MATRIXSYNTH: Friday, December 5, 2008


Friday, December 05, 2008

THE KEY-COLLECTIBLE GUITAR SYNTH

images via this auction
"So fasten your seat-belts & enjoy the read (and if you don't please don't tell me as I'm terribly insecure) About 15 years ago a client of the ad agency I worked for called me with an interesting question; "If money was no object (I wish!) What's the best professional performance keyboard available today--in terms of range and realism of sounds"? As I'm a part time musician all it took was a few calls to confirm it was the KORG m1. So my next question was why is the owner of well known telecom products company whose stuff was sold at every local and national retailer asking me about electronic keyboards--telephone keypads, maybe but music keyboards?!?! About six months and 3 non disclosure agreements later, I got my answer, it was called THE KEY. And it was the culmination of serious amounts of R&D time and money. The KEY was a culmination of a dream. It was designed to be an air guitar "brought to life" or an "air guitarists dream machine". Essentially it enabled ANYONE regardless how tone deaf they were to sound like the pro of their choice. Bsically the unit had "cartridges" Each cartridge was loaded with a selection of songs (usually representing a genre or artists) the guitar "part" which progressed along automatically was controlled by the "guitarist" in terms of style, rhythm, etc--in other words it was IMPOSSIBLE to play a wrong note and the variations as to how you played the right guitar parts were limited by your imagination or confidence which built along with your comfort level. If you were at all musically adept, you coud actually use THE KEY like a real guitar as the "fins" functioned as guitar strings the "rockers" on the neck functioned like the frets on a regular guitrar with the added benefit of pitch bending, classic "synth style" portimento (the note to note smooth "slide effect") and all the other stuff that was years ahead of its time. Case in point it even had "networkability: with a second KEY via a simple phone jack, plus it could even be used as a MIDI controller--right out of the box. And because the Soul of the KEY was a sound board used in the KORG M1,(which back then was over $500, JUST FOR THE BOARD) the voices are nothing short of flawless-both in solo or in full orchstral mode, Basically the unit is layed out as follows; 1)The Neck with the touch sensitive rocker frets which aside from letting you control the "tuning" of the song being played from the cartridge also make the KEY playable like a regular guitar 2) The Body which has two rows of selector buttons for; a) POWER (obvious) b) LEAD (choose the volume of lead insrtument+switch the "choice" of the lead instrument from whatever's programmed for that song to whatever satisfies our creative curiosity--imagine the signature lead giotar on LAYLA (one of the 9 songs included on the cartridge) replaced with a bagpipe , string section or sitar --all controled by you as you play it note for flawless note,,, c) SONG: How you choose the song from the cartridge d) VOLUME: self explanatory e) KEYBOARD: Guess what the "frets" can control the "strings" like a real guitar or if you want to channel your inner "Stanley Jordan" or "Andy Mcee" you can set the KEY up to play the neck as a second seperate instrument f) PAUSE: Say you get so excited by your newfound musicality you have to stop and compose yourself but dont want to lose your groove, just hit pause, take a few deep breaths, hit it again and youre back in action g) STRUMMER: Control all aspects and sounds of the action on the "fins" which is what you "strum" or pick, etc as the KEY handles the "grownup stuff" like going from note to note etc h) EXIT: How to leave program mode and start playing--'Cause people live for air guitar not air "programming" i) ENTER: How to tell the KEY what you've chosen in terms of sounds, styles, etc. Speaking of which the visual interface for the KEY is a simply elegrant red LED display--as it was designed to get you playing not programming theres no need for more confimation than the LED provides the interface and access is simple, intuitive and almost dare I say it--elegant? It was designed fot the "Master of the Universe" by day/Master of the Air Guitar by Night" so nothing mattered except for making music and the fastest, simplest way of accomplishing that--with dazzling results.In addition, theres also an "EXPRESSION" tab which is like a "Whammy bar" and a "CONTROL" tab which lets you change some stuff "on the fly" without accessing the menus. So now that you know what the KEY is and what it can do/does. here's the backstory to how I ended up with two of them; When my clients R& D team finally had the KEY to a marketable point, they realized that its $5000 ($4999.99 actually) price tag, meant it wasnt shall we say uh, Wal-Mart material. After numerous meetings, the game plan was to market it via the ROBB Report which is a magazine that targets rich folks to whom $5000 was a small price to pay when it came to realzing a dream--considering the Robb Report advertises $5000 bottles of wine, the strategy was pretty solid (even if my client and I DID agree on it!) Aside from