MATRIXSYNTH: Monday, March 10, 2014


Monday, March 10, 2014

New AG-KW 8ktakontrol (OKTAKONTROL) Hardware Controller for the Elektron Octatrack

via Zviij who sent in the two pics below.  Zviij has one of the first 10 units made.

Details on the 8ktakontrol via AG-KW. Note this is the first AG-KW post on MATRIXSYNTH.

"Our OKTAKONTROL is a smart addition to the famous Elektron Octatrack. Basically it is a midicontroller-box with 8 high precision faders and 9 buttons to control the tracks in your Octatrack. The Oktakontrol is fitted perfectly to the Octatrack: it is in the same width & height and its sockets are at the sidepanel – so you can place both machines directly next each other. This mechanical detail combined with concentration on the most important functions makes the Oktakontrol a unique & perfect controllerbox for the Elektron Octatrack.

FEATURES
- 8x ALPS faders to control track level
- 9x buttons to control track mute/solo/arm/user configurable
- sturdy case which fits perfectly next to the Octatrack
- all sockets at side panel & user-configurable arrangement of sockets
- based on Arduino (open source / reprogrammable by experienced user)
- Midi IN/ OUT/ THRU/ AUX
- mini USB to configure and update Firmware
- 9VDC power supply (included)
- developed & handcrafted in Germany (on planet Earth ;) )"

Zviij's setup includes:

- ELEKTRON OCTATRACK DYNAMIC PERFORMANCE SAMPLER
- AG-KW 8KTAKONTROL CONTROLLER
- JOMOX T-RESONATOR II TIME FILTER MATRIX
- OTO BISCUIT 8-BIT EFFECT PROCESSOR
- TIVOLI AUDIO PAL AM/FM RADIO
- VESTAX PMC-05 PRO III MIXING CONTROLLER

Zviij on MATRIXSYNTH

Modular Wild Presents Maths Minute-Maths as Logic/Voltage Inverter


Published on Mar 10, 2014 Modular Wild·104 videos

"A timed exploration of the Maths as a Logic/Voltage Inverter patch found in the Make Noise MATHS manual.Sound and Video by Raul Pena. Special thanks to Tony Rolando at Make Noise.© 2013 Raul Pena"

Spectralis 2, Yamaha RX11 drum machine, and Eventide Space demo


Published on Mar 10, 2014 acemonvw·90 videos

"Just messing with a patch I made on the Spectralis 2 and got this
Yamaha RX11 today and wanted to test out how it sounds. Routed the
Spectralis thru the Eventide Space pedal as well."

via Michael Dennis Raleigh on The MATRIXSYNTH Lounge

linette et la machine à pouet


Published on May 6, 2012 vaghestelledellorsa·1 video

"my seven year old daughter playing the modular ;)"

Tiptop Audio Circadian Rhythm prototype Swing and Zoom Test


Published on Mar 10, 2014 Tiptop .Audio·55 videos

"Testing the new features added to the Circadian Rhythm. Swing and micro notes in Zoom mode."

Buchla Music Easel - Month 3


Published on Mar 10, 2014 Ryan Bocook·67 videos

"one buchla music easel patch played live."

Modulus Music - Rebirth of a Classic Synth Company by Paul Maddox



via Greg Cole on The MATRIXSYNTH Lounge

"Hey guys, show some support to Paul Maddox for the rebirth of his synth company Modulus Music. Paul's the man behind the Monowave wavetable synth and the awesome little VacoLoco boxes. Excited to see what he's working on!"

The Modulus name was in use by Paul Maddox with the Monowave as seen back in 2007 in this post.

Paul initially announced the new company on March 7th in The MATRIXSYNTH Lounge as well.

"Something big is coming, Follow us for updates, pictures, sounds and videos as they happen.
https://www.facebook.com/ModulusMusic"

I was going to hold off for a post until products where announced, but decided to put something up now.  I can't wait to see what Paul comes up with next.  You can see the vacoloco channel below for his latest up to now.

System 102, Arp sequencer, Tr-606 short jam out


Published on Mar 9, 2014

"Just got the 102 and I'm loving it!!"

via Benjamin Hawkins on The MATRIXSYNTH Lounge

Gieskes DEP-1 Effects with all mods

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"A Gieskes Dep-1 Glitch Delay, Bit Crusher ect.
Great Rare effects processor.
Custom Enclosure and all available mods. Works perfectly.

Needs adapter

From website..................
Features

Digital effects

sample and playback on next sound
sample and play back forward until next sound
sample and play back forward and backward until nextsound
delay with bitcrusher
delay with fine tune
arpeggio one octave up
three octaves up
one octave down
three octaves down
pitchshift

Analog Lowpass filter

linein
lineout
dc 9v +in the center

Website with video demos

http://gieskes.nl/effects/?file=dep-1"

Caçando timbre no Jolymod


Caçando timbre no Jolymod from arthur joly on Vimeo.

"só na jam"

Barker: Lemur 5.0 Sequencer and Canvas Objects


Published on Mar 10, 2014 LiineTV·50 videos

"Sam Barker, one half of Barker & Baumecker, test-drives the newest Lemur features. Lemur 5.0 introduces Canvas and Sequencer objects.

http://liine.net
http://soundcloud.com/barker-baumecker"

iTunes: Lemur - Liine

"What's New in Version 5.0
New Canvas object for creating custom objects
- 2D drawing, animation and mono/multi-touch support
- Based on HTML5 Canvas specifications
- Implemented as standard Lemur scripting
- 50 new scripting functions

New sequencing objects: StepNote, StepSwitch, StepSlider
- Eight internal MIDI clocks, one for each MIDI Target
- Clocks can run as master or sync to an external source
- New type of script execution to trigger events based on musical subdivisions
- New scripting functions for getting/setting clock state and bpm

New bundled templates
Numerous tweaks and improvements"

Roland Jupiter 6 // Arpeggio Basses


Published on Mar 10, 2014 LESINDES·160 videos

"ROLAND JUPITER 6
Part 2 of the bass investigations
which is"

1984 Big Briar Inc. Model 231 Touch Ribbon 4-Page Ad


via Retro Synth Ads where you'll find the full write up including the rest of the scans and some additional pics.

