Tuesday, December 07, 2010
Oberheim OB-X + OB-Xa Analog Synthesizers
YouTube via retrosound72 | December 07, 2010 | 8 likes, 0 dislikes
"vintage synth demo by RetroSound
Oberheim OB-X 8-Voice Analog Synthesizer from the year 1979 and
Oberheim OB-Xa 8-Voice Analog Synthesizer from the year 1980
sample/hold filter sound: OB-Xa
pad and lead sound: OB-X"
Synthrotek Magic 8 Step Analog Sequencer w/ APC & Yamaha CS-5
YouTube via synthrotek | December 07, 2010 |
"The Magic 8 Step analog sequencer by synthrotek.com. Product features CV out, Clock Input/bypass, Reset at steps 1-8. This video show the sequencer at work while connected to a Yamaha CS-5 analog synth, Atari Punk Console and a Nand synth. Loads of Fun! All products (except the CS-5) can per purchased at www.synthrotek.com"
Eric Says...
Eric Says Fuck You by suitandtieguy
"this started out as a demo of sequencer summing and the Synthesizers.com quantiser but turned into a track honouring the vacuum tube synthesisers made by the American company Metasonix, which were not used to make this piece, and their colourful inventor Eric Barbour.
instruments: STG Soundlabs/Synthesizers.com modular, Juno-60, Eventide H3000SE, Korg ESX-1 with Oberheim DX samples and onboard reverb."
via brian c
"this started out as a demo of sequencer summing and the Synthesizers.com quantiser but turned into a track honouring the vacuum tube synthesisers made by the American company Metasonix, which were not used to make this piece, and their colourful inventor Eric Barbour.
instruments: STG Soundlabs/Synthesizers.com modular, Juno-60, Eventide H3000SE, Korg ESX-1 with Oberheim DX samples and onboard reverb."
via brian c
PLASTIKMAN - Ask Yourself (HighSage Remix @burnstudios)
"A month in the making...Massive acid remix of Plastikman's "Ask Yourself" destined to possibly win the remix competition. Please listen and favorite on soundcloud if you agree.... Mastered by Tim Xavier of www.manmademastering.com, amazing! "
PLASTIKMAN - Ask Yourself (HighSage Remix @burnstudios) Mastered, undithered by highsage
"This remix represents everything I've learned from Plastikman to date. Every modulation, every understatement, every nod to acid, and every piece of hardware used...all respectfully and graciously applied to that single end statement. This one is for you, Richie.
Many thanks to Tim Xavier for mastering this with such care for me.... wow, sounds huge and wide open! http://www.manmademastering.com
Dithered version will be uploaded tomorrow...this one's whatever SC does to a 24/44.1 file..."
Update: Video added on top of pics:
Plastikman - Ask Yourself (HighSage Remix @BurnStudios)
YouTube via shagghie | December 08, 2010 |
"This remix was a stark reminder that the reason I make techno is primarily to further the relationships I have with these machines. Each, an instrument unto itself, needs only to be liberated, instead of beat into submission by our artist's ego.
Techno has always been about the future that the machines will bring...about a dream of a far off place in space, or a post apocalyptic landscape...the machines still singing their song...while humans are left with nothing more to do than dance.
This video depicts those instruments, and my relationship with them. The 303 is the only instrument I've ever played...even beyond playing jazz horn for 20 years... that I've never felt lonely while playing it. Unlike every other instrument on earth...it is the one that speaks back to you, and tells you more about yourself than you ever wanted to know, and it does it with an attitude just to remind you who is boss.
Thank you Richie, for those early years especially...when you would bang on the 909 like you didn't care whether the world was gonna end that night or not...and for making me feel the same way when I last saw you live. THAT, my dear dear friends...is what acid is all about."
The gear: total analog path; tr-909 modified by Brian Castro in LA. Tb-303 into ts-303 pedal, x0xio sequenced off the 303, acidlab bassline 2 on harmonic 303 lines. WMD pedal on the snare. Al.so dynax^2 compressor on ensonique eps-16 string sample. Whole thing driven off 909/303 basically. Drawmer ds-201 noise gate on tr-909 open hats, then thru 2ube pre.
