"Unleash your creativity and explore the world of sound with Randomwaves. Our new handheld instruments, Drumboy and Synthgirl, put the power of music-making in the palm of your hand.
Drumboy packs a powerful punch in a compact design. Featuring an ARM processor and intuitive controls, you can create dynamic beats and percussion patterns with ease.
10 Instrument Layers
Mix and match to build unique rhythmic textures
Parametric EQ
Sculp your sound with precision for perfect beats
2 Effect Channels
Add depth, texture, and character to your grooves
Reverb Engine
Create immersive and atmospheric soundscapes
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Synthgirl is a powerful wavetable synthesizer that empowers you to craft a vast sonic palette. With 2 versatile oscillators, you can explore a world of evolving sounds and textures with just your fingertips.
"Experience hands-on, fun music-making with this DIY, easy-to-assemble synthesizer and effects generator. The compact and incredibly powerful NTS-1 mkII now offers an array of new features: refreshed interface, more customization options, new keyboard, built-in sequencer, fresh sounds, expanded MIDI capabilities all in the palm of your hand. (Tool included, no soldering needed)."
"NO FX - all sounds are produced by Waldorf Microwave synth and captured straight into PC.
Digital oscillator and analog filter, just 8 voices, no onboard effects - but it can sound like an orchestra.
I always wanted to make a long, self-evolving patch - and this demo is supposed to show the incredible power of mighty Microwave.
Okay, if a big (by modern standards) 2 rack units box is a Micro, what about Macro?
It all started in 1978 with Wavecomputer 360 by PPG (Palm Products GmbH) - the first instrument to offer 30 different wavetables (64 waves each) opposing to the usual minimum of the day (sine, saw, pulse). With added analog filters, it later became known as PPG Wave.
In the late 1980s #wavetable was still a groundbreaking concept - when single-cycle waveforms of differing harmonic spectra were stored in adjacent memory slots. Dynamic spectral shifts were achieved by scanning through the waveforms, with interpolation used to avoid noticeable 'jumps' between the adjacent waveforms (extensively used in this demo).
With the end of the #PPG company, some of its employees moved to the newly-created #Waldorf to make their first rockstar - the Microwave which is essentially PPG Wave 2.3 with original wavetables and analog filters.
Korg keyboard is used just as a MIDI controller, with a sustain pedal.
Programming the machine is in fact easier than it seems at first glance - but more #MIDI knobs and faders would be helpful anyway."
"Phantom Hand. Touch based noise instrument an experimental sound machine. 12 oscillators per finger. 24 in palm. 1 knob to control the pitch. Oscillators go from tone to rhythm. Palm oscillators are controlled all by touch alone. It has an Echo/delay/reverb /low pass filter effect built in control by 2 Knobs at the top. Great for horror and sci-fi sounds. Drone away in to other dimensions."
"AIRA Compact puts Roland’s legendary creative magic in the palm of your hand. Easily play and perform with these highly jammable instruments—anywhere, anytime. Chain them together to catalyze your creativity or connect with MIDI gear, computers, and music apps to expand your setup. Just power on and go with the flow.
About the T-8 Beat Machine
The T-8 Beat Machine is a mini rhythm factory with six tracks of pristine TR drums plus a TB-303 bass track. Embodying decades of modern musical sound, the T-8 gives you the power to create infectious tracks in seconds flat. Craft on-the-fly acid jams or trap bangers with the intuitive 16-step sequencer, shape sounds with onboard controls, and flip and dice beats with simple, yet powerful tools.
About the J-6 Chord Synthesizer
The J-6 is a portable synth toolbox with all the building blocks you'll need to bring harmonic substance to your jams. Pairing a powerfully unique chord sequencer with lavish JUNO-60 synth tones, J-6 packs a versatile feature set into a highly jammable format. Generate soul-stirring song ideas with the turn of a knob and explore 100 chord sets over a variety of genres. Experiment with styles and variations to coax dancing lines and rhythmic patterns from your chords. Add lush chorus, reverb, or delay to frost your sound.
