Line 6 Filter Pro Stereo Synth Effects Filter

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via this auction

Preset chart below.

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Line 6 Filter Pro, Mod Pro, & Echo Pro Rack Effects Units

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Filter Pro Programmable Filters & Monophonic Synths with MIDI Sync via this auction

Mod Pro Programmable Chorus, Flanger, Tremolo, Vibe, Rotary, Phaser via this auction

Echo Pro Programmable Delay & Loop Sampler with MIDI Sync via this auction

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LIne 6 KB37

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via this auction

"Great little USB audio interface w midi. Guitar input and 2 mic inputs w phantom power for condenser mics. Works with Line 6 Pod Farm program. Software has all kinds of guitar and vocal effect and a mixer to control the inputs. The second meter has a tint crack that is barely visible. Work great. Little bit of scratchy noise when moving pots. A little cleaner would do the trick."

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Frantic/pretty jam w/ Digitone, Volca Drum, Empress Multidrive, Lab, Ola, HX Stomp, Godin Stadium 59

Published on Jan 5, 2020 Jay Hosking

"A live, semi-improvised performance, all on hardware, and inspired by the possibilities of a new year. I picked up a Volca Drum over the holidays, and I'm astounded at how powerful it is for the price, from its independent sequencer lengths per track, accents, and "step jump" performance effect.

It's hard for me to start with drums, though, so I was stuck until a friend returned my Digitone, and then the song quickly came together. Kudos to Elektron for making multi-track gear that helps you construct songs quickly.

Kudos as well to the boutique pedal manufacturers out there. Strymon's Ola is beautiful, and my first choice whenever I need vibrato or chorus. Union Tube & Transistor is based out of my hometown, Vancouver, and their Lab compressor is gorgeous on drums (I only wish it were stereo, but maybe I just need to buy another).

And Steve from Empress was kind enough to send along my very first pieces of free gear (!). Here I put the Empress Multidrive to good use. I'm blown away by how the Multidrive can shape and mangle the drum sound but still maintain its clarity and bass.

Finally, I felt the song needed some guitar. The Godin Stadium '59 is the nicest guitar I have ever owned, from its sound to its feel. I can't recommend their guitars highly enough, if you play more than just synths.

Elektron Digitone — Four synth tracks (arp, melody, pad, bass)
Korg Volca Drum + Empress Multidrive + Union Tube & Transistor Lab + Strymon Ola — Drums
Godin Stadium '59 + Line 6 HX Stomp — Electric guitar

Written and performed within a 24-hour period, and uploaded as is, with only a little compression/limiting on the master.

https://jayhosking.bandcamp.com/"

Moog Sub Phatty, Behringer CC300 Chorus Space-C & Line6 Verbzilla

Published on Sep 30, 2017 3rdStoreyChemist

"Sub Phatty synthesiser through a CC300 and Verbzilla reverb.

No further processing except normalisation."

Moog Minitaur, Roland RE501 Chorus Echo & Line6 Verbzilla

Published on Sep 26, 2017 3rdStoreyChemist

"Minitaur synthesiser through the RE501 & Verbzilla. Minitaur is sequenced from an Electron Octatrack.

No further processing except normalisation."

Novation Bass Station 2 & Line6 Verbzilla

Published on Sep 18, 2017 3rdStoreyChemist

"Bass Station 2 synthesiser through the Verbzilla.

No further processing except normalisation."

Moog Minitaur & Line6 Verbzilla

Published on Sep 16, 2017 3rdStoreyChemist

"Minitaur synthesiser through the Verbzilla. Minitaur is sequenced from an Elektron Octatrack.

No further processing except normalisation."

MFB Tanzbar, Moog Mother 32 & Line6 Verbzilla

Published on Sep 10, 2017 3rdStoreyChemist

"Jamming with the Tanzbar drum machine & a Mother 32 synthesiser synced together.
Tanzbar MIDI Out to Mother 32 MIDI In. The Verbzilla has been placed on an aux send."

