Monday, April 29, 2013
EMW - TRIGGER SEQUENCER Eurorack Module - Demo
Published on Apr 29, 2013 psprojectbrazil·37 videos
"A short demo of our new 4-track Trigger Sequencer module. In this video it is triggering 3 of our DIGI-DRUM modules and one simple Hi-Q sound made with our VCF-101, ADSR and the ECHO-DELAY module."
Rheyne - 4/29/13 - Live Jam #78
Published on Apr 29, 2013 RheyneMusic·108 videos
"Live looping with analog keyboards, USB controllers, iOS devices, and Ableton Live. All loops were recorded live, nothing was pre-recorded.
Download or stream the audio at SoundCloud: http://snd.sc/12eKBdg
Equipment:
DJ TechTools MID Fighter 3D
iPad running Lemur [iTunes]
iPad running Sunrizer [iTunes]
iPad running Animoog [iTunes]
Oxygen25 controlling NI's Kontakt
Oxygen25 controlling Sunrizer
KMI QuNeo controlling NI's Kontakt
DSI MoPho Keyboard
Akai APC20
Novation Launchpad
Moog Prodigy
Fender Rhodes (not used)
MXR Wylde Overdrive (not used)
iTouch running Lemur
PreSonus 1818VSL
MacBook Pro running Ableton Live
Lighting:
4x Chauvet Slim Par 56 LED
American DJ Mega 50 RGB
American DJ H2O LED"
SMDChords - John Tejada with Tiptop Audio Z8000 & Eurorack Drum Modules
Published on Apr 29, 2013
"Breaking Time with John Tejada and the Z8000
Techno legend John Tejada has provided Tiptop Audio exclusive insight into his latest remix! While crafting his remix of 'Breaking Time' for Simian Mobile Disco, John uses the Z8000 Matrix Sequencer and our 808/909 drum modules! He generously provided a video for a peek at the patch he created for this remix: he uses the Z8000 to modulate the chord filter sound by advancing to a new filter setting with each note all in sync with the drum modules!
As for the remix itself, it can be found on Simian Mobile Disco's Beatport page. http://www.beatport.com/release/break..."
http://www.tiptopaudio.com
Torino Synth Meeting Flyer Update
This is an update to this post.
You can keep current at the official Torino Synth Meeting Facebook Page here.
Note MATRIXSYNTH is a media partner for the event! I won't be there in person but I am helping promote the event. If you make it to the meeting and would like your videos and pics featured here on MATRIXSYNTH, send them in and I will post them. You can find the email address in the Post Guidelines link above or the bottom right of the site.
Division 6 Mattson SQ816 Sequencer Eurorack Module
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Perfect Circuit Audio (RSS)
"The sequencer for the Mattson Mini Modular is available in the Eurorack format. One 52HP panel includes all the functions of the main sequencer and the expansion module.
Features
2 rows of 8 steps, or daisy-chain them for a 16-step sequence.
A user tap-tempo mode that overrides the internal VC or external Clocks providing both timing and gate-length.
Global and Individual stage 0/+1 octave shift.
Three user-selectable gate length outputs: Short, follow (the clock duty cycle) and long.
Row 1 and/or row 3 quantized/linear output selection (1V/O format)
Various inputs and outputs for daisy-chaining multiple units.
Run-on-Gate input allows for sequencer stage advance only when a gate is applied to the input.
Ping-Pong and random modes. Switching back to Ping-Pong from Random re-enters at the same point and direction that it left at.
Manual push-button mute during forward or reverse run operations.
Standard stage advance or, Start-on Stage operation. The sequencer starts on the stage it is set to on the next valid clock cycle without having to preset it to the stage prior to the stage you want it to start on.
16 independent stage gate outputs (+5V).
Foot switch jack that parallels the panel pushbutton or, can be configured with a jumper for use with future features.
MIDI output providing note on/off, note value and octave shifts for recording the programmed events on a MIDI recorder.
USB port for updating the sequencer's firmware.
Reverse-polarity protection."
via this auction
Perfect Circuit Audio (RSS)
"The sequencer for the Mattson Mini Modular is available in the Eurorack format. One 52HP panel includes all the functions of the main sequencer and the expansion module.
Features
2 rows of 8 steps, or daisy-chain them for a 16-step sequence.
A user tap-tempo mode that overrides the internal VC or external Clocks providing both timing and gate-length.
Global and Individual stage 0/+1 octave shift.
Three user-selectable gate length outputs: Short, follow (the clock duty cycle) and long.
Row 1 and/or row 3 quantized/linear output selection (1V/O format)
Various inputs and outputs for daisy-chaining multiple units.
Run-on-Gate input allows for sequencer stage advance only when a gate is applied to the input.
Ping-Pong and random modes. Switching back to Ping-Pong from Random re-enters at the same point and direction that it left at.
Manual push-button mute during forward or reverse run operations.
Standard stage advance or, Start-on Stage operation. The sequencer starts on the stage it is set to on the next valid clock cycle without having to preset it to the stage prior to the stage you want it to start on.
16 independent stage gate outputs (+5V).
Foot switch jack that parallels the panel pushbutton or, can be configured with a jumper for use with future features.
MIDI output providing note on/off, note value and octave shifts for recording the programmed events on a MIDI recorder.
USB port for updating the sequencer's firmware.
Reverse-polarity protection."
Circuit Abbey Impulse Drive Waveshaper Eurorack Module
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Perfect Circuit Audio (RSS)
"Harmonics galore! A wave multiplying signal processing module which produces thick CV-able harmonic fields.
The Impulse Drive crossfades any two input sources and drives three comparator engines that are then cross-modulated to create unheard of sonic palettes. Crossfading, along with each of the comparator engines are under full CV control for precise timbre navigation. Feed combinations of waves, control signals, or experimental sources such as drum machines into the Impulse Drive to generate swirling streams of alien landscapes!
You can crossfade between the two signal inputs manually or with a control voltage; the result will be then processed by three comparator units called GRID, each producing a pulse wave. The Bias parameter determines the switching threshold of the comparator and it can be set manually or with a voltage. Each GRID section modulates the next one thru a digital ring modulator and adds even more harmonics. The signals can be tapped at the various outputs.
The Impulse Drive has 3 sections of harmonic generation with CV control. Each section feeds into the next using Digital Ring Mod technology and produces increasingly complex harmonic fields.
The Impulse Drive can be run at LFO rates to produce gates at the outputs - allows for generating CV-able sequences.
