via this auction"YAMAHA DX7 SYNTH EXTRAS. Original list price $2195 EXTRAS(see pics)3 CARTRIDGES, PADDED "PROTECT" CASE, YAMAHA VOLUME/MODULATOR/SUSTAIN 3 PEDALS, MIDI CORD."
Tuesday, May 11, 2010
Yamaha DX7 Synth ExtraS
via this auction"YAMAHA DX7 SYNTH EXTRAS. Original list price $2195 EXTRAS(see pics)3 CARTRIDGES, PADDED "PROTECT" CASE, YAMAHA VOLUME/MODULATOR/SUSTAIN 3 PEDALS, MIDI CORD."
New Analogue Systems RS450 Real Time/Step Time Sequencer/CV Recorder
Prelim details via the Big City Music blog:
"This module will re create the KS section of the legendary EMS synthi AKS when in Real Time mode.In Step Time mode it will emulate the Roland SH101 sequencer section. In addition the module is a 4 channel cv recorder with non volatile memory contained in 12 banks. We are working on the possibility of layering up to 4 tracks of recorder cv data but this spec may vary subject to change
MMC card on-board for storage.
Switches:
Playback
· One shot
· Loop
· Hold - like one-shot but it will remember it's place when you stop playing and resume from that point. The reset input resets back to the start.
· Forward
· Reverse
· Bi-dir. In one-shot mode should this reverse each time it is triggered
Sequencer mode
· Step - Records/plays back the levels each time it is triggered. While playing back this would be very similar to step sequencers. You need to provide an external gate in this mode.
· Continuous/Real Time - The outputs simply track the inputs. Clock in is recorded along with the CVs so you can record gates/triggers. Playback rate is controlled by the speed pot/CV.
Trigger mode.
· Trigger - A trigger on PLAY starts playback,a trigger on STOP stops playback. The same goes for record
· Gate - PLAY/RECORD are gates. STOP does nothing
· Start/stop - A trigger on PLAY starts playback, another trigger on PLAY stops playback. The same goes for record
Memory.
· 10 (maybe 12) independent recordings can be stored.
Sockets:
Clock in In step mode this provides the step clock. In continuous/Real Time mode it is recorded and output on clock out when playing back.
Clock out In step mode this mirrors clock in. In continuous/Real Time mode it outputs the recorded clocks/triggers.
Reset Resets the loop back to the beginning but does not stop playback. Probably most useful in hold mode.
CV outs While recording they mirror the CV inputs so you can monitor the inputs. In step mode while recording the outputs only change on each gate so you hear exactly what is being recorded."
http://www.analoguesystems.co.uk
"This module will re create the KS section of the legendary EMS synthi AKS when in Real Time mode.In Step Time mode it will emulate the Roland SH101 sequencer section. In addition the module is a 4 channel cv recorder with non volatile memory contained in 12 banks. We are working on the possibility of layering up to 4 tracks of recorder cv data but this spec may vary subject to change
MMC card on-board for storage.
Switches:
Playback
· One shot
· Loop
· Hold - like one-shot but it will remember it's place when you stop playing and resume from that point. The reset input resets back to the start.
· Forward
· Reverse
· Bi-dir. In one-shot mode should this reverse each time it is triggered
Sequencer mode
· Step - Records/plays back the levels each time it is triggered. While playing back this would be very similar to step sequencers. You need to provide an external gate in this mode.
· Continuous/Real Time - The outputs simply track the inputs. Clock in is recorded along with the CVs so you can record gates/triggers. Playback rate is controlled by the speed pot/CV.
Trigger mode.
· Trigger - A trigger on PLAY starts playback,a trigger on STOP stops playback. The same goes for record
· Gate - PLAY/RECORD are gates. STOP does nothing
· Start/stop - A trigger on PLAY starts playback, another trigger on PLAY stops playback. The same goes for record
Memory.
· 10 (maybe 12) independent recordings can be stored.
Sockets:
Clock in In step mode this provides the step clock. In continuous/Real Time mode it is recorded and output on clock out when playing back.
Clock out In step mode this mirrors clock in. In continuous/Real Time mode it outputs the recorded clocks/triggers.
Reset Resets the loop back to the beginning but does not stop playback. Probably most useful in hold mode.