909 mods include decay, compression, tune range, drive, etc. Also hats pitch control...custom matching knobs too... Total destruction. 303 modded too...also by Brian Castro.... Best acid tech in the west..."
PLASTIKMAN - Ask Yourself (HighSage Remix @burnstudios) Mastered, undithered by highsage
"This remix represents everything I've learned from Plastikman to date. Every modulation, every understatement, every nod to acid, and every piece of hardware used...all respectfully and graciously applied to that single end statement. This one is for you, Richie.
Many thanks to Tim Xavier for mastering this with such care for me.... wow, sounds huge and wide open! http://www.manmademastering.com
Dithered version will be uploaded tomorrow...this one's whatever SC does to a 24/44.1 file..."
Update: Video added on top of pics:
Plastikman - Ask Yourself (HighSage Remix @BurnStudios)
YouTube via shagghie | December 08, 2010 |
"This remix was a stark reminder that the reason I make techno is primarily to further the relationships I have with these machines. Each, an instrument unto itself, needs only to be liberated, instead of beat into submission by our artist's ego.
Techno has always been about the future that the machines will bring...about a dream of a far off place in space, or a post apocalyptic landscape...the machines still singing their song...while humans are left with nothing more to do than dance.
This video depicts those instruments, and my relationship with them. The 303 is the only instrument I've ever played...even beyond playing jazz horn for 20 years... that I've never felt lonely while playing it. Unlike every other instrument on earth...it is the one that speaks back to you, and tells you more about yourself than you ever wanted to know, and it does it with an attitude just to remind you who is boss.
Thank you Richie, for those early years especially...when you would bang on the 909 like you didn't care whether the world was gonna end that night or not...and for making me feel the same way when I last saw you live. THAT, my dear dear friends...is what acid is all about."
The gear: total analog path; tr-909 modified by Brian Castro in LA. Tb-303 into ts-303 pedal, x0xio sequenced off the 303, acidlab bassline 2 on harmonic 303 lines. WMD pedal on the snare. Al.so dynax^2 compressor on ensonique eps-16 string sample. Whole thing driven off 909/303 basically. Drawmer ds-201 noise gate on tr-909 open hats, then thru 2ube pre.909 mods include decay, compression, tune range, drive, etc. Also hats pitch control...custom matching knobs too... Total destruction. 303 modded too...also by Brian Castro.... Best acid tech in the west..."
VOICE OF SATURN DUAL OSCILLATOR SYNTHESIZER
via this auction"This is a clean custom assembled, tested, and working dual oscillator synthesizer from the folks at VOICE OF SATURN. Has two CV inputs and one Synth + one LFO output. Has two LFO modes, LFO depth, and LFO rate knobs. Both oscillators have pitch knobs and range knob. You can choose between one or both oscillators running simultaneously. Amazing noise device!!!
Loosely based on the Atari Punk Console with some custom tweaks and an LFO front end, this box makes a ridiculous amount of different sounds, all from three 555s."
Fender Rhodes Piano Bass
YouTube via SynthDan |
Two up for auction.
One via this auction and one via this auction.
"The Rhodes Piano Bass was the first instrument introduced by Rhodes. The Rhodes Piano Bass was used famously by Ray Manzarek of the Doors, who would place the Piano Bass on top of his Vox Continental. It has a great bass sound that can easily be mistaken for a bass guitar, and has an amazing '60s vibe."
ARP 2600 GRAY MEANIE
via this auction"The fact that this synth exists makes it very valuable but the fact that this synth is at CMS after just being fully restored makes it even more valuable.
