Radikal Technologies Spectralis 2, Virus TI Polar, Korg Radias ambient electro demo
Published on Jun 15, 2013 acemonvw·34 videos
"Radikal Technologies Spectralis 2, Virus TI Polar, Korg Radias ambient electro demo"
The track begins with the Virus being sequenced by the Spectralis. All drums are the Korg Radius sequenced by the Spectralis. The Spectralis covers the bass line starting at :21 and comes in at :52. At 1:57, another part from the Korg radias comes in.
Saturday, June 15, 2013
!E9s2fDH+DBRvP5,ZHRg~~60_57.JPG)
MPC60 s6000 advanced sequences (KORG MS10 sounds)
Published on Jun 15, 2013 michal23pl·77 videos
"12 x 4-bars sequences. 432hz tunning. programmed strictly with mpc pads. all sounds = korg ms10 sampled into akai s6000. thanks for watching/listening."
"12 x 4-bars sequences. 432hz tunning. programmed strictly with mpc pads. all sounds = korg ms10 sampled into akai s6000. thanks for watching/listening."
Akai MFC42 Analog filter & Filters with Arturia Minibrute
Published on Jun 15, 2013 flux302·122 videos
"Just a Demo to show how the Akai MFC42 Analog Filter module sounds in comparison to some other filters and how the Arturia minibrute sounds through those filters.
Check Http://Fluxwithit.com for more info and sounds."
"Just a Demo to show how the Akai MFC42 Analog Filter module sounds in comparison to some other filters and how the Arturia minibrute sounds through those filters.
Check Http://Fluxwithit.com for more info and sounds."
Ken MacBeth
The man behind the machines.
via Ken MacBeth on Facebook
"Doing some practice shots for the album that I'm working on..........here's one of them!"
Marsynth MSMB2 Preview Demo 1
"Demo of the upcoming MSMB2 board/kit from Marsynth."
via Damon Mar on The MATRIXSYNTH Lounge
"MSMB2 design is done; boards hopefully in a week!"
EE9s2ufWVZBRde0BzUcw~~60_57.JPG)
Oberheim OB-Xa SN 821004
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via this auction
gearlicious (RSS)
via this auction
gearlicious (RSS)
Roland SVC-350 Analogue Vocoder
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via this auction
sir_analog (RSS)
via this auction
sir_analog (RSS)
Waldorf Nave iPad I Am Nave by Mee Zanook
Published on Jun 15, 2013 Mee Zanook·43 videos
"I just got Nave and while learning I put this track together.
All sounds come from Nave except the break beat loop which
is provided by Korg iKaossilator,it was loads of fun!"
iTunes:
Nave - Waldorf Music
iOS Devices on eBay - Daily Tech Deals
"I just got Nave and while learning I put this track together.
All sounds come from Nave except the break beat loop which
is provided by Korg iKaossilator,it was loads of fun!"
iTunes:
Nave - Waldorf Music
iOS Devices on eBay - Daily Tech Deals
Buchla 100 - Sarah Davachi
Published on Jun 15, 2013 Richard Smith·7 videos
"Sarah giving the 100 one last play before it hops on a plane to Australia.
Audio is just camera capture unfortunately."
"Sarah giving the 100 one last play before it hops on a plane to Australia.
Audio is just camera capture unfortunately."
Stephane Lefrancois & David Jorre - Pebbles (Elektron Octatrack, A4 andDSI Tempest)
Published on Jun 15, 2013
"Stephane Lefrancois & David Jorre get ready for saturday night techno.
Enjoy !"
"Stephane Lefrancois & David Jorre get ready for saturday night techno.
Enjoy !"
2013 Summer of Synth Sessions Boulder #01 Octatrack Meets Absynth
Published on Jun 15, 2013 Mark Mosher·54 videos
http://www.MarkMosherMusic.com
"I normally do all my composition and production work indoors. I decided it was just about time to do some sessions outdoors considering the fantastic summer weather and locations we have here in Boulder. Here is my first session "#01 Octatrack meets Absynth" (watch embedded video).