CV outs While recording they mirror the CV inputs so you can monitor the inputs. In step mode while recording the outputs only change on each gate so you hear exactly what is being recorded."
http://www.analoguesystems.co.uk
Studio Electronics CODE 4 OD - A Few Presets
YouTube via bigcitymusic — May 11, 2010 — "Here's a smattering of presets from the mega-awesome polysynth from Studio Electronics, The CODE 4OD. The CODE sports Moog and Oberheim-style filters stock. Yamaha CS-80, Arp 2600 and TB-303 style filter cards can be added by the user. The CODE's we carry come standard with four voice cards which give you four note polyphony. Other voice cards can be added, allowing you up to eight voices total. This is definitely one of the best sounding polysynths ever made and has some great modern features like storable presets, lFO's that sync, cross-modulation, and a switchable overdrive on the output section(hence the "OD") Please note that the Code sounds much better in person or with a proper preamp;) The chord sequence is being generated by the Elektron Machinedrum midi machine."
tc electronic fireworx !!!
YouTube via squeakyfromme69 — May 11, 2010 — "just scored one o' these on ebay, got an amazing deal. check out the oberheim through it. dry then panner, eq (bass boost), bandpass filters and reverb. check out the dry/wet comparison at the end! don't be picky about the keyboard playing.."
Oberheim Matrix-1000
David Kronemyer's Sentience Studio
Two shots of David Kronemyer's Sentience Studio.
This is a follow up to this post on a critique of Eurorack format modulars. See the post and comments for context and further discussion.
Too many synths to label. Love it when that happens. Have fun synth spotting. :)
botanica-sw-noite
YouTube via comemelinhos — May 11, 2010 — mix machines-vs-bent pedals
"Tags: circuit bending bent kanukanakina botanica sw ibanez rocktron roland sp 808 sp808 kp3"
#1DAD & DJ FREDMERTZ - SUMMER SONG
#1DAD & DJ FREDMERTZ - SUMMER SONG from Jon Wolf on Vimeo.
"#1 Dad & DJ FRED MERTZ - SUMMER SONG"
Note although the video features the Moog Opus 3 it's been unfortunately down due to technical issues. The audio is all made from samples. The vocoder is from ableton.
KORG Kaossilator Grid Modification
via Russ"I was just getting my oil changed, and decided to play my Kaossilator while I waited. The lighting was pretty good in the waiting area, so I snapped a quick photo with my cell phone."
See this post for video and details on how to do this.
Update via circuitmaster in the comments: "You can also get a Vinyl Grid from GetLoFi"
Spinnaface - Live Lemur Set v1.4
Spinnaface - Live Lemur Set v1.4 from Spinna Face on Vimeo.
"Short sample of my new live set.
500+ original samples from my new album, Ableton Live, Jazzmutant Lemur, Korg padKontrol & maxMSP.
Download the MP3 Here: soundcloud.com/spinnaface/minimix-v1-4/download"
0QEWk~%24(KGrHqUH-DUEvH)(hocnBL6ZdBNQIQ~~_12.JPG)
SabaTwoTiga Free VST
Available at The Chip Collection"SabaTwoTiga is a free VST instrument for powerful electronic leads. The 4 voice selector knob allows you to quickly find a tone. 2-way switches modify the sound in an all or nothing fashion, eliminating time spent mousing for a new sound. It is a beefy and musical synth."
Synths Smaller Than They Appear?
Two pics.Anyware Instruments Tinysizer next to green lighter.
(image via sequencer.de)
Prior posts: video, shots
Two KORG Monotrons (flickr by auxninja)"Got two Korg Monotron in the mail today. Amazingly small. About the size of an iPhone.
So far I really really like them. The filter is damn raw, and combined with the LFO modulation (ranging from slow enough to fast enough) you can get some sweet squelches out of it.
When using the external input, max out the LFO speed and depth and set the resonance to about 60% and twiddle the cutoff knob for a bitcrusher style effect.
Hmm, if I could sync the VCO's and feed the output of one into the other... These babies are definitely going under the screwdriver tomorrow."
Update: one more pic for scale.
Audio+Video Improvisation
Audio+Video Improvisation from Jarbas Agnelli on Vimeo.