I sent the synth to Phil Cirocco at CMS because I wanted it to be restored by the master of ARP 2600 restoration before I sold it. It deserves the best. Phil has meticulously gone through this unit and restored it to all of its’ glory. Phil said that it is in perfect working order other than one speaker distorts a bit on low notes at higher volume. Phil has new replacement speakers available, but it is a small thing and I wanted it keep it as original as possible. Phil has agreed to keep the unit at his shop until the end of the auction. I asked Phil to do me this favor for two reasons.
1) This synth is so valuable and rare that I wanted to keep shipping trips to the absolute minimum. Phil agreed.
2) If you want a mod or something changed, it is already at CMS. It will save you the cost of shipping it back and forth and minimize the risk that this valuable part of musical history could be damaged."
Below: Instructions for Unpacking and Setting Up the ARP 2600
E-MU Sound Engine Midi Synth Module
via this auction
"This Is Another Odd Duck From The Depths Of Technology. Released In 1995, It Features 32-voice polyphony, 16-part multitimbrality, 384 programmable presets, two digital effects processors, and a Mac computer interface. Its Soundset Is Similar To A E-MU Proteus. Rear Connections Are Midi In, Out, and Thru. With RCA For Audio. Works Perfectly, Fully Tested With no Issues found. Power Supply Is 9v A/C, (Not Included) These Links Describe It Pretty Well, Sound On Sound Usually Has Pretty Good Info.... Surprisingly, List Price According To Them Was £565. Crazy Money For 1995 !
http://www.soundonsound.com...
http://www.hermannseib.com..."
Update via bachmaninoff in the comments: "Good sound, especially back in the day. Paid $100 from Guitar Center in '94, not sure why the SOS article has it from 1995. Maybe it was released in the UK later than the US?
Yeah, I was really pissed when I got it home, and the editing software was a cut-down version, though it was touted as full (you only had the ability to edit all parameters via a random generator). Still have it, and the manual. I'd still use it if I only used hardware. Midi Quest makes editing software for it for both Mac and PC..."
Update via Astralform in the comments: "This sound module came out in 1993. It did not sell well and Guitar Center blew them out a year later for $99. The onboard sound rom was unusual and had samples from the Proteus 1-2-3 plus other sounds in order to cover the GM soundset. The internal FX routing was vastly superior to the Proteus FX module and any E-mu hardware module made since! The last run of these came in black and looked way cooler than the one above."
Modular Tracks by Joseph Raglani - SYNTH-R Modular EMS SYNTHI Clone
Making an album pt.1 "Girl Dot You". from joseph raglani on Vimeo.
"Decided to chronicle the making of the follow up to Of Sirens Born. We'll see if I can keep it up. I'm just in the demo stage and getting some ideas down. What you see here is all played live (well with a few sequencers). I've found that long hair and funny hats help with this process.
I'm playing a Dave Smith Mopho keybord with a Tetra in tow. Doepfer A-100, Synthi-R, Moog Voyager Old School (sequenced by the MFB Step64) and the Tip Top Audio Z8000 is doing some modulation sequencing. Left hand is playing the melodic part, right hand is tweaking. I only say that because it's a little hard to see what's going on from this angle. Recorded Dec 6th, 2010."
iConnectDMX - iPad, iPhone, iPod touch DMX connectivity through iConnectMIDI
YouTube via iconnectivity | December 06, 2010 | 1 likes, 0 dislikes
"iConnectDMX accessory turns your iConnectMIDI box into a DMX (stage lighting, motions lights, effects, etc) controller. Extremely low latency, MIDI translation - use a MIDI controller or even iOS MIDI applications.
Accessory scheduled to be available from iConnectivity in Q2, 2011. See it in action at CES and NAMM, 2011."
Null Object - The Raft Building Song (8bit remix)
Null Object - The Raft Building Song (8bit remix) by Vicious Cyclist
"LSDJ remix of Null Object's mega epic classic. Made/recorded from gameboy DMG with prosound. Might lengthen a bit/fiddle with levels still."
LSDJ cover of this track.
"LSDJ remix of Null Object's mega epic classic. Made/recorded from gameboy DMG with prosound. Might lengthen a bit/fiddle with levels still."
