MATRIXSYNTH: Saturday, November 22, 2014


Saturday, November 22, 2014

ROLAND SH1 synthesizer + TR 808


Published on Nov 22, 2014 Cosmovitali

"Sequenced by Roland CSQ600 cv/gate control
Analog Effects Ibanez UE405
Demo by Cosmovitali :
http://soundcloud.com/cosmovitali"

Roland Airas on eBay

Korg MiniPops Drum & a Buchla 208


Published on Nov 22, 2014 DJjondent

"I love my old drums as much as my new ones.
The tones coming from this wonderful machine sounds so warm.

The Mini Pops doesn't have a trigger out so a Buchla envelope follower was used. A Buchla 230 module.
You can see more pics of this setup here:
http://djjondent.blogspot.com.au/2014...

Plus some info on the Korg MiniPops (Junior):
http://djjondent.blogspot.com.au/2014...

and Korg Drums in general:
http://djjondent.blogspot.com.au/2014..."

Future Retro Revolution

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Roland TR-606 Music Drum Machine

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via this auction

SNAZZY FX:Tracer City Env Follower...with piezo pickup


Published on Nov 22, 2014 snazelle

"All sounds are created by the "pulse" of the piezo pickup ( monoprice guitar pickup -$4.00) hitting the Snazzy FX Tracer City's adjustable envelope follower...which causes the resonant filter to move..making "synthy" or percussive sounds( with a lot of nice low end bass) The env follower is adjustable for up or down cutoff as well as lag and later in the video the other tracer cv sources are brought in as well...this all is going through a delay pedal. The tracer city is long out of production ( soon passing it's torch to the Tidal Wave ) but it's still a fun box. with little more than a can or stick to bang out, it can single handedly provide lots of sound exploration."

bubblesound dualSeM20


Published on Nov 22, 2014 bubblesoundmodular's channel

"VCOb Saw and Pulse going into the dual SeM20. CV from the dlADSR and the 4ms PEG.
sorry for the audio/video quality. a new camera is at the top of my to do list. and it's kind of awkward to demo modules without faceplates."

WALDORF MICROWAVE 1 Rev A cem3389 + Waldorf MB-15 Midi Bay + Syntecno T303

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

The seller also has the following sound sets listed:

ROB PAPEN TECHNO CARD
Dave Gould Techno
PPG FACTORY SOUNDSET
WOLFRAM FRANKE
MIKE ROSEN
GEOFFREY RYLE

Pics with preset list and notes captured below.

AtomoSynth Mochica XL with Custom Colored Knobs


atomosynth.com

AtomoSynth on eBay

Krachdingens 2 - It starts to noise


Published on Nov 22, 2014 elohess2

"This is a good end of a strange week.

The first patch played with my new born and growing modular synth system. Only a few modules are now read. A mixture from buyed and selfmade stuff.

The rack does not stand in my studio, it stands now in my workshop cause I'm working on more modules. Recording was done with an old digicam with the build in micro.

This video is more a sort of work in progress documentation. Nothing more.

The sequencer I used is an Arturia Beatstep.Both VCO' are feeded by CV from the beatstep. Only one of the VCOs is routed over a VCF/VCA the other VCO signal is plain feeded into the Klangbau valve VCA.

This VCA creates a very nice, old fashioned valve sound. Worth the money. I like it.

Krachdingens means: unspecified something which makes noise - noise in the negative meaning of 'Mother says: Don't make such a noise.'"

Analoge Kunst - Aschersleben 2014 (Synth exhibition)


Published on Nov 22, 2014 Known As KneToNatoR

"Equipment List : PPG 300 Modular, Wave 2.2, Emulator II+, SCI Pro-One, Yamaha CS-15, E1010, Ibanez DM1100, Quantec YardStick 2493.

http://www.analoge-kunst.de/
http://marienbergdevices.de/
http://de.yamaha.com/de/news_events/m...

Thanks to all, and i hope we see us again. ;)"

Correlatron


Published on Nov 22, 2014 jdanielcramer

"Correlatron patch for Eurorack modular synthesizer in which an Doepfer A-178 Theremin controller is used to control the entire mix, modulations, and graphics of the entire piece."

SEQUENTIAL CIRCUITS Prophet 2002 Digital Sampler Synthesizer SN 0079

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via this auction

Korg MS-10

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via this auction

"WAR on EVIL" Experimental DARKish TECKNO ?? KORG ELECTRIBES ?