"Big Briar Inc. Model 231 Touch Ribbon "Play Expressive Leads With A Touch Of Your Finger" black and white 1/4-page advertisement from the bottom-right corner of page 24 in the April 1984 issue of Keyboard Magazine."

New Aki MPX16 Sample Recorder & Player


"AKAI PROFESSIONAL INTRODUCES THE MPX16

Leading music production equipment manufacturer debuts playable, practical solution for sample-based performers.
Cumberland, RI, USA—March 11, 2014. Akai Professional (akaipro.com), innovator of audio sampling technology for music production and performance, announces the MPX16, an advanced sample player with onboard sound recording.

The portable MPX16 plays and records .WAV samples using SD cards for powerful, reliable performance in live and studio situations. Like the popular MPX8, samples are triggered internally from the highly responsive MPC-style pads or an external MIDI device via USB-MIDI and 3.5mm (1/4-inch) MIDI inputs. Also a feature-packed MIDI pad controller, the MPX16 is equally capable of launching clips or adding trigger pads to a producer’s studio.

Samples are captured at CD-quality via dual 6.3mm (1/4-inch) inputs or the on-board stereo microphone and saved to an SD card. The user may assign audio clips to the pads and apply tuning, filters, envelopes and “choke” grouping for creative, dynamic performances. An LCD screen and illuminated trigger pads provide visual feedback during use, and the MPX16 may be powered from a USB port or the included power supply. Naturally, users may load existing sound files onto an SD card or use the MPX16 as an SD card reader for drag-and-drop convenience on a Mac or PC. A software tool for even easier sample management is included via download.

Highlights:
• Plays and records stereo samples using easily accessible and reliable SD cards
• 16 velocity sensitive, illuminated pads let the user play back samples in real-time
• Balanced 6.3mm (1/4-inch) inputs let you capture audio from a wide variety of sources
• Built-in stereo microphone lets you capture sounds on-the-fly
• USB-MIDI as well as MIDI Input and MIDI Output jacks for integration into virtually any
MIDI setup for use as a pad controller, sample bank or both
• Onboard sound processing–tune samples, adjust ADSR envelopes and filters
• USB or wall powered (adapter included) for use virtually anywhere
“The versatility and capability of the MPX16 will make it a workhorse for performers of all types,” notes Akai Professional Product Manager Dan Gill. “We knew that an affordable sample player

with Akai Professional’s practical MIDI integration would fit the needs of people wanting a no- nonsense way to access samples without computer dependency.”
The MPX16 will be available in Summer 2014, distributed worldwide with a $199.99 USD street price. Akai Professional will unveil the MPX16 at Musikmesse, Hall 5.1, Booth B45, March 12-15 in Frankfurt, Germany. For more information, visit: akaipro.com/messe2014.

###

About Akai Professional
The world’s most influential manufacturer of music production gear, Akai Professional (akaipro.com) develops creative technologies to empower music makers with tools that are unmatched in expressive capability. Akai Professional is best known for creating the legendary MPC, an instrument that has inspired generations of producers and performers and spawned entirely new genres of music. Akai Professional is a part of the inMusic Brands family (www.inmusicbrands.com)."

New Akai Controllers - APC40 mkII, APC Key 25, APC Mini, MPK261, MPK249 & MPK225


Just capturing the high level specs for these.

"APC40 mkII
Ableton Performance Controller
Provides hands-on control of Ableton Live with visual feedback
Seamlessly integrates 1 to 1 with Ableton Live
5x8 clip-launch matrix with RGB feedback for clip status, color coding, and more
8 channel faders, 1 master fader, and 8 device controls map to Ableton directly
Send button cycles through all 8 send busses for advanced routing options
USB-powered and plug-and-play setup for maximum portability
A/B crossfader can be assigned on the fly for dynamic mixing
Revised knob layout with in-line controls for smarter workflow
Includes Ableton Live Lite, Hybrid 3 by AIR Music Tech, SONiVOX Twist, Prime Loops & Toolroom Records launch packs (downloads)
- See more at: http://www.akaipro..."

APC Key 25
Ableton Performance Controller with Keyboard
The first Ableton Live controller with keyboard for enhanced control
Seamlessly integrates 1 to 1 with Ableton Live
5x8 clip-launch matrix with tri-color lighting displays current clip status
25 synth-action mini keys for conventional composing and performing
8 knobs auto-map to Ableton Live to control volume, sends, and more
USB-powered and plug-and-play setup for maximum portability
Compact design for mobile performers and producers
Includes Ableton Live Lite, Hybrid 3 by AIR Music Tech, SONiVOX Twist, and Toolroom Records artist launch packs (downloads)
- See more at: http://www.akaipro...

APC Mini
Ableton Performance Controller
Ultra-portable all-in-one Ableton Live controller
Seamlessly integrates 1 to 1 with Ableton Live
8x8 clip-launch matrix with tri-color lighting displays current clip status
8 assignable faders + 1 master fader for hands-on control of Ableton Live
USB-powered and plug-in-play setup for maximum portability
Compact design for mobile performers and producers
Includes Ableton Live Lite, Hybrid 3 by AIR Music Tech and Toolroom Records artist launch packs (downloads)
- See more at: http://www.akaipro...