"Video and music recorded at the same time as I improvised on some instruments. Just a test for a bigger project of my band Vertikkal. Edit made with After Effects.
myspace.com/vertikkal"
1st Mopho Keyboard User Videos Surface
MoPho Keyboard 2.AVI
YouTube via bizmarkie507 — May 06, 2010 — "messing around with the keyboard i got today."
Dave Smith MoPho Keyboard Payback
"bizmarkie507 — May 07, 2010 — tape deck, camaro, paint-splattered ray bans, a sawed-off shot gun, and a plan to get your woman back.
I used a Juno 106, mc303, DSI mopho keyboard, and a surf style windbreaker in this video/."
MoPho Keyboards on Ebay
YouTube via bizmarkie507 — May 06, 2010 — "messing around with the keyboard i got today."
Dave Smith MoPho Keyboard Payback
"bizmarkie507 — May 07, 2010 — tape deck, camaro, paint-splattered ray bans, a sawed-off shot gun, and a plan to get your woman back.
I used a Juno 106, mc303, DSI mopho keyboard, and a surf style windbreaker in this video/."
MoPho Keyboards on Ebay
Squidfanny - Circuit Bent YAMAHA PSS-30
YouTube via squidfanny — "May 11, 2010 — If all else fails then go for the Amp.....
Low-Pass Filters, Dirty Distortion and Screaming Feedback Oscillators for this 1980's squarewave keyboard.
This one's for sale on ebay..... :-)"
via this auction"The mods are:-
* Nasty Screaming oscillator
* Phat dirty Bass Oscillator
* Beat Crushing distortion
* Low Pass Filter / Tone control for DRUMS
* Low Pass Filter / Tone control for INSTRUMENTS
* Audio Output
.The YAMAHA PSS-30 is a squarewave keyboard (not FM like most Yamaha's) with a very 80's sound. Features are all pretty basic (8 Rhythms, 8 Instruments and Play and Record Sequencer & Tempo control).
Sometimes 'Basic' is desirable, as there's no need to spend time reading instruction manuals or setting up and configuring the machine. Just turn it on, press the keys and turn the knobs to instantly create powerful, Phat Tones, Drums & Analog Oscillation.
This Machine is powered with 4 x 'AA' Batteries or a 9 / 12 volt adapter (not included).
Minor Damage to the Machine's case has been repaired (see photos)."
An agonizing theme
YouTube via attorks — May 11, 2010
"I am aware of the risk of overfeeding you with video´s but the inspiration is there so let´s take advantage of that. This piece of music is sequenced in Nodal. It started last evening when I hooked up the Zoom RT-323 drum machine to be controlled by Nodal. The bass sequence is performed by the Ian Fritz Teezer Through-Zero VCO from which the sawtooth wave is fed to the Resonant LoPass Gate. Then you hear the tuned-up bass voice from the Zoom RT-323 doing a semi-random sequence. After that the Mellotron sound from the Roland XP-80 is introduced and the high-pitched sequence from the Creamware MiniMax ASB. The chords and occasional bass are performed on the Waldorf Q Keyboard and the solo on the Clavia Nord Lead 1."
Korg MS Series - Automated Changes
YouTube via Newueel — May 11, 2010 — "This video is actually about lazy synthesizing. All changes and variations are controlled by the analog setup itself! This means that after pressing the SQ-10 START button, the machines are not touched anymore, which gave me some time to freak out with the camera ;). The audio is recorded in one take, no FX and no edits.
Here's a description of the 2 most interesting automated changes:
The tonics (bass and melody) change after each random number of loops. Note that tonic changes only happen at the first step of a sequence. This is a trick using two S&H modules. Basically SQ-10 Channel C holds 12 predefined keynotes (including duplicates). The channel C output voltage is sampled and hold with a slow interval using the MG. The clock interval is greater than 1 sequence. Since the MG is not synced with the SQ-10 clock speed, this results in a random changing tonic, but most of the times in the middle of a sequence. Therefore another S&H module samples the output of the first S&H module every first step of a sequence and holds it for the rest of the sequence. This way each tonic change is delayed until the next first step of a sequence. Sometimes there seems to be no tonic, this is because one of the predefined tonics has an inaudible frequency.
