via this auction
Pics of the inside below.
Friday, September 21, 2012
ROLAND JUPITER 6 SN 321996
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Pics of the inside below.
via this auction
Pics of the inside below.
Moog Source SN 4296
KORG Poly 61 ANALOG Synthesizer
MOOGERFOOGER MF-101 & MF-107 with MFB Urzwerg sequencer Moog Analog Synthesizer
Published on Sep 21, 2012 by MrRitchieDrums
"Experimenting with just 3 boxes: Moog MF107 FreqBox & MF101 Filter being controlled by the MFB Urzwerg sequencer."
Roland GR-77B Programmable Analog Bass Synthesizer with G-77 Factory Demo
Published on Sep 21, 2012 by WayneJoness
"http://www.joness.com/gr300/GR-77B.htm Various GR-77B bass guitar synthesizer patches previewed with images provided by MESonline. The GR-77B is based on the Roland JX-8P sound engine."
V! visitors theme - on Yamaha Tx816 fm synthesizer by polynominal.com
Published on Sep 21, 2012 by Polynominaldotcom
"The theme from the 80' series with nasty lizard men. Recorded that song only with a yamaha tx816, huge pure FM synthesizer- no FX.
For more info on this synthesizer, please visit my dedicated homepage"
minibrute euro modular demo - Synth Rats!!!
Published on Sep 21, 2012 by heodesalciphron
"Minibrute now embeded in the noisesystem
minibrute CV out - E350 morphing terrarium
E350 morphing terrarium - minibrute line in / mixed with other MB waves
joystick modulating E350 waves
andy = midi master keyboard
mpc = midi clock / drums"
Minibrutes on eBay
Acidcode ML303 V5 - Roland TB303 Clone
via this auction
"Acidcode ML 303 v5 (software v7.02)
The ML 303 is the best and rarest clone of the legendary cult synthesizer Roland TB 303.
The circuits were adopted by the TB 303 and up, the ML is thus the clone of the TB sound comes closest. There were only a limited number of kits, which now no longer available.
The ML 303 offers:
- A great filter (Tune, Cutoff, Resonance, Envelope Mod, Decay, Accent, Volume)
- 2 waveforms Saw / Square
- Built-in step sequencer
- Stereo Out (Headphones), Mono Out
- LED running light display
- Powerful analog sound, the classic acid sound!
Compared to the ML TB has some modern features:
- Midi In / Out (Can sound modules - Fashion be used as a pure tone generator)
- Audio In (Mono)
- LCD Display
- 16 Memory banks of 8 patterns = 128 patterns (pattern length 16 steps)"
Please check Youtube and google for numerous sound examples. This unit has hand-matched Transistors.
Info:
The AT-1 attenuator kit has _not_ been installed but will be delivered with the unit.
If the sale is in Europe, the PSU will be included, otherwise you would need a 12V DC PSU. This is a private Sale -- no guarantee or warranty covered."
hps-octane teaser screecast v0.92
hps-octane teaser screecast v0.92 from hpsounds on Vimeo.
"Here is a more "musical" demo of the hps-octane step sequence for Ableton Live + MaxForLive.
You will first notice that the GUI has been reworked a lot - the top tabs have been removed and changed for a series of buttons that free up some screen space for a value strip read-out in each tab/buttons.
I had a lot of problems with the preset system and heavy data feedback on the OSC implementation so I remove most of the OSC functions at the moment. The cade has been also cleaned.
____
This track is an old tune that used to be sequenced on a P3 Sequentix hardware sequencer. Here, I'm using two instances of hps-octane (track 1 and 4).
On track 1, presets are switched on the fly with MIDI program change included in clips and I'm switching (on-off) steps with a Lemur layout on the iPad (off screen).
Track 4 is using mainly the Random Gate function on a simple sequence, creating unpredictable, but still musical, variations.
If you are interested in beta-testing this MaxForLive device, please send me a message with your interest and personal information.
