draw the attention of the hippest pop musicians. She then manipulated pitch and speed in textural patterns to supplement the freeform song. This was the cutting edge music of the future, usually heard only in academic circles. But it made its way into film soundtracks (from FORBIDDEN PLANET to Wendy Carlos' A CLOCKWORK ORANGE), Fusion Jazz (Miles Davis, Herbie Hancock), Progressive Rock (from George Harrison's 1969 ELECTRONIC SOUND to Krautrock and Kraftwerk), Funk (Stevie Wonder's T.O.N.T.O., Bernie Worrell), on to the synthesizer explosion of New Wave, then Hip Hop (from Bambaataa's ElectroFunk to Public Enemy's radical sculptures of noise), Industrial (synthetic abrasion), and the Electronica music of today; as such, Alice Shields is a godmother of Le Tigre, Peaches, Chicks On Speed, Lesbians On Ecstasy, and Ladytron, to name a few."

MALARIA! -"Your Turn To Run" (1982)

"The Women of 80's ELECTRO! Coldwave, Darkwave, Synthpop, Industrial!

As synthesizers got smaller and cheaper through the 70's, 'future music' went from acedemia to the street. Punk, PostPunk, Funk, and HipHop artists brought attitude and new styles into the pop vocabulary throughout the 80's that forged the music of today. Here are many women from the first Electro rock era..."

http://www.cyndustries.com/woman.cfm
http://www.newyorkwomencomposers.org/...
http://www.aliceshields.com/
http://www.imtheone.net/annettepeacoc...
http://whitefiles.org/rwg/index.htm"

Atomic

via tconrardy on the forum.
"Atomic is a 16 step sequencer composing tool with a built in synth that also has the ability to control other softsynths or even hardware via it's MIDI out function. The design is circular which allows a different approach to composing and sound design.

Inspired by circular step sequencers such as the Buchla Arbitrary Function Generator and Future Retro Revolution. Dedicated to Electronic Music pioneer Allen Strange (1943-2008).

Features
Sequencer:
-16 step sequencer in a circular design with 3 rows: Seminotes, Velocity and Gate
-BPM Rate with 5 modes including random.
-Separate rhythm grid
-Advanced arpeggiator with separate rate, 5 modes with gate and octave controls.
-Latch mode for continuous play as well as indevidual mute for each step.
-MIDI Out for use in modular hosts which also includes LFO's and step modulators to control external vst's or hardware.

Synth:
-2 Oscillators with 14 waveforms including additive partials.
-Separate phase controls, and detune and octave tune as well as harmonic tuning mode.
-VCF with 4 filter types with velocity control.
-2 dedicated envelope generators, one for amp and one for filter.
-2 LFOs, Sub Oscillator, Step Modulator, Random Generator, and Keyboard control with zone and mod wheel assign which includes sequencer controls for step, and rate.
-Comprehensive mod matrix.

Effects:
-X-Y delay with separate multimode filters which can be modulated via mod matrix.
-Spacial stereo reverb
-Phaser with wide sweeping range.

Master section with volume, pan and tuning
CC map for hardware MIDI knob controllers.
Presets by Tim Conrardy and Boris K.

Demo link.
The demo is restricted by a voice-over every 30 seconds or so, as well as MIDI out disabled.

Pricing:
$39.99 USD 25.31 EUR

Web page and demo tunes.

============================
For more information on our other products as well as our acclaimed freeware,
visit the AlgoMusic site."

AHNE 2008: reactable demo


AHNE Reactable Demo from stretta on Vimeo.
via The Stretta Procedure

Origin Trailer


YouTube via Arturiaweb. "Trailer of the upcoming Arturia 's Origin"

Noise Box


Noise Box from Collin Cunningham on Vimeo.
"Loud Object's Noise Toy cased up with an RGB LED + 2 channel color organ"

The Lunar Experience Moon Modular

http://www.moonmodular.com.
Anyone know more about this one?
Update via Yusynth in the comments:
"This Moon Modular 563 module is apparently the commercial version of a module that was custom-made for Gert Jalass. For Xmas 2006, Gert Jalass sent me a Xmas card showing his sequencer unit including two prototypes of the module that were labelled 963. This is a four voices 8 steps trigger sequencers.
Each switch has three states:
Trigger on, OFF, reset.
The pulse width of the triggers can be adjusted independantly for each row.
The module has a clock of its own, but each row can be independantly driven by an external clock."