MPK261
Performance USB/MIDI Pad & Keyboard Controller
61 semi-weighted, full-size keys
16 MPC pads with RGB illuminated feedback; 4 pad banks
8 assignable control knobs; 3 knob banks
8 assignable faders; 3 fader banks
Able to send computer keyboard commands for pad assignable shortcuts
Updated control layout with backlit LCD screen
USB-MIDI with 5-pin MIDI input & output
Comprehensive transport & parameter controls for hands-on DAW integration
Pitch bend, modulation and octave controls for dynamic performances
Expression & sustain pedal jack inputs
Comprehensive production software package included: Ableton Live Lite, Hybrid 3 by AIR Music Tech, SONiVOX Twist 2.0, SONiVOX Eighty-Eight Ensemble and Akai Pro MPC Essentials
- See more at: http://www.akaipro...

New Akai Rhythm Wolf Full Size Pic & Details


Added to the main post here.

Bastl Instruments microGranny 2.0 Released




"microGranny 2.0 is monophonic granular sampler. It reads wav samples from microSD card and applies granular algorithms to them. You can also adjust start, end, sample rate (tuned or free run), crush and envelope (attack release). MIDI Input allows external control of all parameters as well as transposition of the samples, or playing individual grains by different keys."

You'll find full details including video (previously posted here) on the Bastl Instruments website here.

New Roland Juno-106 Kiwi-106 Panel Overlays



via synthgraphics.com

"So you installed your new Kiwi-106 kit and now your front panel makes no sense!?!

The Kiwi upgrade is nothing short of amazing but resorting to a PDF manual to make edits while not tethered to your computer Vyzex Editor is less than ideal in live and studio session situations. We have placed all the new parameters cleanly and logically on the overlay to return your newly upgraded Juno-106 to its easy-to-use status."

| Polyol | Chrominance [Live Arrangment]


Published on Mar 1, 2014 Polyol·17 videos

Gear Used:
MPC2000 Classic [Drums/Sequencing]
MPC500 [Vocals]
Alesis Micron [Bass/Synth/String]
Alesis Nanocompressor [Kick Sidechain to Vocals/Ride]
Aelsis MultiMix 16 {Rigged up to use an Amiga500 PSU as the original PSU was lost}

via Adam Gahan on The MATRIXSYNTH Lounge

And one more:

| Polyol | Music Is Medicine [Live Set Excerpt]

Published on Mar 4, 2014

Roland TB-303 - Excellent Condition - Extras - Modded for Studio Performance

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

via the seller: "Up for auction is my TB-303 with lots of extras. I've put a bunch of work into this unit with the intent of making it more useful in the studio environment and to expand some of it's inherent potential. This unit has the Kenton 5-socket CV mod installed so that CV, Gate, Filter, Accent, and Slide can all be accessed via control voltage signals. TB-303's have a weedy bass response due to an undervalued capacitors at C20 & C21. This unit now has .1uF capacitors at those locations rather than .01uF. The result is a fuller low end. The filter and envelope parameters have both been modded to have an extended range. The filter will now sweep the whole way down to silence which is handy for performance. The env will also sweep down until it's completely off. A lot of 303's are notoriously difficult to program because the buttons stick and enter multiple values messing up the intended pattern. All the buttons on this unit have been replaced with brand new ones and it programs flawlessly. All the potentiometers have also been replaced with new ones and the knobs have been slightly raised so are easier to grasp. Also included in this auction are (5) 10 foot 1/8" mini jack cables for hooking the Kenton CV Mod up to a midi to CV converter. I also built a custom DIN sync cable for this unit which allows the 303's sequencer to be triggered by sending the spliced in 1/8 cable a +5V signal. This is very handy for starting and stopping the 303 in your DAW's timeline. The power supply and a copy of the manual in a 3 ring binder are also included. The original carrying case in fair condition is also included. It has a tacky feel to it due to it's age and for this reason I don't keep the 303 in it.

This unit is in overall excellent condition. There is some discoloration of the paint on the front and back sides which can be seen in the photo. There are a few scuff marks on the back and a couple places with some slight marking on the front. All very minor and in no way effect the unit. There are no cracks or chips in the unit. The battery compartment is clean. And most importantly it works perfectly and sounds amazing."

KORG VC-10 VOCODER W/ ORIGINAL MICROPHONE (MC-01) MINT

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

This is the one in the video below.


SECRET OF THE STARS [session]- KING BRITT pres DYNAMIC
Uploaded on Oct 15, 2011 SaturnNeverSleeps·12 videos

"In February of last year, a session was done for a release that is to come out on the legendary Planet E Recordings, owned by Carl Craig.

We pulled out the very rare, Korg VC-10, the original vocoder and this is what you see.

The ep is out 11.1.11 available through all webstores on Planet E."

Analog and Digital: Korg MS-20 Mini with Kaossilator Pro+ and KP3+


Published on Mar 10, 2014 Korg·430 videos

"Experimenting with combinations of gear is always fun. Here, Rich Formidoni from Korg shows how you can use the Kaossilator Pro+ and KP3+ to add powerful looping and effect capabilities to the MS-20 Mini. As it turns out, analog synthesizers can really benefit from a little KAOSS.

"Like" us -- https://www.facebook.com/korgusa
"Follow" us -- https://www.twitter.com/korgusa"

KORG MS20 Minis on eBay | Kaoss on eBay

An Interview with Marc-Henri Arfeux


Don't miss the update in this post. It is a fascinating read and reminds me of why I initially got into synths myself.

Musikmesse 2014 Posts & MATRIXSYNTH CLASSIFIEDS Listings


It looks like it's that time of year again. I added a link the the MUSIKMESSE2014 channel above to the right of Post Guidelines.

Note I also added a new FOR SALE section just below that will include links to the latest listings on MATRIXSYNTH CLASSIFIEDS.

Vermona Kick Lancet / Livewire Chaos Computer


Published on Mar 10, 2014 bigcitymusic·309 videos

"The Vermona Kick Lancet bass drum desktop module is being triggered by the Livewire Chaos Computer and run through the Cwejman MMF-6 LP filter.