Enjoy !"
pic here
Korg Offers Seven New Sound Libraries for Kronos Music Workstation"
EXs90 Kronos Assault
EXs90 includes massive, luscious pads, movie sounds and effects, all topped off with a selection of classic synth sounds, plus an assortment of sampled human voices, from natural sounds to dreamy vocals. Exs90 is currently available for download for US $180
Exs80 Vintage Synths
EXs80 Vintage Synths includes over 250 MB of new sample data with a wide assortment of classic analog basses, leads, pads, strings & killer synth sounds that have that vintage analog sound that many musicians pay big bucks for - now at a fraction of the cost. An amazing assortment of Programs & Combis that utilize KARMA and are perfect for producers and keyboard players looking for classic synth sounds to add to their Kronos. Exs80 is currently available for download for US $69
Exs82 Hit Factory
EXs82 Hit Factory is a mix of Programs & Combis utilizing KARMA, that is perfect for producers and keyboard players. Hit factory includes six new drum kits with hundreds of samples. Also included are a wide mix of funk guitars, orchestra hits, noises, scratches, human beat boxes, analog vocoders and more. Exs82 is currently available for download for US $69
KRS80 Soundtrack Mix
KRS80 Soundtrack Mix features a mix of killer pads, synth sounds and unique rhythms - an assortment of different "atmospheres" that are ideally suited for TV, video games, film projects, or for composers scoring modern classical music. KRS80 is currently available for download for US $39
KRS81 Sonix Bliss
KRS81 Sonix Bliss focuses on the MOD-7 sound engine, including a wide assortment of classic FM-style synth sounds along with a mix of complex sounds. Everything from 80's DX-style electric pianos to modern 21st-century synths is included, with a mix of basses, leads, pads, drums, percussion and much more. KRS81 is currently available for download for US $39
Exs64 Ethno World
The first World library for the KORG Kronos, EXs64 KARO Ethno World was produced in collaboration with Erkan Ucar (Ecomusik). These Ethno instruments-include strings, winds, keyboards, percussion, and more-were collected around the globe and arranged into this single and extremely versatile library. Exs64 is currently available for download for the special price of US $199 (Normally $249)
Exs67 Upright Piano
KARO's EXs67 Upright Piano library delivers the familiar sound of an upright piano, with all the modern advantages and possibilities that Kronos technology has to offer. A traditional German piano was sampled with 6 velocity layers, for a total of 1.6GB of high-quality samples, and 36 Programs specifically designed for them - including six by Michael Geisel of Korg & More in Germany. Exs67 is currently available for download for the special price of US $99 (Normally $169)
All libraries are available at: www.korg.com/kronos/SoundLibraries. Free demo versions of the EXs libraries can be downloaded; purchasing an authorization code from the secure Korg Web Shop unlocks full access to the libraries. Please see Korg.com for sound demos and download/ installation system requirements."
Doepfer modular sequenced by Sequentix P3
Published on Sep 21, 2012 by diverseaudiolab
"In which the Diverse Audio Laboratory briefly sequence a (mainly) Doepfer synthesizer with a Sequentix P3 to limited musical effect. Delay from an Echoman delay unit, reverb from a spring. Analogue larks, as they say, ahoy.
http://diverseaudiolab.bandcamp.com"
via Diverse Audiolab on The MATRIXSYNTH Lounge
Little Phatty Stop and Go
via Moog Music on Facebook
"Stop and Go.
Happy Phatty Friday! Love, Your friends at Moog."
Green light, red light...
omnichord by folktek part 2 _ minimal dust
Published on Sep 21, 2012 by pianoloft
"another improvisation i did with my favorit instrumental comination of the omnichord, modified by folktek, and two special delay devices: rainbowmachine by earthquaker devices and memoryman by electro harmonix."
Folktek on eBay (RSS)
Novation Bass Station Analog Keyboard
Plan B M15 Voltage Controlled Oscillator Mk2
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The Mk2 version has the PCB parallel to the faceplate, meaning it's not as deep as the Mk1.
The M15 is an outstanding triangle core oscillator. Sine, triangle, sawtooth, square wave with variable pulsewidth ouputs and the morph output. The morph output is a waveshaping output, with a switch that selects it's output to either be sine to sawtooth or sine to square. The morph circuit is an almost exact copy of the waveshaping function used in the Buchla 258. The morph function is controllable by both a pot and a CV input, which creates very interesting effects due to the vactrol used in the circuit. All of the raw waveform outputs sound absolutely amazing. The M15 definitely has a 'fat' sound to it right off the bat, it just sounds huge. The sine wave is probably the nicest I've heard from any oscillator in my entire life.