Jean Roupech: Electronic Music Improvisation 01 ("Analog Minimalistic Walk")

Published on Mar 4, 2012 VOLUBILIS (radio) TV

"Electronic music improvisation 01 by Jean Roupech with:
-Doepfer, Dark Time
-Novation, Bass Station KB
-Korg, Monotribe V2
-Moog, Moogerfooger MF-102 Ring Modulator
-Moog, Moogerfooger MF-108 Cluster Flux
-Moog, Moogerfooger CP-251
-Eventide, Space
-Line 6, Pocket Pod"

Korg Delta + Verbzilla

Published on Dec 26, 2015 Vintage Sounds

"All sounds from Korg Delta, recorded in 3 tracks, all reverbs from Line 6 Verbzilla !!"

Fede Manfredi - Korg Monotribe Techno Jam

Published on Jun 28, 2015 fedemanfredi

"Korg Monotribe Bassline / hi hat
An1x - Lead synth
FL Studio - drums, pads, main sync
Nord electro 3 - solina w/phaser
ipad mini - FXs
Line 6 pod xt - FXs

http://soundcloud.com/fedemanfredi"

Line 6 Tonecore DSP Developer Kit (Build Your Wwn FX DIY Effect Pedal)

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via this auction - learn how to sell on eBay here.

"ACHANCE TO DESIGN YOUR OWN TOTALLY UNIQUE AND AMAZING SOUNDS FOR GUITAR ORBASS USING THE SAME CHIP AS THE POD 2.0

This pedal can be programmed to be a whole host of possible pedals including new and unheard of creations by anyone who has some programming knowlege or the willingness to learn and experiment.
the kit can be used over and over again for new ideas and if you make something you really like, you can save the module and buynew ones from Line 6.

What’s in the box?
The ToneCoreProgrammable Module, the Developer ToneCore Dock, a USB cable key to get themodule on and off and official LINE 6 power supply
Note: you will also need ot get the developers kit from here - http://www.vettaville.nl/page.php?id=100

Here is the low-down

How does this work?
The kit contains a special Line 6 Developer ToneCore Dock, which in addition to containing the Freescale Symphony audio DSP, audio circuitry and ToneCore Module docking slot, can be connected directly to a PC via USB. The ToneCore Programmable Module is customizable and stores DSP code in the FLASH memory of the on-board Freescale microcontroller. DSP code development is performed on the PC and then a programming tool is used to FLASH the MCU with the new DSP code through the Developer ToneCore Dock.

Huh?
You plug our pedal into your computer via USB, use the software we give you to write some fancy code, then shoot it back to the pedal, which now stores it in memory. Now when you plug in your guitar to the pedal, it does to the sound of your guitar whatever you’ve told it to do!

Can anyone do it?
That depends. If you have any experience writing software you’ll probably be just fine. If you don’t, and are willing to learn, we’ve made it possible for you to get started by giving you the example of a simple two-band EQ, and a step by step by guide to assemble the code and download it to the module.


This Dock contains all of the functionality of Line 6’s existing ToneCore Stereo Dock, but adds a mini-USB connector that is used for programming and testing development using a PC. The TCDDK also includes a new ToneCore Programmable Module that can be programmed via a PC through the Programmer Dock to produce any effect that the developer creates for download. Since the Programmable Module is Flash memory based, it can be used over and over again while experimenting with different algorithms. Once the desired algorithm is complete, the ToneCore Programmer Dock can be used to program additional ToneCore Programmable Modules (available separately) that can be resold directly by the developer.

The ToneCore Developer platform makes use of two powerful Freescale Semiconductor devices. The Programmer Module contains a product from the Freescale JM family of USB microcontrollers, a versatile single chip solution that handles all of the DSP firmware storage and downloading, user interface (including A/D channels for the pots), Flash memory, and a USB port for downloading and debugging of software.

