MATRIXSYNTH


Sunday, September 17, 2017

"Reboot" Soundset for Kawai K4 / K4r (64 Patches) real-time test


Published on Sep 17, 2017 Nacho Marty Meyer

Access Virus TI Lead Sound & Arpeggiator Demos


Published on Sep 17, 2017 Joey

"Really quick demo of just one lead sound in the Access Virus TI. Not playing anything good but just a quick video to show the sound. Recorded straight into logic through an apogee duet."

Access Virus TI Arpeggiator Demo

Published on Sep 17, 2017 Joey

"Quick demo of the Access Virus TI arpeggiator. Recorded straight into logic through an apogee duet."

Moog muSonics Minimoog

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Roland SH-3 SN 220190

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Clavia Nord Lead Rack 3 Synthesizer

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"This is the rack version of the amazing Nord Lead 3 virtual analog synth. Excellent condition and works great. Also includes rack ears, original power cable, and manual!

Clavia did something really cool with this synth that it didn't do with any of the other Nord Leads, before or since, and that's the super cool LED graphic rotary encoder knobs on this version. Also, the full LCD screen lets you save patch names instead of just numbers like the previous versions of the synths. And this are just some of the extra features.

Some of what Clavia says about the NL3....

With the Nord Lead 3 Clavia takes Virtual Analog to a higher level and introduces the Advanced Subtractive Performance Synthesizer. ‘Advanced Subtractive’ because of the extremely flexible sound engine, featuring a combination of traditional shapable waveforms and a very intuitive 2 or 4 operator FM engine. All this can be routed through the high quality multi filter for further shaping. ‘Performance Synthesizer’ because of its unsurpassed user interface and play control functions such as: keyboard hold, parallel polyphonic glide in legato mode, single-key triggering of whole chords and even clusters of slightly detuned voices for super-unison effects. The Nord Lead 3 also has four separate Morph groups. The Morph function lets you continuously control defined ranges of up to 26 parameters in a sound, using only a single control source. This lets you produce radical changes to a sound in a very fast and easy way."

Rheyne - Sequenced Jam #52 (Morphagene as a stereo delay)


Published on Sep 17, 2017 Rheyne

"Using the Make Noise Morphagene as a stereo delay for both VCOs of a DPO. The left input is VCO A, with FM from one of the VCOs of a Moog DFAM, faded-in with a channel from Maths to the carrier-in of a modDemix, triggered by a Tempi. The right input is VCO B, with FM from a 0-Coast, faded-in using the slope output to the Dynamics input, triggered by a different channel on the Tempi. Two Mother-32 sequencers control the pitch of both VCOs on the DPO.

The bass swells are from a Noise Engineering LIP, with an Erica Synths Black VC EG controlling filter swells on a Dave Smith Curtis Filter, with all four tone controls of the LIP modulated by an Erica Synths Octasource. The pad is from a third Moog Mother-32. Both of these voices run through an Erica Synths Black Hole DSP for additional reverb. Reverb on the main mix is from a Strymon BigSky.

No outside MIDI or DAW was used, all notes and modulations are from the synths."

Make Noise B&G Shared System - 'Balance'


Published on Sep 17, 2017 Caspar Hesselager

"No editing or post-processing. Audio-only versions of all patches:
https://soundcloud.com/caspar-hesselager

Overall patch notes:

-René sequences DPO Osc A and B with the unquantized (tuned manually) and quantized pitch cv.
Some X gates

-DPO has the gate out on Pressure Points 1 going to Exp FM on Osc B to create momentary, clangy, high-pitched notes. Osc A has a slight Lin FM from the Wogglebug Smooth Audio, and slight Exp FM from a few occasional Gates fired by René. Osc B is modulated by the Woggle audio out from Wogglebug. Both the Final and the Sine outputs on Osc B are used.


-Pressure Points 2-4 control Slide on Moprhagene, creating different presets for the sample.

-Maths OR and Sum outs go to Optomix, inverted output goes to Fold on DPO B.
Ch. 1 Fall is modulated by the cv out from Erbe Verb (going through Wogglebug S&H, making it a stepped voltage).

-ErbeVerb is set in reverse mode, clocked by Clock out from Echophon, and is modulated heavily
by its own CV out (going back into decay and depth) and Smoothed cv out from Wogglebug into Size.

-Tempi clocks René X and Y axes, occasionally sending a reset pulse to the X Mod input.

-Everything goes through a subtle delay on the Echophon before hitting the ErbeVerb."

Analog Synthesizer


Published on Sep 17, 2017 Andreas Remshagen

"Hörprobe eines selbstgebauten Analog-Synthesizers
1. Teil"

Andreas Remshagen

Dave Smith Talks About the Prophet REV2


Published on Sep 17, 2017 Synth Expert

"Legendary synth designer and MIDI progenitor Dave Smith talks about one of his latest synth, the Prophet REV2, which provides up to 16 real analog voices."

Upcoming Todd Barton Tour

You've seen Todd Barton's numerous videos featured here on MATRIXSYNTH. I am happy to announce he has a limited number of performances coming up in Rome, Berlin, Vienna, Seattle, and Stockton. If you are in the general area for any of the upcoming dates, you might not want to miss it. This is a rare opportunity to see a expert at his craft. Some dates will feature workshops and lectures.

You can find full details here.

Rome, Italy September 28-30. 2-day workshop featuring Buchla electronic instruments, followed by a concert with my friend Federico Placidi.

Berlin, Germany October 2. An evening of Serge Modular systems talk, performance and jam session hosted by Berlin Modular.

Vienna, Austria October 8. An evening Serge Modular systems talk and performance hosted by Raw Voltage and Tonsalon.

Portland, Oregon October 27. A pre-Halloween Easel performance at Modular 8!

Seattle, Washington October 28. Performance on the Buchla Music Easel hosted by Wayward Music Series.

Stockton, California November 13. Performance with Dr. Robert Coburn on Hordijk synthesizers."
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