It's very flexible in regards to FM synthesis, boasting a linear FM input and two exponential FM inputs (one of which is bipolar). The linear FM input is very musical sounding and can work for both musical scale patches as well as wild experimentation. It excels at creating various natural sounds, including metallic instruments, wooden sounds and of course, the classic bongo (especially when paired with a nice low pass gate). It has a 1v/o input, which I've calibrated to track for 5 octaves. This range can be extended by following the calibration procedure, but I only had a 5 octave keyboard to work with. It's easy to dial in tuning once it's warmed up, as you have coarse and fine tuning options on the oscillator. The oscillator also includes a sync function.
The pulse width is an interesting feature of this oscillator, as the whole range of it is covered by about 30% of the bipolar pot's manual movement. It also has a CV input to control the pulse width. The reason for this range, is to create interesting experimentation with pushing the waveform past it's thinnest pulse wave, resulting in the waveform cutting out. Sending a random voltage generator to the pulse width modulation input can create superb sounds."
via this auction
"The Mk2 version has the PCB parallel to the faceplate, meaning it's not as deep as the Mk1.
The M15 is an outstanding triangle core oscillator. Sine, triangle, sawtooth, square wave with variable pulsewidth ouputs and the morph output. The morph output is a waveshaping output, with a switch that selects it's output to either be sine to sawtooth or sine to square. The morph circuit is an almost exact copy of the waveshaping function used in the Buchla 258. The morph function is controllable by both a pot and a CV input, which creates very interesting effects due to the vactrol used in the circuit. All of the raw waveform outputs sound absolutely amazing. The M15 definitely has a 'fat' sound to it right off the bat, it just sounds huge. The sine wave is probably the nicest I've heard from any oscillator in my entire life.
It's very flexible in regards to FM synthesis, boasting a linear FM input and two exponential FM inputs (one of which is bipolar). The linear FM input is very musical sounding and can work for both musical scale patches as well as wild experimentation. It excels at creating various natural sounds, including metallic instruments, wooden sounds and of course, the classic bongo (especially when paired with a nice low pass gate). It has a 1v/o input, which I've calibrated to track for 5 octaves. This range can be extended by following the calibration procedure, but I only had a 5 octave keyboard to work with. It's easy to dial in tuning once it's warmed up, as you have coarse and fine tuning options on the oscillator. The oscillator also includes a sync function.
The pulse width is an interesting feature of this oscillator, as the whole range of it is covered by about 30% of the bipolar pot's manual movement. It also has a CV input to control the pulse width. The reason for this range, is to create interesting experimentation with pushing the waveform past it's thinnest pulse wave, resulting in the waveform cutting out. Sending a random voltage generator to the pulse width modulation input can create superb sounds."
Minitaur meets Octatrack
Published on Sep 21, 2012 by Jimmy Myhrman
"Having fun with Minitaur and Octatrack. Minitaur is MIDI sequenced by Octatrack, and the Octatrack also records the Minitaur audio and plays it back while preparing and fading in new sounds on the Minitaur (headphones are used to cue the live minitaur audio, while recorded minitaur audio is played to main output)."
2 Moog Little Phatties + 1 Slim Phatty: Polychain And Unison
Published on Sep 21, 2012 by Arjen Schat
"Quick demonstration of how I use the Poly Chain function on the Phatties to create dubtechno chords and show you how six Moog oscillators in unison sound like. I use two Little Phatties and one Slim Phatty routed through a Moog MF-104Z, Maxon AD999 and a T-Rex Room-mate. Mixed on an Allen & Heath ZED 436.
More dubtechno:
http://soundcloud.com/ohrwert
http://facebook.com/ohrwertofficial"
Elektron Spotlight: Introvert
Audio embed below - you might want to start the player first and then come back and read the interview while it's playing.
"Happy and careless 8-bit Nintendo sounds and ever-evolving and intricate compositions. When Introvert operates his machines, these contrasting types of expressions are welded together with ease. The uniqueness of the music gives the impression of listening to something deeply personal.
Why do you think the chip sound is so compelling?
I guess mostly because of the nostalgia of the sound. I mean I think that it is something that most people from my generation grew up hearing on almost a daily basis. It's almost like this minuscule part of our childhood that we can all relate to. Chiptune music to me is just so much fun and those familiar sounds can be made fresh again with modern machines like the Octatrack. I just use the Octatrack MIDI sequencer and my Wayfar MidiNES and go at it.
I also love that even people that I know, who don't really care for what I do musically, can't help but smile when they hear chiptune music. They seem to understand my excitement when they hear that 8-bit grit. It just tickles parts of your brain like a familiar scent from the past. It takes me back to a place when we were all kids and when life was more simple, fun and laidback.
