Published on May 18, 2013 xilslab·26 videos
"The XILS V+ is comparing to its hardware model, using the Famous Strings."
Follow-up to XILS-lab Announces XILS V+ Vocoder Synth
Saturday, May 18, 2013
Roland MSQ-700, Bit 99 and TR-505
Published on May 18, 2013 SynthManiaDotCom·243 videos
"Jamming with the Roland MSQ-700, a simple but effective hardware sequencer from 1984. A (Crumar) Bit 99 offers the synth sounds, and a Roland TR-505 provides the beat.
In the days before DAWs, hardware sequencers were often used to build the structure of synth-based songs of the '80s."
Moog Little-Phatty Stage 2 Kick-Drum Samples.
"Four sets of Moog Little-Phatty Filter Kick Drums. Recorded in Ableton. They go from a sub-bass/heartbeat, 707 style, 808 style and 909 style. Four bars per sample, 2 bar samples of 4/4 time beats and single drum-hits in a low C1. Feel free to cut them up and use them for whatever you'd like."
via Bobby Shipe on The MATRIXSYNTH Lounge
"Moog Little Phatty Stage 2 Filter Bass/Kick Drum Samples. Free for anyone who likes them!!!
I tried to go for a 707-ish up to a 909-ish style by micro-adjusting the Overload, EGR and Resonance on the Filter and the Decay, Sustain and Release on the Envelope Generator. If you like them please feel free to download/share them and sample away!!! There's single hits after each section for cutting up/sampling. This was just a cool Sound Design experiment with the Moog and it does pretty rad drums. Very powerful! Oscillator Drums are next!!!"
8-bit saga: The Murkwood Vale (Level 2)
Published on May 18, 2013 acemonvw·26 videos
Items used:
Gameboy Advance
GBA to MIDI cable (spritesmod)
Logic studio
Onyx 1220i mixer
Nikon D5100
via Michael Dennis Raleigh on The MATRIXSYNTH Lounge
Items used:
Gameboy Advance
GBA to MIDI cable (spritesmod)
Logic studio
Onyx 1220i mixer
Nikon D5100
via Michael Dennis Raleigh on The MATRIXSYNTH Lounge
A Patch A Day, No. 10
Published on May 18, 2013 hamiltonulmer·10 videos
"Very unsatisfying patch, and an unsatisfying (hilariously silly) take. It's been that kind of day, though.
The premise of this was essentially an attempt to use a bit of what I've learned about using the Quadra percussively, and what I've come to understand about the Make Noise modules, and do something different with them.
The whole enchilada - percussion and pitches - runs into the MMG, which opens, closes, and strikes according to clocks, envelopes, and Maths. That's the premise behind this whole thing. It is conceptually pretty delightful, really, even if this recording doesn't do it justice.
The Wogglebug clocks the Clock Divider, which then goes out to several bits here and there. Took the stepped CV out of the Wogglebug, piped it into Ch. 3 of the Maths, attenuated the signal so it wouldn't be too strong, and put it into the Tame Machine. If the signal into CV IN is too strong, the Tame Machine often switches patches, which is quite annoying. The output of that goes into the DPO, which provides the weak stepped bits I would turn up and down via the mixer (hardly comes out in the recording), using the FINAL out.
The kick sound comes out of the Dixie II, which opens and closes via one of the Quadra channels, using the Dual Index for VCA duty. I use the other channel of the Dual VCA to take in the RING MOD from the Wogglebug, which was fed Ch. 3 of the Maths, oscillating wildly.
The same stepped CV out of the Wogglebug is what is opening and closing the MMG to create the random RING MOD attenuation.
Some of the clicky sounds are just the hard snap of the Quadra. Some of them are STRIKEs into the MMG, which was being struck through the Graphic Sequencer, whose steps were determined by the Clock Divider. Pretty standard idea, overall.
The bit where I am plugging into the two different Maths channels is interesting, at least conceptually. The Maths here does a lot, and is sort of the real star. I had a patch cable going from the MMG MODE IN, and depending on which channel of Maths I plugged in, would do different things to the filter. We know Ch. 1 was going into the RING MOD IN of the Wogglebug, and it was outputting at a pitch frequency. So plugging into that would open up the MMG. Plugging into Ch. 4 would output much more lightly. Between the two, you get a really nice effect, overall.