About the E-4 Voice Tweaker
Harmonize, auto-pitch, vocode, loop, and glitch your voice all from the portable E-4 Voice Tweaker. Want hands-on control? Connect a mic or input a feed and easily explore effects using the sliders, function buttons, and scatter knob. From looping live jams to livestreaming or tightening up and expanding performances, the E-4 will transform your voice into your new favorite instrument.
"Roland's birthday party it's not over! A few days ago they sent me these little magic boxes to try them out and in less than an hour of tweaking, I came out with this song!!! The song title "A Big Tiny World" is because they are BIG sounding TINY boxes indeed! :D They are:
Their sound quality is astonishing! It's amazing to have the power of ACB technology in such a small form factor... Everything you hear in this video was played and recorded in real time, no post processing or FX was added. I had so much fun, I hope you like it!"
"Join our pal Dustin for the debut of the AIRA COMPACT line of synthesizers !
These three desktop style devices combine some of Roland's most recognizable and powerful sound palettes into a portable, affordable, and outrageously fun package!
Check out our in-depth Signal article for more details - https://bit.ly/3L08Msr
0:00 - Intro jam
1:07 - Overview of Aira Compact Line
2:54 - T-8 Drum Machine & Bass Synthesizer
5:50 - J-6 Four Voice Polyphonic Synthesizer
9:50 - E-4 Vocal Processor, Looper, & Effects
11:57 - Robot Acid BOPS !"
AIRA Compact- First Look at the new Range
video upload by
Roland T-8 J-6 E-4 Compacts Review: Here's what makes them special // Full Tutorial
Fun, Pocket-Size Instruments with Innovative Creative Features, Authentic Roland Sounds, and Class-Leading Connectivity
Los Angeles, CA, May 10, 2022 — Roland announces AIRA Compact, an all-new series of ultra-portable instruments with free-flowing features for creative exploration and authentic Roland sounds. Fun, affordable, and easy to learn, the T-8 Beat Machine, J-6 Chord Synthesizer, and E-4 Voice Tweaker bring serious musical power to everyone from hobbyists and gadget collectors to tech-savvy pros.
AIRA Compact instruments let anyone jam, perform, and develop ideas on the go with friendly controls, inspiring sounds, and loads of intuitive music tools. Users can realize complete compositions with a single unit or expand their possibilities by connecting and synchronizing with other AIRA Compact models. From one master unit, multiple AIRA Compacts can be mixed and monitored with headphones or an external speaker system. It’s also possible to interface with computer DAWS, mobile music apps, and hardware instruments via USB-C or MIDI.
Driven by Analog Circuit Behavior (ACB) and other advanced technologies found in top-line Roland instruments, AIRA Compact delivers the real-deal sounds behind decades of hit music. Users can create with the genuine voices of Roland icons, including TR rhythms, TB basses, JUNO synths, VT effects, and more.
Driven by Analog Circuit Behavior (ACB) and other advanced technologies found in top-line Roland instruments, AIRA Compact delivers the real-deal sounds behind decades of hit music. Users can create with the genuine voices of Roland icons, including TR rhythms, TB basses, JUNO synths, VT effects, and more.
AIRA Compact strikes the perfect balance between portability and power. Each model is small enough to slip into a pocket and features an inviting panel to jump-start the creative flow for immediate results. Onboard lithium-ion batteries provide hours of continuous use per charge, while Roland’s famous build quality will support musical adventures for years to come.
T-8 Beat Machine
The T-8 Beat Machine combines iconic Roland drum and bass sounds in a go-everywhere rhythm factory. Beatmakers can build tracks with legendary sounds from the TR-808, TR-909, and TR-606 drum machines, paired with the shapeshifting low end of the dynamic TB-303 Bass Line. The six-track drum sequencer features the famous TR-REC workflow, enhanced with deep tools like step loop, pattern shift, probability, and others to generate dynamic performances with constantly evolving grooves. The T-8 also provides an authentic TB-303 bass experience, including the tactile power to squeeze, squelch, and mangle sounds in the moment.
