MATRIXSYNTH: Wednesday, May 20, 2009


Wednesday, May 20, 2009

giannini 80s keyboard


flickr by msxgalaga

"giannini GK 6110 keyboard - 80s magazine (Bizz) "

anyone know more about Giannini?

Update via SynBlog in the comments: "Gianinni is an old brazilian manufacturer of musical instruments.
They built guitars , acoustic guitars ( very good ones), amplifiers ( Fender copies) , p.a. equipment , etc.
Their keyboard line was built under license of Siel ( synths) , Crumar ( pianos & strings) and maybe Seiko ( home keyboards)."

and via williampaiva: "I had one of these. By that time I was 11 and used to take Organ lessons. Once I saw my music teacher with a brand new Yamaha PSR-6300 and asked my father for a keyboard like that. And he gave me a Gianinni GK-6110. Even a 11 years old kid would get bored with this Gianinni after a few months. It was built in a cheap plastic, the keys used to get stuck and the pontentiometers were really crappy. After a year of use, the volume potentiometer got worn out, so I had to play at the maximum level. Playing at a loud level used to make the cheap plastic case and the entire body of the instrument shake like an earthquake. The crazy thing came when the BPM potentiometer got worn out too, because playing at loud volume caused subtle tempo changes. The Gianinni GK-6110 had only 12 popular rhythms with automatic chords and basslines (only half were really usable) and when the fill-in button got stuck, the instrument started to generate drum fills randomly."

Audiotouch - Multitouch Table @ UCSD Music Center


YouTube via cerupcat. Music application comes in at 1:00.
"A preview of Audiotouch @ UCSD's Music Center Opening House on May 9th.

For more information see: sethsandler.com

Thanks to all that made it out for the event!"

Oberheim OB-MX

via this auction

"Vintage rare Oberheim OB-MX synth module. This unit comes with 4 cards (8 voice). It has 2 empty spaces for cards."



Analogue Solutions Telemark SEM Modular Synthesizer

via this noisebug auction

"Manufacturer Description:

Telemark is a rack mount version of the Semblance mononsynth with the addition of signal patch points. Will run from MIDI or sequence it the analogue way - use our Oberkorn, ideal partnership! Comes with rack mount brackets. Optional wood sides coming soon...

Semblance Specs:
Inspired by the Oberheim SEM, this monophonic module features 2 audio osc + seperate lfo, a complicated multimode filter, mixer and 2 env generators. It also features a POLY mode allowing you to chain 4 SEMblances."

Malekko / Wiard Borg Filter Episode 2 - Modes & Modulation


YouTube via bigcitymusic. follow-up to this post.
"Here we have the Cwejman VCO-2RM saw wave output running into the Borg. We're modulating the "Key In" with a slow sine wave LFO. This jack does a pretty good job of tracking 1v/oct actually! We are also running the sample & hold output of the Analogue Systems rs40 into the "Control In". You can hear how good this filter sounds when we start to crank up the resonance.

The bottom knob sweeps from low pass to high pass and you can hear the Korg part of the name Borg come out. Cool. The resonance is really really close to the MS-20. Halfway through you can see we pull the jumper off the back pcb and unleash the resonant fury! We then pull the slow LFO out and you can hear the cutoff bounce around to the S&H. Love it! Sorry about the weird glitch at the beginning."

Theremin Kaddish For Clara


YouTube via copperleaves
"This is a short kaddish for Clara Rockmore. I wrote it on March 9, 2009, which would have been Clara's 98th birthday. What she achieved during her lifetime continues to be a tremendous inspiration to many people who find they have an affinity with the theremin, the instrument to which she dedicated her life and career. It is because of Clara's efforts, and those of her dear friend the late Robert Moog, that the theremin exists today and is more popular than it has ever been.

I wrote this as a vocal improvisation which I played and sang at the keyboard. I then took the vocal out and replaced it with the theremin which you hear on this video.

