Wednesday, July 27, 2011
Squidfanny - Circuit Bent ZOOM PLAYER 3000 (for Phullopium Dude)
YouTube Uploaded by squidtfanny on Jul 27, 2011
squidfanny on eBay
"Granular Delays, Bit-Bashing Ring Mods, Screaming Reverbs & Bitchin' Pitch Modulation. There's even a weird loop switch....
The Zoom Player 300 is a really nice Digital effects Machine, but unfortunately cheap assembly means the plastic buttons are prone to breaking, thus making the machine useless...
So to remedy the design flaw I have added 7 Push Buttons on the left side of the machine to replace the original dodgy buttons."
Funkin Yellow
via brian c
"OK a Metasonix tm3 oscillator pitched by jkj cv/midi then into Metasonix TM6 filter and then it gets envelope from Paia ADSR the output goes to Metasonix Tx1 Agonizer SE ....I added a funk drum beat from Novation DrumStation (808/909) a little CV help from a Moog cp251 too
this is not a pretty piece but it does show that TM3 can be pitched and enveloped, not just a drone"
lm13700 vcsvf acid
YouTube Uploaded by squeakyfromme69 on Jul 27, 2011
"got 'er mostly tunes up to where i want it. sounds purdy gud.."
Trifonic: Making Pads with Spectral Dronemaker
Trifonic: Making Pads with Spectral Dronemaker from Next Step Audio on Vimeo.
"Electronic music production tutorial by Trifonic for NextStepAudio.com"
This originally came in on 7/5/10 10:21 AM
GearMedia Moogerfooger Patchbay concept... GiMP
via Mike Beard / GearMedia, who is interested in partnering with someone to manufacture and distribute these. "A modular 19" rack design similar to the rack mounted moogerfoogers. Each model would be able to be purchased separately and mounted above its Moogerfooger counterpart for simpler more modular style patching or alternatively, keep the MF on the floor and use a custom snake to connect to the rack. Maybe even a eurorack style with 1/8" on the front."
Hi-res PDF here
Contact: mike.beard at me.com
http://www.gearmedia.net
This originally came in on 9/10/10.
Ryo's journey
YouTube via SCHAAFJOERG | September 16, 2010
Joerg Schaaf is the man behind Radikal Technologies.
"Ryo's journey is the first track with a video, where I played an e-guitar and a bass beside the Spectralis. I had no time to create a new movie for this one - so I put some old scenes together. But I really wanted to upload the music to youtube as well.
I produced the music with digital performer and one Spectralis synthesizer. All guitar and bass sound processing has just been made with the standard plugins of Digital Performer. Forgive me the timing issues - I am not playing guitar and bass for a long time. I am just at a beginners level."
POLYFUSE - La Petite Mort
POLYFUSE - La Petite Mort from Justin McGrath on Vimeo.
"La Petite Mort, coming soon."
http://polyfuse.net/
pretty noises turn me on
YouTube via DrOctave1 | December 09, 2010 |
"a patch with pretty tones and short drones"
MORTON SUBOTNICK - A Sky of Cloudless Sulphur | live @ fluc vienna | 2011-02-16
YouTube via klubmoozak | February 21, 2011 |
Also see this post for some pics and words via Noiseconformist.
"NETZZEIT & IN DER KUBATUR DES KABINETTS & KLUB MOOZAK präsentieren: "Silver Apples of the Moon" mit MORTON SUBOTNICK
22:00 Uhr Morton Subotnick: Demonstration des originalen Buchla Synthesizer
22:45 Uhr Silver Apples of the Moon (1967) und A Sky of Cloudless Sulphur (1978)
Morton Subotnick: Buchla/Laptop
Lillevan: Live-Video
im Anschluss: MOOZAK Dj-Line
Eintritt (Abendkasse): 10,-
Vorverkauf Jugendinfo (1010 Wien , Babenbergerstr.1): 8,-
Vor 50 Jahren lernte Morton Subotnick, einer der Pioniere elektonischer Musik, Don Buchla kennen und gab kurze Zeit später einen Synthesizer in Auftrag, den Buchla 100 series Modular Electronic Music System. Diesen Synthesizer von 1963 nutzte Morton Subotnick, um Silver Apples of the Moon zu komponieren, das erste Werk für Elektronik, das von einem Plattenlabel (nonesuch) in Auftrag gegeben wurde.