J-6 Chord Synthesizer
The J-6 Chord Synthesizer is an endless well of musical inspiration, pairing a powerful chord sequencer with the lavish tones of the renowned JUNO-60 synth. Creators don’t need to know chords or theory to make music—they can simply call up one of 100 chords sets and build compelling chord progressions with one-touch presses on the built-in keyboard. Styles and variations are also available to coax dancing lines and rhythmic patterns from chords. Users can quickly string progressions together via step input, tweak the sound with dedicated filter and envelope controls, and add polish with customizable delay and reverb effects.
E-4 Voice Tweaker The E-4 Voice Tweaker combines advanced voice transformer tools and standard vocal effects with a hands-on interface that’s meant to be played. Performers can go from traditional vocal enhancements to punchy beatboxed grooves to striking alien soundscapes—all in a single tune. Pitch and formant sliders are available to instantly change the vocal gender, create robot voices, and more. Auto Pitch, automatic harmony, and vocoder processors are included, along with reverb, delay, and other effects. There’s also a built-in 24-second looper for capturing performances on the fly, plus a unique Scatter function for slicing and dicing the sound via a dedicated panel knob.
Availability & Pricing
The Roland AIRA Compact series is now available in the U.S. for $199.99 each."
"In this video Drew from Patchwerks goes over the new 1010 Lemondrop, a granular synthesizer and the 1010 Fireball, a wavetable synthesizer.
About the Lemondrop Granular Synthesizer: "Explore a freshly squeezed approach to granular synthesis with nanobox | lemondrop, a polyphonic granular mini synthesizer with intuitive touchscreen control. Four voice polyphony, two granulators and an oscillator provide a wide sonic palette—from lush environmental pads to rugged and glitched-out textures. Instantly morph and shape sounds with the swipe of a finger using touchscreen X/Y control. Choose from hundreds of professionally designed presets and wav files, or quickly create your own patches with deep parameter control via the 2” touchscreen. Integrate lemondrop seamlessly with your existing tabletop gear—or create on-the-go thanks to a compact design that fits in the palm of your hand." -1010 Music
About the Fireball Wavetable Synthesizer: 'Bring some heat to your music creation workflow with nanobox | fireball, a polyphonic wavetable mini synthesizer with intuitive touchscreen control. Featuring eight voice polyphony, two wavetables and an oscillator, Fireball unlocks a huge array of sounds—from punchy and aggressive leads to atmospheric pads. Touchscreen X/Y control allows you to instantly morph and shape sounds with the swipe of a finger. Choose from hundreds of professionally designed presets and wav files, or quickly create your own patches with deep parameter control via the 2” touchscreen. Integrate fireball seamlessly with your existing tabletop gear—or create on-the-go thanks to a compact design that fits in the palm of your hand.' -1010 Music
The Bob Moog Fondation is a charitable organisation, based in Anaheim, North Carolina, just a few streets away from the current Moog factory. It acts both as a archive for Bob's work over the years, a museum to show the timeline of his inventions (and more general synth developement) and an educational resource for schools providing hands on experience for children and adults.
Imgaine you had to do all those things? It's pretty certain you'd quickly lose track of what day it is, what week it is or even what month it is (signs of recognition and enthusiastic ndoding from fellow COVID brain fog peepz at the back of the crowd)?
What you would need in that case is.....a calendar! Obviously you can get calendars with amazing inspritation quotes, beautifull sunsets and cute animals but what if you could get an unbelievalbe nerdy synth related calander featuring 18 of the world's most influential synth designers? That would be pretty freakin' cool, no?
"We are proud to announce the release of our epic 2022 Synthesizer Pioneers 18-month calendar, which honors 18 innovators in the field of synthesis from the past 60 years. This is the fifth calendar released by the Foundation focusing on the rich history of Bob Moog’s legacy and the web of innovation in synthesis to which he was connected.