Published on Nov 22, 2014 j j

Electribes on eBay

OLEGTRON 4060 introduction & basic patches (w/ MicroBrute) #TTNM


Published on Nov 22, 2014 The Tuesday Night Machines

"Skip to 4:12 for the internal patch examples
Skip to 8:53 for patch examples with the Arturia MicroBrute

The Olegtron 4060 is an analog oscillator or signal generator. In this video I demonstrate how to patch it, to produce audio and control voltage signals, which can be used for electronic music. Towards the end of the video I patch it into my Arturia MicroBrute analog synthesizer, but you can of course also use it with modular synthesizers or other analog gear.

Check out Olegtron's website:
http://olegtron.com/

... Olli Suorlahti's / Olegtron's YouTube channel:
https://www.youtube.com/user/olegtron

... and also this little jam session with the Olegtron 4060:
https://www.youtube.com/watch?v=y0DdT...

Questions or comments? Go ahead and post them below! :) Thanks for watching! Check out my channel for Synthesizer Music and more:
http://nightmachines.tv/youtube


Audio gear used:
- Olegtron Mechatronics "Olegtron 4060" Oscillator/Divider
- Arturia MicroBrute (analog synthesizer)
- Zoom R16 (recording)

Filmed with a Canon EOS 550D (Rebel t2i) and GoPro HD Hero."

Mexico City Velocity with TrapKat & STROH J3RK Synth box


Published on Nov 22, 2014 Ritchie DeCarlo

"Just having fun...."

RC CIRCUIT BENT 'CONSOLE OF DESTINY' EXPERIMENTAL ATMOSPHERES SOUND GENERATOR SYNTHESISER


Published on Nov 22, 2014 djwidow420

Resonance Circuits on eBay

Beat707 XXL Now Available


via Kalfelz William of Beat707 (click through for additional details and videos):

"This initial version is BIG, hence the XXL name. LE is for Limited Edition, since it does not feature the LCD and SD Card that the next version does. Still, the feature list is great!

Beat707 XXL LE has only MIDI output, no LCD and no SD Card. Uses the ATmega328 EEPROM to store data. This unit can handle 8 drum tracks, 2 accent tracks and 6 patterns. Each pattern is actually a combi of 4 x 16 steps plus extra double steps. So in total we have 128 steps per pattern. We have setup a very easy way to edit all those steps. We have steps A, B, C, D for each set of 16 steps. Also, you can set a set to "double-step" and it will blink instead of light-up. All options are set into the program itself which can be altered and uploaded using the Arduino IDE.

- Uses only Two ATmega328 Chips and basic components.
- Work with a 500mA 5V power supply.
- Can use 4 pin mic left and right connectors, instead of 6 pin mic connectors.
- Settings such as track drum notes and midi channels are set in code, while BPM and Steps# can be changed in the interface itself and is saved along the other data into the internal EEPROM.
- Multiple units can be side-chained.

We are selling it as a DIY Kit, with options with and without the components. The kit is easy to build since we did not use anything hard to solder. Check the other videos for more details about the Beat707 XXL PCB."

The Room of Sound


The Room of Sound from musi_arch santacecilia_sapienza on Vimeo.

