MATRIXSYNTH: Sunday, March 3, 2013


Sunday, March 03, 2013

MMTA Spring SYNTHFEST 2013 Event Details

MMTA SYNTHFEST on Facebook

Update: Mark Vail, author of Vintage Synthesizers and former Editor of Keyboard Magazine will be in attendance at the Mattson Mini Modular Booth.  If you have a copy of his book, bring it in to get it signed. Also I added London Bridge Studios to the list.

As announced on February 7th, the MMTA Spring Synth Fest is coming to Shoreline Community College just north of Seattle on March 16th! You can find a map of the campus here (building 800).  The event is completely free so if you are in the area, do drop by.  It's a great chance to see gear you might not otherwise and a chance to sync up and converse with others that share your interests.  Note you do not have to bring any gear to attend, so if you can only make an hour or two, drop by.  The festival runs from 10AM - 5PM PST, but if you plan to bring gear you can start setting up at 8AM. There will be four rooms this year.  The Petting Zoo Room will be where people can bring their gear and mingle.  For those who attended previous events at the PNW Synth Gatherings at Renton Technical college, this is your room.  Along with The Petting Zoo, there will be a Jam Session room where you can jam along with others,  a Presentation room where dedicated lectures and performances will be given throughout the day (see the schedule below for some interesting talks lined up), and finally there will be a "Tradeshow Room" where manufactures will showcase their latest gear.

3/03



"In celebration of 3/03. Recorded using a TT-303 and Elektron Octatrack."

analog joystick module+echo

Published on Mar 3, 2013 panote09·107 videos

panote09 on eBay (RSS)

light show synth and synth guitar

Published on Mar 3, 2013 SuperRoss007·376 videos

Diabolical Devices (Class A) (RSS)

jamming on my microkorg

3 Modules

Published on Mar 3, 2013

"Modcan 03a, 17a, 48a"

[caknobs] Live performance setting (TR-606 707,BassStation,REVOLUTION's test jam )

Published on Mar 3, 2013 Caknobs·38 videos

"箱で行うライブ用に考えたセッティングのテスト音出し(自宅リハーサル)です。現場に­機材を1人で歩いて持っていくという前提があるため、必要最小限の機材で構成していま­す(でもケーブルやアダプターやラックなんかも含めると全部で約25kgという重量)­。なおyoutubeにアップした動画では初めてBossの8chミキサーBX-80­を使用しています。8chミキサーとしてはかなり軽量な部類に入ると思います。外に持­ち運ぶための入力の多いミキサーとしてハードオフで購入したものです。

This is the arrangement for the performance performed at a club. and a rehearsal in my studio.
I carry these machines to a club on foot. Therefore, I chose as lightweight a machine as possible.

[使用機材 / Machines]
Boss BX-80 (8ch , EFX SND×1 ) : Mixer
Roland TR-606 , TR-707 : Drum Machine
Novation BassStation : Synthesizer
FUTURERETRO REVOLUTION : Synthesizer
Boss RPS-10,RPD-10,RDD-20 : Effect Box
ALESIS NanoVerb : Effect Box"

"SPACE DRONE" ARP 2600 & MAKE NOISE RENE


"SPACE DRONE" ARP 2600 & MAKE NOISE RENE PATCH TUTORIAL BY KIP KUBIN from Kip Kubin on Vimeo.

"I'll admit some some envy of those at NAMM making amazing drones and sequences on the Buchla Music Easel. so I decided to do my best with the Arp2600 and my Make Noise Rene. I'll also admit the the Rene is so good at what it does I barely touched it and out came some of the best music I've heard from my Arp."

Modular Synth Patch 11 : Glitch Safari by XidZeta

Published on Mar 3, 2013 broembach·26 videos

"Downtempo/Glitch/IDM Modular Synth patch on eurorack system. All sounds coming from modular synthesizer. www.xidzeta.com for free music"

via Benjamin Roembach-Clark on The MATRIXSYNTH Lounge

Yamaha Mobile Music Sequencer - Overview - iPad App

Published on Mar 3, 2013 yamahacorporation·1,557 videos


"Yamaha's new Mobile Music Sequencer enables composers to combine a range of phrase patterns and create musical compositions intuitively, following the flow of composition, from phrases to sections and from sections to songs.

