MATRIXSYNTH: Tuesday, August 19, 2008


Tuesday, August 19, 2008

Tristable oscillator by OLD~NICK


YouTube via ProfessorMatic. "NEON SYNTH OSCILLATOR"

Roland V-Synth Depths


YouTube via Gtechture. "Original program by gtechture"

analog patch Aug 19th


YouTube via dkimcg
"More tools at the same time, sequenced by the Revolution."

Remco SoundFX



fickr set by kbudd777
(click for more)

Be sure to click on the "All Sizes" link for each image on flickr for the full size shot.

Stuff in My Room

New Malekko Euro Module

"Heres a sneak peek of our new first Euro module coming out. We are very excited to offer a 14hp 600ms analog delay with a feedback loop and voltage control for everything, delay time, mix, feedback, even the feedback amount for the loop!

It's a fantastic sounding delay, it's not too dark, not too bright, extremely low distortion, and zero clock noise! The repeats degrade perfectly, also there is a limiter so when the feedback goes into oscillation, it doesnt blow out your speakers! Analogue Haven will be the exclusive U.S. dealer, other than direct through our website http://malekkoheavyindustry.com.

They should be available mid September and a target price of 285.00.

We would also like to publicly thank Shawn Cleary, John Loffink, and Mike Brown of Livewire, without their help from my constant badgering through emails and phone calls, this would have never been accomplished!

And yes, expect more Euro modules from us soon!!!!!

thanks
Josh"

ThingamaKIT hack


"ThingamaKIT bent for Hack a Day by Logan Williams"

Machinecollective.org

"It took some time to get everything up and running, but it’s finally here: Machinecollective.org! The site is currently in public beta state as there are still some parts that need attention.

Our final prototypes will be produced this week and our website is almost completely done. Our prototyping modules will be available early september, when the webshop is ready for business. In the meantime we would like everyone to sign up for our forum and start discussing their projects, plans and requirements.

The picture above shows our final prototypes. We made the sides from thin laser-cut acrylic so it’s easy to see if everything fits. The side panels of the final prototyping modules will be made from a high tech aluminum sandwich material which is also thin but much stronger than acrylic. The picture above shows a few different configurations, which are, from left to right:

* - Rotarypot 16 - 16 x panel mount 10K rotary potentiometers
* - 4.5″ LCD - for pal/ntsc video signals
* - Monome 10h - for monome keypad kits
* - Slidepot 16 - 16 x 10k slide potentiometer with 30mm travel
* - Spark 16 - for Sparkfun silicone keypads with support for RGB leds
* - Slidepot 6 - 6 x 10k slide potentiometer with 70mm travel
* - Patchbay 25 - 25 x High quality banana jacks, can double as body contacts
* - Toggle 16 - 16 x panel mount SPDT toggle switch
* - Rotarypot 4 - 4 x panel mount 10K rotary potentiometers"

http://news.machinecollective.org/

Fun with the Analogue Systems rs290 Sampler/Delay


YouTube via bigcitymusic
"Here we put a beat from the Machinedrum into the rs290 in 'sample mode' to create a loop.

Using CV outs from an envelope generator you can start and stop playback and recording. We use a third EG to modulate the sample pitch/speed and then try out different waveforms from an LFO. You also have direct knob access to the sample start and end times which can be great for repeater-type effects.

This module has a great digital delay with delay times up to 26.8 seconds and also has a great sounding tape delay mode. You can save presets too! There's also an expander module which gives you MIDI control over sampler functions, the rs295.

http://bigcitymusic.com/product.asp?c...
http://www.bigcitymusic.com
http://www.myspace.com/bigcitymusicdo...
http://www.bigcitymusicblog.blogspot.com"

Vintage Synths Vol 1 - KORG Poly 800


YouTube via triumphthruxton
"Vintage Synths Vol 1 - KORG Poly 800
German synth historian Matthias Becker produced a CD series back in 1990 with tracks made with one synth only. The CDs were named "Synthesizers Von Gestern Vol 1/2/3". This track was composed by Klaus Stülen at Originalton West Studio / Köln."

Vintage Synths Vol 1 - Oberheim SEM


YouTube via triumphthruxton.

Another Synthesizer Von Gestern track.

Note I added the CD to my Synth CDs section.
"Vintage Synths Vol 1 - Oberheim SEM
German synth historian Matthias Becker produced a CD series back in 1990 with tracks made with one synth only. The CDs were named "Synthesizers Von Gestern Vol 1/2/3". This track was composed by Klaus Stülen at Originalton West Studio / Köln."

ARP Odyssey

images via this auction

Soundlab Analog Modular Synth


images via this auction

"Listen to mp3s and more pictures at www.healthclub-music.com/scribbles.htm

This is Health Club Music's Soundlab analog mini synthesizer. It has two VCOs, one LFO, one Attack-Release Envelope Generator, one Band Pass/ Low-Pass VCF (self-oscillates with resonance up), one Sample and Hold, one Mixer, and one VCA. It is patchable with patch cables so you can play it with many different analog synthesizers.

