MATRIXSYNTH: Friday, November 23, 2012


Friday, November 23, 2012

narcomedusae - arduino sequencer for modular synthesizers


Published on Nov 20, 2012 by startwav
"this is a diy project to build a sequencer for my modular synth using an arduino mega as a controller. it is an ongoing project and is intended as an educational experience, not a commercial project. the original concept was a sequencer i designed in reaktor based on an ernst haeckel drawing. it is essentially a 12 step sequencer with each step (I -XII) representing a note in the chromatic scale. The controls allow the user to play phrases within a selected scale and constrained to a certain number of notes, beats and measures. At the same time, a user can alternate between two notes using a 4 bit binary counter."

narcomedusae - arduino sequencer for modular synthesizer, sound test
Published on Nov 23, 2012 by startwav
"this is a diy project to build a sequencer for my modular synth using an arduino mega as a controller.

in this video i am controlling a synthesizers.com/diy modular. there are two pitch outputs and two gate outputs used."


flickr set by startwav
(clic for more)

George's Sequencer Decorated for the Holidays

Published on Nov 23, 2012 by Modd3d
"George decorated his sequencer for the holidays."

Moog Source "Get The Drive"


Published on Nov 23, 2012 by retrosound72
"(c) 2012 synthesizer demo track by RetroSound
'Get The Drive'

all sounds: Moog Source Analog Synthesizer + EHX Big Muff guitar effect pedal
drums: Korg ES1 MkII
recording: multi-track without midi
fx: a little bit delay and reverb

Attention! this is not a soft ambient track! :D"

RUIN CDS-0 Analog Drone Noise Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.
Published on Nov 23, 2012 by psyingo



via this auction

"This is the Ruin Electronics CDS-0 (Compact Drone Synth). This is a one of a kind instrument. It was professionally built and designed by Ruin. The unit is housed in a sturdy aluminum case.
The CDS-0 is a 100% Analog synthesizer. The CDS-0 was a prototype that never went any further, but is still a remarkable and inspiring unit.
This device was used by Ruin on several recordings and during some live performances.

The CDS-0 has two Voltage Controlled Oscillators with Triangle and Square wave shapes. The oscillators have Tune, Modulation Amount and Volume controls. There is a Low Frequency Oscillator for modulations with Triangle and Square wave shapes. The LFO has a Rate control and a switch to select Triangle, Off or Square. There is a Noise source with a frequency control and an amount control which is summed with the LFO for modulation and sent to the audio path as well. The frequency control is controls the speed of a sample and hold from normal white noise to bit crushed arcade sounds to sub audio clicks. There is a Ring Mod that takes osc 1 and modulates it with osc 2, the Ring Mod has a level control. The noise source also has a mix level for the audio. Finally there is a gain control and final level control to the output.

Drones, buzzes, sweeps, chirps, noise sweeps, arcade blasts, ring mod, clangs, clanks, are sounds that can be made with this device.
The units approximate measurements are:
7.25" width x 5" depth x 3" height

The unit features:
2x Square/Triangle waveform VCOs (Voltage Controlled Oscillators) with individual tuning per oscillator, modulation amount, mix, and waveform switch.
Triangle/Square waveform LFO (Low Frequency Oscillator) for modulation. The LFO has a speed control and a switch to select Square/Off/Triangle.
Noise Source The noise source has a frequency control, frequency range switch, a level control for the audio mix, and an amount knob which sums the noise with the LFO for modulations.
Ring Mod by default the ring mod takes osc 1 and modulates it with osc 2, but an audio signal can inserted into the 1/8" jack on the back to override osc 1 as the carrier of osc 2. The Ring Mod ha a level control.
CV input for VCO control you can use the CV input to sequence the CDS-0 with external gear.
Output Overdrive The output stage is capable of nice gritty distortion with its own gain control.
1/8" Output
12v DC adapter power input."