that, the folks at Hammacher Schlemmer were shown a proto type and were more upset by the fact they couldnt get the KEY for the Christmas catalog than they were by its $5000 price tag. So here we are all revved up with a real dream product, the ultimate "adult toy" so we figured lets start the year with a "bang" and showcase it at CES (the Consumer Electronics Show) in Las Vegas...For those of you who dont know, CES is the ultimate playground for anything in gizmos, gadgets and great technology goodies. Not surprisingly the Key was a critical and consumer geek sucess. How sucessful? Let's just say that twenty out of 25 production samples were sold during the three days of the show--all at "full retail". Fast forward to 2008 my basement. As I said in the opening of this rather rambling read, aside from being an advertising creative type, I'm also a musician and over the years--like many part time musicians, with a "day gig" Ive accumulated all kinds of interesting gear and equipment, Anyway, Ive been clearing out my basement and there wrapped carefully in foam lined, road cases was not one but two--yep two KEYS. Why two? One was the reference model I was using to create the Robb Report ad and the other (based on the packing slip) was a unit sent to a member of the media--either Popular Science or Electronic Musician magazine who saw it at CES and was so taken by it, he was chomping at the bit to be the first reviewer to cover it and introduce it to the world. So why is the only place you've ever heard of the KEY in this listing? Turns out when the folks at KORG saw what magic had been done with their sound chips, they suddenly came up with all sorts of reasons why they couldnt live with the relationship --as I understood it, their egos couldnt live with being a mere chip supplier while the folks behind the KEY would get all the glory. And while there were other sound chip vendors out there, it means re-designing a goodly portion of the guts and more $$. So that locked the door on the KEY. NOTE: If you google "LONESTAR" &"THE KEY", you'll get media info about a "follow up" product that was shown at the following year's CES. Aside from using a way lower grade sound chip, the unit also employed a "stripped" down version of the technology all for which made for a lackluster experience for aspiring "air guitarists". The one's being offered here are the ones that targeted the ROBB REPORT reader and wallet. I had the follow up model as well and gave that to my nephew years ago, he liked the ultimate "air guitar" experience it provided so much that it inspired him to study trumpet...'nuff said! So here we are 2008 and I'm seeing how games like "Guitar Hero" are taking the planet by storm and I realize they're just that GAMES...Clealry not something a musician or serious collector of one of a kind"Guitar-a-bilia" can get behind and be tempted to sell their soul or first born man child in order to add the KEY to their collection. Then, to confirm, my suspicions, I ran the KEY by a gentleman named "Carmine Damico" (feel free to Google him, to see why he's the ideal guru of all things "guitarish". So after about 10 minutes it was love at first fret. Once Carmine "transposed" his years of grammy and platinum album winning talents and mastered the mechanics of the KEY, it was all I could do to ask him for it back. Did he make me an offer? Yep. But it was based on his selling some other stuff to make room for these, plus hes relocating to the West Coast, etc and much as I love musician types, I know its easier for them to part with a family member than one of their "axes", hence I said I'd look elsewhere, so here I am. Bottom line; I'm selling both as package. Based on research into similar one of a kind (or in this case two of a kind) fully functional performance-ready prototypes, the reserve is rather fair, as theres very few collectors whose collections wont be "rounded out" by the addition of these. When you compare this to whats out there today and what they sell for, the reserve on my 2 KEYS isnt gonna be cheap, but the fact that these have no comparable products, is a statement unto itself.
Re the technical stuff; both units work, the "action" on the fins and frets is flawlessly fine and the units include one cartridge (pictured) which is programmed with the following songs; LAYLA, HEY JEALOUSY, VASOLINE, ONE, IN MY LIFE, ALL APOLOGIES, THE RIVER OF DREAMS, BASKET CASE AND COME TO MY WINDOW. They work with a standard 9 volt adapter as well as 6 D cells, plus have a built in speaker that sounds pretty impressive. Aside from all this, you'll make anyone with a Guitar Hero fetish, feel very sily indeed (and sound even sillier!) As the KEY reads MIDI files, I have to believe if you google around the net (use the terms LONESTAR and KEY and take it from there), enough you'll find some video gaming related company that can sell you blanks for you to downlaod midi files on line and use the KEY like a jukebox or karaoke jukebox except with this karaoke youre playing along not singing along and its IMPOSSIBLE for you to hit a wrong note. Plus you know youll be the ONLY kid on the block whose got the KEY to taking their passion for air guitar to the next level"
via Major Babes.