Octatrack
I'm just getting started with the Elektron Octatrack performance sampler but I decided it would a perfect instrument to kick off a summer session as it's possible to do entire compositions with effects from this one box. I'm finding that playing it from the front panel even without the sequencer can be incredibly expressive even though it doesn't have velocity sensitive buttons. The secret sauce is in the morphing scenes. You can create up to 16 scenes each with it's own parameter settings. You then assign one of these to either Scene A or B on-the-fly. You can then morph between the settings of each scene with the incredibly sensitive optical crossfader which causes the Octatrack to smoothly interpolate between A & B parameter settings. In a nutshell, you are able to control and perform with incredible amount of number shaping parameters in realtime.
#01 Octatrack meets Absynth
I've seen a lot of beat-driven videos so I thought it would be fun to do an ambient piece. This piece is an original improvisation recorded in real-time in one pass playing Octatrack buttons in Chromatic mode. No sequencing is used. There are 3 tracks of audio samples being played. The source samples were rendered from Absynth and include 1) a factory patch called Choiromechanoidz 2) A custom Absynth granular synth patch based on a custom Aalto patch I sampled 3) A custom absynth patch called Broken FM -- pure FM synthesis. The piece makes heavy use of morphong with the crossfader, scene switching on the fly, FX morphing on on tracks and via chained effects (Neighbor Machine).
Sun Position and Aspen Trees
I didn't intend this, but I happened to line the Octatrack up with the shadow of the roof. The piece is long enough and the shadow is close enough to the edge of the instrument that you can easily observe the earth's rotation via the shadow movement. I finish right as the sunlight is about to hit the Octatrack. You can also see a reflection of the Aspen trees above me in the Octatrack's display.
A note to my fellow artists - the Octratrack display and LEDs are easily visible outside as long as you are not in direct sunlight.
Mark Mosher
Electronic Musician, Composer, Performer
Boulder, CO"
http://www.MarkMosherMusic.com
"I normally do all my composition and production work indoors. I decided it was just about time to do some sessions outdoors considering the fantastic summer weather and locations we have here in Boulder. Here is my first session "#01 Octatrack meets Absynth" (watch embedded video).
Octatrack
I'm just getting started with the Elektron Octatrack performance sampler but I decided it would a perfect instrument to kick off a summer session as it's possible to do entire compositions with effects from this one box. I'm finding that playing it from the front panel even without the sequencer can be incredibly expressive even though it doesn't have velocity sensitive buttons. The secret sauce is in the morphing scenes. You can create up to 16 scenes each with it's own parameter settings. You then assign one of these to either Scene A or B on-the-fly. You can then morph between the settings of each scene with the incredibly sensitive optical crossfader which causes the Octatrack to smoothly interpolate between A & B parameter settings. In a nutshell, you are able to control and perform with incredible amount of number shaping parameters in realtime.
#01 Octatrack meets Absynth
I've seen a lot of beat-driven videos so I thought it would be fun to do an ambient piece. This piece is an original improvisation recorded in real-time in one pass playing Octatrack buttons in Chromatic mode. No sequencing is used. There are 3 tracks of audio samples being played. The source samples were rendered from Absynth and include 1) a factory patch called Choiromechanoidz 2) A custom Absynth granular synth patch based on a custom Aalto patch I sampled 3) A custom absynth patch called Broken FM -- pure FM synthesis. The piece makes heavy use of morphong with the crossfader, scene switching on the fly, FX morphing on on tracks and via chained effects (Neighbor Machine).
Sun Position and Aspen Trees
I didn't intend this, but I happened to line the Octatrack up with the shadow of the roof. The piece is long enough and the shadow is close enough to the edge of the instrument that you can easily observe the earth's rotation via the shadow movement. I finish right as the sunlight is about to hit the Octatrack. You can also see a reflection of the Aspen trees above me in the Octatrack's display.
A note to my fellow artists - the Octratrack display and LEDs are easily visible outside as long as you are not in direct sunlight.
Mark Mosher
Electronic Musician, Composer, Performer
Boulder, CO"
Ju-X Designes Sequera Sequencer Price Drop
Details at http://ju-x.com/sequera/
Sequera features:
Concentrated, 8-track by 16-step note grid (up to 32 tracks by 64 steps).