LSDJ cover of this track.
Lainhart December Performances - Buchla and Haken Continuum
A chance to see these instruments live.
"Friends: I wanted to let you know about two performances coming up soon, a new review, and a free download of a recent concert, along with some video performance documents as well.
First, I'll be playing a Buchla 200e/Haken Continuum set, as well as jamming with some of the other artists, at "A Night of Clutter" on Saturday, December 11 at Funkadelic Studios in NYC.
After that, I'll be performing on Thursday, December 16, as part of the "Super Coda Festival 2010", four nights of experimental and improvisatory music at Cafe Orwell in Brooklyn.
Next, I've uploaded the direct board recording of my recent Buchla/Continuum performance at the Omega Sound Fix festival at Alfa Art Gallery in New Brunswick - it's available on SoundCloud as a downloadable high-quality MP3
And here are some video clips (with camera audio) of that performance, along with my improvisation with Philippe Petit at the same festival, in which I play vibes as well as Buchla: [posted here]
Finally, Caleb Deupree at furthernoise.org reviews my recent Vicmod label release "The Wave-Sounding Sea", featuring early Moog CEMS recordings from 1973-75:
http://www.furthernoise.org/index.php?url=page.php&ID=367&iss=89
And Happy Holidays to all!"
photo is by Winnie Sokoloff
PPG and GenoQs Octopus
YouTube via beroshima1 | December 07, 2010 | 0 likes, 0 dislikes
"could upload the wavetable into the ppg via audio.. nemo is happy to have his friend back"
ether^ra RING KLANG
YouTube via potterpaint2000 | December 07, 2010 |
"another 200e improv. http://etherra.blogspot.com/"
LONDONDERRY AIR / Ethervox Theremin
YouTube via copperleaves | December 07, 2010 | 0 likes, 0 dislikes
"The great Irish singer Harry P. Greene (born in Dublin in 1865) said of this traditional Irish melody, "It is a perfect example of pure phrasing far beyond the powers of that most limited instrument, the human voice. Only the violin can begin to do it justice and rise to its wonderful climax with every note serenely true. None of the great singers have tried to sing it; they know better!"
Since it was first introduced in the mid 19th century, this melody has remained one of the most recognizable and loved throughout the world. There have been several sets of lyrics written to be sung to this tune (the most popular is "Danny Boy") but the melody stands beautifully on its own."
Krakken keyboard sounds 1.wmv
YouTube via atomolab | December 07, 2010 | 1 likes, 0 dislikes
AtomoSynth on eBay
"www.atomosynth.com
Synthesis with the krakken keyboard, this is 100% krakken raw sound with no effects showing some weird sounds and a great saw bass sounds..."
Krakken keyboard sounds 2.wmv
"Synthesis with the krakken keyboard, this is 100% krakken raw sound with no effects showing some short arpeggio sounds and string like sounds..."
Synthpro's Polymoog ( during restoration)
YouTube via synthpro | December 02, 2009 |
"This is a video I put together from restoration pictures and some clips of before I had the Polymoog.
I would like to thank my friend Luke and my brother, Jensen for their help.
I recorded the song using the polymoog, moog Little Phatty, and Korg Radias.
Thanks for watching!"
polymoog repair video
YouTube via SubOscillator | December 05, 2010 |
"I posted this video because i felt was an unusual repair only passive components causing the polymoog square wave not to be in tune with the saw wave or the other way around i dont remember its been awhile since i repaired it. I tried to troubleshoot with the polymoog repair manual but the manual stated that the HFO boards on the divider board could be the problem and it wasn't I just happened to look on the TL board and saw a resistor that was burnt looking and hot to the touch(obvious short) so i checked all caps/ ic's that were connected to the resistor and one ceramic disc cap was shorted out I replaced both resistor and cap and now both 8' footages were in tune. If time permits i will replace all caps on the boards.."