Wherever you are, you can now sketch the outline of a composition. In addition, you can use the ingredients to delicately craft songs on a Yamaha synthesizer, or in Steinberg Cubase."

iTunes:
Mobile Music Sequencer - US - Yamaha Corporation of America
iOS Devices on eBay - Daily Tech Deals

Minitaur Berlin School


Published on Mar 3, 2013 James Lewin·28 videos


"Testing out the Moog Minitaur in a Berlin Scool context - step sequenced with a Synthesizers.com Q960 step sequencer.

The Korg Electribe ER-1 is being used to to trigger the sequencer, which is controlling the Minitaur via its control voltage inputs."

Minituars on eBay

lighted rocker box synth controller & tunable synth guitar


Published on Mar 3, 2013 SuperRoss007·374 videos

Dementia Labs on eBay

tunable synth guitar

Published on Mar 3, 2013

Make Noise Shared System: Alessandro Cortini: ACMN1 & ACMN2 Pre-Orders


The second release using the Make Noise Shared System modular (pictured) is open for pre-orders at TRASH_AUDIO here.  This one is by Alessandro Cortini.   If you want a copy, you might want to pre-order now.  Richard Divine's release has sold out, and I hear that over 100 of Alessandro's are already spoken for.

Also see:
Richard Devine Share System NAMM Performance
Make Noise Records Shared System MNR001 Richard Divine
MakeNoise Records & Richard Devine's Latest EP "Creature"

Modular Wild Presents SOUNDS-TYME SEFARI MK 1 BASICS

Published on Mar 3, 2013 modularwild·19 videos

"SOUNDS. An exploration of the TYME SEFARI MK1 by The Harvestman.Sound and Video by Raul Pena © 2013 Raul Pena"

Moog Taurus II Pedals

Note: Auction links are affiliate links for which the site may be compensated.
via this auction



Sequence - First Look


Sequence - First Look from Dimitri Diakopoulos on Vimeo.

"Sequence is a new euclidean MIDI sequencer for iPhone // Launching 04 March 2013

http://sequence.nyquistresearch.com"

iOS Devices on eBay - Daily Tech Deals


Roland System 100 Analog Sequencer

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via this auction

AGL - Quickie

Published on Mar 3, 2013

http://www.audiogl.com

"I haven't uploaded a video for over a year, so here's a quick demo.

All of these sounds are synthesized in realtime by AudioGL.

This project file is included with the program. (RandomMix.agl)
Download the trial version and check it out:
http://www.audiogl.com/en/downloads

Social Media:
https://www.facebook.com/pages/AudioGL/264653900273868"

iMini, Tabletop, Audiobus, HD and HQ Audio

Published on Mar 3, 2013

"A demo of 3 iMini's running in Tabletop, with a iMPC playing a beat, then AC into Audiobus and Cubasis. It's also a test video for better sound quality and picture quality as we had a few comments about having better sound, hope this is OK.."

iTunes:
iMini - Arturia
iMPC - Akai Professional
Tabletop - Retronyms
Audiobus - A Tasty Pixel
iOS Devices on eBay - Daily Tech Deals

Astronauta Pinguim: An Interview with Larry Fast

"Lawrence Roger Fast was born in Newark, New Jersey (USA) on December 10th, 1951. Since his childhood Larry was very interested in music and electronics. He started to build early electronic circuits about 1966 and his first contact with the Moog modular synthesizers was on 1968. Some of his own designed devices started to be sold on commission on late 1971. Larry attended Lafayette College in Pennsylvania, where he obtained a degree in history in 1973.

In the early '70s, Larry Fast had the opportunity to meet Rick Wakeman, who played with the famous progressive rock band Yes at that time and asked Larry to build some synthesizer modules to him. It was just before Yes recorded their live album "Yessongs" (recorded in 1972 and released in 1973) and Rick Wakeman used the modules built by Larry on this album. In June of 1973 Larry went to England to give minor technical support to Rick Wakeman on Yes' album "Tales From Topographic Oceans" while circulating his own music demos to labels in London.


In 1975, Larry released "Electronic Realizations for Rock Orchestra", the first album from his solo project - Synergy - and in the same year he collaborated with the British-German band Nektar on an album ("Recycled", 1975) and the subsequent tour. In 1976 the second Synergy album, "Sequencer" was released (Larry is finishing the artwork to re-release "Sequencer" remastered from the original analog mix tapes in 24 bit 192 khz audio and digipak format right now!). Also in 1976 he was invited to play the keyboards with Peter Gabriel, who had recently left Genesis to become one of the world's most creative and famous artists. Larry played with Peter Gabriel for 10 years (from 1976 to 1986) and recorded 8 albums (in part or whole) with him: PG1, PG2, PG3, PG4, Plays Live, Birdy soundtrack, tracks on Shaking the Tree and So.