I also hit the limit of what I can reliably do with one hand, while the camera films. I want to get more performant with the modular synth, and it is impossible to do with only one hand. So this video looks silly.
Good days and bad days. One must roll with them."
"Very unsatisfying patch, and an unsatisfying (hilariously silly) take. It's been that kind of day, though.
The premise of this was essentially an attempt to use a bit of what I've learned about using the Quadra percussively, and what I've come to understand about the Make Noise modules, and do something different with them.
The whole enchilada - percussion and pitches - runs into the MMG, which opens, closes, and strikes according to clocks, envelopes, and Maths. That's the premise behind this whole thing. It is conceptually pretty delightful, really, even if this recording doesn't do it justice.
The Wogglebug clocks the Clock Divider, which then goes out to several bits here and there. Took the stepped CV out of the Wogglebug, piped it into Ch. 3 of the Maths, attenuated the signal so it wouldn't be too strong, and put it into the Tame Machine. If the signal into CV IN is too strong, the Tame Machine often switches patches, which is quite annoying. The output of that goes into the DPO, which provides the weak stepped bits I would turn up and down via the mixer (hardly comes out in the recording), using the FINAL out.
The kick sound comes out of the Dixie II, which opens and closes via one of the Quadra channels, using the Dual Index for VCA duty. I use the other channel of the Dual VCA to take in the RING MOD from the Wogglebug, which was fed Ch. 3 of the Maths, oscillating wildly.
The same stepped CV out of the Wogglebug is what is opening and closing the MMG to create the random RING MOD attenuation.
Some of the clicky sounds are just the hard snap of the Quadra. Some of them are STRIKEs into the MMG, which was being struck through the Graphic Sequencer, whose steps were determined by the Clock Divider. Pretty standard idea, overall.
The bit where I am plugging into the two different Maths channels is interesting, at least conceptually. The Maths here does a lot, and is sort of the real star. I had a patch cable going from the MMG MODE IN, and depending on which channel of Maths I plugged in, would do different things to the filter. We know Ch. 1 was going into the RING MOD IN of the Wogglebug, and it was outputting at a pitch frequency. So plugging into that would open up the MMG. Plugging into Ch. 4 would output much more lightly. Between the two, you get a really nice effect, overall.
I also hit the limit of what I can reliably do with one hand, while the camera films. I want to get more performant with the modular synth, and it is impossible to do with only one hand. So this video looks silly.
Good days and bad days. One must roll with them."
Yamaha CS60 SN 1744 with Mods
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"***SPECIAL MODIFICATIONS HAVE BEEN DONE TO THIS SYNTH:
1) Touch switches- 5 of them, that have built in LEDs to indicate status and to switch to the modded presets etc
2) Modded Presets- the original (fairly crappy) presets have been specially modded
3) External Control Voltage Outputs- send each oscillator to external processors
4)DB25 interface ports- one male, connected to the special mod boards, 1 female, never used yet. just installed on back of synth
5) Custom PCB boards- two in the cage (they are the blue ones) and two next to the power supply, which contain 14 relays and control cables etc
6) Mystery! I am not sure how the mods work or exactly what all of them do! I know some of them are for external CVs and preset changes..."
via this auction
"***SPECIAL MODIFICATIONS HAVE BEEN DONE TO THIS SYNTH:
1) Touch switches- 5 of them, that have built in LEDs to indicate status and to switch to the modded presets etc
2) Modded Presets- the original (fairly crappy) presets have been specially modded
3) External Control Voltage Outputs- send each oscillator to external processors
4)DB25 interface ports- one male, connected to the special mod boards, 1 female, never used yet. just installed on back of synth
5) Custom PCB boards- two in the cage (they are the blue ones) and two next to the power supply, which contain 14 relays and control cables etc
6) Mystery! I am not sure how the mods work or exactly what all of them do! I know some of them are for external CVs and preset changes..."
Spectral Audio Syntrack SN 960415
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Good things can come in small, light-blue packages! The Syntrack combines a digital wavetable oscillator with an analog filter (Cascade Filter). The filter output passes through the analog Distorter which shapes your sound to be powerful and rough. It's a 1-unit rack module with full MIDI implementation and an aggressive analog sound. Front panel controls seem slim, but everything you need is right there to create simple but fat synth sounds.