When listening to the melody, note that it is continuously varying. Sometimes you hear the full melody, but most of the the time notes are skipped at random. This is due to the so called probability patch. The probability controls the chance for a step that it's being played (or muted) and can be fully controlled from 0% to 100%. This creates interesting variations since not all notes are necessarily played all times. In this patch the probability is changing continuously between 50% and 100%. This way the melody is continuously varying."
Radio Chemical Analysis-YouTube sharing.mov
YouTube via unamacarana — May 11, 2010 — "The second electronic improvisation featuring the original Minimoog, a Crumar Performer, and a collection of Moogerfooger Modules. Thanks to Justin Rivera and Jesse Rivera for the video recording."
follow-up to this post.
Zebra Demo Track #2
YouTube via BrontoScorpioMusic — May 11, 2010 — "My 2nd Zebra demo track. Everything is is done with presets from my Free Zebra Pack Vol.01. Presets and HQ MP3 here: http://brontoscorpiomusic.blogspot.co...
No external effects ore somthing like that"
Demo Track #1 here
N2Tech-LPad3-H264.mov
YouTube via JimAtFive12 — May 11, 2010 —
"Part three of a multi-part tutorial on using Numerology 2.3 with the Novation Launchpad."
TAL-BassLine - Free VST bass synth - vstplanet.com
YouTube via vstplanet — May 11, 2010 — "TAL-BassLine - Free VST bass synth - http://www.vstplanet.com/Instruments/... Free VST instruments and effects, Developer: kunz.corrupt.ch/?Home"
GrainCube - Electroacoustic Reaktor Collaboration
Reaktor and Jazz Mutant Lemur downloads available here"A free granular electroacoustic Reaktor Collaboration between DevSnd, Rachmiel, TwistedTools & Antonio Blanca.
GrainCube is a four part granular processing instrument with numerous randomizing functions and modulation capabilities that allow for indescribable sonic mischief. The heart of GrainCube is a 400mb sample map of exclusive sample material from Richard Devine & Josh Kay of DevineSound. GrainCube is a collaboration between DevineSound & Rick Scott (Rachmiel), with additional programming and GUI tweaks by Igor Shilov of Twisted Tools. An additional version is also available for the Jazzmutant Lemur, re-imagined by Antonio Blanca.
Concept & sound design:Richard Devine & Josh Kay
Devinesound
http://devinesound.com
Concept & programming:
Rick Scott
Rachmiel
http://www.rachmiel.org
Additional programming & GUI tweaks:
Igor Shilov
Twisted Toolshttp://twistedtools.com
LemurCube control surface design & additional sound design:
Antonio Blanca
http://absoundscapes.com"
"Richard Devine is one of the most highly respected sound designers in our industry and here he gives away the result of an electroacoustic collaboration with RachMiel: a unique new Reaktor instrument. Not only that, but he's created a special Lemur version alongside Lemur-programmer genius Antonio Blanca for the JazzMutant community.Richard Devine's unique approach to sound is hugely in demand and the Lemur Cube's two granular samplers are packed with an entire library of original sound content. The randomisations inside the Reaktor patch make it a sound sculpture piece that never plays the same sound twice. The in-depth control provided by the Lemur template is perfect for guiding the chaos.
The twisted textures provided by DevineCube are ideal to add soundscapes and sound fx to any project, or even throw in your own samples into the waveform window (define the samples range in the main window) and see what comes out!"
The Modulator DIY Modular
Full specs and details here."There are Buchlas, Moogs and Serges, but there is nothing like rolling your own...
Here are my pictures and notes from building an analogue modular synthesizer.
Why?
A while ago I planned to buy a Yamaha CS-30 since I wanted to have some kind of simple analogue sequencer device but I couldn't fine one in good condition. Then I moved on looking at the Roland System 100m but figured the price tag for a decent system with sequencer and all would be a bit too high.
Searching the net for analogue sequencers I found the Music From Outer Space 16-step analog sequencer. Quite simple construction and versatile. But an analogue sequencer needs to drive some analog VCOs, and VCOs need VCFs, and VCFs need CV sources, ...
I decided to go for a small basic setup..."
