Break Box : Nü-Metal in a Pedal from Rainger FX

video upload by Perfect Circuit

"Let's BREAK down @raingerfx's latest effect pedal the Break Box!
Wes is calling this 'nu-metal in a pedal' so what's all the fuss about? The Break Box is an inventive distortion and chorus with a DJ-style scratch effect!

It has to be heard to be believed!

Grab a Break Box: https://bit.ly/3Wxh4O5
Read more on our blog: https://bit.ly/3WPOwQ3"

Rainger FX - Echo X (Synth Demo)

video upload by Sound Isles

"Let's heal your wounds with the new and improved Echo X from Rainger FX."

Rainger FX - Snare Trap Drum Machine with Pedals and Synths

video upload by Sound Isles

"From the creator of wild musical devices Rainger FX, comes a wild and interactive drum machine that you play through, with, and for. Play beats manually, customize rhythm and sounds, sync it to other devices, trigger individual drums with controllers and modular synth gates. The Snare Trap inspires new rhythmic ideas and brings the jams. Here I explore its sounds and connectivity while destroying it with fuzz pedals, and distant modulated reverbs.

Thank you Rainger FX.

Other pedals featured:
Hypersleep - Electronic Audio Experiments
T-60 Analog Modulator - Demedash Effects
Patchulator 9000 - Boredbrain
~900 Fuzz - Fairfield
Maybe - Mask Audio Electronics
Rooms - Death by Audio"

"The Rainger FX Snare Trap is a powerful groove machine in a small form factor, perfect for quickly building rhythmic backing tracks in your pedal board or your desktop setup. Combining analog and digital synthesis techniques, the Snare Trap features a bass drum, snare drum, and hi-hat, with various timbral controls over each. The big rubber pad is multifunctional, and can be used for either tap tempo or triggering snare drum fills and bursts of noise. Dedicated effects including delay and a filter are easily accessible via the front panel, allowing you to adjust timbres in real time, while intuitive edit controls facilitate quick adjustments to your groove patterns on the fly.

If you want to connect the Snare Trap to other drum machines or clock sources, it offers analog trigger inputs for each of the three drum instruments. This little groove box can also send its own clock signal via the Sync Out port, bringing any other instruments that receive analog clock signals into step with the Snare Trap.

The Snare Trap completes the conversation with the rest of your setup by featuring an input port which allows you to bring in your own line level sources from guitars, synths, or other pedals in your chain, with adjustable Hi/Lo gain settings to accomodate your source. A dedicated mix knob controls the blend between the input signal and the groove, allowing you to dial in the perfect balance for your one-person band!

SNARE TRAP FEATURES

Drum machine in a guitar pedal format
Bass drum, snare, and hi-hat sounds available
Tap tempo button can also trigger snare fills
Delay effect for snare drum
Global lowpass filter
Trigger inputs for each drum
Analog clock output
Dry/wet mix for blending input signals with the drum track
Volume control"

CLICK FOR MORE »

Rainger FX - Deep Space Pulsar

Published on Apr 18, 2017 Knobs

"For the first time, you can bring your ducks.

0:34 - Overview
1:39 - Tap tempo / Controls
2:50 - Microphone
3:15 - Inverted
4:10 - Dumb
4:45 - Outro"

via Rainger FX:

"This is a sidechainer pedal, an effect that ducks your instrument’s signal each time it gets a trigger – capable of putting deep spaces into your sound!

NOTE: Audioclip includes some playing with other effects (fuzz, echo…).

It’s an effect that’s heard on many recordings, often subtly – like when a rock rhythm guitar is sidechained with the kick drum, so every time the kick drum hits, the guitar volume dips slightly for that instant – giving a really powerful overall effect… The guitar sounds pumping, or spring-loaded!
Or it’s sometimes used strongly, to make the signal completely disappear with each kick drum, as in big 4-on-the-floor club tunes. All we’re talking about is change in volume – the Deep Space Pulsar doesn’t affect your tone in any way, and sounds great with bass guitar!

Whatever way you use it, this sidechaining effect has NEVER been so easily available – and controllable – as with the Deep Space Pulsar! (Up to now, it’s always been an effect that’s added in post-production – hardly ever live).

It comes with a microphone; put that inside your drummer’s kick drum, plug it into the top end panel of the pedal and you’re ready to go! The pedal sits there waiting for the drummer to play….

The ‘Dip’ knob adjusts the amount of dip to the signal, ‘Rel’ controls the speed of the release; how quickly the sound rises back up, and ‘Vol’ is the volume – the pedal can go quite loud, more than compensating for any loss in overall level due to all the ducking. The LED display gives a visual indication of the amount and length of ducking.

TAP TEMPO

However when instead you plug in the Igor pressure pad controller, the Deep Space Pulsar has tap tempo – a fully correctable facility – enabling it to work if you’re playing along to a DJ or drum machine. Two presses of the Igor programs a tempo (the ‘record’ LED coming on to show that the tempo is being recorded and it’s waiting for the second press), and at any point that tempo can be adjusted to bring it back into sync with the music, enabling the pulsing to stay in time for long periods.

Pressing on Igor for 1 second erases the tempo, for you to start again at a different tempo.

Or alternatively trigger it from a CV pulse!

PUSH-BUTTON SWITCHES

There’s a ‘Pad’ button to alter the sensitivity of the microphone, and also an ‘Inv’ button to invert the whole effect; no sound is heard until the kick drum (or tap tempo) hits, when a pulse of signal is let through – introducing whole new kinds of sounds!

This is a revolutionary effect, designed specifically for those that play with other people – whether in bands, clubs or studios."