Super fast note composition, erasing and switching by clicking GUI and also hitting computer keys.
Pitch transpose.
Cool mechanical LED-look ruler.
Note positional randomization.
Other randomization features for notes on the 8th track and random note off.
Completely selectable steps to be looped.
Mute for each step and track individually.
Extension for note duration on Main Track 4.
“Four At Once” edit to enter same notes, note#s, bend pitches x4.
Even More:
“Groove Pallet” handles note duration, velocity, and micro-timing of notes all in one place. Each element can be looped in different cycles.
Selectable MIDI note number and pitch-bend for each track as well as MIDI channel. This combination utilizes micro-tuning too.
“CC Mode” that sequences MIDI-CC commands neatly.
Memory function for note, duration, velocity, and timing individually.
Syncs via MIDI beat clock with other devices and the timing lag follows to it.
All works can be done on the single main window.
Sensibly built with highest preciseness while optimized in sporty performance.
Harvestman Hertz Donut mk. 2 Audio Demos
Harvestman Hertz Donut mk. 2 Waveshaping demo
"All waveforms, all waveshapers, many octaves. Order of demonstration: Sine wave (orange, red, green shapers), Triangle (orange, red, green), saw (orange red green), change octave. Waveshaper is swept by HD's internal modulation oscillator."
hertz donut mark II "stupid" tracking mode with fm feedback
"no patchcords"
Hertz Donut mk. II modulation bus
"All waveforms, all waveshapers, many octaves. Order of demonstration: Sine wave (orange, red, green shapers), Triangle (orange, red, green), saw (orange red green), change octave. Waveshaper is swept by HD's internal modulation oscillator."
hertz donut mark II "stupid" tracking mode with fm feedback
"no patchcords"
Hertz Donut mk. II modulation bus
Ribbon Controller Test Coagula build
Published on Jun 15, 2013 davidryle·113 videos
Audio comes in at 1:45.
"A test of the MIDI Ribbon Controller designed by Giuseppe Di Cillo. This is a prototype until I have all the rest of the project finished. The MIDI is implemented via an Arduino Uno R3 board and the sketch by Giuseppe. It is his first sketch prior to the more complex build with an LCD and menu dialog. Very simple and perfect for combining the MIDI output with a modular. I have since added a CV and GATE output to the modular panel which allows the ribbon controller to output analog and digital (MIDI) at the same time. This video doesn't show the later use of the modular analog signals.
The ribbon strips were made by Spectra Symbol and Interlink and were bought from Sparkfun dot com.
A detailed build guide and software for the Arduino can be found at Giuseppe's wonderful blog. coagula dot org."
This is the first Giuseppe Di Cillo post.
Audio comes in at 1:45.
"A test of the MIDI Ribbon Controller designed by Giuseppe Di Cillo. This is a prototype until I have all the rest of the project finished. The MIDI is implemented via an Arduino Uno R3 board and the sketch by Giuseppe. It is his first sketch prior to the more complex build with an LCD and menu dialog. Very simple and perfect for combining the MIDI output with a modular. I have since added a CV and GATE output to the modular panel which allows the ribbon controller to output analog and digital (MIDI) at the same time. This video doesn't show the later use of the modular analog signals.
The ribbon strips were made by Spectra Symbol and Interlink and were bought from Sparkfun dot com.
A detailed build guide and software for the Arduino can be found at Giuseppe's wonderful blog. coagula dot org."
This is the first Giuseppe Di Cillo post.
Gloria by Alessandro Cortini on Buchla Music Easel
Published on Jun 15, 2013 DrOne Drone·104 videos
via Dam Hanilton on The MATRIXSYNTH Lounge
Follow-up to 1st Tracks from Alessandro Cortini's Upcoming All Buchla Music Easel LP
Will you give it to me? (Waldorf Rocket, Octatrack, Analog 4)
Published on Jun 15, 2013 Khantipol Kasemsant·220 videos
"Will you give it to me? (Waldorf Rocket, Octatrack, Analog 4)"
Waldorf Rockets on eBay
Elektron on eBay
"Will you give it to me? (Waldorf Rocket, Octatrack, Analog 4)"
Waldorf Rockets on eBay
Elektron on eBay
Minibrute
"First proper mess around with the Minibrute last night. I've had it a few months now but have really only recently started to play it on regular basis.