Starting at 00:11 we switch to the MMF-6's soft saturated LP filter to add distortion and crunch. Further saturation and distortion is achieved by frequency modulating the MMF-6 cutoff with the D-LFO and switching the MMF-6 to hard saturation.
http://bigcitymusic.com"

New Doepfer A-127 BOM Filter Breakout Module


via PatchPierre.NET via Pierre on The MATRIXSYNTH Lounge

"For early summer 2014 the A-127 breakout module is planned.
This expansion module offers these new functions:
- additional notch filter for each sub-unit
- separate outputs for lowpass, highpass, bandpass and notch for each sub-unit
- separate audio input with attenuator for each sub-unit

The breakout module allows the separate use of each of the three A-127 filters.
In addition the filters can be patched parallel or serial.
Especially the serial connection of three notches generates very complex phasing-like structures.
For parallel filter connection the existing mixer of the main module may be used or an external mixer.
For serial connection the filters are patched in the desired sequence at the breakout module.
A jumper is used to define the filter type for each sub-unit for the mix unit of the main module.

Remark:
The breakout module can be used without modification only in combination with the new version of the A-127 (pcb printing "Version 4").
Only the new version has the expansion connector available, that is required to connect the breakout module.
It's also possible to combine the breakout module with older versions of the A-127 (versions 1, 2 and 3) but in this case soldering is required to connect the breakout module to the main module (soldering 4 wires to each filter unit).

We will publish corresponding modification instructions as soon as the breakout module will be available."

New Doepfer A-101-6 Six Stage VC Opto FET Filter/Phaser


This is a cross post via PatchPierre.Net, via Pierre on The MATRIXSYNTH Lounge

"A-101-6 is a new filter module that uses so-called opto FETs to control the filter frequency.

A-101-6 Six Stage Opto FET VCF
Opto FETs are very similar to Vactrols but use light depending field effect transistors (FETs) instead of light depending resistors (LDRs).
A Opto FET is a combination of a light depending FET and a LED (light emitting diode) both put into a small light-proof case.

The advantage compared to vactrols is the much faster response of opto FETs compared to LDRs.
This allows much faster attack/decay times and even FM effects.
The disadvantage compared to vactrols is that the FET behaves as a normal Ohm resistor only for small levels. With higher levels the FET begins to distort.
Apart from this the notes mentioned on the Doepfer Vactrol Basics page are valid.

Module A-101-6 is made of six serial 6dB filter stages. The stages can be switched simultaneously to lowpass, highpass or one of two allpass types.
The following schematics show one of the six serial stages in the four possible modes:


A-101-6 Principle Schematics
The variable resistor shown in the schematics corresponds to the opto FET.
The type of filter is selected by two toggle switches or 2 control inputs.
The upper switch selects between lowpass and highpass provided that the lower switch is in the LP/HP position.
When the lower switch in the AP (allpass) position the upper switch is used to select between the two allpass types. Instead of the switches even external control voltages can be used (CV LP/HP, CV Allpass sockets).
For this the toggle switch in question has to be in the left position.

The brightness of the Opto FET LEDs and consequently the filter frequency can be adjusted manually (Frequ. control) and controlled by means of an external control voltage (CV) with attenuator.
The LED at the front panel reflects the LED brightness inside the opto FETs.

The resonance is controlled by the Feedback control up to self oscillation. By means of two trimming potentiometers the maximal feedback can be adjusted separately for LP/HP and allpass mode.
High feedback values can be used mainly in the allpass mode to obtain very extreme self oscillation sounds. Even an external feedback signal can be used instead of the internal feedback connection (FB In socket).

The Mix control is used to pan between the original signal (CCW position) and the effect signal (CW position).
In filter mode (LP/HP) this control is usually set fully CW.
In the allpass modes one obtains phasing sounds at center position or "pure" allpass sound in fully CW position."

Release date and price for this module are not yet available.
Source: http://www.doepfer.de/a1016.htm
Read more about Opto-Isolators at http://en.wikipedia.org/wiki/Opto-isolator
and more about Vactrols at http://patchpierre.blogspot.nl/2011/02/vactrol-basics.html

The new Doepfer modules will be shown at #MusikMesse in the booth of their distributor Alex4 in hall 5.1, booth nr. C54"

Deep jam by Frank Found (analog four & mfb 522)


Published on Feb 23, 2014 FrankFound·8 videos

"Deep live studio jam"

monotribe + mfb 522 midi sync

Published on Dec 14, 2013

"Messing around with analog machine

midi sync with ableton live via remote zero sl"

Elektrons on eBay
| MFB on eBay

Radikal Technologies Spectralis 2 Favorites



"Exclusive Spectralis 2 Songs. They are reflecting my music and the sonic range of the Spectralis 2 synthesizer.

This playlist contains 11 tracks, total time: 38.48"

Radikal Technologies will be at the Musikmesse 5.1 C47.

Hawkeye - Analog Mind


Published on Mar 10, 2014 Maelstroem3·40 videos

"An analog session with the Alesis Andromeda in four-voice unison mode, accompanied only by the Yamaha FS1R FM Synth and an Elektron Machinedrum for percussion and samples.

All pattern changes and filter actions are performed live, this would have been impossible without the incredible MIDIbox Sequencer. Many thanks to TK. for his work!

Filmed in Fuerteventura with a quadcopter and a GoPro Hero3.

Hope you enjoyed the flight :) - thanks for watching and listening!
Hawkeye/Maelstroem Records"

via Peter Knoblach on The MATRIXSYNTH Lounge

Creamware ASB Pro 12 Virtual Analogue Synthesiser Rack

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Analogue Solutions Station X Synthesizer (module)

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Pic of the inside.