The instrument I am playing is the 1929 RCA theremin that once belonged to thereminist Dr. Samuel Hoffman. If you would like to hear this piece without the YouTube audio distortion, you can find it at:

peterpringle.com/thereminmp3s.html"

Theremin Gymnopedie


"The GYMNOPEDIE #1 by French composer Erik Satie (1866 - 1925) transcribed for theremin and piano."

You can find more performances here: http://www.youtube.com/user/copperleaves

Chris Muir Pendulum/Ratchet Module 077


via eardrill modules where you will find more info.

"I always though that my Buchla system would benefit from a dedicated module to generate a bunch of correlated pulses. Sure, you can use sequencers and function generators for this sort of thing, but having a clock source generating a wide variety of pulses of different flavors was very appealing to me, so to that end, I came up with the Pendulum/Ratchet."

Update via wavedeform in the comments: "Just a note to say that this run is moving forward. I'm taking deposits until 6/15/09, after which I'll order board sets and panels.

-Chris"

VIRTUALITY Video: Part 3 Inside the Computer


YouTube via interstellarcrew. Part 1 here, Part 2 here.
"The third installment of the Virtuality podcasts explores the possibility of making videos using the album as underscore. With the help of Music Academy Online and Second Life we are shown one interpretation of the virtual world - one where people can travel into the album. Interviewed guests include Patrick Moraz, Steve Porcaro, Ari Posner, Michelle Moog-Koussa, and (SL) Benton Wunderlich as well as producers, engineers and musicians from "Virtuality." The podcast series was directed and edited by Saul Pincus and Mark Dwyer with contributions from cinematographers and journalists all over the world. Special thanks to the crew at Full Sail University, as well as the Bob Moog Foundation and the offices of Steve Porcaro, Patrick Moraz, Bhatia Music, Splice Heist and Second Life. Please visit aminbhatia.com for more on the album and artist."

Review: MoPho Analog Synthesizer by Dave Smith Instruments


YouTube via insidesynthesis
"Overview of the MoPho by DSI. All of the music and sounds in this review were created using the MoPho (including drums). Any multitracking used Apple Logic with minimal effects."

Charles & Jim on Vintage Synths - Explorer Part One


YouTube via oneamongmany10
"Oberheim Matrix 12 and Sequential Circuits T8 vintage analog synthesizers. We were messing around, trying to come up with some compositions that we could pair up on, in real time, ala late-70s early-80s Tangerine Dream or Steve Roach. The sound is coming through a couple of Martin Logans. We should get better over time as we get the hang of real-time composition on these instruments. But they are fun to play!"

Charles & Jim on Vintage Synths - Explorer Part Two

glove test for karl


YouTube via horchacha. watch your ears/speakers on this one. search for glove for more.
"yo its trying to modulate a crappy cmos oscillator
i gota fine tune this sucker
its a good first start

dave wright
www.notbreathing.com"

Museum of Techno Radio

On MATRIXSYNTH-C. Remember to feel free to send in synth general stuff for MATRIXSYNTH-C. MATRIXSYNTH is about the gear, MATRIXSYNTH-C is about the music.

YAMAHA CS-50

via this auction

"The CS50 is a rare four-voice polyphonic synthesizer. It differentiates itself from its 70's peers with its unique tone and myriad controls for shaping new sounds. There are three separate LFOs (including the ring modulator), an excellent dual resonant filter arrangement, and a post-filter sign wave. There are also after-touch controls for pitch, LFO, and filter. Several classic preset sounds are available, in addition to the panel controls. The CS-50 is powerful and flexible."


Synthesizer-Magazin #14


via sequencer.de

"* Native Instruments Maschine - Sonderbericht - Grooveboxen Hybrid, eine ganz neue Produktkategorie?
* Metasonix Wretch Machine
* Korg Microkorg XL
* Steinberg Cubase 5
* Roland V-Synth GT Workshop / Praxis und V2.0 Update
* U-HE Zebra Workshop
* Modular Workshop - Ãœber spezielle Themen Modularer Synthesizer
* Haus der Musik, Wien - Bericht
* Synthesizerstudio Hamburg
* Mutronics Mutator
* Yamaha CS80

Menschinen
* Drum and Bass Producer - Spezial

Menschen
* Jean-Michel Jarre
* Client"

---_0154

flickr by twitchingnerve

Manga
KORG MicroKORG

---_0161

flickr by twitchingnerve
(click for one more)

EMS VCS3 Putney

Roland SH-101 synthesizer

flickr by msxgalaga
(click for more)

"Roland SH-101 synthesizer (Criativa 1984 fashion magazine)"

Ultimate percussion K2-X analog drum synth


Just a nice shot of the UP K2-X via Analog Industries. Click through for an impression of it.

