Waves of Memories Project (Mcv Adsr & Rafa Saez) - Spatial Architecture

Published on Oct 3, 2017 Waves of Memories Project

Synth list at 5:17. Anyone ID what that is at 3:24? I remember it, but can't place it at the moment.

http://www.matrixsynth.com/search?q=Waves+of+Memories+Project&max-results=20&by-date=true

Cosmic Dreams Mcv Adsr & Rafa Saez Modular Session

Published on Apr 13, 2017 Waves of Memories Project

"Cosmic Dreams Mcv Adsr & Rafa Saez Modular Session"

Some nice synth spotting in this one including a KORG PS-3200 and rare Polyfusion modular. Huge EMW system, Modcan, and synthesizers.com as well.

Kraftwerk Radioactivity Mcv Adsr & Rafa Saez Contamination Mix

Published on Mar 13, 2017 Waves of Memories Project

Incredible cover featuring a KORG PS-3200, Korg Mono/Poly, Moog Source, Kawai SX-240, E-mu Emulator II+, and KORG Trident.

You can find previous posts featuring Waves of Memories Project here.

Alan Parsons Project - Lucifer - Mcv ADSR & Rafa Saez remix

Published on Feb 21, 2017 Waves of Memories Project

"Emulator 2 , Roland D50 , Prophet 5 , Roland JD800 , Oberheim OB-Xa , Roland TR808"

Jean Michel Jarre Oxygene 4 remix by McV ADSR & Rafa Saez

Published on Feb 9, 2017 Waves of Memories Project

"That's our tribute to the Master who inspired us to make music

Este es nuestro tributo al Maestro que nos inspiró a hacer música

Korg PS-3200 , Yamaha DX-7 , Moog Source , Moog Model D , TTSH 2600 , Roland JD800 ........ and more vintage gear"

And one from last year:

Oxygene 8 Jean Michel Jarre cover Rafa Saez Remix

Published on Aug 15, 2016 Waves of Memories Project

"Oxygene 8 Jean Michel Jarre cover Korg PS-3200 Remix , Moog Source , Roland JD-800

I used space echo Roland re-201 (delays) , artsacoustic_bigrock (phasers) , Big Sky (reberbs) , Korg PS3200 (main sound) , Moog source (Monophonic sequences) , Roland JD-800 (all strings and pads) , Oberheim Matrix 6 and Waldorf Microwave (double bassline) .

He tratado especialmente de trabajar con los efectos para recrear la espectacular atmósfera de Oxygene 8 , el Revox B-77 lo he sustituido por un space echo Roland re-201 y el EHX Small Stone por artsacoustic_bigrock

El sonido principal está hecho con un Korg PS-3200 , las secuencias monofónicas con un Moog Source y todas las cuerdas con un Roland JD-800

Para la línea de bajos usé un Oberheim Matrix 6 y un Waldorf Microwave (prestados)."

Equinoxe Jarre demo on Korg PS-3200

Published on Dec 8, 2016 Waves of Memories Project

The Rise of the Synths (80s retro music documentary)

Currently seeking funding on Kickstarter here.

"A documentary about the synthwave scene, 80s nostalgia, retromania & memories. Inspired in Carpenter, Moroder & Tangerine Dream legacy.

Feature documentary (90-120 min.) about the synthwave scene, 80s nostalgia, audiovisual collective memories and electronic music.

The natural way of the cultural wave: we generally experience that musical and cultural trends shift from an outstanding position within public opinion to near utter rejection, refusal and ridicule, through an ever-shortening period of time. However, if that period of time is extended, to often several decades, we can witness a renovation, a new heightened recognition – the rebirth of the wave. Through today’s global reach, powered by the internet, cultural waves and fascinations can resurface and manifest themselves, with an even much bigger fan impact than the original source.

The film is a travel in time towards the roots of a worldwide grass-root music scene known as Synthwave, an irresistible blend of modern electronic composition with 80s pop culture’s nostalgia, that over the last two years has transformed from a whisper on selected internet hubs, to an ever-growing scene, expanding rapidly as we speak. Accounting millions of plays on social media, devoted fans are legion, but nobody in the mass media knows about them.