Dave Smith Instruments Polyevolver Rack

Note: Auction links are affiliate links for which the site may be compensated.

via this auction
Perfect Circuit Audio (RSS)


Nord Modular G2 Synthesizer Expanded SN MO11005

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Roland Jupiter 8 Analog Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Roland Jupiter 6 Analog Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Elektron SidStation Ninja SN SN D91102002-81

Note: Auction links are affiliate links for which the site may be compensated.
via this auction

Elektron SidStation Ninja C64 MOS6581 Synth

"This is one of only 50 black SidStation Ninja's made. It is in perfect condition and has only been used in my smoke free home studio. I am the one and only owner of this SidStation Ninja. It makes amazing sounds and has brought me hours of joy. I am liquidating my studio and am very sad to see this one go, it was the prize of my studio. It has sat idle for the last 3-4 years. Powered on and tested as of 11/20/12. This is an opportunity to own a unique piece of synth history. Included is the original box (one corner was chewed on by my cat), the original manual, and the original power supply. It is updated to the most recent OS."

Moog Realistic Concertmate MG-1 with Mods

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Here we have a Moog MG-1 Synthesizer. This one is in excellent cosmetic and functional condition. It has had several modifications done to really harness the full power of this great synth!

1. 1/4" output jack with hotter output than the stock RCA jacks (Jack under "Output to Amplifier L")
2. 1/4" input jack to run external audio through that moog 24db filter! (Jack under "Output to Amplifier R")
3. The top switch on the left side panel is a 3-position toggle to switch between 3 different LFO speed ranges, slow, fast, and stock.
4. The bottom switch disables the LFO to OSC 1, enabling sweet sync and ring modulation effects!
5. The Knob controls the pulse width of OSC1 square wave, giving you more timbre control"

Adventures with the Roland JX-3P & Dtroncis DT-200


Published on Nov 23, 2012 by stuthomson

"A demo of my patches on the Roland JX-3P analog synthesizer. This was my first synthesizer (awww). I bought it as a floor demo at EU Wurlitzer in Boston in 1983 for $1,100 (saved up for it). I have added an additional chorus effect with an Alesis Nanoverb. The 3P's chorus is a bit cheezy but I have it on anyway. This is not a music recital."

OP-1 - 24 step

Published on Nov 23, 2012 by Trygve Stakkeland
"A little jam using only the OP-1. If you listen on laptop speakers you'll loose some nice bass at 1.51."

AM 92.3e Modular Improvisation Borries/Blackburn/Jaramillo




via Greg Borries on The MATRIXSYNTH Lounge

SpiRITuaL


Published on Nov 23, 2012 by Ebotronix

Crumar Spirit entire voices
Kenton Pro Solo Mk2
Roland GI 20
Fernandes Systainer Strat
Logic Sequencer 12/8
FX Boss VF-1 Lexicon PCM 80/90 Line6 Echopro TC M 3000

Intellijel Metropolis Sequencer Demo

metropolis demo 2
Published on Nov 23, 2012 by intellijel
"more features of upcoming metropolis sequencer demonstrated including:
quantizer scale selection
root note
skip stage (blinking leds via double click)
current step note display
tb-303 style slide

This is a proto module (hence some of the crazy wires and lack of panel). Code is %95 done and this is set to be released very soon."

One time, at band camp...


via Meagan on Facebook

soundmachines Launches New Website - Eurorack Modules

http://www.sound-machines.it

Current eurorack modules (click through each link for additional details):

"RB1robotto is a voltage controlled singer, an irresistible source of pitched vowels, and much more. The product, the first in our line, was born as a sunday afternoon project, by putting together our modular, ad arduino board and a speech chip. The blending of the ‘voice’ with the noises, tones, and buzz from the modular was so good that we built a company around that.

Now, the production unit is real. Lush steel panel with thick silkscreened prints and deep red tones. You control the ‘voice’ of the robotto with your well known CV sources. Pitch and Gate are the usual dishes, accompanied by vowel and consonant control. Each of those are playable also by hand, and there is a manual gate too, ORed with the jack input.

But there is more.