Scott Stites: Appendage Touch Ribbon/Klee Sequencer Composition

Scott Stites: Appendage Touch Ribbon/Klee Sequencer Composition from Scott Stites on Vimeo.


"This is a video shot of a recent patch I was working with. It uses the Appendage Touch Ribbon, Klee Sequencer, KS-01 Modular Synth, and CGS Drums.

The Appendage is controlling the experimental Appendage Sequencer, which divides the ribbon into "zones" of voltage."
You can find an MP3 of the recording here.

TF50 Modular Synthesizer


YouTube via MRBLITZER. via D/A A/D
"The TF50 Modular Synthesizer doin thangs."
Update: some additional info from MRBLITZER:
"It contains:
3 x MFOS VCO
MFOS 16 Step Sequencer
MFOS Dual Lin/Log VCA
MFOS Noise/Random Gates
MFOS ADSR Envelope Generator
Thomas Henry / Magic Smoke Mankato Filter
Thomas Henry Quadrature Function Generator
Homemade Balanced Modulator

It has some problems and needs a case built, but it works! It will go in a folding case with some modules I built on the other side.

I designed and screen printed the panel myself, a friend of mine built the circuits, Jason Power ( http://www.myspace.com/slappingpurses ). I learned enough from him to build my own modules from now on!"

Ensoniq ESQ ESQ-M SQ80 synth synthesizer card and tape

via this auction

"Ensoniq programmable storage cartridge for ESQ, ESQ-M and SQ80 synths (comes with some sounds on it) in great working and physical condition. It comes with a bonus: two original data tapes/cassettes from the 80's also in good condition (Leister productions and Factory Programs)."

Click on the bottom image and note the different check box per synth. Kind of interesting how they used the same label for different synths.

(iPhone / iPod touch app) GravSynth Demo 001


YouTube via KayacInc
"GravSynth is a new musical instrument which allows users of any skill level to engage advanced improvisational musical performances through an easy to understand intuitive interface.
http://bm11.kayac.com/gravsynth"
Available on iTunes here:
GravSynth

TonePad

"TonePad is the easiest and most fun way to make music. Discover the inner musician in you. Create songs by simply touching the screen and seeing notes light up. Share you unique creations with friends.

If you like Andre Michelle's ToneMatrix or the Tenori-On, then you will absolutely love this app.

TonePad features a clean minimalist user interface with full 16x16 matrix. The sound quality remains excellent regardless of how many notes are playing at the same time.

You can save an unlimitted number of songs. The current song is also saved automatically on exit.

Sharing your musical creations couldn't be simpler. You simply press the Upload button and give your friend the song code. Your friend then downloads the song directly into TonePad by pressing the Download button and entering that code."

Available for free as of this post on iTunes here:
TonePad

You can find ToneMatrix here:
Tone-Matrix

EleVAta

flickr by Siempre_La_Luna

full size

"Front Panel of the Redsound Elevata synthesizer. One of only 250 made. this thing has an incredibly bad reputation for sounding like shit. That's mostly due to it's relatively low output level and embarrassingly terrible preset sounds. Give it a few minutes of tweaking and you can create some very interesting stuff. It's probably the least analog sounding of any 'Virtual Analog' synth, but it certainly has its place."

Ken and Joe with Synthesizer I

flickr by Joe King

"Ken Robbins and Joe King
1984
Laboratory for Engineering Man-Machine Systems
Brown University

Speech recognition and signal processing lab. We built a synthesizer that did digital additive synthesis of waveforms. Ken built the 70-chip board for realtime audio. I programmed the Motorola 68000 that drove it to make music, from the keyboard.