MFB Tanzbär Drum Computer SN 13263

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Vintage Moog Minimoog Model D Serial # 3364 with Old Oscillator

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"It also has the octave buffer board upgrade which keeps the tuning better when switching between octaves. This is a factory-designed upgrade for early models of the Minimoog that was routinely performed at the factory and authorized service centers."

EMS Synthi VCS3 Poly MIDI-CV Interface for EMS Putney MK1

Note: Auction links are affiliate links for which the site may be compensated.


via this auction

Waldorf Micro Q Phoenix Edition uQ with 2.22 OS SN 079 of 500

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

1970s Paia Gnome vintage analog SYNTHESIZER

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

This is the one in the video recently posted here.

"This is a great vintage analog synthesizer from the late-1970s -- the Paia "Gnome", model 3740. It just came out of the estate of a musician here in San Francisco. I've tested it as best I can, so please see the video for more about the operational condition of the device.

The Gnome was Paia's attempt to build an entry-level synth at a time when the cheapest "real" synthesizer from Moog, Arp or Buchla cost $500 (the Moog Rogue); the Gnome cost just $50. True, it was a kit that you had to build yourself, and it didn't have a keyboard (the most expensive part of a synth at the time), but it produced some very real synth sounds and it taught the principles of voltage control. The Gnome has a ribbon controller, so you can get great glissando sounds -- almost theremin-like, as well as having a white noise generator and a few filters. It also had both square and triangle-wave oscillators -- each of which is adjustable in shape, and an attack/sustain envelope. And amazingly, it's powered by a pair of 9-v batteries! Just plug the Gnome into an amp and play away.

This particular Gnome is a very good example. Cosmetically, it's excellent, with three things worth mentioning: a shallow scratch on the brushed stainless steel face panel, some bubbling to the coating on the base, and a slightly melted area on the handle of the stylus. The panel has no visible wear, no evidence of abuse or repairs, and the knobs are all very good and move smoothly. There is some expected wear to the ribbon controller surface (BTW, replacement ribbons are available!) but this doesn't seem to affect the functionality. The wooden end cheeks are very nice, with no damage. The interior looks very clean..."

Some pics of the inside below.

Vintage CON BRIO ADS100 Brochure


via this auction

"Very rare, circa 1980 original brochure for the legendary CON BRIO synthesizer. This is for the first model, the ADS100, and this is the 4 page brochure plus spec sheet. In fairly good condition for its age. An amazing synthesizer design, legendary for its appeal and space age look. Only one was ever made!"

See the Con Brio channel below for more.

Vintage MOOG Polymoog Brochure

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Vintage 1972 MOOG Sonic Six Brochure


via this auction

"This is a great brochure for the beautiful and cool SONIC SIX synthesizer by Moog. This synth had a great look and cool modulation options. Brochure is a foldout with 4 pages total."

1984 MFB System 2000 German Ad


via synthmuseum.de

New Fyrd Instruments SEQ X4 WALKTHROUGH


Published on Mar 7, 2014

"SEQ X4 is the new interface for the MTRX MIDI controller. It comes as a free alternative interface to the Jam Machine (http://www.youtube.com/watch?v=pWsMaC...). [posted here] It features 4 completely independent 32-step sequencers with:
- pitch, velocity, octave, duration
- shift (small delay of each step)
- bend (pitch wheel sequencing - Slide/Glide effect)
- active step selection, loop length
- speed (1/32th, 1/16th, 1/8th, 1/4th)
- warp (forward/backward/ping-pong/random)

The SEQ X4 interface can be sync'ed via MIDI clock message as a Master or a Slave and use the Fyrd Instruments Lock System (FILS). The sync can comes from a computer or MIDI device (SLAVE/FILS) or from the MTRX itself. It outputs MIDI messages (notes, pitch bend) both on USB and MIDI ports simultaneously (thus can act as a MIDI/USB interface with sync ability).

The SEQ X4 firmware is compatible with both MTRX-8 and the new MTRX-S (the first prototype is used in the video).

The MTRX-S can be pre-ordered now on www.fyrd-instruments.com.
249€ with FREE SHIPPING worldwide (limited time offer till the end of the MTRX-S pre-order)."

Rob Papen brings blue sky thinking to virtual instruments with BLUE-II

"ECHT, THE NETHERLANDS: virtual instrument and plug-in developer Rob Papen Soundware is proud to announce availability of BLUE-II — an all-new reworking of its breakthrough BLUE soft synth for Mac (OS X 10.6 or higher) and PC (Windows Vista, 7, and 8) — as of March 10...

First released in 2005 after namesake company founder and sought-after sound designer Rob Papen formed the RPCX (Rob Papen ConcreteFX) partnership with music software developer Jon Ayers to create a powerful dream synth, the original version of BLUE has truly stood the test of time to remain a bona fide software synthesizer classic, much loved by synth players and producers worldwide to this day. But back in 2005 it already reflected Rob Papen’s cutting-edge, creative, and — most importantly — musical approach towards developing virtual instruments that truly stand out from the soft synth crowd. By first delivering FM and subtractive synthesis — subsequently adding Phase Distortion and waveshaping synthesis — into the creatively combustible musical mix, BLUE blew the competition away, as reflected in its runaway sales success. Rob Papen himself cleverly called it ‘Crossfusion synthesis’ since it covered so much musical ground so effectively. New dreams for old are an inevitable result of time and technology waiting for no one, however, so the time has come for Rob Papen to move onwards and upwards.

Today, therefore, marks the turning point in a long and winding developmental roadmap that has led to Rob Papen’s eagerly- awaited BLUE-II — bigger and better than it ever was! But BLUE-II remains true to the dreamlike ethos of its predecessor, with even more sound dimensions and features to its extended name, starting with six oscillators beating powerfully at its musical heart. These can be connected in various ways, together with two analogue-style modelled stereo filters with no fewer than 27 different filter types, an astounding range of processing and modulation options, serious sequencer, and an amazing arpeggiator. A new range of specially selected waveforms based on samples have been meticulously fashioned for creating new-fashioned and killer-sounding synth sounds to die for!