During the period that Larry was the keyboard player of Peter Gabriel's band, he found time to consult with Moog to develop at least two very famous synthesizers, the Polymoog (1976) and the Memorymoog (1982) and also kept his Synergy project, releasing 6 albums more: "Cords" (1978), "Games" (1979), "Audion"(1981), "Computer Experiments, Volume One" (1981), "The Jupiter Menace Soundtrack" (1982) and "Semi-Conductor" (1984). In the late '80s he worked as the A&R coordinator and executive producer for The Audion Record Company, the legendary electronic music label and released "Metropolitan Suite" (1987). In 1998 Semi-Conductor Release 2 was released with a lot of bonus tracks and in 2002 "Reconstructed Artifacts", an album containing digital re-recordings of previous Synergy tracks, was released. Most of Larry's Synergy albums were re-released in various editions, some of them with bonus tracks!"

You'll find the full interview on Astronauta Pinguim.

via Fabricio Carvalho on The MATRIXSYNTH Lounge

Korg MS Series - Vocoder Pads


Published on Mar 2, 2013 Newueel·37 videos

"Usually when I want to play dreamy pads I use the Korg Triton (which I like a lot). This video demonstrates a typical Triton sound built on the MS series.

Used gear:
- Korg MS-50
- Korg MS-20 (2x)
- Korg MS-10
- Korg VC-10
- Korg SQ-10

The pad sound is created using the VC-10 and 1 MS-20 (and a chorus effect) and it also uses a little help from the MS-50. The vocoder is fed with a sawtooth waveform (a fixed tone from the MS-50 oscillator). The VC-10 itself adds a bit vibrato, pitch control is done by the VC-10 keyboard only. The vocoder output sound is then plugged into the MS-20 external input, so it uses both MS-20 filters. The MS-20 also adds some white noise (VCO1) and a bass note (VCO2 sawtooth 32'), the amount varies during the track (MS-20 vcomix). The MS-20 initial gain is controlled by the MS-50 voltage supply and is 'open' the whole time. This way the MS-20 doesn't need a trigger value for the main envelope (EG2), so it will process the vocoder's sound at any time. The MS20 pitch (CV IN) is controlled by the MS-10 keyboard (which also controls de pitch for the other MS-20 and the MS-10 itself).

The SQ-10 has three 8 step sequences. A: Rhythm section (played by the MS-50), B: The 'guitar' groove played by the MS-20 (lower right) with also some portamento from the SQ-10. C: Staccato melody played by the MS-10 (lower left). The MS-10 sequence is controlled by the probability patch, which is programmed using modules from one MS-20 and the MS-50. The probability itself is controlled by the MG pulse width (MS-50), max wide = 100%, max right = 0%. In this track the probability starts with a value of 0% (all steps are muted), from around 1:30 the probability is set to 100% (all steps are played), then around 2:19 the probability is set to 50% (each step has 50% chance of being played). The probability patch is always a great way of making an 8 step sequence more interesting. The MS-20 'guitar' groove is mixed with the MS-10 control wheel. The MS-50 rhythm section is mixed using the upper MS-20 control wheel.

The track has been recorded and mastered using Ableton Live."

via Juda Leijonien on The MATRIXSYNTH Lounge

Protein Der Klang for iOS


Protein Der Klang - Official Trailer Published on Mar 3, 2013 Pierre Guilluy·6 videos

iTunes:
Protein Der Klang - Pierre Guilluy
iOS Devices on eBay - Daily Tech Deals

"Protein Der Klang is a fresh audio sampler fit for public performances.

Play, record and manipulate your audio samples on stage or on your bed using an intuitive multi-touch musical application.

Features:

- Play with 12 simultaneous samples on the 3 coloured tracks.
- Scratch, revert, slice, pause, fade & resync up to 4 clips on each track.
- Play with an effect on each track & a master effect.
- 5 sound effects: Crusher, Repeater, Delay, Phaser, LP Filter.
- Import and export your samples and patches using iTunes Sharing.
- Record live loops from audio-input and internal mixer.
- Exclusive playback resync feature.
- BPM-synced clip trigger and playback & metronome.
- Smart controls for faster actions.
- Low latency audio engine.
- 4 fresh demo patches.
- 140+ audio samples included.
- Support for 16bit wav samples.
- Embedded user manual and feedback.