Update via Mackenzie in the comments:
"I have one of these. Its in a video i put on youtube. Check it out, its kinda cool. Comes in around 38 seconds."

Logan Keyboard Duet


YouTube via tretretretretretre6. "vintage italian"

M511c


YouTube via moonmodular

My Little Robot is Alive (analog synthesizer -Nikon D90)


YouTube via pepemogt
"I am just testing some macro lemses on the Nikon D90 and making noises with this robot from Bleep Labs.

Track on background is "Rio" from my album "110" on Static Discos, all bleep noises by the Little Robot..
enjoy!

http://www.myspace.com/latinsizer"

Cwejman VM-1 Meets SH-101


YouTube via bigcitymusic
"We're using the sequencer from the classic Roland SH-101 to play the Cwejman VM-1 Voice Module / Multimode Filter.

The VM-1 is an incredible module that contains a versatile Cwejman oscillator as well as Cwejman's renowned Multimode filter. Unlike the MMF-1 the VM-1 gives you the "Mode Morph" knob which allows you to sweep through the different filter modes. These include low, band, and highpass. You also have the ability to fade between filtering the oscillator and an external audio source.

The VM-1 has 7 different oscillator waveforms to choose from and includes a control knob for pulse width. It has audio outputs for the filter and the voice. The VM-1 also has a versatile envelope section, allowing you to control both amplitude and filter envelopes in conjunction or separately. The best thing is, it sounds great."

Roland GR-300

images at this auction
"Features of the GR-300:
# 6-voice polyphony
# 2 oscillators per voice
# VCOs are directly harmonically locked to each string, but can be tuned separately
# VCF with variable length sweep up and down
# Low Frequency Oscillator, for Vibrato Effects
# Built-in foot switch controls the VCO mode (single/dual)
# Built-in foot switches control the VCO harmonize pitch (detuning of the VCO's)
# Built-in foot switch controls the VCF mode (on, bypass, or inverted)
# Pedal control input for the VCF
# The GR-300 can output either the guitar, the synth, or a mix of the two
# Synchronized, flashing LED status indicators
# Heavy-Duty Construction with Quality Components
# All-Analog Construction"

Roland OP-8

via this auction

Oberheim OB-12


images at this auction

beatles

Richard Devine & Josh Kay (Jeswa) live @ Nophest ATL 2008


Richard Devine & Josh Kay (Jeswa) live @ Nophest ATL 2008 from jeswa on Vimeo.
"Just jamming, nothing serious. A little unadulterated & obnoxious neo-acid.

RD: 808, 303 (Devilfish), Machinedrum, Monomachine, Kaoss Pad, Roland SBX-10 sync box.

JK: Doepfer Suitcase = Livewire AFG, Plan B Model15 (2), MakeNoise QMMG, Doepfer A-119, 188-1y (256), Doepfer A-149-1/2 and a few other goodies. I forget.

...and no computer."
http://devsnd.blogspot.com
http://devinesound.net/

Update via threv in the comments:
Nphest website: www.nophest.com

Rebekah Raff Joins Plan B

via the Plan B list:
"It's with great pleasure I announce that Rebekah Raff will be joining
the Plan B posse effective Monday, replacing the spot vacated by Elias
Angulo who left to pursue other interests.