The Syntrack offers 99 Programs and easy programming because each parameter has a pot. Every tweak of a knob will send MIDI controller data to your sequencer or other MIDI gear. In fact the MIDI CC#'s are printed under each knob right on the front panel. And each parameter responds to MIDI controller input data as well. The Syntrack can also respond to velocity and aftertouch. The wavetable can be expanded by a second chip to double the memory. The Syntrack also offers an external audio input for running external sounds through the filter.
Simple effective analog mono-synth sounds for the modern studio. Its sounds are unique, aggressive and the whole package is very affordable. A great alternative to more common rack-mount mono-synths and older, less reliable vintage gear."
via this auction
"Good things can come in small, light-blue packages! The Syntrack combines a digital wavetable oscillator with an analog filter (Cascade Filter). The filter output passes through the analog Distorter which shapes your sound to be powerful and rough. It's a 1-unit rack module with full MIDI implementation and an aggressive analog sound. Front panel controls seem slim, but everything you need is right there to create simple but fat synth sounds.The Syntrack offers 99 Programs and easy programming because each parameter has a pot. Every tweak of a knob will send MIDI controller data to your sequencer or other MIDI gear. In fact the MIDI CC#'s are printed under each knob right on the front panel. And each parameter responds to MIDI controller input data as well. The Syntrack can also respond to velocity and aftertouch. The wavetable can be expanded by a second chip to double the memory. The Syntrack also offers an external audio input for running external sounds through the filter.
Simple effective analog mono-synth sounds for the modern studio. Its sounds are unique, aggressive and the whole package is very affordable. A great alternative to more common rack-mount mono-synths and older, less reliable vintage gear."
1975 PAIA 2720 VINTAGE MODULAR SYNTHESIZER
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"For sale is this vintage 1975 Paia 2720 modular synthesizer. This DIY analog synth kit was one of PAIA's more popular products, and remains a formidable vintage mono synth, as well as, a fantastic introductory instrument for those interested in modular synthesis. This particular 2700-series synth is fully loaded and appears to have been expertly assembled. Displaying the obvious signs of wear illustrated in the numerous photos, this synth spent the last 20 years in a studio's storage facility accumulating oxidation, spider webs, and dust..." Pics of the inside below and the auction.
via this auction
"For sale is this vintage 1975 Paia 2720 modular synthesizer. This DIY analog synth kit was one of PAIA's more popular products, and remains a formidable vintage mono synth, as well as, a fantastic introductory instrument for those interested in modular synthesis. This particular 2700-series synth is fully loaded and appears to have been expertly assembled. Displaying the obvious signs of wear illustrated in the numerous photos, this synth spent the last 20 years in a studio's storage facility accumulating oxidation, spider webs, and dust..." Pics of the inside below and the auction.
1,3,7-Trimethyl
1,3,7-Trimethyl from fiocz on Vimeo.
via Andrea Fiocca on The MATRIXSYNTH Lounge"A patch with my new Serge Creature // Enjoy !!"
Korg Doncamatic Rockmate Rare Vintage Drum Machine 1966 Japan
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Working 100%. It is said that this is/was the first portable drum machine made from Keio (Korg) back in 1966.
GORILLAZ made a song in November 2010 called DONCAMATIC
Excellent used vintage condition, nearly 50 years old, no quibble returns policy. Thanks for looking & good luck"
via this auction
"Working 100%. It is said that this is/was the first portable drum machine made from Keio (Korg) back in 1966.
GORILLAZ made a song in November 2010 called DONCAMATIC
Excellent used vintage condition, nearly 50 years old, no quibble returns policy. Thanks for looking & good luck"
ROLAND DIRECTOR-S SEQUENCER SYS-333 for S330
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The DIRECTOR-S SYS-333 software package changes your ROland S-33- Digital Sampler into a 16 Channel MIDI sequencer featuring a 16 voice sampling module.
All you have to do is insert the new system disk in the drive of your S-330
Easy to use software that provides continued access to all existing sound libraries, yet adds an entirely new range of musical possibilities to your S330.
The S-330 can read up to one disk of sound data plus 15,000 steps of song data in memory.