It has a depth that is hard to appreciate without giving it time to get into all the nuances. It is certainly not as immediate as an old analogue but is potentially much more versatile.
As for the track, apart from the drums it is all MB."
via Paul Williams on The MATRIXSYNTH Lounge
Minibrutes on eBay
Synthrotek Eurorack Atari Punk Console Module w/ Cliff White
Published on Jun 15, 2013 synthrotek·96 videos
http://www.synthrotek.com
"Cliff White gives a nice introductory demo of the synthrotek Atari Punk Console, APC, in modular Eurorack format. This product will be available in a kit and completed units. ALSO HAS FRAC +15 headers. Some fun hard syncs and chaotic noises. ~enjoy."
Synthrotek on eBay (RSS)
http://www.synthrotek.com
"Cliff White gives a nice introductory demo of the synthrotek Atari Punk Console, APC, in modular Eurorack format. This product will be available in a kit and completed units. ALSO HAS FRAC +15 headers. Some fun hard syncs and chaotic noises. ~enjoy."
Synthrotek on eBay (RSS)
Power Intro to Kontakt 5
Published on Jun 15, 2013
"Rate, Comment & Subscribe! Here is a 38 Min look at what makes Kontakt 5 a monster power-house of a sample playback plug-in. I also show how cool it is to take samples from other Kontakt 5 libraries and load them into the MegaMacho Drums Interface for tons of sonic mayhem! Hope you like! MegaMacho Drums comes out July 1st, 2013!"
http://www.pluginguru.com
"Rate, Comment & Subscribe! Here is a 38 Min look at what makes Kontakt 5 a monster power-house of a sample playback plug-in. I also show how cool it is to take samples from other Kontakt 5 libraries and load them into the MegaMacho Drums Interface for tons of sonic mayhem! Hope you like! MegaMacho Drums comes out July 1st, 2013!"
http://www.pluginguru.com
magic circuit bent soundshuttles
Published on Jun 15, 2013 pianoloft·199 videos
"most of the instruments are modified and handbuilt:
omnichord, modified by folktek, run through the analog filter of korg monotron.
little red synth by micheal rucci, run through a bodycontacted noise effect device built by drmoonstien and a delay, called memoryman by electro harmonix.
the weather machine by drmoonstien, sometimes used standalone, and sometimes distorting a drumgroove, created with the korg er-1 drum machine."
Doepfer DarkTime sequencer
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via this auction
"This sequencer is deceptively powerful and complete! It makes an excellent bridge between the MIDI and CV world, allowing for control of both..."
via this auction
"This sequencer is deceptively powerful and complete! It makes an excellent bridge between the MIDI and CV world, allowing for control of both..."
MESSE13: Novation Bass Sation 2 sound impressions
"Frankfurt Musikmesse 2013: Recorded in 48k 24bit directly from the output.
This is a prototype with some severe Firmware Bugs. The basic sound will be in the final product but features still need to be implemented, yet.
BE CAREFUL!!! EXTREME BASS VOLUME!!!"
MESSE13: Waldorf Pulse 2 - Direct sound impressions
"BE CAREFUL!!! EXTREME BASS VOLUME!!!
Frankfurt Messe 2013: Waldorf Pulse 2 nearly finished prototype. Recorded in 48k, 24Bits from the output.
There are still some Bugs that need to be fixed, like the volume drop when rasing the Resonance. This will and others will corrected in the final product
This is one of the loudest and most powerful analog sound I heard in a long time.
The demo was recorded with the volume half way up."