Conceived and refined over a decade in the Circuit Abbey lab, the Impulse Drive will provide unique flavor to any studio.
Features
2 signal inputs (Injector)
1 Injector-Select CV input
3 CV inputs for the waveshaper units (Grid 1-3)
3 Outs
3 Exhaust Port Outs
MON output
Injector Select knob
Injector Level knob
Level and Bias knobs for each 3 grids
LED Indicators for each Out"
via this auction
Perfect Circuit Audio (RSS)
"Harmonics galore! A wave multiplying signal processing module which produces thick CV-able harmonic fields.
The Impulse Drive crossfades any two input sources and drives three comparator engines that are then cross-modulated to create unheard of sonic palettes. Crossfading, along with each of the comparator engines are under full CV control for precise timbre navigation. Feed combinations of waves, control signals, or experimental sources such as drum machines into the Impulse Drive to generate swirling streams of alien landscapes!
You can crossfade between the two signal inputs manually or with a control voltage; the result will be then processed by three comparator units called GRID, each producing a pulse wave. The Bias parameter determines the switching threshold of the comparator and it can be set manually or with a voltage. Each GRID section modulates the next one thru a digital ring modulator and adds even more harmonics. The signals can be tapped at the various outputs.
The Impulse Drive has 3 sections of harmonic generation with CV control. Each section feeds into the next using Digital Ring Mod technology and produces increasingly complex harmonic fields.
The Impulse Drive can be run at LFO rates to produce gates at the outputs - allows for generating CV-able sequences.
Conceived and refined over a decade in the Circuit Abbey lab, the Impulse Drive will provide unique flavor to any studio.
Features
2 signal inputs (Injector)
1 Injector-Select CV input
3 CV inputs for the waveshaper units (Grid 1-3)
3 Outs
3 Exhaust Port Outs
MON output
Injector Select knob
Injector Level knob
Level and Bias knobs for each 3 grids
LED Indicators for each Out"
Steady State Fate Positronic Transient Gate Eurorack Module
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Perfect Circuit Audio (RSS)
"Two unique and flexible envelope generators packed with interesting and useful functions!
The Positronic Transient Gate is a novel envelope generator exploiting the infamous behaviour of vactrols to produce an AD or AHD envelope. But that's just scratching the surface. This is a very versatile and deep module. We advise you to read the manufacturer's reference guide and crash course for more details here.
Main Features
Multi stage envelope generation
VCA
Hard clipping overdrive/distortion
Envelope follower
CV wave shaping
LPG functionality and beyond
Unique CV behavior
Very deep and unique modulation
Non-linear
Designed with electronic and rhythmic music in mind
Controls and I/Os
Vactrol Drive inputs with LED indictators
Gain knobs
Gate/Biased mode switches
Step Response knobs
Step Response CV inputs with Bi-polar/Unipolar switches
Damp Control knobs
Damp Control CV inputs with polarity switches
VCA inputs
Post Gain outputs
Positive and Negative polarity output"
via this auction
Perfect Circuit Audio (RSS)
"Two unique and flexible envelope generators packed with interesting and useful functions!
The Positronic Transient Gate is a novel envelope generator exploiting the infamous behaviour of vactrols to produce an AD or AHD envelope. But that's just scratching the surface. This is a very versatile and deep module. We advise you to read the manufacturer's reference guide and crash course for more details here.
Main Features
Multi stage envelope generation
VCA
Hard clipping overdrive/distortion
Envelope follower
CV wave shaping
LPG functionality and beyond
Unique CV behavior
Very deep and unique modulation
Non-linear
Designed with electronic and rhythmic music in mind
Controls and I/Os
Vactrol Drive inputs with LED indictators
Gain knobs
Gate/Biased mode switches
Step Response knobs
Step Response CV inputs with Bi-polar/Unipolar switches
Damp Control knobs
Damp Control CV inputs with polarity switches
VCA inputs
Post Gain outputs
Positive and Negative polarity output"
Vermona PERfourMER MKII & Vermona Mono Kick Filter Lancet Wooden Sides
Note: Auction links are affiliate links for which the site may be compensated.
Mono Lancet via this auction
PERfourMER via this auction
Mono Lancet via this auction
PERfourMER via this auction
Vermona DRM1 MKIII Deluxe & Standard Drum Machine w/ Triggers
Note: Auction links are affiliate links for which the site may be compensated.
Deluxe via this auction
Perfect Circuit Audio (RSS)
"Fat analogue drum synthesizer with a wide range of sonic capabilities
The Vermona DRM1 MKIII is a true analog drum synthesizer, and it's worth pointing out to the unfamiliar that it has no onboard sequencer or patch memory: trigger it via MIDI and tweak all the sound controls in real time via its 72 knobs. Different drum types offer a different range of controls, from the FM parameters present on its three multipurpose DRUM channels to the onboard reverb and noise generator available to the SNARE and CLAP channels to the low-pass filter on the SNARE and the two CYMBAL channels.
Because it's true analog as opposed to being sample-based or virtual analog, it can be simultaneously less predictable and more unique than other current drum machines, and its analog foundation offers an arguably superior opportunity to emulate various 'classic' drum machine sounds—whether you're looking for 808 cowbells, 'laser toms' or deep, long-decay 808-esque kicks, the DRM1 MKIII has you covered.
Besides its master left/right 1/4" stereo outputs, the DRM1 MKIII also offers an individual output per channel which when used with a single 1/4" TRS to dual 1/4" TS cable can be used as a channel insert to apply external effects to individual channels and then feed the effected signal back to the main mix and outputs.
The DRM1 MKIII's MIDI implementation is fully user-configurable, too, so if you've got existing drum patterns built either in a hardware sequencer or on the piano roll in your DAW it's easy to reassign not just the channel on which the DRM1 MKIII receives its MIDI information but also which notes trigger which individual drum sounds.
The individual instruments of the DRM1 MKIII are as follows:
KICK: Mainly but not only for making big and fat kick drums.
DRUM1 and DRUM2: Very flexible instruments that can generate kick and tom sounds as well as bongos, anything from 'zap' to 'bling' and a fantastic 'pew.'
MULTI: Three oscillators can be detuned, giving you nice cowbell-like sounds. If you like submarines, you can create a nice sonar 'ping.'
SNARE: What can we say about that? You get what you expect!
HI HAT1 and HI HAT2: That's analog heavy or soft metal.
CLAP: Classic analog handclaps.