The System disk can store up to 100,000 steps of song data
The chain play function allows syou to automatically play back several songs in succession.
Complete facility for editing notes and all other types of midi events.
Instant access to sequencer functions, punch in/out, quantizing, gate time, etc.
Synchronized playback with other sequencers, drum machines, etc.
Rapic access to sound and song data editing.
The S-330 supports a display via an RCA output, and a mouse via a serial port.
These are required to use the features of SYS-333.
Manual here.
media.rolandus.com/manuals/SYS-553_333_OM.pdf"
via this auction"The DIRECTOR-S SYS-333 software package changes your ROland S-33- Digital Sampler into a 16 Channel MIDI sequencer featuring a 16 voice sampling module.
All you have to do is insert the new system disk in the drive of your S-330
Easy to use software that provides continued access to all existing sound libraries, yet adds an entirely new range of musical possibilities to your S330.
The S-330 can read up to one disk of sound data plus 15,000 steps of song data in memory.
The System disk can store up to 100,000 steps of song data
The chain play function allows syou to automatically play back several songs in succession.
Complete facility for editing notes and all other types of midi events.
Instant access to sequencer functions, punch in/out, quantizing, gate time, etc.
Synchronized playback with other sequencers, drum machines, etc.
Rapic access to sound and song data editing.
The S-330 supports a display via an RCA output, and a mouse via a serial port.
These are required to use the features of SYS-333.
Manual here.
media.rolandus.com/manuals/SYS-553_333_OM.pdf"
MakeNoise Function: Hang Input
MakeNoise Function: Hang Input from Walker Farrell on Vimeo.
Demonstration of the Hang input on the MakeNoise Function.
http://www.makenoisemusic.com/function.shtml
Quick test of mini pyramid synth
Published on May 18, 2013 thenervoussquirrel·34 videos
"This was commissioned by Jay Gambit, after seeing the larger pyramid designed by Pete Fowler, commissioned by XL Recordings for The Horrors. This unit contains a MFOS phaser and WSG."
"This was commissioned by Jay Gambit, after seeing the larger pyramid designed by Pete Fowler, commissioned by XL Recordings for The Horrors. This unit contains a MFOS phaser and WSG."
TC-11 - Performance on a Tabletop
Published on May 18, 2013 BitShapeSoftware·8 videos
"TC-11 is the programmable multi-touch synthesizer for the iPad. Access dozens of unique touch controllers and design exactly the synth sound you need.
1.8 has a great new visual engine, which I wanted to show off by demoing a few of the preset patches.
This video was captured with a direct feed from the iPad plus an overhead camera to capture my hands. It seems like a great solution to the challenge of showing off the performance of the app without obscuring it entirely with my hands.
TC-11 uses multi-touch generated control to push the synthesizer parameters. All patches are built in-app, and can be modified by the user to fit their needs."
"TC-11 is the programmable multi-touch synthesizer for the iPad. Access dozens of unique touch controllers and design exactly the synth sound you need.
1.8 has a great new visual engine, which I wanted to show off by demoing a few of the preset patches.
This video was captured with a direct feed from the iPad plus an overhead camera to capture my hands. It seems like a great solution to the challenge of showing off the performance of the app without obscuring it entirely with my hands.
TC-11 uses multi-touch generated control to push the synthesizer parameters. All patches are built in-app, and can be modified by the user to fit their needs."
[DEMO] EMW DX700 Patch Bank - Pianos (Bank 01 - PIANO)
Published on May 17, 2013 Thiago Gomes·51 videos
"The best piano collection for DX7 that you've heard! The sounds of electric pianos most desired of all time!
The DX-700 is a portable patch bank for DX7 (and similars) that includes 770-high quality patches!
Page (more information, contact and how to buy):
http://www.electronicmusicworks.com/d...
It's very easy-to-use:
Connect the MIDI Out of DX700 to MIDI In of Yamaha DX7 , choose the patch, push SEND and enjoy!"
Also see: [DEMO] EMW DX-700 Patch Bank - Leads (Bank 11 - ANALOG 2)
Synthpop on the OP-1 Part 3: Song Intro
Published on May 18, 2013 Jacques Mongrel·21 videos
"In this video, the intro bars are crafted. At the end, the design advantages are also awkwardly presented."