Vintage Moog Taurus II SN 2735 with Patch Overlays
Note: Auction links are affiliate links for which the site may be compensated.
sQ~~60_57.JPG)
via this auction
"Vintage Moog Taurus II complete set including: Taurus II controller, Taurus II footpedals, stand, original owner's manual, original service manual, Moog catalog, and 3 original patch sheet overlays, connector cable and non-original power supply"
sQ~~60_57.JPG)
via this auction
"Vintage Moog Taurus II complete set including: Taurus II controller, Taurus II footpedals, stand, original owner's manual, original service manual, Moog catalog, and 3 original patch sheet overlays, connector cable and non-original power supply"
Moog Opus III
Oberheim OB-XA Vintage Analog Synth
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via this auction
Perfect Circuit Audio (RSS)
via this auction
Perfect Circuit Audio (RSS)
Moog Minimoog Voyager XL Analog Synth
Simmons SDS-8 SDS Vintage Analog Electronic Drums
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via this auction
Perfect Circuit Audio (RSS)
via this auction
Perfect Circuit Audio (RSS)
Yamaha TX7
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via this auction
Perfect Circuit Audio (RSS)
Yamaha's desktop DX-7, unfortunately not programmable via the front panel. DX-7 editors including ones for the iPad should work with it though.
I had an interesting conversation with someone once regarding the original DX7 and TX7 vs. FM synthesis on newer models & software synths. He argued that although the synthesis engine might be the same, the originals sound better to him due to the DACs (Digital to Analog audio Converter). He said the same for Roland's D50 vs. the D50 card for the V-Synth.
Perfect Circuit Audio (RSS)
Yamaha's desktop DX-7, unfortunately not programmable via the front panel. DX-7 editors including ones for the iPad should work with it though.
I had an interesting conversation with someone once regarding the original DX7 and TX7 vs. FM synthesis on newer models & software synths. He argued that although the synthesis engine might be the same, the originals sound better to him due to the DACs (Digital to Analog audio Converter). He said the same for Roland's D50 vs. the D50 card for the V-Synth.
Korg DSS-1 Keyboard Sampler with Sample Disk Collection
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via this auction
Perfect Circuit Audio (RSS)
via this auction
Perfect Circuit Audio (RSS)
Korg DSM-1 Rackmount Sampler with Sample Disk Collection
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via this auction
Perfect Circuit Audio (RSS)
via this auction
Perfect Circuit Audio (RSS)
Koma Elektronik BD-101 Delay Pedal
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The BD101 Analog Gate / Delay is an innovative voltage controlled analog delay in combination with a fully adjustablewide frequency range gate. The BD101 is capable of providing bit crushing effects, resonant frequencies, fast shifts between heavy delayed and cranked up sounds and super short pulses, with whatever instrument you want to plug into it.
With the on board infrared expression controller the user is able to override / control all the front panel controls by moving their hands or feet over it, which makes the pedal a versatile and powerful tool for use live or in the studio. The BD101 can be used as a standalone pedal, but is also ready to be used in combination with other KOMA Elektronik pedals and, for instance, a (modular) synthesizer through the 10-socket audio and CV patch bay. The on board infrared expression controller can also be used as a standalone feature.
The CV and audio patch bay allows control of Gate Speed, Gate Amount, Delay Time, Delay Feedback and gives the possibility to synchronize the pedal with an external clock signal. It also gives the possibility to make an external effects loop which allows the user to send out the processed feedback signal, run it through other effects and feed it back into the pedal.
Features
Slide controls for Input Gain and Delay Blend for more control while playing
On board infrared expression controller, can be used as a standalone CV feature
CV control for Gate Speed, Gate Amount, Delay Time and Delay Feedback
CV input for External Clock signals and synchronization with other KOMA Elektronik pedals
CV attenuators on the back of the pedal to fine-tune the CV inputs
Send/Return Insert for external processing of BBD Feedback signals
A wide frequency range Gate / Amplitude Modulation; choose between High, Mid and Low
Multiple Gate shapes; Ramp, Pulse and Sawtooth."
"The BD101 Analog Gate / Delay is an innovative voltage controlled analog delay in combination with a fully adjustablewide frequency range gate. The BD101 is capable of providing bit crushing effects, resonant frequencies, fast shifts between heavy delayed and cranked up sounds and super short pulses, with whatever instrument you want to plug into it.
With the on board infrared expression controller the user is able to override / control all the front panel controls by moving their hands or feet over it, which makes the pedal a versatile and powerful tool for use live or in the studio. The BD101 can be used as a standalone pedal, but is also ready to be used in combination with other KOMA Elektronik pedals and, for instance, a (modular) synthesizer through the 10-socket audio and CV patch bay. The on board infrared expression controller can also be used as a standalone feature.