Features
Fully analog drum synthesizer
Limited edition Deluxe version has heavy-duty chrome knobs
Eight instruments, each with seven dedicated knobs for sound design
Individual volume and pan controls for each instrument
Clear and intuitive user interface: one knob, one function
Triggered via MIDI, fully velocity sensitive
CV Trigger Inputs per channel
In addition to main left and right mix outputs, each instrument has its own individual output that can also be used as a channel insert
Dedicated headphone output jack on the front face of the unit
Integrated power supply—no wall wart!
Rock-solid build quality
Rackmountable, 5U height
When used as a tabletop unit the top is tilted at a convenient angle"
Standard via this auction
"Fat analogue drum synthesizer with a wide range of sonic capabilities
The Vermona DRM1 MKIII is a true analog drum synthesizer, and it's worth pointing out to the unfamiliar that it has no onboard sequencer or patch memory: trigger it via MIDI and tweak all the sound controls in real time via its 72 knobs. Different drum types offer a different range of controls, from the FM parameters present on its three multipurpose DRUM channels to the onboard reverb and noise generator available to the SNARE and CLAP channels to the low-pass filter on the SNARE and the two CYMBAL channels.
Because it's true analog as opposed to being sample-based or virtual analog, it can be simultaneously less predictable and more unique than other current drum machines, and its analog foundation offers an arguably superior opportunity to emulate various 'classic' drum machine sounds—whether you're looking for 808 cowbells, 'laser toms' or deep, long-decay 808-esque kicks, the DRM1 MKIII has you covered.
Besides its master left/right 1/4" stereo outputs, the DRM1 MKIII also offers an individual output per channel which when used with a single 1/4" TRS to dual 1/4" TS cable can be used as a channel insert to apply external effects to individual channels and then feed the effected signal back to the main mix and outputs.
The DRM1 MKIII's MIDI implementation is fully user-configurable, too, so if you've got existing drum patterns built either in a hardware sequencer or on the piano roll in your DAW it's easy to reassign not just the channel on which the DRM1 MKIII receives its MIDI information but also which notes trigger which individual drum sounds.
The individual instruments of the DRM1 MKIII are as follows:
KICK: Mainly but not only for making big and fat kick drums.
DRUM1 and DRUM2: Very flexible instruments that can generate kick and tom sounds as well as bongos, anything from 'zap' to 'bling' and a fantastic 'pew.'
MULTI: Three oscillators can be detuned, giving you nice cowbell-like sounds. If you like submarines, you can create a nice sonar 'ping.'
SNARE: What can we say about that? You get what you expect!
HI HAT1 and HI HAT2: That's analog heavy or soft metal.
CLAP: Classic analog handclaps.
Features
Fully analog drum synthesizer
Eight instruments, each with seven dedicated knobs for sound design
Individual volume and pan controls for each instrument
Clear and intuitive user interface: one knob, one function
Triggered via MIDI, fully velocity sensitive
CV Trigger Inputs per channel
In addition to main left and right mix outputs, each instrument has its own individual output that can also be used as a channel insert
Dedicated headphone output jack on the front face of the unit
Integrated power supply—no wall wart!
Rock-solid build quality
Rackmountable, 5U height
When used as a tabletop unit the top is tilted at a convenient angle"
Deluxe via this auction
Perfect Circuit Audio (RSS)
"Fat analogue drum synthesizer with a wide range of sonic capabilities
The Vermona DRM1 MKIII is a true analog drum synthesizer, and it's worth pointing out to the unfamiliar that it has no onboard sequencer or patch memory: trigger it via MIDI and tweak all the sound controls in real time via its 72 knobs. Different drum types offer a different range of controls, from the FM parameters present on its three multipurpose DRUM channels to the onboard reverb and noise generator available to the SNARE and CLAP channels to the low-pass filter on the SNARE and the two CYMBAL channels.
Because it's true analog as opposed to being sample-based or virtual analog, it can be simultaneously less predictable and more unique than other current drum machines, and its analog foundation offers an arguably superior opportunity to emulate various 'classic' drum machine sounds—whether you're looking for 808 cowbells, 'laser toms' or deep, long-decay 808-esque kicks, the DRM1 MKIII has you covered.
Besides its master left/right 1/4" stereo outputs, the DRM1 MKIII also offers an individual output per channel which when used with a single 1/4" TRS to dual 1/4" TS cable can be used as a channel insert to apply external effects to individual channels and then feed the effected signal back to the main mix and outputs.
The DRM1 MKIII's MIDI implementation is fully user-configurable, too, so if you've got existing drum patterns built either in a hardware sequencer or on the piano roll in your DAW it's easy to reassign not just the channel on which the DRM1 MKIII receives its MIDI information but also which notes trigger which individual drum sounds.
The individual instruments of the DRM1 MKIII are as follows:
KICK: Mainly but not only for making big and fat kick drums.
DRUM1 and DRUM2: Very flexible instruments that can generate kick and tom sounds as well as bongos, anything from 'zap' to 'bling' and a fantastic 'pew.'
MULTI: Three oscillators can be detuned, giving you nice cowbell-like sounds. If you like submarines, you can create a nice sonar 'ping.'
SNARE: What can we say about that? You get what you expect!
HI HAT1 and HI HAT2: That's analog heavy or soft metal.
CLAP: Classic analog handclaps.
Features
Fully analog drum synthesizer
Limited edition Deluxe version has heavy-duty chrome knobs
Eight instruments, each with seven dedicated knobs for sound design
Individual volume and pan controls for each instrument
Clear and intuitive user interface: one knob, one function
Triggered via MIDI, fully velocity sensitive
CV Trigger Inputs per channel
In addition to main left and right mix outputs, each instrument has its own individual output that can also be used as a channel insert
Dedicated headphone output jack on the front face of the unit
Integrated power supply—no wall wart!
Rock-solid build quality
Rackmountable, 5U height
When used as a tabletop unit the top is tilted at a convenient angle"
Standard via this auction
"Fat analogue drum synthesizer with a wide range of sonic capabilities
The Vermona DRM1 MKIII is a true analog drum synthesizer, and it's worth pointing out to the unfamiliar that it has no onboard sequencer or patch memory: trigger it via MIDI and tweak all the sound controls in real time via its 72 knobs. Different drum types offer a different range of controls, from the FM parameters present on its three multipurpose DRUM channels to the onboard reverb and noise generator available to the SNARE and CLAP channels to the low-pass filter on the SNARE and the two CYMBAL channels.