Available for iPad, iPhone & iPod Touch.

http://proteinderklang.com"

CousinSlewey

Published on Mar 3, 2013 Dmitri SFC·78 videos

"Serge Dual Neg Slew, Peak & Trough, Voltage Controlled Slew, Tripple Wave shapers, 73 Envelope Generator, 73 Filter, CGS VCA ...and 4 step Programmer.________
_The Two NEG slews are the Oscillators, They are each patched into a Wave Shaper, The Wave Shapers are being VC modulated by the 73 Envelope Gen and the V.C.Slew. One of the sounds is being Gated on the way into the TWS using the CGS VCA rather than after the TWS (Thanks to Doug Lynner for that tip !!). A pulse coming from a step on the Programmer or some where is pinging the 73 Filter into self oscillation to make a low rumble bass drum/ giving this patch its third sound. The bass won't be very noticeable on small speakers. The V.C.Slew is used as an Attack Release Envelope and simultaneously its End Pulse Out is clocking the Programmer. The 73 EG and V.C.Slew make great funky clock dividers with VC control. When using the Pulse In on the V.C.Slew it functions like the 73 EnvelopeGenerator, Meaning it won't start a new envelope until its done with the one its working on so, If you feed it a clock that is fast while the 73 EG has a long Envelope setting... The Envelope starts at funky times making cool rhythms. One might think being adjusted by a pot with no time quantization that it would be random but its not. Its pure funk bubbling out of the electrolytics inside. Kind of hard to not fall into a rad syncopated poly-rythm."

Update:

Slewster
Published on Mar 3, 2013 Dmitri SFC·79 videos

"SERGE POS, SSG, DVG, 73 VCF, 73 EG, CGS VCA , VCA___________
_Each Positive slew is cycling and used as a VCO they are both also gated by a VCA. One half of the Dual Voltage Processor is used to mix the two Gated audio signals before being patched into the 73 Filter. The 4 step Programmer VCs one Positive Slew while the Stepped section of the SSG samples A row of CV from the Programmer and in turn pitches the second half of the Dual Positive Slew. SSG is SAMPLE AND HOLD. the other half of the DualVoltageProcessor mixes CV signals from the EG and SSG, the Output its patched to CV the Filter. The 73 EG is generating an Envelope that controls a Gate, Also the END Pulse out of the 73 EG is clocking the Programmer in one direction. The CYCLE out of the SSG clocks the Programmer in the other direction a couple steps here and there."

The Sound of Tomorrow: How Electronic Music Was Smuggled into the Mainstream

This one comes in recommended by Ununseptium Warehouse

"I was given it for Christmas and found it a very absorbing and well written historical overview of the uses of synths and other electronic devices in popular culture."

via Amazon:

"London, 1966: Paul McCartney met a group of three electronic musicians called Unit Delta Plus. McCartney was there because he had become fascinated by electronic music, and wanted to know how it was made. He was one of the first rock musicians to grasp its potential, but even he was notably late to the party. For years, composers and technicians had been making electronic music for film and TV. Hitchcock had commissioned a theremin soundtrack for Spellbound (1945); The Forbidden Planet (1956) featured an entirely electronic score; Delia Derbyshire had created the Dr Who theme in 1963; and by the early 1960s, all you had to do was watch commercial TV for a few hours to hear the weird and wonderful sounds of the new world. The Sound of Tomorrow tells the compelling story of the sonic adventurers who first introduced electronic music to the masses. A network of composers, producers, technicians and inventors, they took emerging technology and with it made sound and music that was bracingly new..."

AMSynths March News Letter

"Newsletter March 2013
Latest News: At last a new AMSynths newsletter after nearly 6 months! We can only say we have been really busy....here is the latest news and plans for 2013.

Xmas was a busy time and we shipped over 25 modules to customers and completed the design of the AM8328 Mirage Filter - which has been shipping since early January. Customer demand has increased in 2013 , so we are we have restarted our sales to the SDIY market with panels, and blank PCB's now in stock and on sale in the online store. We have also added a free online reservation system here from the web store, so customers can be sure they will get a module. Production volumes have slipped back in February due to various holidays and a busy day job, but March and April will see more modules shipping and new products arriving.