The CV and audio patch bay allows control of Gate Speed, Gate Amount, Delay Time, Delay Feedback and gives the possibility to synchronize the pedal with an external clock signal. It also gives the possibility to make an external effects loop which allows the user to send out the processed feedback signal, run it through other effects and feed it back into the pedal.
Features
Slide controls for Input Gain and Delay Blend for more control while playing
On board infrared expression controller, can be used as a standalone CV feature
CV control for Gate Speed, Gate Amount, Delay Time and Delay Feedback
CV input for External Clock signals and synchronization with other KOMA Elektronik pedals
CV attenuators on the back of the pedal to fine-tune the CV inputs
Send/Return Insert for external processing of BBD Feedback signals
A wide frequency range Gate / Amplitude Modulation; choose between High, Mid and Low
Multiple Gate shapes; Ramp, Pulse and Sawtooth."
Koma Elektronik FT-201 Filter Sequencer Pedal
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via this auction
Perfect Circuit Audio (RSS)
"The FT201 Analog Filter / 10-Step Sequencer is our innovative voltage controlled vactrol state variable filter combined with a 10 step sequencer. The FT201 is capable of providing ultra low and high frequency filter effects which are controllable with the on board infrared expression controller, which allows the user to create filter sweeps by moving their feet or hands over the pedal. The FT201 has 3 different filter outputs: bandpass, low pass and high pass, which all work simultaneously. The cutoff frequency range is very large, between 20 Hz and 20 kHz and because of the vactrols used the sound quality is superb.
The 10 Step Sequencer runs through the selected amount of steps (2 – 10 steps) and adds the control voltage to the value set by the Cutoff knob, thus modulating the cutoff frequency in every step.
Just like the BD101, the FT201 can be used as a stand alone pedal, linked to other KOMA Elektronik effect pedals or as a controller for a (modular) synthesizer or other CV receptive electronic instruments. The CV and audio patch bay allows control of the Resonance, Sequencer Reset, Cutoff and gives the user the possibility to synchronize the pedal with an external clock signal.
Features
Three filter outputs; Bandpass, Low pass and High pass, which all work simultaneously
Slide controls for Input Gain and Resonance for more control while playing
On board infrared expression controller, can be used as a standalone CV feature
CV control for Resonance, Sequencer Reset, Cutoff
CV input for External Clock signals and synchronization with other KOMA Elektronik pedals
CV attenuators on the back of the pedal to fine-tune the CV inputs"
Perfect Circuit Audio (RSS)
"The FT201 Analog Filter / 10-Step Sequencer is our innovative voltage controlled vactrol state variable filter combined with a 10 step sequencer. The FT201 is capable of providing ultra low and high frequency filter effects which are controllable with the on board infrared expression controller, which allows the user to create filter sweeps by moving their feet or hands over the pedal. The FT201 has 3 different filter outputs: bandpass, low pass and high pass, which all work simultaneously. The cutoff frequency range is very large, between 20 Hz and 20 kHz and because of the vactrols used the sound quality is superb.
The 10 Step Sequencer runs through the selected amount of steps (2 – 10 steps) and adds the control voltage to the value set by the Cutoff knob, thus modulating the cutoff frequency in every step.
Just like the BD101, the FT201 can be used as a stand alone pedal, linked to other KOMA Elektronik effect pedals or as a controller for a (modular) synthesizer or other CV receptive electronic instruments. The CV and audio patch bay allows control of the Resonance, Sequencer Reset, Cutoff and gives the user the possibility to synchronize the pedal with an external clock signal.