Some of your songs, like»Chicago Dreaming«, are very complex. What is your approach when creating such intricate pieces?
Well, when composing some of the more complex tracks I do, I usually don't have that much of an idea of a finished product and I really don't have a set technique for composing. But what I have found with myself is that I'm usually most productive if I just focus on only one thing at a time. Whether it's beats, synths, Eurorack or just noises for backgrounds, concentrating on just one small piece, rather than the whole picture at once, is really important to me.
I usually take just a Monomachine or a Machinedrum or my Octatrack into a room, away from all of my other gear, so I can just focus on that one machine. That way I can get as lost in that single element as possible. I will usually do that with several machines and then when I can get a large chunk of time to zone out and experiment, I bring all of my machines together and start to layer sounds.
I have an Allen and Heath ZED 22FX so I can run everything all at once and sort of let things build themselves. I currently only use Ableton Live 8 when recording. No other software, no plugins and almost no post edits or software effects. I try to just get things as tight and as formulated as possible before I go into Ableton.
Needless to say the copy and paste features in all of my Elektron boxes get used an insane amount. If a groove really connects with me I will make 10 or 20 different copies and variations of that same groove with different swells, retrigs and lengths. This helps me to have as many variations as possible of a single thought.
Once I have done that, it is possible for me to apply my favorite Elektron trick. It is implemented in the Machinedrum and as far as I know, nothing else out there lets you do this. The trick is the Control All feature. When I found this trick my musical life changed for the better. What I do is I will have one straight groove running on one of my machines (usually my Octatrack or my MK1 SPS-1 chaining tons of patterns together). On my UW I just freak out with another groove by holding function and turning a knob so it will turn that knob consistently for every sound across your entire machine. But the cool thing is that it does not map the same for every machine. So if you are using internal machines or ROM machines parameters will be mapped differently, causing crazy cool things to happen! And when you are done "freaking out", just hold your function key and press the classic button and the saved kit will be reloaded. WOW! Ok, now run that through your Octatrack Echo Freeze delay and your electronic life will be changed.
Which aspects of song writing do you find the most rewarding? And which do you find the most tedious?
For me I honestly think the most tedious and stressful part of the writing process is the recording phase. And it's not really recording per se, it's finding the time to really be able to sit down and fully immerse myself in my machines. I think I have the tendency to over think things and that can be really impairing when it comes to completing things.
But I find the most rewarding part of making music is getting positive words and feedback from people I don't even know, or people that I really respect (like you wonderful people at Elektron or the guys at Trash_Audio). When I get nods from fellow synth geeks or professionals out there in the world, it really makes me happy in a way I can't really explain. I don't get to play out very often but it always makes me feel great when there are music geeks that I have never met who are personally effected and inspired by my music and says how much they enjoy my noises. So I guess what I find the most rewarding is people connecting with and enjoying my musical thoughts on a personal level.
Does acquiring new gear change your approach to producing music?
Oh, without a doubt! I think new gear always sparks excitement and confusion, which forces you to work out of your comfort zone. Every piece of gear inspires a unique spark of creativity that, I believe, can be attributed to the creators of the product and their personal background as musicians. That said, I usually just use new gear to create samples and sample banks for my Octatrack and Machinedrum. So while new things can severely change my approach to my creative process, new gear also helps me find new love and inspiration in current familiar machines like my Octatrack and UW. I recently have really been getting into Eurorack and there is a whole world of possibilities and noises out there that I never could have even imagined of. I have created tons and tons of personalized oneshot drum sounds, drones and swells and dumped them into my Octatrack to be mangled. This works great, because by using the Octatrack, and especially the chromatic function, an unfamiliar instrument can become familiar.
I also play Monomachine, Octatrack and guitar with a full, instrumental, band called Karass and I absolutely love to use my Elektron machines in that context. They are so flexible and enable us to keep things 100% live. While I would love to be able to take my Analogue Solutions Vostok or my Metasonix boxes with me to every practice and gig, I rather keep them safe at home. With the Octatrack we can still have access to all of those noises in a live environment and even expand on those thoughts in a really fun and LIVE way.
Check out Introvert on Facebook and SoundCloud"
via Introvert on The MATRIXSYNTH Lounge
The Ekdahl Polygamist - a Synthesizer for the Whole Family
Poster via the knas blog.