Module Plans
The popular AM8012, AM8075, AM8071 and AM8109 filter modules are in production but there is a queue of reservations to satisfy before they will appear in the online store in large volumes. The new AM8328 Miarge Filter will see another 10 modules built in March, along with the arrival of the AM8044 VCF & VCA which has cleared testing and is going into production. It is the first module we have implemented with both a filter and final stage VCA, so all it needs is a dual ADSR and dual VCO to create some fantastic sounds. A special Dave Rossum tribute VCF, the AM8040 will be launched as a PCB sets for the SDIY market initially. It will have both 2 and 4 pole modes, and can use either a rare SSM2040 chip or the HM2040 replica. If there is sufficient customer demand it will be introduced as a completed EuroRack module based on the HM2040 chip, it will have the same panel design as an AM8109 JP8 VCF and provides the sounds of the SCI Prophet 5 early models as well as the original E-mu Systems Audity 16 voice synthesizer.

The versatile dual SVF filter, the AM8060SE, is completing it's first production PCB build this weekend and if this goes ok we can start manufacturing modules for a 24 March 2013 launch. I have put some photos of the prototype on the web store, and I will add some new demos soon. The Dual ADSR AM8140 is the other product launch for late March, with a first production build to check everything is ok. Then there is the AM8005 Diode VCF to finalise on 12V and get into production, I know alot of customers are waiting on this module, so it is top of the list!

The dual VCO's remain in development with the ARP version (AM8027) about to go into a final production stage, the reason for the delay is we had to find some switched vertical jack sockets that fit the design, which we now have. The JP8 Dual VCO is at design stagee with a few more months work to get all the extra features loaded, such as the quantiszed picth knob (using a PIC) and the in-built analog LFO. The VCO designs have been switched to dual rather than single to reduce the overall costs of 2 VCO's, which everyone needs.

A set of new modules planned for 2H2013 are waiting on the arrival of the right log response vertical pots from Small Bear. This includes a dual linear and expo response VCA (AM8164) and the AM83272 Ambient VCF (using the CEM3372). The AM8706 LFO can now more forward with the right vertical jack sockets, so expect this module and the AM8019 ARP style VCA to appear by mid 2013.

Customer Feedback
AMSynths really appreciates customer feedback and ideas. Just send an email to me at sales@amsynths.co.uk. The recently launched AM8328 Mirage Filter was all down to one of our customers, Adam, asking us to make this module using CEM3328 chips. This had led onto the idea of a Key Track pot on some new modules (AM8040) which enables filter cutoff to be varied up or down by the note played on the keyboard. So do let me know of the features and modules you would like to see. For example we have new ideas floating around at AMSynths HQ, for an audio mixer, ring modulator and noise source module, which kinda replicates the middle of an Roland SH-5 (AM8002) and a programmable ADSR with 64 patches which can be voltage controlled (AM8056). And if anybody on the list writes coolt DSP code, we would love to launch a Z-plane digital filter.

Future Plans
Our biggest problem is manufacturing enough modules to meet the increasing customer demand, and that is before we do any press marketing or shows! So we are completeing reaseach into larger scale assembly and manufacturing for some modules, to see what it does to the margins and retail prices. AMSynths have launched a partnership with SynthCube, where you buy my designs in MOTM, FracRac and other non-Euro formats. The AM4023 2 pole OTA filter is the first SynthCube module to hit production, but many more will follow in 2013. The web store will move to a new platform in late 2013 to provide a better presentation and more features. We will continue to operate 2 web sites, one as a secure store and one as a blog and information portal. And Finally, many thanks to all our customer for purchasing AMSynths products and your patience in trying to buy more. I will get more newsletters out this year, timed with product launches."

Left: "AM8328 VCF PCB Set

This is a PCB kit for the AM8328 Mirage VCF which enables you to build a EuroRack Module with a 16-pin 12V Doepfer Bus power connector. It may also work on 15V but I have not tried it out.

The AM8328 is a 4 pole Low Pass Filter that uses the CEM3328 filter chip to produce a amazing sounding VCF.

Project Notes:

Kit Components
The AM8328 PCB kit contains:
AM8328 POT PCB (ROHS compliant, blue solder mask).
AM8328 VCF PCB (ROHS compliant, blue solder mask).
You can also purchase Pot Brackets (x7), Jack PCB and an AMSynths factory AM8328 EuroRack panel.
Kits EXCLUDE the CEM3328 chip. You will need to locate one on eBay. An Ensoniq Mirage has 8x inside."