This calendar is the first to bring to the fore the historic achievements of synthesizer pioneers from all over the world. It features:
Harry Olsen and Herbert Belar (RCA) Harald Bode Raymond Scott Bob Moog Don Buchla Peter Zinovieff (EMS) Alan R. Pearlman (ARP) Ikutaro Kakehashi (Roland) Fumio Mieda (KORG) Tom Oberheim Dave Smith Roger Linn Wolfgang Palm (PPG) Dave Rossum Peter Vogel and Kim Ryrie (Fairlight) Ray Kurzweil Felix Visser (Synton) Makoto Fukuda (Casio) Many of the pioneers have contributed historic photos of themselves, with their hallmark inventions from their private archives. Also included within the calendar are scores of dates of particular historic importance provided by the pioneers. A brief narrative is included with each photo.
The 18-month calendar also weaves together connections between Bob Moog and many of the featured pioneers. His relationships with them ranged from inspiration to friends to colleagues to business associates. Secondary photos on many of the pages highlight that connection, showing Bob with his fellow pioneers.
The 18-month calendar is printed on #80 stock paper, making the images suitable for framing after the year is over!
This is the first time any of the Moog Foundation's products have been availabe outside of the USA so we're pretty happy to be able to bring it to you, and a portion of the profits are re-invested in the Bob Moog Foundation so it's a win/win situation.
The calander runs from Jan 2022 until May 2023 (and before you ask, we have no idea why it's an 18 month calendar...maybe they're just relaly indecisive and couldn't cut the list of synth pioneers down from 18 to 12?) and is available right now, right here.
"Discontinued Chamber of Sounds 'Droneulator' 3 Oscillator Palm Synth. 4 knobs, 3 switches plus an Opto Cell. No instructions, no labels, plug it in and freak out. Awesome little noise box."
PPG and its Wave synthesizers have been the brain child of the industry icon Wolfgang Palm and have graced the stages of artists like David Bowie, Jean Michel Jarre, Depeche Mode, Gary Numan, Stevie Nicks, Pet Shop Boys, Mike and the Mechanics, and Stevie Wonder just to name a few.
After the announcement of Behringer and Music Tribe to look for collaboration partners for the development of the next generation Wave hybrid synthesizer, we have been fortunate to gain a legendary engineer to the team – Hermann Seib who has been deeply involved in the PPG Wave history. But hear from the man himself:
About Hermann Seib
“I'm a software programmer/analyst living in Vienna, Austria and have loved playing and creating music throughout all my life. I started playing guitar at age 12 and when the Roland SH-101 became available, I got one and was instantly hooked. But as for most people, there came a point where I had to decide whether I want to become a musician or a programmer. Computers won hands down so I never became a great guitar player and instead I practiced my programming skills instead. These shiny new home computers that just became available were simply too fascinating – and they sustained my life ever since.
PPG and I have a rather long common history. I first saw the original press release for the Waveterm A in 1982 and immediately wanted one. Unfortunately, I also couldn’t afford it as I was at just starting my career.
Around 1987, I was finally able to buy a used Wave 2.2/Waveterm set. Since that time, I have become a fan of these machines and know pretty well how they work. However I'm much more of an engineer than a musician and to me, the Wave synthesizers are "computers with attached tone generation circuits". Around 2000, I started to reverse engineering their operating system, so that I could understand how they work from a computer perspective. It took me quite a while to understand the sound generation side of the things and while I still wouldn't say that I've fully mastered every detail, my understanding was good enough to create an upgrade to the original V6 software. The result was version 8.3, which is a commercially available upgrade.
Around 2000, I became involved with Paula Maddox and Dave Forward in a project called "Waveterm C". The idea was to recreate the Waveterm in a more modern PC running Windows version and use a USB interface to communicate to the Waves/EVUs/PRKs. Well, we got the software side up and running, for which I was responsible for and it worked to a point where you could create wavetables and transient sounds. The USB-based hardware interface worked quite well, too, but unfortunately the project never became mature enough to be launched.