I recall demoing with a trumpet and piano, playing Pictures at an Exhibition.

LEMMS1" one more image here

Tom Cosm Using the Vestax VCM600 with Ableton Live 8


YouTube via AbletonAus. MIDI controller.

More info on the Aries System Modular

via kkissinger on this electro-music.com thread (see the thread for updates):

"After 33 years, my Aries still works to specification.

They used Allen-Bradley pots and they have not become scratchy after all these years. I have had to replace a bypass switch on the Phaser and have, in the past, had to replace the big capacitors on the power supply.

The oscillators are extremely stable.

I have made a few mods to the synth. I dioded the gate and trigger inputs to the envelope generators to prevent "backfeeding" of trigger and gate signals. I've added a Paia MIDI-to-CV converter to it.

The only module that I don't (and have never liked) is the output module because it is too noisy. However, not a big deal because I always just fed the output from the end of my signal chain (generally a VCA) directly to my recorder and/or amplifier-speakers. I want to rebuild the output and power module to bring the level up to +4dbv balanced output for compatability with the rest of my studio.

The keyboards have also held up very well. The contacts are self-wiping gold-plated contacts that never need cleaning. If a contact is intermittent then all one has to do is repeat the note a few times (this happens on some of the less-used high notes).

The Pitch-to-Voltage converter is really an awesome module that works very well.

How does it sound? Well, if you like Moog or Arp Synthesizers, then you probably would like the Aries.

If you purchase one, make sure that it comes with all the schematics. Since it is a kit synthesizer, the quality may vary depending on the skill of the builder.

Also, I power up my Aries on a regular basis -- this is important. An instrument that has sat in an attic for thirty years may require a major restoration effort.

The Aries is a precision instrument -- for example, if you want to do classical transcriptions, then the keyboard action and tuning accuracy permits this kind of use. The five-octave keyboard was quite a luxury in the mid 1970's. They utilize 1% metal film resisters across the keyboard voltage divider. The keyboards are two-voice capable. The voice output produces a voltage that corresponds to the lowest note that is pressed. The aux-voice output produces a voltage that is the difference between the highest and lowest note. Thus, to track the highest note one must sum the Voice and Aux Voice voltages.

The control voltages are standard 1v/Octave. The gates, triggers, VCO, and LFO voltage are all 10v peak-to-peak. Thus, the Aries modules are compatable with modern equipment.

I just posted some looped/improvised tracks at http://kevinkissinger.com/ariesinfo.shtml. You will also see a number of multi-track works and other Aries synth tracks from my tape "archives" there.

On my theremin page, I used the Aries for parts of the Franck "Prelude, Fugue, and Variation".

I'm not entirely sure -- from what I've seen my collection of Aries tracks may be one of the largest that is available all in one place.

We are holding a regional electro-music festival here (near Kansas City) in July. I plan to have the Aries there in the exhibition space and may use it for a set. Would be great to have you attend and you will get to experience the Aries and a lot of other homebuilt/DIY equipment there. Smile

Here is a link to the Call for Participation:

http://electro-music.com/forum/topic-32546.html"

Jasuto demonstration


YouTube via hemicube
"This is just me playing around with some of the demo patches that come installed with http://www.jasuto.com"

Jasuto oscillator example

"Just playing around with some saw-tooth oscillators. This will give you an idea of how the automatic routing works."

Jasuto envelope example

"Here's how you can use envelopes and triggers to create something maybe more traditional sounding."

available on iTunes here:
Jasuto modular synthesizer

Vintage Synth Ads on DVDBORN

click here

They are all hi-res scans so you can read these. Scans include:
Octave Voyeger One and Eight
Roland Jupiter-8
E-mu Emulator
Fairlight
LinnDrum
Sequential Circuits Pro-One
Synclavier II

Also see DVDBORN's Volta impressions.