PART 1 - TipTop Z8000 Eurorack Synthesizer Module
YouTube via MrRitchieDrums | December 07, 2010 | 0 likes, 0 dislikes
"Been experimenting with the Z8000 sequencer module. Trying different ways to make it 4 different sequencers with multiple clocks from the Blacet Binary Zone & 4MS multiplier module. CHECK OUT PARTS 2 & 3......."
The Korg Monopoly Part 1 (HQ)
YouTube via AutomaticGainsay | December 07, 2010 | 3 likes, 0 dislikes
"Here is a higher-quality version of the Korg Monopoly video, part one."
Update:
The Korg Monopoly Part 2 (HQ)
Celebutante - Electrolux
YouTube via celebutante | December 06, 2010 |
Synth spotting. Sequential Circuits Prophet-5
"Second video from Los Angeles alternative electro band Celebutante, from the"Nightlife" full-length release, now on iTunes ( http://itunes.apple.com/us/album/nigh... ). For more info go to http://celebusite.com
Mitchell Sigman- guitars/synths/programming
Eric Skodis- drums
video directed/edited/shot by Myke Smith"
Moog_Tastic Offer from Dana Countryman
"The future of electronic music is now, and the legacy of Bob Moog's musical genius is alive. -- Dana CountrymanBob Moog's inspiration spans generations of people who love music, technology and making a difference! That is why Dana Countryman—musician, composer and Jean-Jacques Perry musical partner and biographer—is offering something truly special for people who support Bob Moog's legacy with a donation to the Bob Moog Foundation
The Dana Countryman/ Jean-Jacques Perrey Holiday Moog Inspiration Gift Package
Dana's 2010 release of Moog-tastic: Electronic Melodies from the 24th Century
plus
Dana and Jean-Jacques Perrey's second collaboration, Destination Space, “a Moog-fueled trip dripping with Space Age Spy Pop and Funky Science Fiction”
plus
A handsome autographed photograph of Moog synth music legend, Jean-Jacques Perrey and Dana Countryman in the studio.
All for your donation of $75 to the Bob Moog Foundation..."
Full details here. Also, don't forget to vote for the Bob Moog Foundation today and every day in December.
Caveaged - Discord 24 November 27 2010.MOD
YouTube via OscillateObliterate | November 28, 2010
"mostly Wiard/Malekko and Eric Hamelin on electrified drums and board weevil, together known as Caveaged"
Tyrell to be U-He Virtual Software Synth
via Create Digital Musicvia Peter Grandl from Amazona:
"our project TYRELL will become reality. :-) ))
First as a Software Synthesizer, programmed by U-He (from the inventors of ZEBRA 2) and hopefully later as an analog hardware device.
Urs Heckman (see picture) is working on a Synth-project called DIVA. One part of the project is developing a module which is based on the ROLAND Juno 60. Exactly this synth was also the base for the AMAZONA.de Reader-Survey. Now, Urs will bring both ideas together and will create TYRELL – N6 as the first TYRELL Clone.
Since the last letter we have been contacted by three companies from Europe and China. Each of these companies has expressed interest to realize TYRELL.
PS: BTW – the Software Version of U-He will be free of charge for amazona.de readers. We expected a beta-version before Christmas this year!!"
The Synth Eastwood Band - Darklight Festival 2010
flickr By Synth Eastwood"Synth Eastwood invited Gruff Rhys to Premiere his documnetary "Seperado!" at the Darklight Film Festival. He joined Andy Votel on the decks at the Closing Party.
Listen to the SE Halloween set here:
soundcloud.com/synth-eastwood/halloween-holiday-set"
The Son of Forbidden Planet - mk 04052010
via BB on the Wiard list: "For anyone interested in Forbidden Planet: I made a complete new score on the movie, also using Wiard filters, the noisering and the Wogglebug."