I also created WaveSim, my simulation of the famous Wave/EVU, which was first only as a standalone Windows program and later available as VSTi as well. Wolfgang Palm was aware of these activities for quite a while and in 2008, he contacted me. We exchanged ideas and he helped me understand some details of the Wave synthesizers, which resulted in further WaveSim improvements. Wolfgang then went on to create lots of new, vastly improved wavetables that could be loaded into WaveSim which can be found here.
Later in 2012, Wolfgang became interested in porting his PPG WaveGenerator, which was only available as iOS Plugin, to VST and Audio Unit on Windows and Mac OS - a project I was heavily involved in. Subsequently I entered similar collaborations on Wolfgang’s other PlugIn creations such as the PPG Wavemapper 2, PPG Phonem, and PPG Infinite.”
Why did you decide to join the Behringer Wave project?
“My main motivation is to help recreate the Wave to ensure it gets as close as possible to the original, as the legacy and “soul” of this synthesizer is very dear to me. And because it’s blue 🙂. I am very much looking forward to collaborating with the Behringer engineering team and participate in the testing and comparison with the original unit since I have a deep understanding of the original code the makeup of the unit. We’re currently discussing the development of an app for wavetable management. I am very excited to be part of the Behringer Wave synthesizer project to make sure the legacy of this legendary synthesizer will live on.”
"This is one of my most prized and cared for possessions. If we weren't in the middle of an unprecedented financial crisis, I would prefer have this beauty buried with me. ;) It's the absolute king of wavetable synthesizers, the first and only of its kind if you ask me (and virtually anyone else who's had the privilege to use one). I've had this particular one for the better part of 20 years, and she's never let me down (unlike multiple new synths where I find myself flustered when firmware corrupts or memory erroneously wipes out); she's just been steadfast and true for her treasured time with me. Always kept in a non-smoking studio, voltage regulated and on battery backup. When I bought this beauty some 20 years ago I was under the impression the previous owner had a good working relationship with PPG when they were still in business and this was one of the first editions in circulation. This beauty was exported to the UK and found a home with one of the curators of the early 2000 (UK) PPG Conferences. With the help and guidance of PPG connoisseur, H. Seib, she was gone through with a fine tooth comb and had been swapped out with new bushings, keys and factory formatted. Since my acquisition of this unit (3rd owner by my understanding) I had created and sculpted custom waves with the Waveterm A (When it still functioned, but sadly that is now a very distant memory) and a wide range of factory sounds which are still in place. I had considered the upgrade to V8.3 to save much of the library I had created but wouldn't attempt it without the expertise and assistance of a few friends in Toronto who had years of experience working on these, but sadly that never did come to fruition. Time is always the greatest enemy, isn't she? ;) I also have the entire factory soundset from the floppy disk of the 2.3, Waveterm A and B as well as many wavetables shared on the old PPG forum so the update would probably be worth it. It's a fairly easy upgrade and still available to purchase if you're considering using the SYSEX features of V8.3. There was discussion some years ago about a virtual waveterm being available at some point (Waveterm C), perhaps a gentle nudge in the PPG discussion forum and it will eventually materialize with those DIY monowaves. ;) Until then, I leave you with one of the worlds finest synthesizers ever imagined. This is the stuff dreams are made of, not kidding. Serious inquiries only, thanks!
Playlist:
Yamaha YC61 | Overview
Yamaha YC61 Sound Demo
Stefan Jernståhl | Artist Profile | YC61 Stage Keyboard
Jonas Gröning | Artist Profile | YC61 Stage Keyboard
"Yamaha YC61 Stage Keyboard Brings Classic Organ and Vintage Keys Back to the Stage
BUENA PARK, Calif. (January 9, 2020) — Yamaha today introduced the YC61 Stage Keyboard, a new organ-focused instrument combining the sought-after organ sounds of popular music with the sonic versatility and real-time control today’s keyboardists demand, all backed by legendary Yamaha quality.
Reproducing authentic organ sound, control and expressiveness in a compact package has been elusive for keyboard players. Using proprietary Yamaha technology, the YC61 provides an authentic and expressive playing experience.