Update: see the video below via moonmodular in the comments.



MOONMODULAR trigger sequencer M563
YouTube via moonmodular

Modular Casio SK-5 Bent by Oceanus, the Vince Clarke Machine


YouTube via xd515. images via this auction
"in a modular design, with a intergrated Speak and Spell called the 'Vince Clarke Machine'.. not endorsed by Vince but totally capable of making erasure'esque sounds!

Over 100 man hours went into putting this beast together and it has many technical bends previously unheard on the SK, such as the spacial distorter the Auto bend ( as on my modular SK-1 but now syncronised to the internal clock signals ) and the ability to re-program the percussion patterns.

Sadly I can't show all the features in the 10 minutes youtube allow, It can also separate and solo any one of the 4 channels, has separate Percussion / Speak outputs, will sync the autobend to the address bus, you can switch of the internal highpass filters etc.

The Intergrated Speak and Spell has it's own LFO and I have a similar one here on youtube.

This machine may also be for sale for a sensible offer.. :-)

Some hi-res pictures and sound clips can be downloaded from here:
http://www.mediamax.com/oceanus_creat...
http://www.mediamax.com/oceanus_creat...
http://www.mediamax.com/oceanus_creat...
http://www.mediamax.com/oceanus_creat...
http://www.mediamax.com/oceanus_creat...

Oceanus
"

Kawai K5000s


images via this auction

MOOG TAURUS 205A

images via this auction

Inside a MOOG Taurus.

Crumar Performer-2 Flyer/Ad

via this auction

"Single page lists features and specs."

Conn Electric Band


via this auction

Anyone know what these sound like?


via the auction:

"This has a drum machine or beatbox, with cheesy analog beats programmed in. Adjustable Tempo and styles. It has a bass synth note that plays patterns underneath, in time with the drums, and in the key of the bass note you hold (black keys on bottom octave). It has a GREAT lead synth - very much like the ARP Pro Solist or MOOG Minitmoog. There are various Presets. The Space Junk sound,(which was the inspiration for the Devo song of the same name!), is alone worth the price of admission. There is also a panel on the Right side for creating your own lead sound. There are outputs on the back (1/4") and tuning controls for the bass and synth. Last (but not least!!) it has built in SPRING reverb. Adjustable from "barely on" to "WOW" all the sounds run through it - it's on the drums, bass, lead if you want it. And the maximum setting is very dark and long, underwater sounding."

Also see this one.

Shot of the inside.

Roland Juno-60

images via this auction

Inside a Roland Juno-60

"The unit was just serviced with a new battery and was re-programmed at the same time."

Sequential Circuits Six-Trak

images via this auction
"Another classic from Sequential Circuits! The Six-Trak is a six-voice polyphonic multitimbral analog synthesizer with a complete MIDI implementation. Each voice has two oscillators [actually, it only has one OSC per voice]. It's capable of playing six different patches at once via MIDI, playing six-part polyphony via the keyboard, or stacking all six voices--a total of twelve oscillators!--for one huge analog sound."

Roland Juno-106

images via this auction

Oberheim Matrix-1000

images via this auction

Waldorf Blofeld


images via this auction

Crumar Performer Schematics


images via this auction

"Crumar Schematics
- 10 pages of schematics for the Performer
- Performer Parts List
- DS 2 and Performer Interface guide (2 pages)
- one page of handwritten service info about the performer
- one page schematic for the C.P.B-1
- five pages of schematics for the O.M.B 2 synth (photocopied)"
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