Bottom pic and details via the KNAS site.
"Owning a couple of analog synths i was getting a little bored with all of them just sounding nice. Owning a bunch of circuit bent gear i was tired of them only sounding circuit bent and not reliably repeatable or controllable. Out of this combined frustration, the Ekdahl Polygamist was born. THIS is not your typical synthesizer. The Ekdahl Polygamist is mainly designed with experimental / drone / noise / improv in mind but can really take you wherever you wana go. The basic architecture is classic VCO/VCF/VCA design but all of the building blocks have been designed to allow for much more interesting / chaotic sounds then you get from your bread-and-butter synth.
Highlights includes VCO1 which features a "Tilt" output which is a triangle wave that can be *tilted* from sawtooth, to triangle, to ramp. VCO2, the "Pitch multiplying oscillator" consists of a fundamental and three "sub harmonics" that mimics additative/FM synthesis for very complex waveform and chaos generation. The ADSR is loopable and can be used as an oscillator, it can also be paused in its transition. The three LFOs all go to audio range and two of them go down to about 4 minutes for one waveform period. It also features a duophonic, pressure sensitive ribbon controller which sends MIDI data. It has two independent MIDI/USB-to-CV converters which can be ganged in duophonic mode. And there is of course, much, much more.
For detailed specifications go here.
The list price for the Ekdahl Polygamist is $1450, due to the fact that this is higher then anticipated, and that Knas has no interest what so ever in just pandering to people with unlimited funds, I will introduce a tiered pricing system for musicians who have a limited income. If this applies to you, please stay tuned as this will be introduced some time after the initial sales.
PLEASE NOTE, as of this moment the Ekdahl Polygamist is open for PRE-sale. Basically this means that i haven't yet finished every detail of the synthesizer and that it will take a couple of months until delivery. As of this moment, the hardware seems to all be working properly but needs more testing and there are still a few bugs in the software that pertains to the USB/MIDI."
Analog Groove
Published on Sep 21, 2012 by experimentalsynth
"Three Moog analog synths sequenced by Koushion. Koushion is a MIDI Step Sequencer iPad app that allows you to easily program drum patterns, melodies and more using your existing hardware synthesizers, softsynths, samples and other electronic music gear. Works great with Ableton Live and other DAWs."
iTunes:
Koushion MIDI Step Sequencer - Kudzu Creative Group
iPads on eBay
Roland TR-808 & TR-909 Samples via Mercurius5
via Mercurius5"This bundle includes 2 sample packs with a total of 27 high quality, originally synthesized TR-808 & TR-909 drum machine samples. They were generated on a computer and therefor have ZERO noise and just pure signal. Experience the true bass of the TR-808 kick drum and bring your music some new flavor. I created these samples. They are not available on any sample packs besides this one because I made them. I use these in my productions which have been released on Beatport, iTunes, and more. Stop using noisy samples you found on Google, get these pro samples today."
ARP2600 A RC300 (Jam).wmv
Published on Sep 19, 2012 by DearbornJohn
"This is my newest video in which I'm implementing the use of Boss RC300 looping station as well as the ARP2600,Yamaha DX7llFD and the Boss RE20 space echo.With the RC300 looping station it gives me the option of playing multiple tracks simultaneously while still performing live. I'm performing a song I wrote"Laze Daze".1st Trk ARP2600 bass, 2nd Trk DX7llFD strings, 3rd Trk ARP2600 sound FX, 4th Trk drums all on the RC300.Then I'm playing the ARP2600 and the DX7llFD live. I consider the RC300 a vauable tool in back up track support and has been alot of fun working with RC300 for the 1st time.This is a very basic production semi live & raw."
AKAI PRO MFC-42 Dual Analog Filter
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Click the pics for the super size shots.
via this auction
Click the pics for the super size shots.
YAMAHA CS-15 SN 6028
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
tokywax (RSS)
via this auction
tokywax (RSS)
ROLAND SH-2 SN 044531
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
tokywax (RSS)
via this auction
tokywax (RSS)
Naked... Can you guess what it is?
via Paul Barker of dinsync.info on Facebook
"p.s. this is not a dinsync.info module"
"not a kit, little sidework for Ulf & tony ;)"
MacBeth micromac-r/'vaporware' Video
Published on Sep 21, 2012 by macbethsynthesizers
"The first batch of micromac-r units have finally come back from assembly! The micromac-d is to follow on shortly! During this time I developed a stylus controller/synth! I call it 'vapoware' because it's only a thought....well for just now! Her it is controlling the all new micromac-r as well as generating it's own sounds!....hope you enjoy!"