But BLUE-II is also easy to use, thanks to its user-friendly user interface with an innovative Easy Edit page for speedy sound changes, while the Bank Manager allows whistle-stop navigation through thousands of inspirational Rob Papen presets and artist sound banks covering a wide range of musical styles to suit all eager ears.

All told, then, BLUE-II represents an amazing journey into the dreamlike musical world of ‘Crossfusion synthesis’. By bringing blue sky thinking to virtual instruments, Rob Papen has succeeded in creating an outrageously original and immensely inspirational soft synth fit to follow in its predecessor’s fanciful footsteps — one that, quite simply, sounds stunning! So prepare to be blown away... again!

BLUE-II can be purchased as a boxed version from authorised Rob Papen dealers worldwide for €149.00 EUR (including VAT/tax)/$179.00 USD or downloaded directly from Rob Papen here: http://www.robpapen.com/buy-blue-2.html

Upgrades are also available as follows: BLUE owners can upgrade to BLUE-II for €44.00 EUR/$49.00 USD, while eXplorer II bundle owners can upgrade to the still-to-be-released eXplorer III — which will include BLUE-II and also the upcoming Punch-BD virtual instrument — for €44.00 EUR/$49.00 USD. (eXplorer II owners can also request a ‘temporary’ BLUE-II serial number if planning to upgrade to eXplorer III when released, while anyone who purchased eXplorer II in 2014 will qualify for a free Explorer III upgrade and can also request a ‘temporary’ BLUE-II serial number.)"

Introducing the Nord Lead A1R Rack


Published on Mar 10, 2014 NordKeyboards·33 videos

"Introducing the Nord Lead A1R rack mountable tabletop version of the Nord Lead A1 analog modeling synthesizer!

Be the first to check it out at Booth B90, Hall 5.1 at the Frankfurt Musikmesse March 12-15th 2014!

nordkeyboards.com/a1"

And the press release:

"Clavia DMI AB expands Lead A1 family with Nord Lead A1R desktop/rack-mountable synthesizer.

Clavia DMI AB are proud to announce the Lead A1R, a desktop/rack-mountable version of the new Lead A1 analog modeling synthesizer. Identical in feature set, the Lead A1 and A1R combine our next-generation analog modeling engine, with an innovative streamlined interface for fast-track programming.

ADDED FEATURES SINCE NAMM JANUARY 2014:
LIKE BUTTON
The new ‘Like’ function is a unique feature that is invaluable during the patch creation process. ‘Like’ up to 50 versions of a patch as you design it, scroll between them to choose your favorite to save to actual memory, or go back to an earlier version to edit in a different way.
MUTATOR
The Lead A1 and A1R also include the Mutator function introduced in the Lead 4, which creates a variation of an existing patch by adjusting certain parameters by set rules, and a full Randomize function to create an entirely new patch with all parameters randomized.
UNISON
A newly designed ”Fat-as-Fat-can-be” Unison Mode lets the Lead A1 challenge any vintage analog instrument.

ANALOG MODELING
The Lead A1 and A1r are equipped with an all new analog modeling sound engine. As the original inventors of virtual analog, this is our next-generation analog modeling, capable of reproducing the character and nuances of the vintage synths of your dreams with breathtaking accuracy. 24-voice polyphonic and four part multi-timbral, the Lead A1 and Lead A1r are flexible choices for either stage or studio, delivering a stunningly rich and versatile palette of sounds.
THE NEED FOR SPEED
The Lead A1 and A1R also introduce an innovative new front-panel user interface designed by Clavia to make programming quick and easy, while retaining hands on flexibility.
“We’ve been thinking about and honing this interface for a number of years in response to what we hear from many professional players regarding the ever-increasing time pressures in creating sounds for stage or studio. ” says Hans Nordelius, CEO and head designer at Clavia.
One of the main features of the new interface is the Oscillator section, where Oscillator configuration shortcuts allow patches to be created and edited far quicker than is usually possible for synthesis of this complexity. The new waveform engine generates 47 different waveforms from classic analog to digital harmonic and inharmonic waves.
Using a single LFO and simplified Modulation Envelope with intuitive controls on the front panel, it is also very quick to experiment with modulations, always with a clear overview of the structure of the patch.
FILTERS
The on-board filters include Low Pass, High Pass and Band Pass, along with new stunningly accurate modeled Ladder M and Ladder TB filters introduced in the Lead 4.
EFFECTS
The A1's effects section introduces two new impressive vintage Chorus and Ensemble models. Delay, Reverb, Drive, Phaser and Flanger complete the effects line-up, all with independent settings for each of the four slots.
Nord's acclaimed Morph function via Velocity or the Mod Wheel (Mod Wheel Morph via MIDI cc on A1R) is also included, allowing multiple parameters to be morphed in real time and with exceptionally easy control.
Additional functions include an independent arpeggiator for each of the four slots, Master Clock sync of the LFO, delay and Arpeggiator, MIDI over USB, and four independent outputs. The Lead A1 and A1R are compatible with the Nord Sound Manager software patch librarian.
Like all Nord products, the Lead A1 and A1R are handmade in Sweden with meticulous attention to detail and quality control.
AVAILABILITY
Nord Lead A1: April 2014 priced at 1459€
Nord Lead A1R: June 2014 priced at 1259€
For more information please visit www.nordkeyboards.com/a1.
Visitors to the MusikMesse Frankfurt can see and hear the Lead A1 and A1R at Hall 5.1, Booth B90"

New Akai Rhythm Wolf - Analog Drum Machine and Bass Synth?


Real or not? You be the judge. I'm not seeing anything on the Akai site yet. This one is in via Soviet Space Child.  Synthtopia is reporting on it and the following is via Gearslutz.  $199 price point.