Gemeinsam mit Robert Moogs' Moog Synthesizer revolutionierte der Buchla die Musik und den Sound seiner Zeit.
Nach ihrer Performance Ende Jänner bei der Transmediale Berlin 2011 präsentieren Morton Subotnick und Lillevan auch beim Auftritt im Fluc in Wien die Werke "Silver Apples of the Moon" und "A Sky of Cloudless Sulphur" mit Live-Elektronik (Morton Subotnick) und Live-Video (Lillevan).
http://www.moozak.org
http://www.netzzeit.at/
http://www.fluc.at"
System 100 Brain & René
YouTube Uploaded by Ebotronix on Jul 26, 2011
"Roland System 100 (101&102)
Make Noise Brain (2xPP) and René to Doepfer A 152 as a 40 step sequencer
to Toppobrillo Quantimator two outs to 101&102
System 101&102 cross modulation (ext cv in)& Ringmodulation
Ringmodul 1 from 102
Ringmodul 2 Maestro Ringmodulator
both RM's Carrier in from Moog Freq Box
Audio
System 101 & 102 to Boss PN 2 to Boss PN2to Boss SL-20
Drums Roland EF 303 Syn Rhythm function midi out to Boss DR770
DR 770 to EF303 audio in
EF 303 to System 101 &102 to Boss SL-20
Master clock Logic Kenton Pro 2000 II to 4ms RCD
7 tracks
Donna da cat"
Yamaha TG 33 Vector Synth
via this auction "Rare vector synth with a unique gritty aliasing sound together a similar grainy reverb. Atthe very foot of this page I have uploaded a Soundcloud demo of what it sounds - the TG 33 was recorded directly into an Akai z8 Sampler with no added effects.
With the advent of 'plugins' too many artists in the electronic field sound the same and so the search for unique, by-gone instruments continues. Here we have a TG 33 which was developed by the people left at Sequential Circuits who had joined Korg who were later takenover (briefly) by Yamaha. Dave Smith was behind the SY22/TG33 a sort of poor mans Sequential VS. The Sequential boys went on to develop the Wavestation for Korg however, that was a silky sounding synth that was very much of its era. The TG 33 on the other hand as this grainy, bitcrushed sound that is very of the moment - think Daft Punk Tron or Chiptune music.
It was released in 1990 (I was 10!)
What is good for? Metallic, droney strings and scraping sounds. Excellent for ambient sounds which would take ages to program on any other synth but with Vector you are mixing 2 synth engines ...its not just mixing
Features:
TG33 has two synthesis engines: AWM (12-bit PCM) and CWM (2-Operator FM). This hybrid architecture is called DASS. There are two layering modes: 1PCM+1FM (32 polyphonic) and 2PCM+2FM (16 polyphonic).The Vector controls the mix balance and the detuning.
AWM section
TG33 has 128 12-bit PCM waveforms in 1MB ROM. There is no filter, as is the case with lower-end PCM synths at that time.
The LFO modulation is relatively fast. It can be used to imitate a kind of cross-modulation like Roland JV's FXM.
FM section
TG33 uses 2-Operator FM with 8 basic waveforms.
It can be only partially editable from the front panel. Users must choose one from 256 preset FM settings, and edit Amp Env, Brightness, LFO etc.
As the AWM section has no filter, timbre motion should be created with this FM section.
Using SysEx, all the hidden parameters can be edited (see below).