Because it's true analog as opposed to being sample-based or virtual analog, it can be simultaneously less predictable and more unique than other current drum machines, and its analog foundation offers an arguably superior opportunity to emulate various 'classic' drum machine sounds—whether you're looking for 808 cowbells, 'laser toms' or deep, long-decay 808-esque kicks, the DRM1 MKIII has you covered.
Besides its master left/right 1/4" stereo outputs, the DRM1 MKIII also offers an individual output per channel which when used with a single 1/4" TRS to dual 1/4" TS cable can be used as a channel insert to apply external effects to individual channels and then feed the effected signal back to the main mix and outputs.
The DRM1 MKIII's MIDI implementation is fully user-configurable, too, so if you've got existing drum patterns built either in a hardware sequencer or on the piano roll in your DAW it's easy to reassign not just the channel on which the DRM1 MKIII receives its MIDI information but also which notes trigger which individual drum sounds.
The individual instruments of the DRM1 MKIII are as follows:
KICK: Mainly but not only for making big and fat kick drums.
DRUM1 and DRUM2: Very flexible instruments that can generate kick and tom sounds as well as bongos, anything from 'zap' to 'bling' and a fantastic 'pew.'
MULTI: Three oscillators can be detuned, giving you nice cowbell-like sounds. If you like submarines, you can create a nice sonar 'ping.'
SNARE: What can we say about that? You get what you expect!
HI HAT1 and HI HAT2: That's analog heavy or soft metal.
CLAP: Classic analog handclaps.
Features
Fully analog drum synthesizer
Eight instruments, each with seven dedicated knobs for sound design
Individual volume and pan controls for each instrument
Clear and intuitive user interface: one knob, one function
Triggered via MIDI, fully velocity sensitive
CV Trigger Inputs per channel
In addition to main left and right mix outputs, each instrument has its own individual output that can also be used as a channel insert
Dedicated headphone output jack on the front face of the unit
Integrated power supply—no wall wart!
Rock-solid build quality
Rackmountable, 5U height
When used as a tabletop unit the top is tilted at a convenient angle"
Vermona PerFourMer MKII Analog Synth
Vermona FourMulator Quad LFO Eurorack Module
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Perfect Circuit Audio (RSS)
"Versatile Quad LFO with awesome internal and external syncing capabilities.
The Vermona fourMulator is a digital quad-LFO module for eurorack compatible modular synthesizer and sound processing systems. Due to its ability to synchronize the modulators (LFOs) to each other or to an overall clock-reference, fourMulator is capable generating complex and rhythmic modulation structures.
Modulators (LFOs)
Each modulator offers six wave forms: ascending and descending saw tooth, square, triangle, sine and random (sample & hold) with a frequency range between 0.05Hz (20 seconds) to approximately 100Hz. Each modulator offers waveform and trigger outputs, the latter sending an impulse with every new start of the selected waveform. Reset and CV inputs allow external parameter manipulation from other modules or from other modulators of the fourMulator itself.
Synchronization
All four modulators work independently but can be synchronized with each other. Each modulator can be individually synchronized to the left neighboring module or to a clock reference.
Two or more synchronized modulators always oscillate at the same frequency. However, a synchronized modulator can be phase-shifted by up to 180° (a half-cycle) to the clock reference. This allows easy creation of counter-rotating modulations. More complex modulations can be achieved using the CV input to manipulate phase shift.
With active clock synchronization, the corresponding modulators oscillate in reference to a common clock signal, but use individual clock-dividing factors. Again, advanced possibilities result from being able to manipulate clock division through the modules' CV inputs.
Both forms of synchronization can be combined. With one modulator being synchronized to a clock signal, it may as well serve as reference to the right neighboring modulator.
CLOCK Generator (CLK)
fourMulator integrates an internal clock generator. Its tempo can be assigned using a tap-tempo-button or by using an external clock-reference.
Features
Four Modulators (LFOs)
LFOs can be synced to clock or to each other
Six waveforms: saw up, saw down, square, triangle, sine, random (sample & hold)
Frequency range from 0.05Hz to approximately 100Hz
Speed control acts as clock divider when synced to external clock
Each LFO has waveform and trigger outputs
Each LFO has reset and CV inputs"
via this auctionPerfect Circuit Audio (RSS)
"Versatile Quad LFO with awesome internal and external syncing capabilities.
The Vermona fourMulator is a digital quad-LFO module for eurorack compatible modular synthesizer and sound processing systems. Due to its ability to synchronize the modulators (LFOs) to each other or to an overall clock-reference, fourMulator is capable generating complex and rhythmic modulation structures.
Modulators (LFOs)
Each modulator offers six wave forms: ascending and descending saw tooth, square, triangle, sine and random (sample & hold) with a frequency range between 0.05Hz (20 seconds) to approximately 100Hz. Each modulator offers waveform and trigger outputs, the latter sending an impulse with every new start of the selected waveform. Reset and CV inputs allow external parameter manipulation from other modules or from other modulators of the fourMulator itself.
Synchronization
All four modulators work independently but can be synchronized with each other. Each modulator can be individually synchronized to the left neighboring module or to a clock reference.
Two or more synchronized modulators always oscillate at the same frequency. However, a synchronized modulator can be phase-shifted by up to 180° (a half-cycle) to the clock reference. This allows easy creation of counter-rotating modulations. More complex modulations can be achieved using the CV input to manipulate phase shift.
With active clock synchronization, the corresponding modulators oscillate in reference to a common clock signal, but use individual clock-dividing factors. Again, advanced possibilities result from being able to manipulate clock division through the modules' CV inputs.
Both forms of synchronization can be combined. With one modulator being synchronized to a clock signal, it may as well serve as reference to the right neighboring modulator.
CLOCK Generator (CLK)
fourMulator integrates an internal clock generator. Its tempo can be assigned using a tap-tempo-button or by using an external clock-reference.
Features
Four Modulators (LFOs)
LFOs can be synced to clock or to each other
Six waveforms: saw up, saw down, square, triangle, sine, random (sample & hold)
Frequency range from 0.05Hz to approximately 100Hz
Speed control acts as clock divider when synced to external clock
Each LFO has waveform and trigger outputs
Each LFO has reset and CV inputs"
Synthesizers.com Format Skiff Style Case & Modules
Note: Auction links are affiliate links for which the site may be compensated.