SoundCloud description:
"This is an attempt to make a 2010 version of the score for Forbidden Planet in honour of Louis and Bebe Barron. To keep things spontaneous I made the score from scratch and didn't redo the original score. So, it's A COMPLETELY NEW SCORE. This music is made entirely with the type of soundgenerators and modulators they could use back in 1954. Well at least the same type of technology. I just used analog equipment like noisegenerators, oscillators, lfo's, ring modulators, voltage dividers, tubes, feedback circuits, lab equipment, spring reverbs, tape delay and an occasional sequential switch.
Lucky enough I had Pro tools to put it all together, imagine that Louis and Bebe had to do it all with tape!
In the track i tagged the scenes in the movie, well i tried to, because actually i never saw the movie.
I have the plan to update this piece now and then on irregular base and put up new mixes with of course new scenes added to it.
I was thinking that maybe other people are interested to contribute to this piece. You could send me your files.
However to keep the score original and pure I formulate these rules:
- all sounds has to be electronic
- all sounds has to be analog and made with analog equipment, no digital sounds
- just original electronic sounds, no samples
- give me a name of the scene you contribute
Just to give you an idea, this is how Louis and Bebe worked on their piece:
The 1948 book Cybernetics: Or, Control and Communication in the Animal and the Machine, by mathematician Norbert Wiener from MIT played an important role in the development of the Barrons' composition. The science of cybernetics proposes that certain natural laws of behavior apply to both animals and more complex electronic machines.
By following the equations presented in the book, Louis was able to build electronic circuits which he manipulated to generate sounds. Most of the tonalities were generated with a circuit called a ring modulator. The sounds and patterns that came out of the circuits were unique and unpredictable because they were actually overloading the circuits until they burned out to create the sounds. The Barrons could never recreate the same sounds again, though they later tried very hard to recreate their signature sound from Forbidden Planet. Because of the unforeseen life span of the circuitry, the Barrons made a habit of recording everything.
Most of the production was not scripted or notated in any way. The Barrons didn't even consider the process as music composition themselves. The circuit generated sound was not treated as notes, but instead as 'actors'. In future soundtrack composition, each circuit would be manipulated according to actions of the underlying character in the film.
After recording the sounds, the couple manipulated the material by adding effects, such as reverb and tape delay. They also reversed and changed the speed of certain sounds. The mixdown of multiple sounds was performed with at least three tape recorders. The outputs of two machines would be manually synchronized, and fed into an input of a third one, recording two separate sources simultaneously. The synchronization of future film work was accomplished by two 16 mm projectors that were tied into a 16 mm tape recorder, and thus ran at the same speed.
While Louis spent most of his time building the circuits, Bebe did all of the composing. She had to sort through many hours of tape, and as she described it, "it just sounded like dirty noise". Over time, she developed the ability to determine which sounds could become something of interest. She may have invented the tape loop too, as she did not recall ever having heard of it before. The tape loop gave the Barrons' sounds rhythm. Together they mixed the sounds to create the otherworldly and strange electronic soundscapes required by Forbidden Planet.
Finaly: this project is for Mike 'Livewire' Brown, I hope that you get better soon."
André Stordeur
"This is André Stordeur‘s unique solo LP, released 1979 on Brussels’ Igloo Records. Stordeur is a Belgian modular synthesizer specialist with a fondness for Serge, EMS and Moog gearing (see my Wikipedia article for biographical details). Innumerable Stordeur patchs and filters for the Serge await the aficionado on the Internet. During the 1970s, Stordeur was a member of the Studio voor Experimentele Muziek, an experimental music ensemble founded by Joris De Laet in Antwerp, Flanders.."See the full post and additional video on continuo.wordpress.com
via fabio
SEM filmpje bio.mpg
YouTube via jorisdelaet | September 30, 2010 |
"SEM-Studio voor Experimentele Muziek °1973 Antwerp - Belgium
Analoge electronic music studio until 1980
This video shows the members of the SEMensemble of that time: Paul Adriaenssens, performing amplified objects, Korg synthesizer MS20, flute and seashell, Pieter Kuyl,Chapmanstick and synthesizer, Maurice Verstuyft, flute and synthesizer, and myself trying to explain the musical sens of the electronics. This is only a part of the movie. The music is a set of different extraits of compositions and the sound is typical for that time. The end shows a concert were a modular synthesizer is controlled by one of the first computers that allowed to be programmed in Basic. A custom made set of DAC's, constructed by Rudi Blondia, allows digital and algoritmic control over the analogue sound parameters, acting as an automatic pilot for the composition rules. Since then I describe my music as 'music for the parameters', or parametric music."