Flip the board, before tightening the screws, and you can see a six pin connector that could open the product to many other uses. We chose to play with the Arduino platform and in the end we would like YOU to play with it too. Just buy a 5 bucks usb/serial adapter and download the Arduino 1.0 IDE. The platform is based on the soundgin/babblebot ic, a well known speech and sound synthesis platform. The RB1 is a little toy to play with waveforms, modulations, other than vowels and consonants. Up to three complex oscillators with many inter-mod capabilities. The datasheet is downloadable!"

RC1radiostar

"Straight Connectivity between your device (Android or iOS) and your modular, without passing through a PC at all. 16 CV outputs (8 0-5V, 8 0-10V) and 8 GATE output (selectable to 5V or 10V) and sync facilities to connect with your sequencers. The module is accompanied by applications to start using it, either Android and iOS and soon the protocol (OSC based) will be made public..."

LS1lightstrip

"The LS1 is a capacitive technology slider that will generate CV and GATE signals along with the movement of your finger on its surface..."

LP1lightplane

"LP1lightplane is an expanded, bi-dimensional LS1 lightstrip. The same functions are exposed on either axis for double the fun!"

Ruin Electronics ATOM mini modular synthesizer

Note: Auction links are affiliate links for which the site may be compensated. Ruin Electonics ATOM mini modular synth Demos by Ruin

via this auction
Video at the auction and previously posted here.

"This is the Ruin Electronics ATOM Mini Mdoular Synthesizer. This is a one of a kind instrument. It was professionally built and designed by Ruin. The Case is white and black acrylic hand built for the ATOM with an aluminum faceplate. The ATOM is new; no previous owners.

The ATOM is a 100% Analog synthesizer. The ATOM has 5 modules with patching via 4mm banana cables. The modules are Two Voltage Controlled Oscillators with triangle and square waveforms, a Voltage Controlled Amplifier, Voltage Controlled Lowpass Filter, and a Three input mixer. There are also 3 1/4" to 4mm banana converter jacks so you can interface with external gear. The ATOM can create drones and noises easily, but can also completely destroy external audio such as from an MP3 player or Guitar pedals, makign it a versatile effect unit. The unit is powered from a 12v adapter.
Space sounds, crackles, hums, percussion, alien speech, warbles, zaps, clangs, bangs, basslines, sequencer runs, rhythms. This is a great unit for performance, sampling, or just plain old fun!

The units approximate measurements are:
8.25" width x 2.75" depth x 4.5" height

The unit features:
2x Square/Triangle waveform VCOs (Voltage Controlled Oscillators) with individual tuning per oscillator. The oscillators go from subsonic (LFO speeds) to ultrasonic with a twist of the control. Each oscillator has a frequency control and an amount control. The jacks are Tri out, Sqr out, and CV in.
VCA (Voltage Controlled Amplifier) The VCA is used to create tremelo and ring mod type effects, but can also be fed an envelope or other signals from external gear to operate. There are input levels for CV and audio, and output gain. Jacks are Audio in, CV in, and Audio out.
Lowpass VCF (Voltage Controlled Filter). This filter is a strange beast, a combination of Vactrols (smooth natural response) and CMOS (typically a digital logic IC but coerced into being an analog device). The VCFs have a Frequency and Resonance control and a switch for Lowpass/Bandpass response.
3 Input Mixer The mixer is used to sum signals together or to amplify external signals. The mixer has quite a bit of gain and can clip when fed a hot enough signal, such as that from an effect pedal. 3 Input jacks and an output. Each input has a level control and the output has a master level.
3 1/4" to 4mm Banana converters used for interfacing external gear to the ATOM.
12v Adapter input."

New Doepfer A-190-8 & A-180



"The A-190-8 is a MIDI/USB to Sync interface.
Basically this module divides the incoming MIDI or USB clock messages into smaller steps. You could see it as a modular version of the MSY2 MIDI-to-SYNC Converter that was announced in December last year, but with multiple simultaneous outputs and added USB support."

"For early in 2013 also a slim version of the A-180 Multiples module is planned. This will be called A-180-2 and will be half the size of a regular A-180."