Update: some discussion on The MATRIXSYNTH Lounge

Update2: looks like the Akai site is down. Updates coming or too much traffic?

Update3: The site is back and the info is up here.  Supersize image and press release captured further below.

"Musikmesse 2014: Following in the wake of the Korg Volcas and Roland's Aira range, Akai is the latest brand to get in on the vintage-inspired groovebox action with the announcement of the Rhythm Wolf – an analogue unit combining a five-voice drum machine and single-ocsillator bass synth.

The drum machine section of the Rhythm Wolf comprises kick, snare, metallic percussion, and open and closed hi-hat sounds, all of which are tuneable. The bass synth, meanwhile, can be switched between saw and square waveshapes, and features a filter with resonance control and a basic envelope shaper. Akai describes Rhythm Wolf as having an "authentic analog design that references classic rhythm machines and synthesizers" - no prizes for guessing which instruments the company is alluding to.

The whole unit is built around a 32-step sequencer, and also features six MPC pads for live performance. There's also a 'Howl' distortion circuit for adding a bit of dirt to the sounds. Additionally, the Rhythm Wolf features a USB MIDI connection and has both MIDI and gate in and out ports, so can be triggered via a DAW or external hardware. It packs a swing control on its front panel, and the unit also appears to have a built-in preset bank.

Arguably the most interesting aspect of the Rhythm Wolf, however, is its price. At an estimated street price of $199, the unit comes in at slightly cheaper than the combined price of the Volca Beats and Bass, and cheaper than either the Roland TR-8 or TB-3.

The Rhythm Wolf is due to arrive summer 2014. Visit Akai Professional for more details.

Rhythm Wolf highlights (from the official press release)
5-voice analog drum machine and synth—authentic analog design that references classic rhythm machines and synthesizers
Legendary analog drum sounds—kick, snare, open & closed hi-hat, and metallic percussion
Synth-bass module—selectable square or sawtooth wave with classic filter design for warm, deep basses and squelchy leads.
Onboard 32-step sequencer—classic drum machine workflow for quickly laying down grooves and melodies
Six genuine MPC pads—responsive controls for sequencing and finger drumming
Howl knob—custom distortion circuit for additional sound design
USB-MIDI and MIDI In/Out—flexible MIDI connectivity for easy integration into modern studios
Gate Trigger—triggering via modular synths, vintage sequencers, or external sound sources
Independent audio outputs—dedicated outputs for the drum machine and synth-bass module for precise mixing"

Update: full size pic & press release:

"AKAI PROFESSIONAL UNLEASHES THE RHYTHM WOLF

Leading music production equipment manufacturer debuts an analog drum machine and bass synthesizer inspired by the classics.

Cumberland, RI, USA—March 11, 2014. Akai Professional (akaipro.com), a leading innovator of music equipment for production and performance, announces the Rhythm Wolf, an analog drum machine and bass synthesizer module with built-in sequencing.

The Rhythm Wolf is an authentic analog instrument that combines the coveted sounds of early electronic and hip-hop music with genuine Akai Professional workflow. Inspired by the classic analog beat machines and synthesizers of the past, Rhythm Wolf enables today’s musicians to harness iconic analog sounds for music production and performance. The drum machine consists of five highly-tweakable drum sounds and includes a kick, snare, open & closed hi-hat, and metallic percussion. Onboard controls allow users to customize the tuning, amplitude envelopes, and volume of each drum voice separately for precise real-time adjustment. The bass synthesizer features a selectable oscillator (sawtooth or square wave), classic filter design, a filter envelope with variable decay, and is capable of creating powerful bass sounds and squelchy leads.

Outfitted with six genuine MPC pads and a built-in 32-step sequencer, the Rhythm Wolf provides an ultra-responsive interface with a classic drum machine layout. Drum patterns can be fine-tuned using the Rhythm Wolf features USB-MIDI, MIDI In/Out, a gate trigger, and integrates seamlessly with modern and vintage equipment.

Rhythm Wolf Highlights:
• 5-voice analog drum machine and synth—authentic analog design that references classic rhythm machines and synthesizers
• Legendary analog drum sounds—kick, snare, open & closed hi-hat, and metallic percussion
• Synth-bass module—selectable square or sawtooth wave with classic filter design for warm, deep basses and squelchy leads.
• Onboard 32-step sequencer—classic drum machine workflow for quickly laying down grooves and melodies
Swing function, Pattern Select, and Tempo Control knob. A custom
distortion signal path, activated by the “Howl” knob, adds grit and character for additional tone
shaping.
Two audio outputs enable producers and
performers to mix percussion sounds and bass independently.
• Six genuine MPC pads—responsive controls for sequencing and finger drumming
• Howl knob—custom distortion circuit for additional sound design
• USB-MIDI and MIDI In/Out—flexible MIDI connectivity for easy integration into modern
studios
• Gate Trigger—triggering via modular synths, vintage sequencers, or external sound
• —dedicated outputs for the drum machine and synth-bass

Akai Professional Product Manager Dan Gill notes, “The Rhythm Wolf puts those sought after analog drum machine and synthesizer sounds right into the hands of today’s musicians. We set out to make a compact drum machine and bass synthesizer, inspired by the classics, that can adapt to any studio setup and integrate with modern and vintage music equipment.”
The Rhythm Wolf will be available in Summer 2014, distributed worldwide with a $199.99 USD street price. Akai Professional will unveil the Rhythm Wolf at Musikmesse, Hall 5.1, Booth B45, March 12-15 in Frankfurt, Germany. For more information, visit: akaipro.com/messe2014.

###

About Akai Professional
The world’s most influential manufacturer of music production gear, Akai Professional (akaipro.com) develops creative technologies to empower music makers with tools that are unmatched in expressive capability. Akai Professional is best known for creating the legendary MPC, an instrument that has inspired generations of producers and performers and spawned entirely new genres of music. Akai Professional is a part of the inMusic Brands family (www.inmusicbrands.com)."