All parts here.
"In this video, the intro bars are crafted. At the end, the design advantages are also awkwardly presented."
All parts here.
KORG micro KORG synthesizer analog modeling
Published on Jan 4, 2013 kraftwolk1·7 videos
Korg micro KORG десять лет спустя (2003-2013гг)
Сергей Волков г.Пенза 4 января 2013г.
microKORGs on eBay
РИТМ-2 / RITM-2 Soviet Synth Videos
Playlist:
РИТМ-2(1из3).wmv Uploaded on Jan 2, 2012 kraftwolk1·7 videos
наш отечественный синт РИТМ-2,выпускался до 91 года(в том же году я его и купил) Имеет один тон-генератор,модуляционный генератор,резонансный фильтр с регулятором глубины ,два контур генератора(огибающие) действующие на фильтр и усилитель-артикулятор
РИТМ 2 С Волков 2из3 Uploaded on Jan 2, 2012
РИТМ 2 3 из3 Uploaded on Jan 3, 2012
РИТМ-2 через pitch shift и др часть 2..wmv Uploaded on Jan 28, 2012
запись сюжетов производил просто подключив Ритм-2 на прямую к обычному гитарному процессору с педалью,которой в процессе игры изменял панараму ревера,задержки или модуляцию эффекта.Затем запись шла через лин.вход на фразовый сэмплер roland SP 404SX в котором добавлял второй мод.эффект по выбору
РИТМ 2 через pitch shift и др Uploaded on Jan 28, 2012
советский аналоговый синтезатор Алиса-1377
Published on Jun 21, 2012 kraftwolk1·7 videos
"Наш отечественный аналоговый синтезатор Алиса-1377 (как и Ритм-2) имеет один тон-генератор,а также генератор-вибрато с регулятором глубины,резонансный фильтр и два контур-генератора,есть также регуляторы портаменто,ШИМ,скважность и гармоники"
Gieskes hss3jb video synth VIDEO 1
Published on May 18, 2013 heodesalciphron·104 videos
"just built, crazy synth
more to follow"
Update:
Gieskes hss3jb video synth VIDEO 2 Ozone
Deep Dive (with Elektron Analog Four and Octatrack)
Published on May 18, 2013 Khantipol Kasemsant·207 videos
Elektron Analog Four, Octatrack, Machinedrum, DSI Tempest VS Teenage Engineering OP-1
Published on May 18, 2013
"This is a preview of my live performance"
"This is a preview of my live performance"
Shurthi-1 Digital/Analog hybrid synthesizer SSM2044 Filter
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Shurthi-1 Digital/Analog hybrid synthesizer (new)
Fully assembled and calibrated
The Shruthi-1 is a hybrid digital/analog monosynth. Its hardware design is deceptively simple, but the sonic range is wide: sometimes grungily digital like a PPG-Wave, fat and funky like a SH-101, videogame-y like a Commodore 64, weird and warm like an ESQ-1 ; but more often than not, truly original.
The Digital Side
An 8-bit microcontroller plays the role of the two main oscillators + sub-oscillator. This allows the generation of (aliasing-free) classic analog waveforms, but also wavetable/transwave synthesis and a trove of weird digital algorithms (sinewave bitcrushing, formant synthesis, phase distortion, bit toggling, XOR modulation).
Shruthi-1 firmware has plenty of great features: a complete MIDI implementation (large CC coverage, NRPNs, SysEx data dump including wavetable transfer), a 12-slots modulation matrix, a 16-steps notes/CC sequencer and advanced arpeggiator with some unusual time warping modes, and even a polychaining feature to turn several Shruthi-1s into a monster polysynth!
The Analog Side
The filter board is based on the classic SSM2044 filter chip. Providing a VC 4-pole LPF (with VC resonance), the SSM2044 was used in the PPG Wave, the Korg PolySix and MonoPoly, but also in the SP1200. Its sound is very warm and “juicy”. This board is no longer in production and becoming rare
To complete this filter, a linear VCA based on the high-quality SSM2164 quad-VCA chip is added. Don’t be fooled by the magical SSM letters: this one is a modern chip. The VCA cells on the SSM2164 have an exponential response curve and need to be linearized. One such cell is used in a feedback configuration to convert the linear CV into a logarithmic CV (the little man in the op-amp can find the inverse of functions!), and a second cell is used for the actual amplification, using the inverse CV.