Additional details at PatchPierre.Net

via Pierre on The MATRIXSYNTH Lounge



Sequential Circuits Prophet-600 SN 5590

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Note this one is for parts only.

QuNexus Feels You...

Published on Nov 23, 2012 by Keith McMillen Instruments

"Circuit Glyphs" - Analogue Solutions / Phobos Red Square


Published on Nov 23, 2012 by TimeSynthis

"An Abstract Electronic solo piece sequenced in 5/4. The Phobos (aka Analogue Systems) Red Square Semi modular mono synth is choosing most of the tones through it's Sample and Hold circuit. Rythmically driven with 10 step sequencer modulating LFO frequency in steps, a 4 step sequencer modulates pulse width at times. playing SD-1 keyboard strictly as a midi controller. No overdubs, one live performance,with some Lexicon MX300 spring reverb added.

Scene: Year 7800, Location: In the sands of Massachusetts, in an area formally known as technology highway. Archeologists discover fragments of circuit boards and believe it to be a lost language or art.

Note: Circuit boards shown are not of the Red Square's internal boards."

Korg Monotribe Drum Mods Kit

Published on Nov 23, 2012 by darenager
"You will need to listen on headphones or half decent speakers to hear properly.
A new pre-built mod kit for the Monotribe, this adds 4 switches to change the drum sounds, decay for BD, tone for snare, decay for snare noise, decay for hi hat. The switches have 3 positions, when set to centre the default sounds are heard, when up or down the mod sounds are heard.

To install it you need to drill 6 holes and solder 5 wires, the circuit board and switches are pre-built.

I also do midi mods for the Monotribe, and I have some other mod kits coming soon so stay tuned.

Send me a message if you are interested. Pricing is reasonable but not as cheap as DIY as it has to be worth my while. There are lots of good DIY resources for mods if you google for them."


monotribes on eBay

Once upon a time: Oberheim Matrix 1000


"Una rapida, essenziale demo del Matrix 1000 di Oberheim.
Articolo correlato su www.audiocentralmagazine.com"

Signed Moogfest Posters to Benefit The Bob Moog Foundation - The Signers


This is a follow-up to this post where you will find an image of the poster.  Here we have pics of the actual signings sent in via Michelle Moog-Koussa of The Bob Moog Foundation.  You can find the posters listed here.  The auctions end tonight, so be sure to bid now if you plan to.

Via The Bob Moog Foundation:

"Moogest Rockers and Legends Sign Moogfest 2012 Official Posters

At Moogfest 2012, a host of artists were generous and gracious enough sign the beautiful, official Moogfest posters (which are works or art in themselves) to help raise funding for the projects of the Bob Moog Foundation. Among those artists were: Orbital, Richie Hawtin, Santigold, Morton Subotnick, Thomas Dolby, Nas, Primus, Squarepusher, Black Moth Super Rainbow, Carl Craig, Bear in Heaven, Divine Fits, GZA, Magnetic Fields, Miike Snow, Death Grips, Shpongle and Explosions in the Sky and E-lp.


The one-of-a-kind Moogfest 2012 Official poster were designed by Eric Davis. Featuring clouds and the moon in hues ranging from pastel to neon, this work of art is a great addition to any poster collection. Printed on 100lb poster stock, this 24” x 36” poster also features the festival name, dates and complete line-up.

You can view the posters and bid on them here, but don’t delay. The auctions in the first few hours of the morning on Saturday, November 24th."