The two ramp VCOs have inverted level shifters and have both ramp and sawtooth outputs. VCO 2 has an additional square wave output and a pulse width knob. There is a Pulse Width Modulation input on VCO 2. There is a Sync switch which allows the two oscillators to sync. VCO 1 has a Mod input, which is the CVII jack. These oscillators are scaled to 1V/octave, so it will track a keyboard that is also 1V/octave like most Moog keyboards and Roland synths. They can play many octaves in itself.

The Attack Release Envelope Generator has a Loop switch which allows the Envelope to repeat on one of two sources. With the switch on internal repeat, it loops on the gate, and with the switch on the "down" position, it loops on the Sample and Hold's gate output. You have to have an input going to the Sample and Hold. With the AR internal repeat on, you can use the AR like an LFO.

The Sample and Hold has a portamento control, and an input and output jack. It sounds great with the LFO's triangle output plugged in, it sounds like a sequenced melody. The LFO's square wave output works when the wave shape switch is switched onto the center triangle position.

There is an audio input jack and a mixer knob for the audio input. There is a pre-amp on the audio input, so you can plug a guitar into it and can also be used for distortions. There is another pre-amp circuit after the filter and before the VCA. There is also another pre-amp on the main output, so you can listen to this synth on headphones.

Runs on 2 9V batteries.

There is also a chalkboard surface on the back of this synthesizer, so you can carry it by its rope handle and scribble down your ideas on the back with chalk. Some chalk is included, of course, in the red felt pouch beneath the battery holder.

The circuit on this synth is based on a design by Ray Wilson. Check out www.musicfromouterspace.com for more of his exciting analog projects and PC boards."

Moog Prodigy

images via this auction

Sequential Circuits Model 700 Programmer

images via this auction

inside...

Access Virus C

images via this auction

"32 note polphony, 4 oscillators, 2 filters, 3 LFOs, an expanded mod matrix with 6 source and 9 destination slots, 98 effects"

BugBrand BugCrush 08 Desktop Filter/Rate Reducer/CV EXP

via this auction
"*Info from Tom Bugs @ BugBrand.
BugCrushers:
BugCrushers are Sample-rate Reducer pedals - I guess I confused things by naming them Crushers - just to be clear, they are not actually Bit Crusher effects! If you look at a standard BitCrush plugin you have controls for Bit Depth (thats the part I can't (yet) do - I work in analogue) and Sample Rate -- my pedals just do the second bit. That's not to say they're sonically lacking - the sound of RateReduction is very fine - at high rates you get fizzly distortionary sounds, while turning down the rate brings you into sounds quite like ring modulation (though perhaps more musical?) - really great for droning!
In technical terms the BugCrusher uses a Sample & Hold circuit running at audio rates. Sample & Hold is found in various analogue synths, but generally running at low frequencies to provide randomised voltage steps. The circuit is often fed from a pure noise source (so you've got randomness) and then clocked by an LFO.
BugCrushers currently come in three standard forms:
BugCrusher08, BabyBugCrusher, BugCrusherMicro

BugCrusher08
"Released Jan08 in a batch of 8
Here's the new and updated big version BugCrusher! Its a desktop unit with quite a complex design (check the block diagram in the photos) that packs in many features -> analogue rate reduction followed by a resonant filter, plus voltage control so that rate and/or filter can be controlled with an external CV or expression pedal.

* Input preamp for guitar or line level signals - switchable Hi or Lo gain plus input level control
* Voltage controlled Crusher circuit ranging from fizzle-highs to drone-tone lows, with a large chickenhead dial for the master CrushRate, plus variable modulation depth from an external source
* Pre-filter mixer to blend the dry and crushed signals - also with switchable phase inversion on the crushed signal for a extra mixing possibilities (audio phase cancellations!)
* Voltage controlled Filter with switchable LoPass or BandPass responses and variable resonance. This has a main Cutoff dial plus variable modulation depth
* Switchable output levels for guitar amps (lo level signal) or mixing desk (hi level signal)
* External input switchable between CV or Foot Pedal, with variable modulation depth for CrushMod and/or Filter Mod - ie, you can use a standard expression pedal to change the Crush Rate or the Filter Cutoff - or both at the same time - or use a CV (standard +/- 5v) signal from an analogue synth
* Electronic true-bypass switching with input socket for an external momentary footswitch - the main big red bypass button is NOT suitable for foot operation!
* Powered by an external 12vAC plug-in power pack (supplied)
* Housed in a metal case measuring 12.5 x 12.5 x 7.5 cm"

Ensoniq Fizmo

images via this auction
"The Ensoniq Fizmo was Ensoniq's last attempt at creating The perfect synthesizer. The Fizmo is a 48-voice synthesizer which uses 2nd-generation Transwave technology to create very organic sounds unlike any other synth available. Every programming function has its own dedicated knob or button, and there is a limited but useful 4-character LCD display. The Fizmo features an Arpeggiator and 24-bit VLSI effects with 41 algorithms, including a Vocoder and the ability to process incoming audio through the Vocoder and effects.