Case via this auction
Note the listing is for the cases only. See the seller's other items or the following links for the modules. The are two Q106 oscillators for sale. I only grabbed the pics and link for one so be sure to see the other items link above if interested.
Synthesizers.com Q106 Oscillator
Synthesizers.com Q107 state variable filter
Synthesizers.com Q113 8 channel mixer
Synthesizers.com Q108 amplifier
Case via this auction
Note the listing is for the cases only. See the seller's other items or the following links for the modules. The are two Q106 oscillators for sale. I only grabbed the pics and link for one so be sure to see the other items link above if interested.
Synthesizers.com Q106 Oscillator
Synthesizers.com Q107 state variable filter
Synthesizers.com Q113 8 channel mixer
Synthesizers.com Q108 amplifier
Future Retro 777 Analog Synthesizer Sequencer SN FR3D71499405
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Korg MonoPoly Analog Synthesizer SN 374145
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1981 Moog Source (341A) Synthesizer SN 4382
!E9s2fDPrhBRfrbF(UEQ~~60_57.JPG)
Les Rythmes Digitales - When Lazers Meet Keytars
Les Rythmes Digitales - (Hey You) Whats That Sound ?
Uploaded on Jun 27, 2011 WallofSoundRecording·97 videos
Yamaha KX5. Boy George at 1:48?
Uploaded on Jun 27, 2011 WallofSoundRecording·97 videos
Yamaha KX5. Boy George at 1:48?
Filter comparison test between MMG, KOMA & PITTSBURGH
Published on Apr 29, 2013 AsteroidKillerMusic·16 videos
"I wanted to hear the differences between these three filter. On first they seem to have a lot of similarity and as I didn't found any similar comparison on the net I decided to do one myself. I already had the Koma svf-201 and the Pittsburg Filter but not the Make Noise MMG so first (finally an excuse) I had to get one! :)
Bear in mind that this comparison shows just one of thousands possibilities to use the filters so don't judge them by watching this video alone. The test shows all the filters in LP mode and they are not crazy modulated or overdriven. This is deliberate as I wanted to hear the musical and not the "special effect" side of the filters. The sound generated comes from a Doepfer A110 (saw out). The A155 act as the sequencer for the notes and trigger out to open the filters. The trigger are fed to the filters cutoff CV in via the Intellijel Quadra so I could adjust the release time of the trigger. No other envelope or VCA in the audio path. The audio was recorded direct to DAW via a compressor (with mild compression) just to even out the slight difference in sound level.
After playing around with these filters for some days now it's clear that the filters are equally good in their own ways, both sonically and functionally, and they're all going to stay in my case for a long time!
Thanks for watching!"
"I wanted to hear the differences between these three filter. On first they seem to have a lot of similarity and as I didn't found any similar comparison on the net I decided to do one myself. I already had the Koma svf-201 and the Pittsburg Filter but not the Make Noise MMG so first (finally an excuse) I had to get one! :)
Bear in mind that this comparison shows just one of thousands possibilities to use the filters so don't judge them by watching this video alone. The test shows all the filters in LP mode and they are not crazy modulated or overdriven. This is deliberate as I wanted to hear the musical and not the "special effect" side of the filters. The sound generated comes from a Doepfer A110 (saw out). The A155 act as the sequencer for the notes and trigger out to open the filters. The trigger are fed to the filters cutoff CV in via the Intellijel Quadra so I could adjust the release time of the trigger. No other envelope or VCA in the audio path. The audio was recorded direct to DAW via a compressor (with mild compression) just to even out the slight difference in sound level.
After playing around with these filters for some days now it's clear that the filters are equally good in their own ways, both sonically and functionally, and they're all going to stay in my case for a long time!
Thanks for watching!"
LABELS/MORE:
Doepfer,
eurorack,
Featured,
KOMA Elektronik,
Make Noise,
Pittsburgh Modular Confluence,
Video
Bob Moog Foundation Site Redesign - New Bob Moog Timeline & More
via The Bob Moog Foundation"The redesign of our website portal is a tribute to our roots. Credit goes to our amazing friends at SBS Studios. This young, creative, award-winning team out of Jacksonville, FL helped take our ideas and turn them into a vintage synth-themed, user friendly website. Be sure to visit the site and see for yourself. Thank you SBS Studios, for bringing our work to life!
Read all about SBS and the site redesign here.
In addition to the new design, we have brand new content to share, including:
Bob Moog Timeline
Synthesis Fundamentals
Moog: A History in Recordings, by Thom Holmes"
Bob Moog Foundation Announces Feast for the Future - May 23
"'Feast for the Future' to Support Bob Moog Foundation on Synthesizer Pioneer’s Birthday
Local restaurants to donate proceeds benefiting Dr. Bob’s SoundSchool
April 29, 2013, Asheville, NC -- Eleven local restaurants in the Asheville community are coming together for Feast for the Future, a fundraiser to support local non-profit, the Bob Moog Foundation. Feast for the Future takes place on May 23rd, what would have been the 79th birthday of the Foundation’s namesake, Bob Moog. In honor of this special occasion Early Girl Eatery, Moe’s Original BBQ, Wicked Weed, Chestnut, Laughing Seed Café, Jack of the Wood, Chai Pani, MG Road, Bouchon, Salsa’s, and The Local Joint, will be donating a portion of their sales from the day to the Bob Moog Foundation. This event is being sponsored by the Mountain Xpress and Asheville Radio Group’s 98.1 the River. More information on the event, including information about participating restaurants, can be found at www.bobmoogfoundation.org.
Michelle Moog-Koussa, Executive Director of the Bob Moog Foundation, states, “What began as a one restaurant event last year has blossomed to encompass eleven local restaurants. We are so grateful to the culinary community in Asheville as they support our efforts to inspire the next generation of creative thinkers. We look forward to growing Feast for the Future every year and to growing Dr. Bob's SoundSchool to hundreds of schools in Western North Carolina in the coming years".
Proceeds from the event will benefit the expansion of Dr. Bob’s Sound School, the Foundation’s STEAM (science, technology, education, art, math) -based educational initiative that teaches second grade children the science of sound through the magic of music. Using electronic musical and acoustic instruments, as well as oscilloscopes and custom teaching materials, the innovative program engages children in the basic physics of sound through the parameters of Bob Moog’s pioneering legacy in electronic music. Dr. Bob’s SoundSchool recently completed its pilot year with resounding success, and is currently in 32 classrooms reaching over 600 students in Buncombe County and Asheville City Schools. The Foundation aims to expand the program regionally and nationally in the next three to five years.