Pictured:
Morton Subotnick
Squarepusher (Tom Jenkinson)
Santigold
Carl Craig
Paul Hartnoll (Orbital)
Phil Hartnoll (Orbital)
Ana Sia
Bear in Heaven
Shpongle
Thomas Dolby
Explosions in the Sky

ARP 2500 Modules Up for Auction

Note: Auction links are affiliate links for which the site may be compensated.
via this auction

Note the Cynthia panels below. Via the listing: "This is kind of a round-about story so please bear with me. Several years ago we purchased a wing for our ARP 2500 synthesizer. Although all of the modules worked, the wood casing was badly damaged. So we got the brilliant idea to remove the modules and convert them to rack mount (standard 19"). There begins our tale of woe. We contracted with a well-known Los Angeles synthesizer module manufacturer to undertake the project and paid a large sum of money as an advance. This company did a superb job of designing the front rack plate (picture 3) and the metal shop that fabricated them did a superb job, too. Several years later, though, the project was bogged down, nothing was happening. In fact we had to pay the metal shop directly in order to get the plates, then we had to retrieve the modules, etc.
We thereupon contracted with another well-known Los Angeles synthesizer module manufacturer to undertake the project and paid a large sum of money as an advance. A year later nothing had happened, in fact it proved difficult to retrieve the modules and the metal plates. At this point we no longer have psychological stamina to complete this project so we are offering it to somebody who can. Here's what you get. There are two complete, fully-engraved panels with all appropriate mounting holes (picture 3). You will need to supply all of the jacks (you will need 240 of them to fully populate both of the drilled racks). There are three panels that are engraved but that do not have holes (picture 6, sorry about the flash glare). We will give you the name of the metal shop that made these and it will not be costly to get them drilled should you want to. Our concept was to ditch the sliders, which were somewhat beat up (and as anybody who has used this synth knows, are not particularly intuitive to begin with). All connections are to be made directly to the modules via jacks that mount on the panel. Notwithstanding we are including the sliders, two of the "large" type and two of the "small" type (pictures 4 & 5). They do not have the little plastic colored slider caps, the wires are entangled and it would take a lot of work to restore them to full functionality, which is why we recommend you do not try to repurpose them for this installation. There are five edge card sockets, you will need to source two more however we understand they are not difficult to find. There are six modules (pictures 1 and 2): 1033 dual envelope generator; 1023 dual oscillator; 1005 mod amp (missing two switch covers); 1004-T oscillator; 1006 filter amp (missing a switch); and 1027 clocked sequential controller (missing two switch covers). Like I said all of the modules were working when pulled from the original damaged wood cabinet, however, we are selling them as is. They are clean with no missing or broken parts except as noted, evidence of electrical fire, etc. Cosmetically the modules are in G+ condition as depicted with some light scratching, nothing untoward given their age. In principle, to finish this project, after sourcing the remaining parts, you will need to hook the jacks up to the appropriate pins on the edge card sockets and provide a power supply (not included). Failing that you can just use the modules as spares for your pre-existing ARP 2500."

Yamaha Electone FE-50m Videos

Walking on Ringworld

Published on Nov 23, 2012 by FlametopFred

Satellite

Buchla Break no-3

Published on Nov 23, 2012 by vgermuse
"Every Friday at 9 a.m. PST at http://www.ustream.tv/channel/buchlabot (that stream has better video quality but has commercials) I'm going to try and do a 10-15 improv or patchplay and continue the discussion later at the Buchla, EMS & Serge forum at muffwiggler.com. A slightly higher resolution video is available and archived at the above ustream url
cheers, Todd"

Gotharman's Biggar deMOON - Bass Tweak

Published on Nov 23, 2012 by gotharman
"Tweaking my new biggar beast :)
www.gotharman.dk"

Self Destruction - DJ Lace vs RC Dahle & The Passenger



via Lace Dj on The MATRIXSYNTH Lounge. More pics here.

"An electronic rock track using a custom built electric cigar box bass guitar, a Sequential Circuits Pro 1, Roland TR-606, Korg MS-20, a custom eurorack modular synth & intersound spring reverb. Vocals were recorded using a 1995 groove tubes MD1 tube mic, into a focusrite ISA one preamp with digital out. Recorded into ableton live 8, mixed on a Tascam DM4800 with yamaha HS80 monitors.

The track started out as a quick jam to a 77 bpm beat using the box bass & the song developed from there.

The box bass has an oak neck and poplar box. It’s nailed together so it resonates, the string is a spare low string from L&M. The pickups are a pair of dimarzio Twang kings. Their are placed to the side of the string, facing each other and offset. The top pickup is on a hinge.