"From March 5 to 20, 1977, in the Rome National Gallery of Modern Art was held from the 14th Festival of Nuova Consonanza, an association of musicians and composers congregated around Franco Evangelisti, responsible for the practical organisation of the Festival was Vittorio Consoli, engineer, music lover and enthusiastic investigator of the relations between space and sound. For 15 days in the main concourse of the National Gallery, experimental studies were made on the interaction between space and music and between musicians and computer, using compositions by, among others, Mauro Bortolotti, Domenico Guàccero, Aldo Clementi, Franco Evangelisti, Luigi Nono, Alessandro Sbordoni, Edgard Varèse, Leo Küpper and Giorgio Nottoli. The concourse of the Gallery is an exceptionally reflective space, totally non-musical. A huge acoustic dome made up of 100 loudspeakers, fed by the same number of audio channels, was created by Vittorio Consoli, with invaluable assistance from Leo Küpper, and wrapped up in a cloud of coloured aerostatic balloons, which were not fully inflated, and which gave the hall the acoustic properties required and also lent to the event an extraordinary sense of festivity surrounding the musical experimentation; this spirit can perhaps still be seen in the old black and white photos of the event and is still visible in the image we have of the main protagonists – Franco Evangelisti, Leo Küpper and Vittorio Consoli. Given the date, this was no virtual experiment in spatialisation, but a real-time musical event: the sounds, generated by an impressive analog computer, could be transmitted towards each of the loudspeakers and switched from one to another by a hand-made mixer. The most famous precedent for all this was, of course, the Philips Pavilion at the 1958 Brussels Expo, the masterpiece of Le Corbusier and Xenakis, animated by the Poème Electronique of Edgard Varèse. However, the most striking precedent was without a doubt the musical sphere constructed for the 1970 Osaka Expo by Karlheinz Stockhausen. Here the composer established the iconic quality of contemporary absolute music, an icon which subsequently symbolically adorned his grave monument. The project we are presenting here, the Stanza del Suono (Room of Sound) can be seen therefore to follow the path of a great contemporary music tradition; today we can avail ourselves of the innovations of computer technology, which allow us to organise the emissions of sound in space in a genuinely contrapuntal fashion, as Vittorio Consoli would say. The spatial evolution of the sounds thus becomes part of the decisions that the composer arranges within his creative system, to quote Schumann. The musical scores are able to not only specify precisely the limitless paths through space traced by the sounds, but also to envisage the ‘unknowns’ involved in the immediate, real-time interaction between sound and space, and between the musicians and the computer program. In this way, this new project of ours is not merely a place for listening to music, but also a place for creating and processing music in a continuous interplay between, space, music, sound, musicians and audience. The project aims at producing a new, long-term, functional acoustic and spatial device that can be employed by all
those engaged in electro-acoustic music research. It was built upon a body of work consistently carried out at the Conservatory of Santa Cecilia in Rome, in its Department of Electronic Music, up till now directed by Giorgio Nottoli, and is the result of a close collaboration with two Departments of Rome Sapienza University: the Department of Architecture and Design, under Piero Ostilio Rossi, and the Department of Architectural History, Design and Restoration, directed by Paolo Fiore. The idea of setting up a permanent cooperative research area between musicians and architects, on the theme of ‘Music and Architecture’, and of including it in the agenda of Emufest, the International Festival of Electro-acoustic Music, originated in 2011 in the insights and enthusiasms of composer Fabio Cifariello Ciardi and architect Luca Ribichini...[...]"

via Francesco Synth Meeting Mulassano on The MATRIXSYNTH Lounge

ANimALOGICA CLINIC | LepLoop 4/4


Part 4 added to this post.

New Behringer Synth Rumors

The image to the left is Uli Behringer's first synthesizer, the UB-1, previously posted here and here.

It looks like the new Behringer synth rumors are back, and this time it appears it could actually happen.

The following is from a German interview with Uli Behringer on Amazona.de (translation from sonicstate).

"Several interesting facts came out:

1. Behringer have been working on reproducing a number of classic analog circuits

Uli- We have not been idle in recent years and have invested a lot of time in the analysis legendary synthesizers from Roland, Korg, Moog, Sequential Circuits, ARP and PPG etc.The Curtis and SSM then used semiconductors are today virtually no longer available and we have therefore used a lot of time, to replicate these with modern and high quality VCA and OTAs. And now us is that finally succeeded. These circuits will now form the basis for our synthesizer.

2. It's a polysynth

My personal passion is to bring the original and analog synthesizer back to life, but to provide them with modern digital control. To anticipate, we will also focus on first polyphonic sound generation, as the market requires this.
Our goal is, as usual, to reward customers with extremely good quality and very good prices for your loyalty to our company. I am of the clear opinion that today's analog synthesizers are simply too expensive and that we are trying to change.

3. It's going to be developed in the UK

For a project of this magnitude, we are integrating our best developers. We will make it in England, in Manchester, directly at MIDAS. A member of the team John Price is the among the best analog designers in the world and can have over 40 years experience.

4. Okay, awesome - when can we buy it?

Uli goes on to say that this is a pretty massive project and as such will not be rushed,
Even though we are all now very euphoric, I would like to slow down expectations a bit and ask all readers to be patient. We have spent quite some time in the research and development of semiconductors, will take at least another year until we have completed the first prototype, we are operating basic research and also invite well-known scientists and musicians to collaborate on this project , We also do not plan A synthesizer, but gradually a whole family of different types."

soundplex


Published on Nov 22, 2014 Todd Barton

"exploring a new Buchla Music Easel patch"

PanzerLyu - Sabbath at the Disco (MicroKORG - Microbrute - Miniak - Volcas - Kaossilator2 - Rc-505)


Published on Nov 22, 2014 PanzerLyu

"Are you ready to pump up the volume? Are you ready to bomb the subwoofers? Are you ready for the Sabbath? Let's go to disco!