Julie Stehnling, owner of Early Girl Eatery, reflects on her experience last year as the sole participant in Bob’s Birthday Salute, “Early Girl is so proud to be part of Feast for the Future. Last year our staff and our guests had a blast celebrating Bob's birthday. Remembering Bob as a kind man who was one of our own and also celebrating him as a visionary of our times is an honor all in Asheville are lucky to have. Both my children and I are inspired by the Bob Moog Foundation's Dr. Bob’s SoundSchool curriculum. Preserving Bob's genius and working to inspire more folks both locally and nationally is work we are so happy to support.”
The Bob Moog Foundation honors the legacy of synthesizer pioneer Bob Moog through its mission of igniting the innovative and creative spirit through the intersection of music, science, history, and innovation. Dr. Moog was a resident of Asheville for 25 years before his passing in 2005.
(http://www.bobmoogfoundation.org)
(http://981theriver.com)
(www.mountainx.com)
(http://earlygirleatery.com/)
(http://www.moesoriginalbbq.com/locations/asheville.aspx)
(www.salsas-asheville.com/)
(www.wickedweedbrewing.com/)
(www.chestnutasheville.com/)
(http://ashevillebouchon.com/)
(http://www.jackofthewood.com/)
(http://laughingseed.jackofthewood.com/)
(http://chaipani.net/)
(http://mgroadlounge.com/)
(https://www.facebook.com/pages/The-Local-Joint/175520499207682)
Be sure to see the Dr. Bob's SoundSchool - Inspired Progress video previously posted here.
TORINO SYNTH MEETING 2013 Coming to Italy on May 26
Update: flyer added to the left.
Click on it for the full size pic.
Note MATRIXSYNTH is a media partner promoting the event!
via the Torino Synth Meeting Facebook Page
"Noisecollective.net presenta in collaborazione con Superbudda, la terza edizione del TORINO SYNTH MEETINGDomenica 26 Maggio 2013
Programma
Ore 13 apertura agli espositori
Ore 14.30 apertura al pubblico
Ore 16.00 Enrico Cosimi presenta GRP SYNTHESIZER A4, sarà presente Paolo Groppioni di GRPSYNTHESIZER
Ore 17.00 Antonio Cavadini (OTOLAB) presenta il sintetizzatore LEPLOOP
Ore 18.00 I torinesi Kinetik Laboratories illustreranno le loro nuove costruzioni soniche
Ore 21.00 OPEN STAGE, chi lo desidera potrà partecipare ad una jam session tutta elettronica"
via Francesco Synth Meeting Mulassano on The MATRIXSYNTH Lounge
Fat Bastard's 'Twins' !
via Beermaster: (click the pics)"Thought I'd send you the latest info on my monster modular 'Fat Bastard' - Ross Lamond has constructed two huge amazing wooden cases based on a Matthew Goike design, these add another 1560 Hp of Euro to the existing system. We decided to call them 'The Twins'
For the geeks amongst us here's the compliment of modules in the Twins:VCOs:
Macbeth X-Series Dual Oscillator
Macbeth X-Series Oscillator x 2
Tip Top - Z300 Mk1 x 2
Make Noise - DPO
WMD - Synchrodyne
WMD - Phase Distortion Oscillator
MOTM - Morphing Terarium
Intellijel Design - Rubicon
Intellijel Design - Dixie II
ADAC System - VCO
Blue Lantern - Lunar Modulation
Analogue Systems - RS95
Analogue Systmes - Polyphonic Harmonic Generator +Expander RS370 +RS375
Buchla Clone - 258
FILTERS:Macbeth X-Series 'Backend' Filter
Macbeth X-Series Dual SV Filter
Schipmann- Multimode VCF-02
Cwejman - Res 4
Serge Res Equalizer
Intellijel - Korgasmotron II +Expander
Harvestman - Bionic Lester
ADAC System - VC Fixed Filterbank
Livewire - Frequensteiner
Doepfer - Vactrol VCF A101-1
Doepfer - Fixed Filterbank - A-128
Blue Lantern- Asteroid Operator
Other Stuff:MOTM - Deflector Shield
Circuit Abbey - Impulse Drive
Circuit Abbey - Gravity Well
Circuit Abby - Unify
Livewire- Dual Cyclotron
Livewire -Dual Bisell Gen x 2
Synthetic Sound Labs - Modulation Orgy
Plan B - Heisenberg Generator - Model 24
Plan B - Dynamic Mult -Model 29
Plan B - Dual Timbral Gates - Model 13
STG Soundlabs - Graphic SequencerSTG Soundlabs - BAM x 2
Make Noise - Maths
Make Noise - Echophon
Make Noice - QMMG
Intellijel - Quadra
Intellijel- uVCA II
Intellijel - uFold II
Intellijel - uFade
Intellijel - uStep
Intellijel - Hex VCA
Intellijel - Buf Mult x 2
Intellijel - Mult x 2
Intellijel - uJack
Cwejman - MX-4S
Cwejman - VCA-4MX x 2
Cwejman - ATT-4
Cwejman - CTG - VC
Division 6 - Multiplicty XV - X 3
4MS - PEG
Maleko Heavy Industry - Fade x 2
ALM - Pamela's Workout
Dave Jone - O'Tool x 2
Xaoc Devices - Moskwa
Harvestman - Double Andore
Blue Lantern - Pro VCA
Blue Lantern - Moon Base ADSR
Tip Top - Z5000
Tip Top - Z4000 EGs x 2
Tip Top -BD808
Tip Top- BD909
Tip Top -Hats 909
Analogue Systems - Signal Mixer - x3
Analogue Systems - CV Mixer
Analogue Systems - Sampler/Delay RS290 +RS295
Analogue Systems - Phase Shifter - RS400
Analogue Systems - VCLFO - RS80
Analogue Systems - Performance Wheels
Analogue Systems - External Processor - RS35
Mad Rooster Lab - Lord Of The Ring
Touellskouarn - Strakal Brulu - Fuzz box
Touellskouarn - pig pe vran a gan - Headphone amp !
All the best !
Lester Barnes ( Beermaster )"
Rhodes Chroma SN 21030247 with CC+ Upgrade
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"This particular unit has been fitted with the new power supply and new CC+ which updates many aspects of its operation and makes it easier to incorperate into a 2013 workflow but most of all makes it reliable, the online support for it is incredible and if you're worried about the lack of editing control (which isn't that hard anyway) you can edit it via an iPad..."
