watch the video here
via A: "A "speaking piano" reciting the Proclamation of the European Environmental Criminal Court at World Venice Forum 2009, concept & realization by Austrian composer, Peter Ablinger, courtesy of Viennese art collective Wien Modern. Unfortunately the clip is only available in German (3sat is a German language culture TV channel broadcasted in Germany, Austria and Switzerland). I haven't found any English reference to that amazing project on the web yet, but I think the clip is interesting for speakers and non-speakers of German alike, though!
Update via Alessandro in the comments:
"Youtube version since the one from the offical page takes forever to load."
YouTube via TheMcphearson
"A "speaking piano" reciting the Proclamation of the European Environmental Criminal Court at World Venice Forum 2009. Unfortunately it's all in German, but what the piano says is all English, and it's really neat to watch."
Update: "UPDATE: Astera on hackaday wrote a rough translation:
Pretty amazing, how all of a sudden the words of the Declaration become understandable to a European Environmental Criminal Court. Wien Modern was one out of ten cultural institutions asked for an artistic contribution to the event in Palazzo Ducale in Venice.
The ambitious goal was to make this message audible with musical means, without falling back to a simple setting.
Berno Polzer: I think, its partially understandable, partially not. And it plays well with the limits of our construction abilities. That is, we hear sounds that obviously arent normal Music, but neither they are language, and one could say that sometimes, a bridging happens. Personally, I think you can understand individual words even without knowing the text, and the Eureka moment happens when you see the text, and suddenly, the language is there.
Yet another bridge: Miro Markus, an elementary school student from Berlin, narrated the text for the performance: Youth as a hope for the older generation.
The Austrian composer Peter Ablinger transferred the frequency spectrom of the childs voice to his computer controlled mechanical piano.
Peter Ablinger: I break down this phonography, meaning a recording of something the voice, in this case -, in individual pixels, one can say. And if I have the possibility of a rendering in a fairly high resolution (and that I only get with a mechanical piano), then I in fact restore some kind of continuity. Therefore, with a little practice, or help or subtitling, we actually can hear a human voice in a piano sound."