This one in via Pär.
"Careful With That Spirytus, Jeff!" - an Archangel demonstration
YouTube via suitandtieguy — May 11, 2010 — "Here's a quick jam on the Det3 Archangel controlling a Moog Micromoog and my own modular synthesizer, with a CR-8000 lounge machine added for good measure.
I feel the sound on U-Toob is substandard. if you would like to download a 192kbps MP3, it's at:
http://suitandtieguy.com/sounds/2010%...
the Archangel's sequencer is running at 8th notes, the clock output driving the V-trig input of the Micromoog. the A row of the Archangel is controlling the pitch of the Micromoog, the C and D rows are used to control the filter cutoff of the Micromoog via the "CD" output, which alternates between the C and D rows creating a filter pattern twice as long as whatever the current pitch pattern is. the filter pattern is sent through an attenuator so it can be brought in partway through the recording. sequence lengths of 2 to 8 stages are used at various points.
the touchplate keyboard of the Archangel is controlling my modular synthesiser. the gate and pitch outputs are controlling pitch and gate on the modular. the pressure output is controlling vibrato amount and the vertical position is controlling filter cutoff.
voice and vibrato oscillators are Synthesizers.com Q106, mixer is homebrew using a hacked STG Soundlabs Wave Folder PCB as a gain stage, filter is an MOTM-490, output and vibrato VCA is an STG Soundlabs Signal Amplifiers module. ADSRs are based on MFoS PCBs.
clock master is a x0xb0x through the STG Soundlabs Time Buffer, driving the Archangel and the CR-8000. Micromoog delay is a Boss DD-20, CR-8000 reverb is a PCM-80, and the modular goes through the Eventide H3000. everything tracked individually with effects printed to an Alesis HD24 and mixed in Digital Performer.
no spirytus rektyfikowany was harmed or consumed in the making of this video, but apparently someone in the studio while i was making it drank more of it than he should of the previous night."
KOPRO Demo - Kaossilator Song
YouTube via peasant2general — May 11, 2010 — "This video was done with the intention of fully using the kaossilator pro´s capacities, including the vocoder, some of my favorite patches, the rythms and the capacity to mute one of the four loops.
The vocals were input using an Audio Technica AT2020, routed through a mixer for phantom power and into the line input of the KOPRO.
The visuals were directly recorded from Windows Media Player, using Battery randomization.
I own the rights for this song, if you look to post it, please ask permission."
The Mellotron M300
The following are some videos sent in via JB Emond (MuStudio).
Be sure to see candor chasma for more info on the M300.
Mellotron M300 - Mécanisme des banques sons et rythmes
YouTube via jbfairlight — May 11, 2010 —
"Cette vidéo montre le système de repérage de synchronisation des bandes lors d'un changement de banque sonore. A gauche les sons et a droite la partie rythme !
Le Mellotron de cette vidéo est un rare M300 !
Pour en savoir plus l'excellent site de mon ami egrefin free fr"
Googlish:
"This video shows the system tracking synchronization bands at a change of sound bank. Left and right sounds the rhythm section!
The Mellotron This video is a rare M300!
More from the excellent site of my friend egrefin free fr" (click for more info on the M300)
Mellotron M300 - sons
"Un exemple de son et de rythme !"
"An example of sound and rhythm!"
Mellotron M300 - Mécanisme des banques rythmes
"Cette vidéo montre le système de repérage de synchronisation des bandes lors d'un changement de banque sonore de la partie rythmique !"
"This video shows the system tracking synchronization bands at a bank change the sound for the rhythm part!"
Be sure to see candor chasma for more info on the M300.
Mellotron M300 - Mécanisme des banques sons et rythmes
YouTube via jbfairlight — May 11, 2010 —
"Cette vidéo montre le système de repérage de synchronisation des bandes lors d'un changement de banque sonore. A gauche les sons et a droite la partie rythme !
Le Mellotron de cette vidéo est un rare M300 !
Pour en savoir plus l'excellent site de mon ami egrefin free fr"
Googlish:
"This video shows the system tracking synchronization bands at a change of sound bank. Left and right sounds the rhythm section!
The Mellotron This video is a rare M300!