MacBeth micromacs Arrive
via Ken MacBeth on Facebook
"What an early surprise! This morning- half an hour ago- 7 boxes containing 100 factory built micromac-r's landed on my doorstep!...this is it!"
Vermona drm1 mk3 test 01
"testing my new analog drum module. No compressors, eq or mastering plugins used, just drm1 out direct. Sequencing from Five12 Numerology 'live'."
via Jesse Juup on The MATRIXSYNTH Lounge
Update:
Vermona drm1 mk3 test 02 with A-106-5 A-106-6 by Jesse Juup
"Further testing.. The new Vermona drm1 mk3 drum module and the new A-106-5 SEM filter. featuring the good old A-106-6 filter (on the A-137-1 wave folder mayhem lead). Live at the home studio, not a song, just a live jam."
SPEAK & SPELL, STEP 8 SEQUENCER, CIRCUIT BENT BY DOUBLEE LOOP
Published on Sep 18, 2012 by double loop
"CIRCUIT BENT, MEXICO, SPEAK & SPELL, STEP 8 SEQUNCER. DOUBLEE LOOP"
via Richie GE
Speak & Spells on eBay
vcNOIZ -- A DIY Voltage Controlled Noise Source for your modular
Published on Sep 21, 2012 by hexinverterDOTnet
"This is a very early preview of a voltage controlled noise module I am working on. It is of course designed for use in an analog modular synthesizer.
That is, the pitch is controllable via control voltage signals, which makes for a very interesting sonic palette.
If there is enough interest, I will make a circuit board and have it for sale in the hexinverter.net online shop.
All of the parts are pretty commonly available and should make for a pretty fun project to put together.
This design differs from a lowpass filtered white noise source, because a lowpass filter would likely alter the edges (and thus the sonic characteristic) of the noise. Because the noise source itself is generated by a digital shift register, harsh digital noise reminiscent of the C64 and NES will be possible at all frequencies."
Rubicon TZ demo
Published on Sep 21, 2012 by UncertainMusicCorps
"Little demo to show some of the timbres you can get from the Rubicon oscillator with through zero FM.
What you hear is just the sine output from the Rubicon. The FM index is being modulated gently at audio rates from an AFG.The (linear) through zero modulator input is driven from an E350 Z output. I then do a slow manual scan through the entire wavetable in bank A of the E350, switch to bank B for a while and then return to Bank A.
Note sequence is generated randomly from A-149-1 clocked by Stoicheia. The sequence is multied to the 1v/oct inputs of all 3 oscillators."
Dual Teezer Demo
Published on Sep 21, 2012 by frijitz001
"Two Teezer synthesizer VCOs, first in parallel and then cross coupled."
Roland Integra-7 Product Presentation for Sonic LAB
Published on Sep 21, 2012 by sonicstate
"Integra-7. Roland's latest professional sound module - with masses of sound and the Jupiter 80 sound engine and a lot more. Product specialist Gareth Bowen came down to show us what it can do"
Andrey Grimm playing slidesounder
Published on Sep 21, 2012 by saulpalampe
"Cosmic fantasy with midi controller 'slidsounder' and midi keyboard."
Sine perc
Published on Sep 21, 2012 by Ebotronix
"RS 360 Sine & A118 Noise
4ms Peg RCD
Analogue Systems RS 110 RS 360
Doepfer A 118 Noise A 149 A 134 pan by Moog MP 201
Make Noise Maths Optomix QMMG Wogglebug
Toppobrillo Sportmodulator and TWF
SSL Orgy
Logic Master Clock 6/8 Kenton Pro 2000 II
FX Boss VF1 Lexicon PCM 80 Line 6 Echopro TC M3000
Lenco turntable"
Octatrack Pro Tip #9 - Track Trigging
Published on Sep 21, 2012 by ElektronHQ
"Try it out for yourself! Download the Project file for this Pro-tip here:
http://files.elektron.se/pro-tip/PROTIP9.zip
Tracks can be disconnected from the sequencer. This makes it possible to start and stop tracks individually, which can be used for live improvisations. The first eight [TRIG] keys trig disconnected tracks.
Samples courtesy of Loopmasters (www.loopmasters.com)"
All parts here.
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