Thousands of synthwave composers around the world are living out double-lives. Away from their normal everyday life they spend another half-life behind a faceless musical avatar, creating and uploading their own renditions of 80’s-styled film scores, sharing them with the world – surging the wave. They belong to an endless army of watchers for the master’s legacy: the sound that Edgar Froese, Giorgio Moroder and John Carpenter created in the late 70s.

A time travel into the universe of creating sounds. A love letter to human fascination and the collective memories of an universe that never existed."

Additional details at Kickstarter.

The rise of the synths (Sizzle reel) from Ivan Castell on Vimeo.

The Rise of the Synths on the radio show "Synthaves"

Published on May 10, 2016 The Rise of the Synths

"Our director talks about the project on the radio show "Synthaves" hosted by Noah Kaufmann on "KFAI" Radio. CROWDFUNDING NOW RUNNING ON KICKSTARTER: https://www.kickstarter.com/projects/...

The Rise of the Synths is a documentary about the Synthwave scene, nostalgia and the universe of creating sounds.

'The old soundtrack of a new generation'

The film is a time travel towards the roots of a worldwide grass-root music scene known as Synthwave, an irresistible blending of modern electronic composition with 80s pop culture’s nostalgia, that over the last two years has transformed from a whisper on selected internet hubs, to a ever-growing scene expanding rapidly as we speak. Accounting millions of plays on social media, devoted fans are legion, but nobody in the mass media knows about them.

A time travel into the universe of creating sounds. A love letter to human fascination and the collective memories of an universe that never existed.

Featuring: Electric Youth, College, Miami Nights 1984, Com Truise, Nightcrawler, Dynatron, Dance with the Dead, Maethelvin, Stellar Dreams, Vincenzo Salvia, Jordan F, Futurecop!, The Midnight, Power Glove, 80s Stallone, Betamaxx, Kristine, Darkest, Lazerhawk, Mitch Murder, Carpenter Bru, Timecop 1983, OGRE, Waveshaper, MPM Soundtracks.

A documentary about the universe of sounds created by: Giorgio Moroder, John Carpenter, Claudio Simonetti (Goblin), Tangerine Dream, Brad Fiedel, Stu Phillips, Vangelis, Harold Faltermeyer and Jan Hammer (to name a few). "

Waves of Inspiration: The Legacy of Moog Exibition Updates

"Exhibition features Keith Emerson's Legendary “Monster Moog” Modular Synthesizer through October 18th, 2009

CARSLBAD, CA/ASHEVILLE, NC – The Museum of Making Music (Carlsbad, CA), in partnership with the Bob Moog Foundation, has opened Waves of Inspiration: The Legacy of Moog exhibition, to run through April 30, 2010. The exhibit is the first of its kind, marking the first public display of the artifacts from Bob Moog’s archives and an examination of the impact of his work on the world of music.

MONSTER MOOG INSTALLATION
On August 30th, Keith Emerson's (Emerson, Lake and Palmer, The Nice) mammoth “Monster Moog” modular synthesizer was added to the exhibit after it was featured the previous evening in a musical celebration of the exhibit opening by Emerson and Erik Norlander. Emerson used this remarkable instrument on numerous recordings over the past 40 years, including his solo in “Lucky Man” (1969), possibly the most popular synth solo in history. He also used the synthesizer on countless world tours and is generally credited with pioneering the use of the Moog modular as a touring musician.

The “Monster Moog” began as a modest system, but grew over time as Emerson
requested that Moog create custom additions for his touring instrument, including extra modules, custom sample-and-hold, and several pre-sets, an innovative addition for that time. The synthesizer grew into a massive cabinet of five sections and over 75 modules. It stands more than four feet above its special base – almost 8 feet high. Its sound is noticeably clearer and stronger than any other keyboard Emerson plays – it is an instrument of significance and legend, and arguably the most famous synthesizer of all time.

Bob Moog and Keith Emerson enjoyed a special relationship of toolmaker and musician that grew in to a lifelong friendship. Moog is noted for listening to musician's needs and technical specifications which he then used to improve his instruments: This dynamic is explored throughout the Waves exhibit.

KEITH EMERSON

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