You can find some editors here.
via this auction
"This particular unit has been fitted with the new power supply and new CC+ which updates many aspects of its operation and makes it easier to incorperate into a 2013 workflow but most of all makes it reliable, the online support for it is incredible and if you're worried about the lack of editing control (which isn't that hard anyway) you can edit it via an iPad..."
You can find some editors here.
MacBeth Nexus 1 Prototype
via Ken MacBeth on Facebook
"When Paul Hartnoll from Orbital paid me a visit towards the end of last year- he tried out the NEXUS prototype- he said he liked it, but for him it was important that Octave switching for each oscillator (4) be included. We also talked about PWM. Now there is octave switching- and PWM for oscs 1 and 3. These are completely deicated modulators aimed at their target oscs...so two separate moving waveforms to add to one hell of a sound! I myself also wanted pitch bend- in this case *Ultrabend*, master tune and a dedicated master LFO control! NEXUS is NEXT!"
Meganome -- DIY Arduino MIDI Controller
Published on Apr 26, 2013 JazariMusic·11 videos
"Get the free Jazari EP: http://jazari.bandcamp.com
Arduino code and tips: goo.gl/oxQcm
The Meganome is inspired by the monome controller and powered by an Arduino Mega. Like other grid controllers like the Launchpad and Push, it has performance modes for triggering drums, playings synths, and launching clips and effects. I like the feel of arcade buttons and look of exotic hardwoods, so mass-market products just weren't right for me.
You can see how the grid-based layout makes octave jumps and glisses really easy in this video: http://youtu.be/Gsph_10sb64?t=2m18s
Watch the Meganome be used as a drum machine: http://youtu.be/rMrk-pZ4RBk
Follow me on Twitter and Facebook to receive new videos and tour dates:
http://twitter.com/jazarimusic.com
http://facebook.com/jazarimusic"
"Get the free Jazari EP: http://jazari.bandcamp.com
Arduino code and tips: goo.gl/oxQcm
The Meganome is inspired by the monome controller and powered by an Arduino Mega. Like other grid controllers like the Launchpad and Push, it has performance modes for triggering drums, playings synths, and launching clips and effects. I like the feel of arcade buttons and look of exotic hardwoods, so mass-market products just weren't right for me.
You can see how the grid-based layout makes octave jumps and glisses really easy in this video: http://youtu.be/Gsph_10sb64?t=2m18s
Watch the Meganome be used as a drum machine: http://youtu.be/rMrk-pZ4RBk
Follow me on Twitter and Facebook to receive new videos and tour dates:
http://twitter.com/jazarimusic.com
http://facebook.com/jazarimusic"
1984 Roland Juno-106 'Synful' Ad
via Retro Synth Ads where you'll find the write-up.
"Roland Juno-106 synthesizer 'Synful' full page colour advertisement from page 7 in the August 1984 issue of Keyboard Magazine."
OBERHEIM OB1 SN 0658
Black Oberheim Two Voice Keyboard Programmer
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Pics of the inside below.
Q~~60_57.JPG)
via this auction
Pics of the inside below.
Q~~60_57.JPG)
Flower Electronics Little Boy Blue Modular Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.
Uploaded on Dec 3, 2010 SynthesizerBook·8 videos
via this auction
"Battery powered modular synthesizer that uses banana jack patch cords. Has a 1/4 input for Guitar, Bass, Microphone or other instruments. Infinitely deep as you create your own sounds by connecting patch cables, this synthesizer uses banana jacks which easily allow the signal to be "multed" e.g. you can send one jack to multiple different jacks by stacking the jacks upon one another. This particular LBB has been modified with a banana jack ground plug on the side, allowing for the ability to interfacing with other banana jack modular synthesizers. It also comes with a some banana jack cables to get you started. Best of all it's battery powered which allows you to take it anywhere, you can use it as a sound generator or use it like a guitar pedal, you can also play it by singing through it using a microphone and routing your voice to the envelope follower.
Features:
2 voltage controlled ramp (sawtooth) oscillators
1/4" input with variable gain
envelope follower with optional inverter
2 channel mixer
intermodulating output stage
powder-coated aluminum case
single 9V battery
power automatically disconnected when output cable is unplugged"
Additional videos at the auction and previously posted here and here.
Uploaded on Dec 3, 2010 SynthesizerBook·8 videos
via this auction
"Battery powered modular synthesizer that uses banana jack patch cords. Has a 1/4 input for Guitar, Bass, Microphone or other instruments. Infinitely deep as you create your own sounds by connecting patch cables, this synthesizer uses banana jacks which easily allow the signal to be "multed" e.g. you can send one jack to multiple different jacks by stacking the jacks upon one another. This particular LBB has been modified with a banana jack ground plug on the side, allowing for the ability to interfacing with other banana jack modular synthesizers. It also comes with a some banana jack cables to get you started. Best of all it's battery powered which allows you to take it anywhere, you can use it as a sound generator or use it like a guitar pedal, you can also play it by singing through it using a microphone and routing your voice to the envelope follower.
Features:
2 voltage controlled ramp (sawtooth) oscillators
1/4" input with variable gain
envelope follower with optional inverter
2 channel mixer
intermodulating output stage
powder-coated aluminum case
single 9V battery
power automatically disconnected when output cable is unplugged"
Additional videos at the auction and previously posted here and here.
Roland Juno-106 SN 441026
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
gearlicious (RSS)
via this auction
gearlicious (RSS)
Memorymoog Plus SN 3075
C6DHBRfD-u!g-w~~60_57.JPG)
No More - Suicide Commando - official video of the original version - 1981
Published on Apr 28, 2013
Moog Prodigy & Yamaha CS20m?
"No More - Suicide Commando - official video of the original version - 1981
http://www.nomoremusic.eu
© NO MORE
Released in 1981 as 7" single „Suicide Commando"
Also available on the „Dreams Deluxe" compilation on VOD Records and on the „7 years" compilation.
In 1981, the german band NO MORE landed the underground hit SUICIDE COMMANDO, which in the following years spread internationally regardless of genre and scene.
Whether in the New Yorker Limelight or in an Indie club in the Ruhrgebiet, at the Love Parade in Berlin or on the compilation of the Parisian shop Colette, whether in a techno club in Tokyo or at the Sonar Festival in Barcelona: SUICIDE COMMANDO was played everywhere, not in the least thanks to the interpretations by DJ Hell, DJ Vitalic or Echopark.