Features
Three filter outputs; Bandpass, Low pass and High pass, which all work simultaneously
Slide controls for Input Gain and Resonance for more control while playing
On board infrared expression controller, can be used as a standalone CV feature
CV control for Resonance, Sequencer Reset, Cutoff
CV input for External Clock signals and synchronization with other KOMA Elektronik pedals
CV attenuators on the back of the pedal to fine-tune the CV inputs"
Eowave Magma Analog Bassline Synth
Perfect Circuit Audio (RSS)
"MAGMA is an analogue bassline synthesizer inspired by classical synths from the 1980s. It offers the possibility to mix 4 different waveforms (saw, square, sub, noise). The 24 dB low-pass filter is also inspired from classical filters from the 80s. To this particular sound of the 80s, we added a touch of modernity with modern controls and parameters saving features. The 16 steps sequencer has 4 rows: 1 for the notes and 3 freely assignable to a parameter of your choice that enables to create living sequences with sonorities like Vince Clark or Yann Hammer."
Specs captured further below.
Eowave Domino Analog Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"DOMINO is a discrete analogue synthesizer with a VCO in the tradition of MS20 and TB303. The VCO, filter & VCA are transistor made. This transistor architecture gives DOMINO a unique raw sound. Rich and raw at the same time, no need of external effects to give life to the sound.
The VCO offers a mix between sawtooth and square. Pulsewidth can be modulated by the LFO. The filter is a low-pass 24dB resonant filter. The analogue envelope range is from 1ms to 10s with attack, decay, sustain/release.The LFO has 8 different waveforms. On waveform 8, the modulation wheel can replace the LFO. MIDI CC 8 to 16 can transform the LFO in a sequencer to modulate pitch, pulsewidth, filter cutoff. The VCA can be modulated by a gate or by an envelope. In the legato mode, playing notes will generate glide between two notes. The glide time can be edited via MIDI CC. Additional features like a 8 steps sequencer, an arpeggiator and an accent recognition capability turns the Domino into a powerful tool.
Features
1 analogue oscillator from saw to square with tune and mix
LFO modulation
Pulsewidth modulation
24dB resonant filter
Envelope modulation and LFO modulation of the filter
LFO with Speed and Type parameters
LFO syncable to MIDI clock
Envelope with Attack, Decay, Sustain
Analogue VCA
Env/gate switch
8 steps sequencer
Arpeggiator
Easy to use.
Direct access to all parameters
Connections
MIDI in
Audio out
External power supply"
via this auction
"DOMINO is a discrete analogue synthesizer with a VCO in the tradition of MS20 and TB303. The VCO, filter & VCA are transistor made. This transistor architecture gives DOMINO a unique raw sound. Rich and raw at the same time, no need of external effects to give life to the sound.The VCO offers a mix between sawtooth and square. Pulsewidth can be modulated by the LFO. The filter is a low-pass 24dB resonant filter. The analogue envelope range is from 1ms to 10s with attack, decay, sustain/release.The LFO has 8 different waveforms. On waveform 8, the modulation wheel can replace the LFO. MIDI CC 8 to 16 can transform the LFO in a sequencer to modulate pitch, pulsewidth, filter cutoff. The VCA can be modulated by a gate or by an envelope. In the legato mode, playing notes will generate glide between two notes. The glide time can be edited via MIDI CC. Additional features like a 8 steps sequencer, an arpeggiator and an accent recognition capability turns the Domino into a powerful tool.
Features
1 analogue oscillator from saw to square with tune and mix
LFO modulation
Pulsewidth modulation
24dB resonant filter
Envelope modulation and LFO modulation of the filter
LFO with Speed and Type parameters
LFO syncable to MIDI clock
Envelope with Attack, Decay, Sustain
Analogue VCA
Env/gate switch
8 steps sequencer
Arpeggiator
Easy to use.
Direct access to all parameters
Connections
MIDI in
Audio out
External power supply"
Dave Smith Instruments Prophet 12 Synthesizer
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via this auction
Perfect Circuit Audio (RSS)
via this auction
Perfect Circuit Audio (RSS)
Oberheim 4 Voice Synthesizer System SN 23
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via this auction
"Purchased in Ft Lauderdale in 1973 from Tom Oberheim. works good, case has wear. #23 made in Production."
via this auction
"Purchased in Ft Lauderdale in 1973 from Tom Oberheim. works good, case has wear. #23 made in Production."
Oberheim OB-MX 2 Voice
ELEKTOR FORMANT MODULAR
Note: Auction links are affiliate links for which the site may be compensated.
via eBay Germany
Pics of the inside below.
via eBay Germany
Pics of the inside below.
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