Update4:

Musikmesse 2014: Akai Rhythm Wolf Video

Published on Mar 11, 2014 delamartv·373 videos

Unfortunately no audio demo.

New ADDAC System ADDAC402 4 Voice Heuristic Rhythm Generator


"Coming soon, our 4 Voice Heuristic Rhythm Generator and MIDI In Out Expansion.

With 6 rhythm generation "algorithms / principles":
Euclidean (equal distribution)
Golomb Rulers (inequal distribution)
Prababilistic (predictable distribution)
Game Of Life (organic progression)
Footwork'n (inducted error progression)
Pong (voltage controlled Pong game)

Plus a 4 channel Gate Sequencer Mode with 16 presets.

Add ADDAC401B Expansion for full I/O Midi control plus access to a powerfu midi interface, with:
Midi Sync
5 cv to midi channels (notes and/or cc)
4 midi to gate channels
All panel controls (knobs, switches and push buttons) as cc controls.

All fully configurable with a midi learn feature for easier configuration."

http://addacsystem.com/product/addac400-series/addac402

New ADDAC System ADDAC209 VC Time Compensated Glide


"This is our take on a glide/slew circuit, it introduces a time compensation for the glide/slew rate so that any interval have the same glide time.
Normal glides have a fixed speed, they take X time to go up a semitone and X*12 to go up an octave, we thought of adding a compensation circuit to detect and dynamically change the speed according to the distance needed to be made, so that in the end it'll take the same time to reach the final destination no matter if the interval is 1 semitone or 3 octaves. This compensation feature (dry/wet) can controlled by the front panel knob or by CV.

Features:
VC Glide time
VC Compensation (dry/wet)
On/Off true bypass switch

Completely analog circuitry."

http://addacsystem.com/product/addac200-series/addac209

Vivian Kubrick - Full Metal Jacket, 1987


via Charlie Lesoine on The MATRIXSYNTH Lounge

"Some synth spotting. Vivian Kubrick in her bedroom, where she wrote the score for Full Metal Jacket, 1987. I see a DX5, a Fairlight and an Oberheim Xpander maybe?"

Full Metal Jacket OST- Leonard (Abigail Mead/Vivien Kubrick)

Uploaded on Sep 28, 2010

"Upload mp3s @ http://www.mp32tube.com Original soundtrack to Full Metal Jacket, composed by Stanley Kubrick's daughter Vivien (credited as 'Abigail Mead')"

"Magnetic Fields IV" - on Hohner GP-93


Published on Mar 10, 2014 organfairy·413 videos

"When Jean Michel Jarre made his Magnetic Fields album in 1981 he used the automatic organ Elka X-705 to record the fifth movement. But what if he had recorded the fourth movement with an automatic organ instead.
I don't have an Elka X-705 so I used a Hohner GP-93 instead. The pictures are from the inside of the organ. I had it opened up recently to repair a key that didn't want to stay in place. So I used the opportunity to make this video."

Musikmesse 2014: Roland TB-3 (AIRA TB3)


Published on Mar 10, 2014 delamartv·372 videos

"Mit dem Roland TB-3 stellt der japanische Hersteller einen echten Hammer zur Musikmesse vor.

Mehr auf: http://www.delamar.de/news/musikmesse/

Es ist der Nachfolger zur Roland TB-303, ein Synthesizer auf digitaler Basis, der sich vor dem analogen Vorgänger nicht zu verstecken braucht. Und wer denkt, für den Roland TB-3 tief in die Tasche greifen zu müssen, der täuscht sich: Der Straßenpreis beträgt gerade einmal 299,- Euro - damit löst der Roland TB-3 einen echten Kaufreiz aus...roooaaarrr..."

Googlish:
"With the Roland TB-3, the Japanese manufacturer before a real stunner at Musikmesse.

More on: http://www.delamar.de/news/musikmesse/

It is the successor to the Roland TB-303, a synthesizer on a digital basis, which does not need to hide from the analog predecessors. And anyone who thinks having to reach for the Roland TB-3 deep in the pocket, is mistaken: The street price of just 299, - euro - thus solving the Roland TB-3 is a real incentive to buy from ... roooaaarrr ... "

Spektrumsynth 2 Tutorial Series, #5: Interaktor Modules


Published on Mar 10, 2014 Don Garbutt·23 videos

"This video explains the 'Interaktor' modules which provide step-sequencer/arpeggiator functionality, designed by Chris List. Part 1 demonstrates the basic functions, with assignments to the Wavetable and Solo Oscillator sections, with some musical examples. Part 2 will show some more exotic usages, where Interaktors will be assigned to features other than simple note events. Complexities of gate/voice assignments including keyboard split and use of the Aux. Envelope will be explained."

All parts here.

Macbeth Micromac-D Paraphonic Demo


Published on Mar 10, 2014 maisonvague·12 videos

"A brief demonstration of the three voice paraphonic capabilities of the Macbeth Micromac-D semi-modular analog synthesizer. Additional equipment used: Doepfer System A-100, Moog MF-105M, Eventide Eclipse, Kenton Pro 2000 II, UA 4-710d, Digidesign 002R and Pro Tools 8"

analog4 - MD et Acidlab bassline3


Published on Mar 10, 2014 Emmanuel Celestin·14 videos

Elektrons on eBay

VFM (test)


Published on Mar 10, 2014 Alessandro Petrolati·24 videos

iTunes: iVCS3 - apeSoft

"iVCS3 new VCO for Frequency Modulation (test)

Thank you all for the love and for the great reception of iVCS3. We are working to improve application, in response to numerous requests. The next update will be released as soon as possible.
Thanks again!
Stay tuned.
www.densitygs.com"
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