The YC61 employs a newly developed Virtual Circuitry Modeling (VCM) Organ engine. VCM models the behavior of vintage electronics at the component level. This allows realistic organ character sound along with familiar and modern controls organ players will appreciate. Authenticity is further enhanced by a new VCM Rotary Speaker effect, capturing the two-speed, physically spinning speaker that’s as much a part of the organ sound as a guitar amp is to an electric guitar.
As on the original instruments, the musician has full command of the sound via drawbars, percussion, rotary speaker speed and more for an expressive and unique sound. Organ aficionados will appreciate the ability to personalize “under the hood” organ and rotary speaker settings like drawbar leakage, key click, rotor speed up and more. An all-new 61-note waterfall keyboard is true to the organ legacy and makes for smooth rock and jazz playing techniques such as “palm smears.”
The YC61 goes beyond organ sounds. Two comprehensive “Keys” sections offer authentic acoustic pianos, soulful electric pianos, realistic strings and brass, analog-style synths, and more. Dedicated effects like delay, chorus, distortion and more give keyboardists the ability to quickly create new, inspiring sounds on the fly. This means the YC61 could take the place of two or more other instruments, simplifying keyboardists’ setups and reducing load-in time.
Thanks to its aluminum construction, the YC61 is as rugged and roadworthy as it is lightweight (under 7kg/16 pounds!) and compact.
“The organ is the original keyboard, and in some ways, the original synthesizer,” said Nate Tschetter, manager, Synthesizer Marketing, Yamaha. “It always adds a soulful sound to the music, regardless of genre. We hope YC61 provides that essence of soulfulness to keyboard players through its sound and controls.”
Pricing and Availability
The Yamaha YC61 Stage Keyboard (MSRP: $2,499) will ship to retailers in June 2020. For more information, visit Yamaha.io/yc61"
"Originally this was just a 3D performance test. But when I checked out different sounds, I thought it might be interesting for musicians and especially 'PPG Infinite' users. http://wolfgangpalm.com"
"The Shnth connects via USB to a host computer, a patch is loaded and then it functions as a (very) tactile, standalone synth.
It can be programmed with either the graphic programming application "fish" or with the programming language 'schlisp'.
I will upload a patch to the Shnth to get you going and include a memory stick with manual & example patches & info gleaned from the Mass Shnth Blog group on Facebook (Well worth joining, it's an invaluable resource.)
'The SHNTH, a computer music device by SHBOBO, features the ARM Cortex 32 bit processor.
It connects via USB to host computer (windows, linux, or macintosh) which may read its squish data, or program the standalone synthesizer in the computer music language, SHLISP.
A switch enables internal batteries; electronic sounds out a stereo-mini jack. It is handtop: four bars on top feel your fingers and two woven antennae below sense palm flesh, complemented by a battery of buttons.
There are red lights.'"
"This is geode, the new monophonic synth from MeeBlip and CDM. Get your hands dirty with this instrument - and be the first to check it out in our first play."
Update: some info and pics via CDM (click through for additional details and audio demos):
"What we love most about synths is wild, weird, dirty sounds – and getting our hands on them. Our new MeeBlip geode focuses on what we think is the best of our synth line.
The goal, as always: make a box that’s easy to play, and that adds a unique sound and personality that doesn’t exist elsewhere. And then make sure it’s fun to twist knobs and make sounds. That’s geode – coming soon, with an intro price of US$149.95 (plus tax/shipping as applicable)...
geode is the fourth major generation of the MeeBlip line created by engineer James Grahame (Blipsonic), as a collaboration with CDM. We’ve been humbled by the response – the original/SE, anode, and triode have all seen critical acclaim. And users have gotten creative, from mods and hacks (including using open source code and circuits), to musical uses in clubs and experimental shows alike.