Above: "AM8328 The Mirage Filter

This module is based around the CEM3328 4-pole Low Pass Filter chip that was released in 1984, as one of the last filter chips and with some great features. It has differential signal inputs, an accurate exponential scale over 14 octaves and voltage controlled resonance. It has a unqiue feature, the signal level is automatically increased as the resonance goes up, thereby avoiding the usual signal level dropping off as resonance comes in. The CEM3328 was late onto the analog stage, just before digital filters appeared, so it only made it into the BIT01 and Ensoniq Mirage (and a few drum machines). So this chip has never really seen action, and was never under analog pot control, just lonely digital parameter access! In the Mirage it was not even allowed to oscillate…..We just love giving it a new lease of life in a new analog module!"

360 Systems Slavedriver Guitar Synthesizer Interface CV/Gate Converter

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via this auction

"During their short lifespan, 360 Systems designed and produced an interesting set of effects, guitar synths (a repackaging of the Oberheim SEM), and synth-specific utility items such as the Slavedriver.
The Slavedriver uses a hex pickup (installed on your favorite guitar) to channel guitar notes to the main unit which converts your playing into range of control voltages to interface with your favorite monosynth.

The Slavedriver features 1/4in CV/Gate outputs for: guitar, pitch, loudness, trigger. There are controls for octave range: 2, 4, 8, 16, 32; and footswitch interval. There are also 1/4in inputs to connect footswitches (not included) to control sustain and transpose hands-free.

Internal dials allow the user to adjust each string’s sensitivity. Once you get pickup situated on your guitar, and patch the Slavedriver into the cv and gate jacks on your synth, you can have hours of synth guitar fun.

This particular unit is good shape, and works well. The pickup as been hard-wired to the cable and unit (it came to me this way), but could easily be modified to incorporate a jack for added convenience..."

KORG MS20 SN 147855

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via this auction

Moog Source Synthesizer Model 341A SN 3614

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via this auction

"Enjoy vintage tones with the Moog Source, a monophonic synthesizer. With a 3-octave, 37-note (C-C) keyboard, this Moog synthesizer covers a wide range, for greater versatility. This Moog synthesizer features a two-digit LED screen and a single data knob to view and adjust your settings. This monophonic synthesizer features a 24 dB/octave VCF that can be altered for keyboard tracking, cut-off frequency, resonance, and envelope amount. Besides, the Moog Source has two ADSR envelope generators, for shaping the harmonic and spectral content of your sound. This device also supports up to 16 factory presets, enabling you to select from Lead 1, Lead 2, Horn, Flute, Clav Bass, Vibes, String Bass, Harpsichord, Organ, and a few others. Moreover, the Moog Source features a rudimentary sequencer that lets you record, edit, and playback music..."

Rare Red Model Alesis Andromeda A6

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Tiracon 6 V Synthesizer

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via this auction

TAMA Techstar 500 Analog Synthesizer Drum Module

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via this auction

ROLAND SH-101 + MSG-1 Grip & Shoulder Strap

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Roland CR 8000 vintage analog drum machine SN 162713

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BitRate - Overview

BitRate - Overview from Icebreaker Audio on Vimeo.

A brief overview of the BitRate instrument.

Les Paul through Minibrute (test)


Les Paul through Minibrute (test) from Keith Handy on Vimeo.
"I've had the MiniBrute since August 2012, but this is the first time I've plugged anything (other than itself) into the audio input. Setting the Gate Source to "Audio" to trigger the envelope every time I play a note is a little frustrating. It either mis-triggers, or doesn't trigger every time I want it to. And keep in mind, it's not a volume-dependent thing that opens the filter more when I play a louder note; it's just a full-on or full-off thing. It seems like setting long decay & release times is the most forgiving way to do this.

On the other hand, setting the Gate Source to "Hold" and just enjoying the filter modulation was more consistently enjoyable. I'm open to suggestions and ideas if you've tried any of this yourself."

Minibrutes on eBay

Sonar (modular synth sequence)

Published on Mar 3, 2013

"A patch from my Klaus Schultz-esque synth-on-floor phase in 2011. It is the sequence for a "sonarpiano" track I was working on. I never came up with a pleasing mix of that one, but I rather like this."

Bloc 20 (Roland MV-8800, Arturia Minibrute, Korg Microkorg beats)


Published on Mar 3, 2013 esersound1·17 videos

"Two pieces made with Arturia Minibrute, Korg Microkorg and Roland MV-8800.