And NO MORE's international indie-classic is still part of many DJ-Sets.
Elektron Analog 4 Tutorial #2 - Kick and Tom sound design.
Published on Apr 29, 2013 SecretMusicUK·46 videos
"This second A4 tutorial focuses on designing a kick drum and tom sequence from scratch.
A good sound system is recommended, as this video contains a lot of low end, but not much else !
Enjoy !"
Elektron on eBay
Part 1 here.
Roland Jupiter 80 Roland Synth Legends "Dusk Pad"
Published on Apr 29, 2013 synthartist69·1,125 videos
"This is a factory patch called "Dusk Pad" from the Roland Synth Legends 1 collection."
Roland Jupiter-80s on eBay
Update:
Roland Synth Legends Jupiter 8 Strings JP80
Published on Apr 29, 2013 synthartist69·1,127 videos
"This is a demo of a Roland Synth Legends patch called JP8 original 1"
Circuit Bent IQ Builders Alphabet Apple by freeform delusion
Published on Apr 29, 2013 freeform delusion·76 videos
"IQ Builders - Aphabet Apple
switched mono mini jack output
red LED
Two Glitch buttons
Pitch down momentary button
switchable pitch down LDR
Pitch up/down control
Reset button
.fd. online
Facebook - https://www.facebook.com/pages/freeform-delusion/144587583120
Twitter - https://twitter.com/freeformd
eBay - freeform-delusion on eBay (RSS)
My older Circuit Bending channel - http://www.youtube.com/user/eecouk?feature=watch"
"IQ Builders - Aphabet Apple
switched mono mini jack output
red LED
Two Glitch buttons
Pitch down momentary button
switchable pitch down LDR
Pitch up/down control
Reset button
.fd. online
Facebook - https://www.facebook.com/pages/freeform-delusion/144587583120
Twitter - https://twitter.com/freeformd
eBay - freeform-delusion on eBay (RSS)
My older Circuit Bending channel - http://www.youtube.com/user/eecouk?feature=watch"
Jürgen Driessen - Blofeld
Published on Apr 29, 2013 Jürgen Driessen·48 videos
"All sounds (incl.drums) in this song were taken from the Waldorf BLOFELD synthesizer using multitrack software and some FX such as reverb, delay, chorus, phaser. No additional samples used except:
-Handclap. I recorded some single claps in the stairwell and transferred these via Spectre into the Blofeld.
-Speech/Vocals are taken from online speech software.
I used my soundset which is available via Waldorf : http://www.waldorfmusic-shop.de/epage...
You can download this song if you want.
If you want such a song for presentation , or a remix, cooperation or any kind of question, please don't hesitate contact me or comment right here.
Have fun ;)"
Blofeld's on eBay
"All sounds (incl.drums) in this song were taken from the Waldorf BLOFELD synthesizer using multitrack software and some FX such as reverb, delay, chorus, phaser. No additional samples used except:
-Handclap. I recorded some single claps in the stairwell and transferred these via Spectre into the Blofeld.
-Speech/Vocals are taken from online speech software.
I used my soundset which is available via Waldorf : http://www.waldorfmusic-shop.de/epage...
You can download this song if you want.
If you want such a song for presentation , or a remix, cooperation or any kind of question, please don't hesitate contact me or comment right here.
Have fun ;)"
Blofeld's on eBay
【DEMO】electron analog four
Published on Apr 29, 2013
DEMO by Katsunori UJIIE.
Facebook: Like me please!
https://www.facebook.com/musictrack.jp
Elektron on eBay
DEMO by Katsunori UJIIE.
Facebook: Like me please!
https://www.facebook.com/musictrack.jp
Elektron on eBay
Elektron Product Line Presentations
Analog Four product presentation
Published on Apr 29, 2013 ElektronHQ·37 videos
"The Analog Four is a 4-voice analog synthesizer with digital controls and sequencing.
More info: http://www.elektron.se/products/analog"
Elektron on eBay
Monomachine product presentation
"The Monomachine is a digital synthesizer featuring numerous finely-tuned synthesis methods as well as sequencing capabilities.
More info: http://www.elektron.se/products/monomachine"
Machinedrum UW product presentation
"The Machinedrum SPS-1UW+ MKII combines drum synthesis and gritty 12-bit sampling with expressive sequencing.
More info: http://www.elektron.se/products/machinedrum-uw"
Octatrack product presentation
"The Octatrack is a radical 8-track dynamic performance sampler and sequencer.
More info: http://www.elektron.se/products/octatrack"
Elektron on eBay
Published on Apr 29, 2013 ElektronHQ·37 videos
"The Analog Four is a 4-voice analog synthesizer with digital controls and sequencing.
More info: http://www.elektron.se/products/analog"
Elektron on eBay
Monomachine product presentation
"The Monomachine is a digital synthesizer featuring numerous finely-tuned synthesis methods as well as sequencing capabilities.
More info: http://www.elektron.se/products/monomachine"
Machinedrum UW product presentation
"The Machinedrum SPS-1UW+ MKII combines drum synthesis and gritty 12-bit sampling with expressive sequencing.
More info: http://www.elektron.se/products/machinedrum-uw"
Octatrack product presentation
"The Octatrack is a radical 8-track dynamic performance sampler and sequencer.
More info: http://www.elektron.se/products/octatrack"
Elektron on eBay
OP-1 drumkit tutorial - CUCKOO
Published on Apr 29, 2013 cuckoomusic·92 videos
"I got some request to make a tutorial on how to make a drumkit. And here it is! Now bring out the popcorn and enjoy ;-)"
"I got some request to make a tutorial on how to make a drumkit. And here it is! Now bring out the popcorn and enjoy ;-)"
Taking Terken by strategy (4 voice polyphonic Doepfer analog modular system)
Published on Apr 28, 2013 GruithuisenCityMan·440 videos
"Hello ! My name is Frederic Gerchambeau. I have made this video and this music. The music has been made using a 4 voice polyphonic Doepfer analog modular system.
The modules used were :
Doepfer :
4 x VCO A-110
4 x ADSR A-140
2 x VCA A130 + 2x VCA A-131
2 x Mixer A-138
1 x multiple A-180
1 x VCF A-120
1 x XP VCF A-106-6
1 x LFO A-145
1 x LFO A-146
Vermona :
1 x Quad MIDI Interface QMI
Plogue Bidule has also been used for the delay effects and Audacity for some additional improvements of the sound.
Enjoy !"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