Moog Little Phatty and CP-251

Four shots sent in via LDT. Click on them for the full size.


x0xb0x x0xi0 Full Mod 2


YouTube via bcastromusic
"Demonstration of x0xi0 Full mod.
This is a basic pattern using two VCO's and noise source. Also, filter tracking, Envelope 2 routed to the VCA and VCF, and to VCO2 as well at one point. I'm also adjusting the VCA envelope parameters. The dedicated VCA envelope, ENV2, and the Accent sweep can all affect the VCA simulateneously - this is where all those syncopated sounds are coming from... where all VCA control sources mix and match to shape the volume.

The row of four controls at the bottom right is the VCA envelope, A - D - S - R
the row of four knobs above that is Envelope2 (ENV2 for short). The first two controls are Attack and Decay/Release. The switch below the second control is the Decay/Release mode switch. The 3rd control in that row is the ENV2 depth amount control. This determines how much ENV2 is sent to the VCA or VCO. The switch below the control allows you to select VCA or VCO as destination. The fourth control in that row is the ENV2 to VCF Depth control. It determines the amount that ENV2 effects cutoff frequency. The slide switch below the knob is the ENV2 invert switch which inverts the envelope shape.

The filter tracking control is the one just to right of the bank knob. The noise source level control is the one to the left and above the tempo knob.

I'm also using the Gate on switchs with the gate on modes. There is a gate on mode that leaves the gate open and only re-triggers the filter envelope and the new ENV manual by pressing that push-button on the lower right. The is a second gate-on mode that leaves the gate open but allows the normal filter envelope to retrigger with each note but not ENV2. In this case ENV2 can only be triggered manually, which is what you see me doing when I press that button at the lower right."

Roland JD800 JD-800 some of my sounds


YouTube via LF0
"I flick through some sounds on the JD800, sound quality is OK as it is direct, picture sucks - webcam.
Thanks to the JD-800 patch organiser you can send and receive thousands of fresh sounds."

Nortec Collective Presents: Bostich+Fussible "Making the TSM"


YouTube via pepemogt. Cool console interface.
Spot the synths. Note the Ghielmetti EMS style patch matrix.
"Nortec Collective Presents: Bostich+Fussible "Making the TSM"
We are finishing our machine made of Analog Sequencers, Drum Machines and Synths, we will perform there on may 29th at Mutek 2009 in Montreal, Canada.
See you there!!!
;)
http://www.myspace.com/tijuanasoundmachine"

EKO RHYTHMAKER - vintage drumbox


YouTube via AnalogAudio1
"playing around with an EKO Rhythmaker - an old, analog Italian drumbox from the seventies. It has a volume fader for each sound (there are 7 sounds and 7 sliders) and a SUSTAIN knob for all sounds together."

analog synth jam


YouTube via zaphid

unzufrieden


YouTube via bulksagara

fast arpeggios drone on clavia nord lead rack 2


YouTube via 909techno
"three slots of the nord lead rack 2 running fast (latched) arpeggio's with fast LFO's and various tweaking. recorded from headphone output to laptop input.

please comment and subscribe to my vids."

Ellatron Remote Visualizer


YouTube via OmenieSoftware. no audio.
"Ellatron Remote Visualizer is a new add-on for Ellatron 1.4 that runs exclusively on the Mac, and is currently in development. Ellatron Remote Visualizer is designed to hook up to the stage projection system, to make an iPhone-based performance more compelling for the audience. Ellatron Remote Visualizer connects over WiFi to Ellatron 1.4 and duplicates Ellatron's display on the Mac, and adds customizable, swirly, groovy, hyper-psychedelic backgrounds for that authentic Pink Floyd UFO Club 1967 oil wheel experience. Ellatron can be connected to a guitar radio transmitter for audio and to Ellatron Remote Visualizer over WiFi for video, to allow true rock star expeditions across the stage during performance.

Ellatron - the sound of the 60s in your hip pocket."

Tutorial - converting CC Data with MIDIPipe


YouTube via alexpfefferdotnet
"This is a little tutorial about changing MIDI CC Data. Sometimes you don't want to change the settings of your sequencer or reprogram your keyboard. So you can simply use a little software called "MIDIPipe" to convert CC Data e.g. from CC01 to CC11. By doing this you are able to use your ModWheel for CC11. Hope you enjoy!"
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