It would have been very unfortunate to leave the 2 remaining VCA cells on the SSM2164 unused, so we decided to wire them into a 2-pole low-pass, the cutoff frequency of which is controlled by CV1. Yet another low-pass? No, because the SSM2044 has two inputs: an inverting one and a non-inverting one. The original signal is sent to the inverting input, and the low-passed signal is sent to the non-inverting input. The SSM2044 will thus process the difference of both signals, which will sound like a high-pass filtered version of the original signal, with cutoff controlled by CV1. Why didn’t we go with a high-pass? The circuit was a bit-simpler this way, and it sounded like an interesting use of the inverting and non-inverting inputs of the SSM2044.
External signals can be processed through the VCF and VCA easily, the envelope can be triggered via midi to "play" the filter or can be left open for "dumb" processing. The digital oscillators can be turned off and the filter can be run in self oscillation for a monster analog sine as well.
Case
The case is my personal design and is a black, one sided textured acrylic which resists fingerprints and scratches and includes all red LEDs. The LCD is protected by a clear window.
I warranty the device for 1 year."
via this auction
"Shurthi-1 Digital/Analog hybrid synthesizer (new)
Fully assembled and calibrated
The Shruthi-1 is a hybrid digital/analog monosynth. Its hardware design is deceptively simple, but the sonic range is wide: sometimes grungily digital like a PPG-Wave, fat and funky like a SH-101, videogame-y like a Commodore 64, weird and warm like an ESQ-1 ; but more often than not, truly original.
The Digital Side
An 8-bit microcontroller plays the role of the two main oscillators + sub-oscillator. This allows the generation of (aliasing-free) classic analog waveforms, but also wavetable/transwave synthesis and a trove of weird digital algorithms (sinewave bitcrushing, formant synthesis, phase distortion, bit toggling, XOR modulation).
Shruthi-1 firmware has plenty of great features: a complete MIDI implementation (large CC coverage, NRPNs, SysEx data dump including wavetable transfer), a 12-slots modulation matrix, a 16-steps notes/CC sequencer and advanced arpeggiator with some unusual time warping modes, and even a polychaining feature to turn several Shruthi-1s into a monster polysynth!
The Analog Side
The filter board is based on the classic SSM2044 filter chip. Providing a VC 4-pole LPF (with VC resonance), the SSM2044 was used in the PPG Wave, the Korg PolySix and MonoPoly, but also in the SP1200. Its sound is very warm and “juicy”. This board is no longer in production and becoming rare
To complete this filter, a linear VCA based on the high-quality SSM2164 quad-VCA chip is added. Don’t be fooled by the magical SSM letters: this one is a modern chip. The VCA cells on the SSM2164 have an exponential response curve and need to be linearized. One such cell is used in a feedback configuration to convert the linear CV into a logarithmic CV (the little man in the op-amp can find the inverse of functions!), and a second cell is used for the actual amplification, using the inverse CV.
It would have been very unfortunate to leave the 2 remaining VCA cells on the SSM2164 unused, so we decided to wire them into a 2-pole low-pass, the cutoff frequency of which is controlled by CV1. Yet another low-pass? No, because the SSM2044 has two inputs: an inverting one and a non-inverting one. The original signal is sent to the inverting input, and the low-passed signal is sent to the non-inverting input. The SSM2044 will thus process the difference of both signals, which will sound like a high-pass filtered version of the original signal, with cutoff controlled by CV1. Why didn’t we go with a high-pass? The circuit was a bit-simpler this way, and it sounded like an interesting use of the inverting and non-inverting inputs of the SSM2044.
External signals can be processed through the VCF and VCA easily, the envelope can be triggered via midi to "play" the filter or can be left open for "dumb" processing. The digital oscillators can be turned off and the filter can be run in self oscillation for a monster analog sine as well.
Case
The case is my personal design and is a black, one sided textured acrylic which resists fingerprints and scratches and includes all red LEDs. The LCD is protected by a clear window.
I warranty the device for 1 year."