Vector
There are two Vectors; Level Vector and Detune Vector to control mix balance and the detuning.They can be controlled in realtime with the Joystick/MIDI CC or 50-step sequence for each. The vector sequence stops in the release segment.
16 FX types including reverb, short delay and digital distortion are available. There is no modulating effect like chorus."
SpaceICE- Yamaha TG 33 Sample by rtype909
Circuit Bent Psychedelic OMNICHORD OM-27
via this auctionvideo here
See squidfanny on eBay for more.
"The OMNICHORD is a unique Analog (Analogue) Synthesizer originally built in 1981 by Suzuki. It's part Electronic Touch Harp, Part Chord Organ and Part Analog Drum Machine with Rhythms with Accompaniment and a built in speaker. It's been used by David Bowie, Jarvis Cocker (from Pulp) and Flight of the Conchords.
There is nothing quite like an Omnichord.Needless to say, this very special machine has had some stunning modifications and is now capable of producing a whole range of other-worldly sounds previously un-imagined by the original engineers......
Each Section of this Omnichord synthesizer has been modified in the form of Upgrades, Expanded Features, New Sounds, Additional Modulation and Expressive Control.
This includes 35 Metal Touch points, 10 New Knobs, 28 New Switches (including Rotary Knobs) & 27 Beautiful Psychedelic LED lights......METAL TOUCH POINTS -
An array of Metal touch points allow a whole new way of playing the Omnichord. Use fingers to connect the points on the Right of the machine with any of the points on the left of the machine for bleepy Squarewave tones, Bass tones and Chord Tones. The tones are harmonically arranged in a similar way to the Harp.
The top row of 12 points are fixed tones. The centre Row of 12 Points will change according to which Chord is being played, and will always stay in tune with the chord, in a similar way to the harp. The Bottom Row of 5 Points are Bass tones, and will modulate when using the Omnichord in Accompaniment mode.
5 Points on the right will connect the tones through various parts of the Omnichord's analog circuitry, and produce different effects, ranging from straight amplification, crunchy Distortion and Ring Modulated & Filtered synth tones.
To the right of the Harp plate are an additional pair of Touch points which can be used to modulate the Omnichord's pitch. These provide really expressive control and can be used for similar results to a whammy bar on a guitar and will produce Hendrix-esque mind-bending.....
FLASHING LIGHTS -
Beautiful modern LED lights indicate various activity within the Omnichord's circuitry and flash along with the sounds.
The LED Lights also serve to divide the metal touch points and make performance more accurate.
Pink Lights represent the Drums & Chord sounds.
Green & Blue Lights Indicate the LFO rate.
Purple Lights indicate the Bass
ANALOG DRUMS (left Photo Above) -
The Omnichord has a built in Analog Drum machine, and provides warm punchy Rhythms with Chord / Bass Accompaniment. There are 6 preset patterns (Rock, Latin, Swing, Etc.). These patterns cannot be edited, however I have installed 6 Metal Switches above the rhythm buttons which allow these preset patterns to be combined with each other. This allows a whole range of unique & complex Rhythmical Structures to be created.
5 New Soft-Touch Knobs Allow the Analog Drum sounds to be tweeked. Controls affect Decay and Filtering for the Bass, Snare, Claves and Hats. Yellow knob provides Decay for the Chord when used in Accompaniment mode.
SONIC GLITCH (Right Photo above) -
This is a very special new feature for this Omnichord, which produces a staggering array of unique techo-esque sounds from the Omnichord's preset Harp / Chord & Bass.
Sounds range from Bubbly Echos, Sweet Arpeggios & Syncopated Modulation to De-tuned Notes, Dark Ring Mods & Watery Dis-chord.
Use the Rotary Knobs to select the required 'Glitch', and the metal toggle Switch to active the effect. Each Rotary knob can be used individually or all 3 Knobs can be used at once for increasingly dramatic results....