The bass was plugged into the Focusrite ISA one with the gain all the way up. The ISA can take a lot of drive and sounds great squared off.

Ryan Dahle played the bass string with power, forcing it to hit the non moving coil at times, to great effect. While playing he would also vary the distance of the second coil. During the breakdown he rubs and strikes the moving coil against the string and jumps back into the guitar riff by plucking normally and moving the coil back again.

At mix down the guitar is run through a tube screamer plugin and an ssl vst channel pulling back 350 and pushing 5k up. It is panned hard right and left dry. An effect send from the guitar channel feeds an intersound spring reverb with 1k pulled back about 6db. The dry guitar signal and reverb return are matched back to stereo in a late 60s fashion.

The mechanical noises in the background of the track were created as a modular sequence that had to be restarted until it started on a part of the pattern that sounded right.

For this sequence, The TR 606, MS 20 module, and Modular are all wired together as one system. The 606 receives dinsync from the DAW via a roland SBX10 sync box. From the 606 the high tom output triggers the clock input of the MFB trigger sequencer in the modular which is making a 32 step pattern triggering a clock divider that controls the envelopes used in the system. One of the clock divider trigger outs controls the a105 filter which filters the output of an A117 noise source. The resonance of the A105 is wide open and modulate by the animated pulse out of the Livewire AFG (VCO). The frequency of the AFG is itself modulated by one of the LFOs on the A143-3 (quad lfo).

This is what creates the low volume noise in the track treated to sound like sample distortion artifacts.
Another of the the clock divider outputs feeds the MS 20 trigger input. The pink noise generator on the MS 20 is patched back into it's own external input. This noise runs through the ms 20 filter sections under control by envelope generator 2, and the on board LFO.

This is what creates the tom like sounds and the helicopter warble synth noises when the song picks up at the end.

Yet another output of the clock divider feeds an A140 envelope generator which is triggering the spare VCA on the ms20. The white noise of ms 20 goes into the audio input of this VCA and into the analog input mod of the TR 606. Inside the 606, this rhythmic noise pattern is cross modulated by the high hat pattern and you can hear the result in the track. The swung out effect of the high hats is a direct result of this, as the 606 has no swing function.

The drums are distorted 909 samples, run as a stereo drum mix into a Duende SSL bus compressor. The background vocals are a 5 part harmony, sung in 6 duplicates each mixed down to mono comps, then spread out into a 70s rock opera stereo field. There is a 375ms ping pong delay on the two high vocals and a long reverb on the two low ones. The middle ones are dry. The chorus lead is sung twice and double tracked, shifted by hand in various parts of the song to pull the effect forward and backwards. The front verse and the chorus share the same tempo delay. The delay is slightly bit crushed.

In order to give the idea of the background vocals slowly destroyed under the pressure of the drums, they shift to vocoded versions of themselves losing a bit of pitch tracking in the process and get bit crushed into nothing by the time the last chorus ends. This is done with 5 individual vocoder plugins and 5 bit crushers and automated ramps.

The desperation vocal in the break down and rebuild is mostly dry albeit for a small amount of TC reverb that sits behind the whole mix. The vocal has one effect on it, a boss ds1 plugin with mild gain. An SSL channel is used to shelf the bottom out completely and bring the top end up a bit, giving the vocal a “small” feel.

The pro 1 brings a bit of bass to complement the guitar, but it’s mixed pretty low in the mix, leaving the kick drums to do more work and get to a hard-techno / hard-style sound. The sample at the end is from a loop of the second chorus that just sounded so cool I decided to tag it at the end of the track, taking yet into one more direction before an old school FM radio fade ending.

The track was mixed down on a Tascam DM4800, using the onboard TC reverb and and external intersound reverb unit. Enjoy"

Livewire Dalek Modulator Eurorack Module

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Oakley Sound Modified Roland RS-101


Published on Nov 17, 2012 by TaklaMakanMusic

"So this is my attempt to turn a rather battered old Roland RS-101 into a new and very useful machine.