KORG Mono/Poly MP4 SN 378797 with Custom Japanese Tomo Wood Sides
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
abertronix (RSS)
"Japanese Tamo hardwood sides and front brushed aluminium."
via this auction
abertronix (RSS)
"Japanese Tamo hardwood sides and front brushed aluminium."
1976 Steiner-Parker Ads
Note: Auction links are affiliate links for which the site may be compensated.
via the following auctions:
1976 Steiner-Parker Synthesizer Electronic Valve Multiphonic Keyboard Print Ad
"Original vintage magazine advertisement. Page size approx 5" x 5"."
1976 Steiner-Parker Synthesizer Keyboard Print Ad
"Original vintage magazine advertisement. Page size approx 4 3/4" x 2 3/4"."
See the seller's other items for more vintage ads.
!E9s2f!GR-BRl57evWhg~~60_12.JPG)
via the following auctions:
1976 Steiner-Parker Synthesizer Electronic Valve Multiphonic Keyboard Print Ad
"Original vintage magazine advertisement. Page size approx 5" x 5"."
1976 Steiner-Parker Synthesizer Keyboard Print Ad
"Original vintage magazine advertisement. Page size approx 4 3/4" x 2 3/4"."
See the seller's other items for more vintage ads.
!E9s2f!GR-BRl57evWhg~~60_12.JPG)
Vintage Korg Monopoly Analog Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"All 4 oscillators work and it sounds awesome. Very versatile with chord memory (1 note chords), x modulation effects and all sorts of bleepy and squelching hijinks..."
via this auction
"All 4 oscillators work and it sounds awesome. Very versatile with chord memory (1 note chords), x modulation effects and all sorts of bleepy and squelching hijinks..."
YAMAHA DX7s SN ON01131 with Original Gig Bag
SFX-JII - Demo 1
Published on May 18, 2013 gugabox·17 videos
"having some fun with the SFX-JII (the one used in the video is one of the first prototypes built)
more info: http://www.gugabox.com/projects/sfx-jii"
"having some fun with the SFX-JII (the one used in the video is one of the first prototypes built)
more info: http://www.gugabox.com/projects/sfx-jii"
Serge Modular Sounds
Serge Modular Sounds 1
Published on May 18, 2013 pjoris2·31 videos
"Got a bit distracted ... Started trying to do the panning with the VCFQ in low mode. Added some stuff to make it interesting. In the end, failed to do the panning with filter and did the panning with the sequencer.
A bit of semi-random notes on two Creatures, modulated by a Mayhem and Seq A."
Update:
Serge Modular Sounds 2
Published on May 18, 2013
"Another jam with 2 Serge Creatures, Mayhem, and Seq A M-Panels."
Published on May 18, 2013 pjoris2·31 videos
"Got a bit distracted ... Started trying to do the panning with the VCFQ in low mode. Added some stuff to make it interesting. In the end, failed to do the panning with filter and did the panning with the sequencer.
A bit of semi-random notes on two Creatures, modulated by a Mayhem and Seq A."
Update:
Serge Modular Sounds 2
Published on May 18, 2013
"Another jam with 2 Serge Creatures, Mayhem, and Seq A M-Panels."
TTSH
Published on May 18, 2013 zthee·2 videos
"Testing the speakers and some other functions on the prototype for the Two Thousand Six Hundred project.
Sorry for the poor sound quality. But it was a speaker test!
More information regarding the TTSH at - www.thehumancomparator.net"
Emphasis 2
Published on May 18, 2013 sakrobeat·6 videos
"Little peace to show the wonderful app airvox from Yonac inc.
And also sone softsynth-Spotting:
FiltSeq1, Novation V-Station,, RedTron (Artifake Labs),
and iPad-Apps: AirVox, Rebirth"
iTunes:
Yonac Inc.
Propellerhead Software AB
"Little peace to show the wonderful app airvox from Yonac inc.
And also sone softsynth-Spotting:
FiltSeq1, Novation V-Station,, RedTron (Artifake Labs),
and iPad-Apps: AirVox, Rebirth"
iTunes:
Yonac Inc.
Propellerhead Software AB
Packrat's Juno106 - Part 26
Published on May 18, 2013 Syntegrator·355 videos
"The complete video guide to dismantling, cleaning and final reassembly of a Juno-106 keybed.