MeeBlip geode is the culmination of all of the best features of all those different generations. It’s got the sound features and extra controls from the original (including bringing noise back), the anode/triode filter that remains unlike what’s on other synths, the most cutting waveforms, and all the subtle improvements James has cooked up over the years. It’s still compact, but expands to a palm-sized rectangle with more controls. It’s got great-feeling new knobs and some new tweaks.
And for the first time, we have USB MIDI support, so you can connect and power geode with any computer or compatible mobile device. (MIDI DIN is still there, so your gear from the 80s works, too.)"
Update2: and the official press release with specs:
"MeeBlip geode synthesizer is the newest from Blipsonic, CDM
Raw and digital, dirty and analog - in one compact box.
MeeBlip geode is the latest in a line of award-winning synthesizers from engineer James Grahame (Blipsonic) and CDM (createdigitalmusic.com).
geode has one goal: to let you plug in a box and dial in edgy, cutting, grimy sounds you won’t mistake for anything else. Building on the MeeBlip line’s digital sound features and unique Twin-T analog filter, geode adds more control, more sound twists, and now both USB MIDI and MIDI IN operation.
"The SHNTH, a computer music device by SHBOBO, features the ARM Cortex 32 bit processor. It connects via USB to host computer (windows, linux, or macintosh) which may read its squish data, or program the standalone synthesizer in the computer music language, SHLISP. A switch enables internal batteries; electronic sounds out a stereo-mini jack. It is handtop: four bars on top feel your fingers and two woven antennae below sense palm flesh, complimented by a battery of buttons. There are red lights."
"Playing an ambient piano music soundscape on PPG Wave 2.2 digital / analog hybrid synthesizer.
This ambient PPG Wave synth demo and music features a repeating motif, filter, pitch and envelope modulation, and long decay times.
The PPG Wave 2.2 is a wavetable synthesizer created by Wolfgang Palm and features digital samples/oscillators + analog SSM filters. It can sound very spacey and ethereal, or lo-fi and crunchy.
In this piece I focused on adjusting the PPG filter to open and close over time to highlight harmonics in the sound. The PPG Wave 2.2 is a lovely vintage hybrid synth and can create some great ambient soundscapes.
All sounds in this music are from the PPG Wave 2.2 synth with a very small amount of reverb added."
"Ambient synth demo of the PPG Wave 2.2 digital / analog hybrid synthesizer, filmed at the Synth Palace in Montreal, Quebec Canada (www.synthpalace.com or .net).
The PPG Wave was built by the German company Palm Products GmbH (now Waldorf) from 1981 to 1987. The PPG Wave synths use digital samples of wavetables and feature analog VCA envelope and VCF (filter) sections for a classic and warm sound.
The PPG Wave was produced in 3 different models:
- Wave 2 (1981–1982) - 8 oscillators (one per voice), 8-bit resolution, single modulation wheel, CEM 3320 VCFs
"A sinister dreamy ambient drone piece made on the Star Shepherd synthesizer testing to see what it is capable of...exploring unknown territories. Don't mind the crackles and hiss - it is held together with tape and glue after all....The painting is called "The Star Shepherd Guiding his flock through Palm Springs' - more info on the Star Shepherd synthesizer on http://www.legowelt.org"
"Check out this new painting called “The Star Shepherd guiding his flock through Palm Springs”. Probably artwork for a future Nightwind Records release. Click on the picture to hear some more sounds from the Star Shepherd Synthesizer – a dreamy ambient drone piece to explore what this synth is capable of. Don’t mind the Lo-fi crackle, hiss and artefacts – it is held together with tape and glue after all! First more pure tones from the Casio 403 are processed through the filters, delays, pitch shifters of the Star Shepherd, later the radio noise oscillator comes in and gets heavily processed by the synth to create sinister dark harmonic tones."
"The Echo Rockit makes some of the most unusual I've heard yet and it runs with 9V power supply. Any seasoned electronics musician can play one. The great sound design will give you hours and hours of creative sound making fun. You'll make sounds you'd swear would require a modular and all in the palm of your hand.
Original design by Ray Wilson
Elettrorama version & mods
Approved and licensed by Music From Outer Space