Some sequences played live in the dark (sorry for the mistake...I couldn't see F###ING anything eheheh) , some prerecorded in the various sequencers. no DAW.

Gears:
Arturia Microbrute
Korg MicroKORG
Akai Miniak
Korg Volca Bass
Korg Volca Keys
Korg Kaossilator2
Boss RC-505

Mixers:
Behringer Xenyx X1622USB
Behringer Xenyx Q602USB
Behringer MicroMIX MX400"

Synthomania - Odd Times (CUT)


Published on Nov 22, 2014 Synthomania

"A track from a 140bpm clubconcept that I do.

Enjoy!"

Roland TR-909 & Soviet synths Polivoks & OPUS.

Video 59


Published on Nov 22, 2014 paul tas

Error Instruments Newton's Cradle & Music Thing Mikrophonie.

Vintage Yamaha CS-60 Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

ROLAND SYSTEM 100M Vintage Analog Modular Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This 100m system has three 110 modules, full voices! Paired with the proper controller, you can do 3-voice polyphony with this thing. The Model 131 output mixer is also a nice touch, and pretty rare. This machine sounds incredible and would be the perfect vintage voice core to expand upon with some Eurorack functionality. The Roland manual, titled 'The Synthesizer' is included, as are the module power cables, pictured."

SNs:

121 190892
140 122779
110 071384
110 242041
110 272071

OBERHEIM OBX Vintage 4 Voice Analog Polyphonic Synthesizer SN 781403

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via this auction

Oberheim OB-12

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via this auction

Korg Polysix Analog Synthesizer SN 456042

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This Synthesizer is in great working condition and has recently received a lot of attention. It has been meticulously cleaned inside and out. All the pots and switches have been cleaned with Deoxit for trouble free operation. ALL the tactile switches have been replaced. You will have no problem with pressing hard or double pushing to make the synth. respond. The keyboard has been disassembled and all PCB contacts and carbon pads cleaned. No key issues to worry about.

On the processor PCB the battery has been replaced with a lithium cell so no more chance of damage from the original Nicad battery. Some random memory problems have been fixed that were tracked to aged 4000 series Cmos devices, a typical failure point with this vintage synth. All is well now with no memory issues.

The six LEDs on the voice PCB have been replaced. These are not normally visible but make it much easier to see than the original dim ones when you are debugging or Mod’ing. PC-1 was also replaced as this is a typical failure point. The long and tedious adjustment procedure has been performed so it will play and sound as good as the day it was born."

severence // benjolin dpo


Published on Nov 22, 2014 severence

"// experimenting with the epoch modular eurorack version of rob hordijk's benjolin and the make noise dual prismatic oscillator.

patch notes:

// benjolin high and band pass outs into schippmann vcf-02 filter

// dpo saw tooth and sine wave outs into make noise mmg

// steady state fate ultra random clock out striking dpo, cycling maths and brain seed, triggering quantimator, gating modcan quad lfo and wmd sequential switch matrix. Self patched clock fm from sample out a.

// mmg freq 1 modulated by ssf ultra random sample out b

// dpo osc 1 expo fm from wmd ssm expand 1-3 out

// dpo osc 2 expo fm from wmd ssm expand 1-4 out

// modcan quad lfo 4 to quantimator in

// ssf quantum rainbow 2 patched into intellijel planar, cv from modcan quad lfo 4 and maths eoc

// brain seed seed out modulating vca with ssf quantum rainbow 2

// schippmann filter modulated by quantimator out 3 and modcan quad lfo 4

// desk effects: space, el capistan & moogerfoogers"

Moog Shoe Shine Machine


via RetroSound

KAWAI 100F w Midi (1977) // very handy synth with Moog sound!


Published on Nov 22, 2014 LESINDES

"a very hand synth with the sound of synth legend MINIMOOG.
played and triggered via Midi by the Arturia BeatStep
listen to the very destinct attacks!!!!!
the KAWAI 100F features also filter FM and en external FM input"

Modcan Aleatoric #2


Published on Nov 22, 2014 drivemyrocket
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