Transwave synthesis uses wavetables of sound data with layered variations in harmonic structures such that their timbres progress naturally from one end to the other. This allows for sounds to modulate over time, or by velocity, wheel, pressure, or any number of other options. Just like Waldorf MicroWave and PPG WAVE.

There are 2 oscillators available for each of the 4 presets allowing for 8 unique oscillators at the same time, not to mention individual LFO and Noise generators for each Osc. Another wonderful feature is the ability to stack up to four individual presets together into one sound and map them across the keyboard. This synth is very capable of some very complex sounds.

The built-in Arpeggiator has 118 presets which can be easily edited to your liking, and 26 real-time control/editing knobs make mutating your sound a pleasure. All controls may be recorded in real-time to an external sequencer.

Lots of info including audio demos HERE and THERE"

MFB 502

images via this auction
"The full analogue MFB-502 is a drum computer with versatile sound and intuitive realtime control. Its easy, TR-808 style, integrated step sequencer offers memory locations for 72 rhythms and 8 songs. The following instruments are included:
Kick Drum with adjustable Attack, Pitch, Decay and Level. 2 programmable pitches. Individual output.
Snare Drum with adjustable Attack, Noise, Pitch and Level. 2 programmable pitches. Individual output.
Hand Clap with adjustable Attack, Tone, Decay and Level. The number of virtual claps can be programmed.
Tom with adjustable Attack, Pitch, Decay and Level. 3 programmable pitches.
Bongo with adjustable Attack, Pitch, Decay and Level. 2 programmable pitches.
Cymbal with adjustable Attack, Tone, Decay and Level and individual output.
Open and Closed Hihat with adjustable Decay and Level and individual output.

The stepsequencer has memory locations for 72 rhythms and fill-ins. The 8 programmable songs allow to chain up multiple rhythms.
The additional stereo output is used alone or in combination with the individual outputs. MIDI In: The MIDI Input allows dynamic triggering of the internal sound sources by any MIDI source - keyboard or sequencer. The sequencer can also be synchronized to MIDI-Clock.
Dimensions: W/H/D 175 x 38/72 x 125 mm. External power supply included.
· 7 analogue instruments
· integrated 16 step sequencer
· 26 controls for Attack, Decay, Pitch and more
· Kick and Snare each programmable with two different pitches
· Tom programmable with three different pitches
· Memory locations for 72 rhythms and 8 songs"

Audio demos HERE

Korg Trident MK1

images via this auction

"Korg Trident vintage analog synthesizer. It is an original MK1 version which is more rare than its counterpart .... the MK2."

via baptman
Anyone know the main differences between the two?

Synthesizer von Gestern - Rhodes Chroma Tracks

You can listen to two Rhodes Chroma tracks on the Rhodes Chroma site. You will also find the full track listing with notes for Volume 1. This is a follow-up to these posts.

via Chris Ryan in the comments of this post. Chris actually hosts the excellent Rhodes Chroma site.

Flying GX-1


YouTube via cnxww893. via Failed Muso.
"this is how the GX-1 was delivered. It must be interesting for many people to see GX-1 flying."

GX-1のチューニング how to tune GX-1

Ausin and Roland JP-8000

via CatSynth. Note the wood sides and what looks like a custom paint job.

LIBRATIONS OF THE MOON 18/08/2008

You might remember this post on Liberations of the Moon. You can find pics and notes from the show here. The DIY synths are by Zul of luzart.net. He actually just started DIY synths about 6 months ago. Be sure to check the others out.

The bottom image is our friend sonicbrat at the performance. You might remember sonicbrat from these previous posts.

Photos by Yuan Zhiying

Moog Prodigy Analog Synthesizer


YouTube via retrosound72

"vintage synth demo by RetroSound

Moog Prodigy Analog Synthesizer (demo of various filter and envelope settings, Sync, FM and more);
sequenced by the SCI Pro-One (CV/Gate) and triggered by the Roland TR-606 "Drumatix"
drums: Roland TR-606

no external effects or EQ used

This video demo is not a musical statement, only demonstration of the sound possibilities of the instrument.

more info: http://www.myspace.com/retrosound72"

KORG DS-10 Pre-orders on Amazon

It looks like the pre-order page is up: Link

$39.99

AquesTone and EMX


YouTube via Denkitribe
"A traditional Japanese melody with a vocal synthesizer and a groovebox."

ENSONIQ ESQ-1

flickr by Neil Vance
(click for more synth scans)

full size

AudioCubes at Grande Massife (Germany)

"Dirk Kuntze (DJ D’Dread) from Germany, which we met at the Musikmesse back in March, reports about the Grande Massife where he played with AudioCubes. Grande Massife is an outdoor arts and music event."

More info and images on the Percussa blog.

UFO Crash Patch

via mono-poly's public channel

no doubt the system used for this recording.
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