More from the excellent site of my friend egrefin free fr" (click for more info on the M300)
Mellotron M300 - sons
"Un exemple de son et de rythme !"
"An example of sound and rhythm!"
Mellotron M300 - Mécanisme des banques rythmes
"Cette vidéo montre le système de repérage de synchronisation des bandes lors d'un changement de banque sonore de la partie rythmique !"
"This video shows the system tracking synchronization bands at a bank change the sound for the rhythm part!"
Fairlight CMI IIx exemple de synthése visuelle
YouTube via jbfairlight — May 11, 2010 — "Exemple de création visuelle, comprendre au "light pen" (stylo optique) d'un son et modification de quelques paramètres ou effets."
Googlish: "Example of visual creation, understand the "light pen (light pen) of a sound and change some parameters or effects."
iSequence for iPad
YouTube via beepstreetapps — May 05, 2010 — Jamming with iSequence for iPad
iSequence for iPad - single pattern beep-fu
iSequence for iPad - drunken master test
BeepStreet iSequence on iTunes (iPhone versions only as of this post - there is a free Lite version):
iPads on Ebay
iPhones on Ebay
via BeepStreet:
"Music in motion
iSequence is one of the most powerful music creation studio designed exclusively for iPad. Thanks to intuitive 8-track sequencer, tons of instruments and flexible mixer with DSP effects you can easily program and record profesional loops, beats and melodies. Now you control every aspect of your music project.
The iPad edition has been rewritten and redefined to take advantage of a bigger screen and better performance.
The workflow is extremely fluid, you record tracks and controls movement in real-time, edit them using step sequencer and automation editor, switch between instruments, tracks and views without stopping playback. You can compose, jam and mix at the same time!
Features [specification]
* 165 built-in high quality instruments embedded in 3 banks; acoustic, drum kits, pads, leads, sweeps and ambient atmospheres recorded with top classic and modern hardware synthesizers. Additional banks available in the BankShop.
* Pattern sequencer: 8 tracks and FX curves editor. Instruments are not bound to tracks, so you can play chords or use multiple instruments on a single track. Up to 999 patterns in the project.
* Piano keyboard (6 octaves) or drum pads.
* Event parameters: note duration, panning, velocity and gliss
* Real time recording; metronome and 'slow down' mode.
* Copy/paste, move and transpose selected area or patterns.
* Mixer with 2 effect busses. Each bus contains 3d delay and a filter section. All parameters can be recorded in real-time or edited using automation editor.
* WIFI-sharing: HSQ, MIDI, WAV export. HSQ import."
Simmons SDE Drum Synth Percussion Expander
via this auction"It is rack mountable and triggered via a MIDI controller (drums/keyboards etc.)
There are two main outputs for the 6 programmable voices. Stereo output.
I was inspired to buy it after seeing a Simmons demonstration in the late eighties. The sounds produced are varied, raw and wild but amazing in the right hands. It is fully editable and expandable with additional memory cartridges (not included)."
SCI Pro-One CPU Replacement/Upgrade & DIY MIDI
pdf here. via Music Technologies Group, here"The Pro One Replacement CPU module can be used to replace a missing or damaged 8021. It also offers larger sequence memory and non-volatility. Here are the key features:
o Drop-in replacement using standard tools. Plug n Play. No soldering required.
o Supports the original functionality including the sequencer and arpeggiator.
o Each sequence can be up to 256 steps (compared to total of 40 steps on the original).
o Sequences are retained in memory even after power-down. The CPU module does not use a battery.
o Power-on settable parameters for clock start mode, arpeggio up/down mode and arpeggio gate time.
o DIY instructions for building a MIDI interface that allows you to re-flash the CPU firmware (E.g. sending a Sys Ex file using MIDIOX or similar) are provided in the Appendix.
At some point in the future a 5-pin DIN MIDI add-on kit will be offered with a full MIDI implementation (and later a USB-MIDI interface is possible too since the CPU chosen for the module supports both). Currently the module only supports firmware upgrade over 5-pin DIN MIDI."
I originally posted this on 5/9/10 8:25PM with just the links to the PDF. I thought I'd re-post this one with more details and an image of the CPU replacement for those that might have missed it.
sOBLw(l9VYkQ~~_3.JPG)
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