Rebekah, who studied at CalArts in mid 90s, is an accomplished
harpist and contributor to the esteemed Harry Partch Ensemble. She has performed with Outkast and toured with both Britney Spears and Kanye West. In 2007 she added analog synthesis to her arsenal.

I've had the pleasure, I dare say honor, of working with her for the past year, first with analog synthesis instruction with later efforts focused more in composition. I've pleased to say I've had an effect: She and her boyfriend Andy Kaulkin named their new kitten Mort and their dog Buchla!

As a sidebar here, in the hopes of gaining her approval I have from time to time shown Buchla (she's a gal) my new circuit designs. So far she is unimpressed but I remain hopeful that future efforts will arouse more enthusiasm.

FYI, I recently mentioned this christening to Don Buchla. His comment was striking: "At least I didn't get the cat". No joke!

Anyway, give a greeting to Rebekah. We're pleased to have her wth us.

Rebekah on myspace:

http://www.myspace.com/hipharp"

Multitouch Prototype 2


Multitouch Prototype 2 from Randy Jones on Vimeo.
"8 x 8 touch sensitive array sampled at 1300 Hz. Cost: about $50 in materials plus a nice audio interface. More info: 2uptech.com/intimate_control"

Update: "Randy is teaching a series of Max/MSP/Jitter classes this Winter. See 2uptech.com for details."

Acieeed!

Digitana Micro Acid Drone in Yellow
"Just a quick message to notify you that I have decided to offer the Micro Acid Drone in yellow as well as the silver, I am currently trialling a different material for the panels, and I made one up today and it looks really nice, the faceplate is still aluminium but has a yellow polymer overlay, also the knobs are yellow and a different type, everything else remains the same."
http://www.digitana.co.uk/

Roland SH-101 + Juno-60 + TR-808


YouTube via retrosound72

"'Roland Trio'

bassline: Roland SH-101, internal sequencer triggered by the TR-808;
sweeps and pad sounds: Roland Juno-60
drums: Roland TR-808
effects: EHX Memory Man Deluxe analog delay (SH-101)"

MacBeth M5 Short Demo


YouTube via Tron01000
"A short demo of the Macbeth M5 with the sliders of the M5N.
The noise comes from the faulty mic of my digi cam - sorry."

Yamaha AN200 loop factory demo


YouTube via se7ense7

"Some own sounds (u-ser bank) and preset sounds (p-reset bank)...
Some tweaking, some crappy playing.
Only recorded for the sounds (there are too little sounds of this thing on the net)"

live pa jam - Yam AN200, juno 60 and Korg KM402


"I just puched down an arp on the juno 60 and then the 'hold' button. Made some matching drums on the an200, played a delay-ed sound on top of it all.

Sound is through a korg KM402 kaoss mixer. Just some jamming on my own."

SoundLab song.wmv


YouTube via YpsiSynth

"Excuse the bad audio. Little synth bass from the SoundLab I put together with my MV-8800 on drums (808 samples). I actually enjoy the filter on this Synth. It does not sound to bad to me. But sound is in the ear of the beholder."

【DEMO】 FuturAudioWorkshop Circle


YouTube via musictrackjp
"画期的なインターフェースを持つソフトアナログシンセ【Circle】
ミュージックトラック オフィシャルレビュー
操作性抜群の斬新なインターフェース。
新たな顔を持つソフトアナログシンセサイザーCircle登場。
レビューの詳細なレポート、高音質バージョンはMusicTrackのオフィシャルレ ビューで公開中です。"
Googlish:
"SOFUTOANAROGUSHINSE an innovative interface [Circle]
OFISHARUREBYU music tracks
Operation of outstanding innovative interface.
SOFUTOANAROGUSHINSESAIZA Circle with a new face appeared.
The report reviews the detailed, high-quality version of the OFISHARURE MusicTrack public view."

CamSpace Synthesizer Demo 01


YouTube via SephSwain
"all free Software: CamSpace v7, VST Host: Cantabile 1.2 Lite, VST Synth: Rez v2.0, VST Joystick Plugin: joystickctrl1.4
Thanks to all developers!"