All time lapse music is called 'Neutronium', copyright Syntegrator Music 2013 - It's one of my compositions used under permission from myself as you probably already know from the earlier videos in this playlist..."
You can find all parts here.
Quantum void (4 voice polyphonic Doepfer analog modular system)
Published on May 18, 2013 GruithuisenCityMan·443 videos
Hello ! My name is Frederic Gerchambeau. I have made this video and this music. The music has been made using a 4 voice polyphonic Doepfer analog modular system.
The modules used were :
Doepfer :
4 x VCO A-110
4 x ADSR A-140
2 x VCA A130 + 2x VCA A-131
2 x Mixer A-138
2 x VCF A-120
2 x XP VCF A-106-6
2 x LFO A-145
2 x LFO A-146
Vermona :
1 x Quad MIDI Interface QMI
Plogue Bidule has also been used for the reverb effects and Audacity for some additional improvements of the sound.
Enjoy !"
Hello ! My name is Frederic Gerchambeau. I have made this video and this music. The music has been made using a 4 voice polyphonic Doepfer analog modular system.
The modules used were :
Doepfer :
4 x VCO A-110
4 x ADSR A-140
2 x VCA A130 + 2x VCA A-131
2 x Mixer A-138
2 x VCF A-120
2 x XP VCF A-106-6
2 x LFO A-145
2 x LFO A-146
Vermona :
1 x Quad MIDI Interface QMI
Plogue Bidule has also been used for the reverb effects and Audacity for some additional improvements of the sound.
Enjoy !"
Roland Jupiter-4 "Q Factor"
video upload by
Published on May 17, 2013 retrosound72·225 videos
"(c) 2013 vintage synthesizer demo track by RetroSound
all synthesizer sounds self programmed: Roland Jupiter-4 Analog Synthesizer from the year 1978
drums: Roland TR-808
recording: multi-tracking without midi, the TR-808 is triggered the JP-4 arpeggiator in random mode
fx: a bit reverb and delay
For me has the Jupiter-4 the best sound from the Jupiter family. Very raw and powerfull."
monotribe + TR-606 + DSD-2. Shuts / BakaOscillator
Published on May 17, 2013
"Composed by BakaOscillator.
Use, KORG monotribe, Roland TR-606, BOSS DSD-2(Sampler mode), OC-2."
"Composed by BakaOscillator.
Use, KORG monotribe, Roland TR-606, BOSS DSD-2(Sampler mode), OC-2."
FearOfDark - Flame Repellent (Beat and Bass Quick Remix)
Published on May 17, 2013 Solar Lune·61 videos
"Hello! It's been a little while! Sorry for not uploading more videos - I keep getting distracted with other (usually non-important) things.
I really like FearOfDark's style, as you probably have seen, so I thought I'd make a little remix of one of his songs, Flame Repellent, with SunVox. Sorry that the audio and video aren't synced up. It's not a huge deal, though. You can listen to and download the remix as well as my other songs from SoundCloud here:
https://soundcloud.com/solarlune/fear...
You can listen to the original on FearOfDark's channel here:
https://www.youtube.com/watch?v=VUTUu...
P.S. I'll try to make more videos in general, actually. One I have in mind is looking at different games and examining them and their mechanics from a developer's perspective, so to speak.
Anyway, thank you very much for watching and subscribing."
iTunes:
SunVox - Alexander Zolotov
iOS Devices on eBay - Daily Tech Deals
"Hello! It's been a little while! Sorry for not uploading more videos - I keep getting distracted with other (usually non-important) things.
I really like FearOfDark's style, as you probably have seen, so I thought I'd make a little remix of one of his songs, Flame Repellent, with SunVox. Sorry that the audio and video aren't synced up. It's not a huge deal, though. You can listen to and download the remix as well as my other songs from SoundCloud here:
https://soundcloud.com/solarlune/fear...
You can listen to the original on FearOfDark's channel here:
https://www.youtube.com/watch?v=VUTUu...
P.S. I'll try to make more videos in general, actually. One I have in mind is looking at different games and examining them and their mechanics from a developer's perspective, so to speak.
Anyway, thank you very much for watching and subscribing."
iTunes:
SunVox - Alexander Zolotov
iOS Devices on eBay - Daily Tech Deals
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