Enjoy!
Hunart©"

All black 10th Anniversary microKORG.
Minibrutes on eBay

double prodigy


Published on Mar 3, 2013 Ebotronix·598 videos

Moog Prodigy duo
CP 251 MP 201
Maestro Ringmodulator
Alesis 3630
Aphex model 104
TC M one XL
Kenton Pro solo & Pro Solo mk2

Update:

double prodigy²

Published on Mar 3, 2013

"Moog Prodigy octet
CP 251 noise to Prodigy audio in (snare) & CV mix for MP 201( 4x lfo)
Maestro Ringmodulator input: Prodigy 1 - carrier in: Prodigy 2
Alesis 3630
Aphex model 104
TC M one XL
Kenton Pro solo , Pro Solo mk2 & Prodigy socket kid"

Roland TR-808 controlling Oberheim OB-X via Gate In and Elka Synthex's Sequencer

Published on Mar 3, 2013 zibbybone·110 videos

"Nothing musically amazing, just experimenting with the 808's trigger outs to trigger the OB-X (bass) using its Gate Input and the Synthex's on-board sequencer. Synthex is in DUAL mode with 2 different patches for UPPER and LOWER part, both hard panned left and right. Live improving of Roland Fantom X6 and JD-800. Old School is in the house. Camera stopped recording after one minute for some odd reason."

Samplr and Thumbjam jam '' I Love it When You Sing To Me'' (live mix)

Published on Mar 3, 2013

https://soundcloud.com/diodo
https://www.facebook.com/pages/dIOdO/...
Samplr and Thumbjam jam I Love it When You Sing To Me

iTunes:
Samplr - Marcos Alonso
ThumbJam - Sonosaurus LLC
iOS Devices on eBay - Daily Tech Deals

Sound_to_build

Published on Mar 3, 2013 ryouichi harada·28 videos

Arturia
iPad APP iMini
minibrute

iTunes:
iMini - Arturia
iOS Devices on eBay - Daily Tech Deals
Minibrutes on eBay

Roland SH3 with KENTON SH-3a CV/Gate/Filter Mod


Published on Mar 2, 2013 whitelabelsyndicate·38 videos

"A video overview of my Roland SH-3 which I modified using the KENTON SH-3a CV/Gate/Filter mod. I intentionally left off the filter mod due to the fact that the SH-3a has a different filter than the SH-3.

Also starring in the video:
Boss DR-110 with Din Sync mod
Kilpatrick K2579 Step Sequencer
ALM Pamela's Workout"

SPY vs. SPY (1984) - C64 LIVE REMIX [LukHash]

Published on Mar 2, 2013 lukhashdotcom·19 videos

"Live remix of Spy vs. Spy (First Star Software, Inc), composed by Nick Scarim in 1984.

Many thanks to Chris Hülsbeck, Rob Hubbard, Jeroen Tel, Martin Galway, Mark Cooksey, Ben Dalglish, David Whittaker and many other SID chip legends for your inspiration over the years..

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EML 400/401 - On The Run


Published on Mar 2, 2013 DJjondent·173 videos

"Based on Pink Floyd's "On The Run" sequence.
Programming the EML is pretty simple.
The vertical row of LED's on the left correspond
to one octave
Led 1 = C
Led 2 = C#
Led 3 = D .....and so on.

The notes are: EGAGDCDE
EGAG are directly below middle C
Thus the sequence code is:5,8,10,8,3,1,3,5

I've restricted the synth to square waves and just tweaked
the envelope generators (Attack-Decay only I'm afraid) and the filter settings.

The EML401 sadly doesn't have a LFO, neither does the EML200.
But EMW's 200 does :-)

So the last part of the video are experments with modulation of the filter using the
EMW's LFO - triangle & pluse waves.

All sounds are from the EML400/401 - no editing/extra effects at all."

http://www.electronicmusicworks.com/

Four filters (Doepfer analog modular system)


Published on Mar 2, 2013 GruithuisenCityMan·422 videos

"Hello ! My name is Frederic Gerchambeau. I have made this movie and this music. The music has been made using a Doepfer analog modular system.
The music is based on the many sounds generated by four Doepfer filters at full resonance, two A-120 and two A-106-6, modulating one and each other. So, there is no VCO at all to be heard in this music, only the sounds of four filters playing together.
Enjoy !"
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