Hollow Sun HSDV Drum Synthesizer
"HSDV is a new concept in drum sample library for Kontakt.Instead of static samples and snapshots of synth drums with little or no ability to edit them to your liking or requirements, HSDV is a fully fledged five channel drum synth that gives you full control over the way you can sculpt and shape your electronic drum sounds.
It is loosely modelled on the original Simmons SDSV where noise and tone (pitched oscillator) are balanced together and then shaped by a simple envelope but unlike the original, HSDV offers various noise types (white, pink and red), multi-mode (LP/BP/HP) resonant 2- and 4-pole filters for the noise, a choice of waveforms (sine, triangle 1, triangle 2 and square) for the tone oscillator. There are also a variety of different 'Click' sounds to mix into the attack of the sound for more 'punch'.
And unlike the original, the filter can be swept and the tone oscillator's pitch bend sweep is also invertable on the HSDV for a wide and versatile range of powerful drum sounds and sweeps."
via MPS in the comments of this post.
Rude 66 Monotron Mods for Sale
via Monotron Mods"As cool as the Korg Monotron is, wouldn’t it be nice if it could be controlled externally?
I can modify your Monotron to accept cv/gate signals so it can be controlled directly by an analogue sequencer, or through midi via a cv/gate converter.
You’ll get an external box with a seperate cable (as obviously the Monotron is too small to include all the parts) that can be taken off so your Monotron can be used as before. it's a standard S-video cable, so you can replace it. both the box and the monotron have 4-pin DIN input connectors.
The box includes inputs for:
-gate signal (5V)
-CV signal for oscillator pitch
-Cv signal for filter
-a switch for filter tracking
-a potmeter/ trimmer to adjust pitch cv
The box is connected to the Monotron with a 4-pin mini-DIN cable..."
via Tommy Walker
Star Wars and Close Encounters of the Third Kind on Moog Recordings from the 1970s
Don't miss the update in this post.
Diabolica / Class A Electronics Circuit Bent Casio Modular
IMG 0452
YouTube via classaelectronics | December 07, 2010
Class A Electronics on eBay
IMG 0445
classaelectronics | December 07, 2010
YouTube via classaelectronics | December 07, 2010
Class A Electronics on eBay
IMG 0445
classaelectronics | December 07, 2010
Carl Palmer Wavedrum Apple TV in HD 22
YouTube via KorgUSAVideos | December 07, 2010
Interesting bit on the first electronic drums used in a recording at :23.
Xmas 2010
YouTube via skoulaman | December 07, 2010 |
"I was putting a sound card in the slot of the Kawai K1 and found this "Tamborine". But to me it looked like a bell of a sleigh.
So the idea of a little christmas song was born.
I put some Skoulaman bell sound to it and the chords of the Roland Juno and the Korg Lambda. Also some lead of the Moog Little Phatty.
It is not a masterpeace of electronic music but just some fun.
The foto's are token around my home (The Netherlands, 7 meters below sealevel) and in Switzerland (quit some more meters above sealevel).
Enjoy the music and pics and for all Youtubers a Wonderful Christmas.
Greetings Skoulaman"
Oberheim Xpander
via this auction"The machine is 6 voices and come equipped with full MIDI capabilities. It can function in Mono, Stereo, or even as a 6 voice multi-timbral monosynth. It also has CV/Gate capabilities and can be used as C/V to MIDI converter for up to 6 channels of your old gear. The modulation and routing capabilities on this thing are incredible."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