The unit arrived in several pieces when I first got it. Over the period of a few months, when I could grab the time, I fixed it up and then modified it.

I upgraded the power supply, added the human voice circuitry from the VP-330, created a balanced stereo output, put a proper mixer for each tone, added an ensemble bypass switch for each tone and added the ensemble modulation section from the RS-505.

What you see in this video is me just mucking about with the various switches and pots on the unit. The first sound is the VP-330's human voice circuitry, then the brass, then the strings. Note that this RS-101 now has three ensemble modes - controlled by the furthest switch on the left. Mode 1 is the RS-505's ensemble I, mode 2 is the RS-505's ensemble II and mode 3 is the RS-101 default chorus although is has been made stereo.

It should be noted that the RS-101's oscillators and note gating circuitry are different to the RS-505 and the VP-330 so it won't sound exactly like either. But I think it has its own sound which is rather pleasing.

Photographs and more details about the mod can be seen at:

http://www.flickr.com/photos/87190215@N07/sets/72157631738730018/

I should say sorry for the rather tatty video quality. The room was dark and my camera is somewhat limited. This, however, is the raw sound from the RS-101. There are no effects added.

http://www.oakleysound.com"

Giant Roland TR-808 Bean Bag at Analog Sweden Sale


via Analog Sweden

BLACK FRIDAY+SATURDAY 23-24 nov
30% discount on all products.

RED SUNDAY 25 nov
20% discount on all products.

BLUE MONDAY 26 nov
10% discount on all products.

Buchla / Eardrill - ModuleModule mixer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"You can always use another little mixer, right? This one has connectors on the board that expose the tips and the normals of the input jacks, so that multiple copies of this module can form a little matrix mixer by plugging them together behind the panel."


Buchla / Eardrill - ModuleModule Pulse Balloons

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This is a pair of pulse integrators wrapped in a balloon metaphor. For each pulse into the tap input the balloon is pushed aloft by the amount of force applied. The balloon is pulled back to earth by the attraction of gravity."


Buchla / Eardrill - ModuleModule q.vca

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Vactrols are really great, but sometimes you just want a VCA. Or four. This one goes to zero. It's none louder."

Kenton Killamix Mini - MIDI USB Controller

Note: Auction links are affiliate links for which the site may be compensated.

via this auction


"Encoders: 9 non-click – 30 / 60 / 180 inc or dec per revolution (speed dependent)
Buttons: 9 – illuminated
Joystick: X + Y axis continuously variable - spring return to centre
Weight: 0.5 Kilos
MIDI Transmit: CCs #1 to #23 on any MIDI channel (1 – 16)
MIDI Receive: CCs #1 to #17 on current MIDI channel (1 – 16)
Supplied Accessories: USB cable – Mini B to A – 1.8 metres
Power: USB Bus powered
Dimensions:320mm x 64mm x 46mm high (12.6” x 2.6” x 1.8”)
Weight: 285 grams"

Schneidersladen


flickr By 5canner

Awesome modular wall banner.

VISUAMUSIO - iPad App

Published on Sep 8, 2012 by wowinctokyo

iTunes:
VISUAMUSIO - WOW.inc
iOS Devices on eBay

"VISUAMUSIO is an iPad application for the creation of visual music animations. Animate with shape and sound to create films that are both musical and visual.


Since the early 20th century experimental filmmakers and animators have been intrigued by the relationships between sight and sound, visual imagery and musical composition, and have explored these in new and exciting forms of expression. These expressions are called "Visual Music" and have had a lasting influence on modern computer animation and motion graphics.

VISUAMUSIO pays tribute to their experimental investigations. Ranging from simple dances of geometric shapes and synthetic sounds to more complex algorithmic visual symphonies, the depth of possibilities are open to you. Experience the world of visual music.

When you have finished your work, you can share it with the world. On the sharing page, you can label your music and visuals with your work title and your name. You can view your sound scape like seeing sketchbooks in a line.

-

Software Developed by FUTONE INC.

API and Generative Audio System by RaNa gRam."

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