Once the required effect is selected, the switches can be used as part of a live performance.
There are a total of 27 Sonic Glitches which are spread over the 3 Silver Rotary Switches.
LFO Modulator -
Additional LFO circuit has been installed in this machine to allow a whole range of very impressive modulation capabilities..... The Large Knob is used to alter the LFO RATE, the signal can then be used to drive the Omnichord's Pitch, which will affect the Chord, Bass, Harp and Touch Points. It will not affect the tempo or the rhythms, which makes it a very useful feature for performance. A soft-touch knob controls the LFO Pitch depth when turned fully anti-clockwise will turn the effect off.
A pair of metal toggle switches allow the LFO to be used as a Gate / Chopper for the Chord & Bass.
Another Soft-Touch Knob allows the LFO to act as a Linier Volume Gate and can create a nice basic rotary speaker effect.
LFO Circuit has a Switch (above the large Rate Knob) to turn the circuit ON/OFF.
The LFO also has a small flashing Green LED Light which indicates the Rate.
Additional controls in the photo above are -
A pair of Switches which are used for cutting cirtain elements from the Bass Accompaniment.
Bass Volume Knob (Red Knob) can also be used to completely mute the bass.
Master Pitch (yellow knob) is used to tune / de-tune the machine.
New controls are all arranged in a logical and instinctive order, with juist a little practice you'll quickly understand their functions."
More pics at the auction.
EMS VCS 3 Putney Synthesizer
via this auction
SN 4411
"Here it is, a working VCS-3 Putney synthesizer. Push the red button, move the joystick and prepare to be taken seriously. This was in our studio for about 8 years, and before that rumor has it that its home was a university in western Canada. It's as mean a sound processor as it is a synth. As you can see, some of the silver knob cap tops are missing. I was collecting them in a plastic bag for a couple years, but who knows what happened to the bag. One day you'll be searching for "VCS" and an annoying listing for silver knob caps will pop up right above the t-shirts for sale."
EMS VCS/KB Cricklewood Keyboard for Putney Synthesizer
via this auction"This is a three-octave C-to-C keyboard with dynamic sensitivity. It worked well with the Putney last time I checked, but now the 4-prong Cinch-style cable has gone missing. Chances are high that if you're geeky enough to be looking at this you know how to order the parts and solder a new cable... or you can tell your friends a made-up story about how Brian Eno insists that the sound is much more organic when the keyboard is merely next to the synthesizer."
SN 3427
Korg Monotriibe 1st. test (Point Loma/Nortec)
YouTube Uploaded by bostich1 on Jul 27, 2011
"Korg Monotriibe 1st. test
(Ramón Amezcua/Nortec)
http://www.facebook.com/nortec"
Jupiter 80 Video Demo
YouTube Uploaded by SweetwaterSound on Jul 27, 2011
"Scott Tibbs from Roland demonstrates some of the amazingly expressive sounds of the Roland Jupiter 80. The Jupiter 80 takes synthesis to whole new levels, with an intuitive architecture and Roland's SuperNatural sound playback technology. Enjoy the demo, then learn more here: http://bit.ly/sw_jupiter80"
Made with two instances of the Sonigen Modular VSTi (within Plogue Bidule)
YouTube Uploaded by GruithuisenCityMan on Jul 27, 2011
"Made with two instances of the Sonigen Modular VSTi (within Plogue Bidule)"
How to Edit Mass Parameters in TouchOSC
If you remember my FS1R TouchOSC editor post from yesterday, I mentioned that it would be a while before I completed it due to the sheer number of pages and parameters that needed to be manually edited. You can copy and paste a page in the TouchOSC Editor, but then you have to click on every single control and edit. I wished there was an easier way to simply copy and replace. Well... It turns out there is!!! Hans of The Missing Link came to the rescue via a tip from control_man here. Apparently TouchOSC files are XML files and can be edited as follows:
1. add a .zip extension to the TouchOSC template filename
2. unzip - this will give you index.xml
3. edit index.xml
4. zip index.xml into an archive
5. change filename + extension of index.zip to templatename.touchosc
Note that Touch OSC requires a unique name for each control (click the above image so see - BTW, that is the very start of my FS1R editor), so I did the following to make it easier:
1. I created blank pages in my template for those I wanted to duplicate in the TouchOSC editor itself
2. I opened the template in XCode
3. I grabbed the chunk between the Page tags for the page I wanted to duplicate
4. I pasted that into TextEdit
5. I did a search and replace all for name=” with name=“0
6. I did a search and replace all for the hex values I wanted to change, in my case 0x60 0x02 to 0x60 0x03
7. I did a control all and pasted it into the first new blank page in XCode
8. I repeated steps 5-7 for each page substituting name=” with name=“1 0x60 0x02 to 0x60 0x04 and so on.
I was able to create five new pages pictured to the left in under ten minutes. This is literally going to save me days worth of work.
Thank you Hans!!!
Note this is also being covered in the hexler forum here.
HexaChrom Adds Support for The Missing Link and OSC
HexaChrom - Somascape
"HexaChrom turns your iPad into a musical performance controller, enabling you to play your OSC or MIDI (#) electronic musical instruments — virtual instruments running on a laptop/desktop computer, or hardware MIDI instruments.
HexaChrom takes an alternative approach to the majority of MIDI keyboard controllers in that it uses an isometric note layout, where the notes are presented as a hexagonal matrix of keys. There are many such isometric layouts, though HexaChrom uses the Harmonic Table layout, which is a modern variation of the Tonnetz (tone network), devised by the famous mathematician Euler.
This note layout has particularly useful musical intervals between adjacent keys, ie along the 3 major axes : minor thirds, major thirds and perfect fifths. In the Western musical tradition, the intervals of the major and minor thirds dominate chordal structures. Consequently, this layout offers a number of advantages over the more conventional clavier-style keyboards : consistent chord shapes irrespective of key, the ability to span several octaves with one hand, and to play basic major or minor triads with a single finger. Together resulting in an easier learning curve.
It also encourages the user to approach music differently, just as the different note layouts of pianos and guitars engender different playing styles.
(#) HexaChrom can send MIDI data either via the OSC protocol (wirelessly), or via CoreMIDI (wired or wirelessly). When using OSC to control MIDI devices (whether hardware or software based) you will need to translate the OSC messages to MIDI, using either additional software (eg OSCulator on a Mac) or hardware (Jabrudian's Missing Link).
FEATURES :- Isometric 'harmonic table' note layout keyboard, based on a 52-note matrix (just over 4 octaves).
- Play simple chords with a single finger.
- Consistent chord shapes irrespective of root key.
- Octave transposition provides a total span of just over 7 octaves.
- Dual view : Portrait mode offers a single 52-note matrix (easy play); Landscape mode has a 104-note dual matrix, with optional split channel operation.
- Assignable controllers (sliders and buttons).- Control any software or hardware MIDI synthesizer, sampler, drum machine, etc. using OSC or MIDI protocols (additional software and/or hardware is required - see Requirements).
- OSC (wireless) support for both the 'M' data type (as used by OSCulator), and the Missing Link's proprietary message format. With automatic connection using Bonjour, or manual connection when Bonjour is not an option.
- CoreMIDI support (wireless or wired).- Multitouch interface.
- iOS 4 multitasking compliant.
REQUIREMENTS :
- iPad running iOS 3.2 or later (4.2 is required for wired MIDI, whilst 4.3 is required for wireless MIDI).
- To use wired MIDI : A CoreMIDI compliant MIDI interface (eg Yamaha's i-MX1), or Apple's Camera Connection Kit along with a class compliant USB-MIDI interface.
- To use wireless MIDI : a wireless network with access to a MIDI Server.