CamSpace Synthesizer Demo 02


CamSpace Synthesizer Demo 03

Roland Jupiter 8 vs. MKS-80

Check out The Stretta Procedure for the full post. There is a bit more to the following snip.
"In a nutshell, the MKS-80 rev 3/4 shares a lot in common with the Jupiter 6, and the rev5 is completely different from both the rev4 and the Jupiter 8. There is no rack mount Jupiter 8."

Testing Macros

flickr by ryptide

"Testing the Digital Macro features on my new camera"

full size

KORG Kaossilator

Suade

flickr set by stuart_digitalondon
(click for more)

"Adapted Vinyl CEO photoshoot"

National geographic noise generator - alien vocaliza

via this auction via the forum
"National geographic noise generator - alien vocaliza

ok somehting more tangable , its a circuit bent national geographic ' animals of the world ' toy.Its very close in character a bent speak and spell , has that tonal sound to some degree , very chaotic and random but with alot of variables and some mad mad chants and alien animal noises , the flip switches do stuff like freeze a loop , tone , and theres a trigger button for strobbing plus an audio output .Ive done a demo below , its a crazy machine and one that creased me up - very odd and funny sounds and its a nice device.I havent seen another and its very unique and creative. demo is here ( 7mb)"

Qwong noise generator

images at this auction
via the forum

"Qwong special fx generator
ok so whats this you wonder ?Well to be honest i havent clue , i got it of someone who knew even less and said it was found in a auction sale collecting dust .It 'says ' echobox on it but to be frank it does not echo in the slightest......no its a noise generator of the FINEST quality and i really mean that , ive owned loads , used ems synthi , 4ms Tri noise generators and plenty of analogues and this is up there with them - its alive , unpredictable and defies logic , its vintage i think or has some really quality components .Ok so what is it though?

Well from the images you can see the switches.It appears to have 3 x vcd's ( 2 way latchable) ? voltage controled delays or maybe digital oscilators?They seem to be the noise component or switch in variable waveforms but it has pitch knobs and modulation and lfo knobs also and also a matrix of 8 x phone jacks ( for modular patching )It also has 2 flip switches ( one in need of a new toggle ) .Now how this all works i really really dont know and ive experimented with it and its REALLY powerfull and i mean that , this is no circuit bent toy ( with the greatest respect ) and its feel and also use aswell as sound veer towards the experimental electronics of the 1950;s. . . its an odd one , when i switched it on and got some sound going it immediately felt very different from any gadget ive ever used .I sampled this and now i am selling it but i can say without a doubt its creating sounds i cant get out of Any modular synth , freaky radiophonic stuff , at times it sounds like the things picking up satelites or something , very radio like and at times like strange transmissions are being picked up ( seriouisly !) at other times ( depending on the huge patchability and the 3 vcd switches) its more like cross modified oscillators but with very unique and digitized aswell as analogue sound.Its hard to describe but more akin to stockhausen or early electronic experimentalists and modern day benders , its really very good for vocal like fx and strange alien bird sounds and chants and stuff like this but is semi chaotic so just a small tweak or flip of switch and its away again onto something new.It feels at times like there alot of feedback networks going in it and its by far one of the most ' alive ' sound generators ive used .Ive put no reserve but i not 100% convinced i want to sell it !......it is realy cool this one and one from raymond scotts lab or it could be ! it feels like total 1950's electronics to me and its sound tends to suggest its been made with vintage components and possible some old lab gear wired together , ive used enough gear to know toy circuits as opposed to expensive components and this sounds and feels like its older and handmade.I dont think its bent but a diy project and a good one.

Heres a demo
- just a jam i did in 30 minutes - 36mb so large but i couldnt stop,No overdubs or edits , just a little verb on 1 channel .

the unit also has audio inputs , outputs and a built in speaker .Its full patchable ! anything seems to patch to anything and make weird sounds.It has a psu with it but also can be battery operated it seems."

Introducing...the QMMG


Introducing...the QMMG from MAKE NOISE on Vimeo.
"The first Make Noise product to consume current sucks up most of what was conserved by the modDemod. Inspired by the original Buchla 292. Available now."
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