- To use OSC : a wireless network with access to an OSC Server, eg OSCulator or a Missing Link device.
- A Mac running OS X 10.4 or later (if using OSCulator or wireless MIDI).
NOTES :
- HexaChrom is a dedicated iPad app and cannot be used with iPhone or iPod Touch.
- HexaChrom is a controller. It does not of itself produce any sound.
- OSCulator, Missing Link and Camera Connection Kit are 3rd party commercial products."
Note the bottom image if from Hans of The Missing Link who gave it a try. He had the following tip for others that might want to give it a spin: "When I tried it out, the "Connect to Missing Link" slide switch put the right numbers in the boxes but it gave me an error as if they weren't there so I had to slide the switch back to 'OFF' and enter them manually. Not a big chore, but it's not necessarily an obvious workaround."
HexaChrom - Somascape
iPads on eBay
SONiVOX Releases TWIST Spectral Morphing Synthesizer
"SONiVOX Unveils TWIST – Spectral Morphing SynthesizerNew technology synthesis engine coupled with intuitive GUI design delivers new control paradigm & unmatched sonic possibilities
SONiVOX, Boston MA, based award-winning music software company today announced the release of the newest instrument from their NEMESYNTH Audio Research Group, TWIST – Spectral Morphing Synthesizer.
TWIST™ is a new tool for musicians, producers, and sound designers that combines a brand new type of synthesis, intelligent performance controls, and an intuitive GUI designed to give the user control over a new and unique sound engine which sounds can easily personalized to meet each user’s individual needs.
TWIST – Spectral Morphing Synthesizer - Features:
New Patent Pending Spectral Morphing Synthesis engine
Ultra-user-friendly graphical user interface that makes sound creation and personalization easyOver 200 factory presets that can be easily personalized into thousands
MIDI Learn & Save Function – Lock TWIST’s controls up with any midi controller.
Onboard tempo-synced variable resolution pattern generator
SONiVOX’s Intelligent Rhythm Control (I.R.C)
Onboard chorus, tempo sync delay, and reverb fx
PC Standalone, VST and RTAS Compatibility
MAC Standalone, AU, VST, and RTAS Compatibility
TWIST marks the second release from SONiVOX’s NEMESYNTH Audio Research Group. Spearheaded by noted audio guru and scientist Jim Van Buskirk, pioneer inventor of the virtual instrument, modern computer driven sampling, and real-time low-latency convolution, SONiVOX’s NEMESYNTH Audio Research Group’s sole purpose is to discover, research, & develop revolutionary new enabling technologies for musicians everywhere.
TWIST – Spectral Morphing Synthesizer is MAC & PC compatible and will work with most major DAW software as a VST, AU, and RTAS plugin.
TWIST - Spectral Morphing Synthesizer is available now with a MSRP of $149.99 and an estimated street price of $99.99
SONiVOX claims that TWIST must be heard to be believed and invites all to checkout the TWIST video and mp3 examples at www.sonivoxmi.com/twist
About SONiVOX
SONiVOX provides a multi-tiered suite of premier audio technology products that give voice to consumers ranging from professional musicians to over 100 million cellular users worldwide.
For years, SONiVOX, formerly Sonic Implants, has provided leading musicians and composers in the film and television industries with the tools needed to create world-class audio content for chart-topping movie, music and television projects.
Whether it’s high-end sound libraries & virtual instruments for leading Hollywood film composers, home-studio musicians, or millions of cell phone users, SONiVOX enjoys a worldwide reputation as a company producing "sound that rocks." For review copies and more information please contact SONiVOX at 617 718-0202 | info@sonivoxrocks.com. Follow SONiVOX on Twitter www.twitter.com/SONiVOX"
Diamond in the raw <> by Duke Slammer
Diamond in the raw <> by Duke Slammer
via luke sanger
"I created a new alias as an outlet for all the new electronic funk I've been making, Duke Slammer is raw electro funk made on limited hardware, here is an example written entirely on the OP-1 and minimoog:"
via luke sanger
"I created a new alias as an outlet for all the new electronic funk I've been making, Duke Slammer is raw electro funk made on limited hardware, here is an example written entirely on the OP-1 and minimoog:"
This Second Sleep - Rebuke (of sorts)
YouTube Uploaded by arthurpainter on Jul 27, 2011
Sweet spot at :15. Listen to it come in from the start with decent volume.
"http://thissecondsleep.blogspot.com/
Another version of a prior Buchla dirt-fest with the 258v coming along for the ride."
BTW, both arthurpainter and potterpaint2000 post multiple videos daily. Rather than have them take over MATRIXSYNTH :), I'm only posting a selection of their videos over time. Be sure to see their sites and/or YouTube channels for more.
Roland RS-09 Strings/organ analog synth
via via this auction and this auction.From the ROLAND RS-09 OWNERS MANUAL: "Roland RS 09 is a keyboard mechanism that produces the sound of the strings as well as the rich sound of the organ. Equipped with a 2-channel output and an ensemble capacity, you can create a deep and wide range sound with a stereo or PA system. And with the external input jack, you can add the ensemble effect to the sounds of various electronic and electric instruments. In connecting RS-09 to other synthesizers (SH-1) , you can get a similar effect to a polyphonic synthesizer"
See abertronix (RSS) for more.The two designs of the Roland RS-09. The orange followed the black and white and was in line with the aesthetics of the TR-808 and Jupiter-8.
ROLAND SYSTEM 100M DSET 191 Original BOX
via this auction"Box only for the 191J unit (no styrofoam)
In fair to good condition
Bottom tape strip dried out and was removed, no damage but typical DRIED residue
Main damage is on the inside flap of one side, shown in the picture.
Owned by a non-smoker
Will double box for shipping."
ROLAND SYSTEM 100M DSET 121
via this auction"Working System 100M module 121 Dual Voltage Controlled Filter
Component of the D-SET (112, 121, 130, 140 and 150)
Two independent Voltage Controlled Filters (VCF)s
Low Pass Cutoff and resonance with a HPF switched mode
3 signal inputs per filter
3 CV inputs per filter
2 outputs per filter
One of the sweetest sounding filters Roland ever made.
There is also a 24dB HPF modification that can be made to these filters - check http://sys100m.org for details
Owned and used by a non-smoker
Free shipping in the USA, $45 to elsewhere"
ROLAND SYSTEM 100M DSET 112
via this auction
"Working System 100M module 112 Dual Voltage Controlled Oscillator
Component of the D-SET (112, 121, 130, 140 and 150)
Two independent Voltage Controlled Oscillators (VCO)s
Range from 32' to 2'
Sync in and out (with weak/strong settings for in)
Triangle, Sawtooth and Pulse wave forms
Manual slider for Pulse Width
External input and slider for Pulse Width
3 CV inputs per oscillator
Owned and used by a non-smoker
Free shipping in the USA, $45 to elsewhere"
Teenage Engineering OP-1 Portable Synthesizer
via this auction
"Product Info:
Multiple Synthesizer Engines with Exchangable Architecture
Built-in 24 Voice Instant Live Sampler
4 track Tape Recorder with Variable Tape Speed
6 Minutes Recording Time. (Up to 24 Minutes)
4 track Mixer with EQ, Effect, Drive and Master Out
Multiple Exchangable Effects
Multiple Exchangable SequencersUSB MIDI Controller – MAC & PC Compatible
2-Way USB File Transfer – MAC & PC Compatible
Color Coded Vector Based User Interface
Instant Reverse and variable Tape Speed Recording
Full Classic Tape Editing Capabilities
Master Tempo with Beat Matching to Tape Feature"
PREVIOUS PAGE
NEXT PAGE
HOME
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