The ToneCore Programmer Dock (and every Dock and ToneCore pedal Line 6 has ever produced) contains a Freescale Symphony™ audio DSP56364 signal processor, a 100 MIPS, 24-bit device ideally suited for high performance, low power consumption products like ToneCore. This Symphony DSP provides more processing power than the solution in Line 6’s original POD, making it powerful enough for a wide range of audio applications.

Thanks to Freescale’s new Symphony Studio Development Tool, everything required to develop software with the TCDDK is available online. By using the extensible development platform Eclipse, Symphony Studio provides DSP users a fresh way to develop, debug and simulate through an Integrated Development Environment (IDE). The software can be downloaded for free at www.freescale.com/symphonystudio.

In addition, the source code for a fully functional stereo 2-band state-variable filter is provided that demonstrates the complete functionality of the user interface and the audio processing. With this code, the developer can immediately start modifying the example to create their desired effect.

FOR EVEN MORE OFFICIAL DETAILSSEE HERE - http://line6.com/tcddk/"

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Unobstructed Time by Atomic Shadow

Unobstructed Time from Atomic Shadow on Vimeo.

"This semi-improvised piece is recorded live, in one take. It features the equipment that is being evaluated to build a mobile Command Center. The EMW200/300, small format Mackie mixer , and effects pedals by Electro Harmonix, Line 6, Strymon and two Korg Kaoss pads. The warty cymbal has a pickup on it and is being processed by pedals and one Kaoss pad. The reverb spring that is just off camera is running through the other Kaoss pad. The EMW is being processed by a Line 6 POD that is being controlled with a foot pedal."

via Rod Mitchell on The MATRIXSYNTH Lounge

Oberheim Matrix 1000 & Pod X3 Pro

Published on Dec 4, 2012 by SacherStudioTV
"la Demo del Matrix 1000 di Oberheim pubblicata qualche giorno fa, data ora in pasto agli algoritmi del Pod X3 Pro di Line6.
Articolo correlato su: www.audiocentralmagazine.com"

Hurricane Sandy meets Analog meets Digital Modular Jams

flickr by ex-atari kid

Note the custom blue and white Clavia Nord Micro Modular.

Sequence Experiment #187

Published on Sep 22, 2012 by experimentalsynth
"An extended synth jam exploring timbral and textural tweaking on Moog Voyager, Little Phatty and Slim Phatty synthesizers. In addition, a Kurzweil K2000 (off-camera) is processed by a Moog MF-105M MIDI MuRF and drum beats from a Yamaha MO8 are filtered through a stereo pair of Moog MF-101 Low Pass Filters. Everything but the drum track is also fed through a Line 6 Echo Pro, providing tempo-synced echoes. Ableton Live provides the master clock. Moog synths and MIDI MuRF sequenced by the Koushion step sequencer app. iPad is in an Alesis iDock. Learn more at www.erxerimentalsynth.com"

Polyfuse - No One Will Come To Save Us - Free Download

via TRASH_AUDIO's Justin McGrath

Free today only, so grab it while you can.

"'No One Will Come To Save Us' was an experiment in analog electronic sound. All normal creative practices were thrown out in place of something more immediate. The whole collection was completed with the most minimal setup* possible and captured in such a way that it could not be altered after the original performance.

*x0xb0x, TR-808, Moog Prodigy, Grundig G5 (A shortwave radio), Line6 DL-4 pedal, TubeWorks RT-901 overdrive pedal, Alesis Ineko and a TC Electronics M300 all plugged into a small 10 channel mixer." [pic below]




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LINE 6 FILTER PRO PROGRAMMABLE FILTER

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NAMM: Line 6 Mobile Keys with Release Velocity

Mobile Keys 25 and 49 Line 6 - Namm 2012 Musicianews

YouTube Uploaded by musicianews on Jan 23, 2012

At 1:17 he mentions these have release velocity. You don't see that often. Velocity allows you to affect a sound based on how hard or quickly you hit the keys. Aftertouch allows you to affect a sound based on pressure you apply to the keys after pressing them. Release velocity, however, allows you to affect a sound based on how quickly you remove your hands from the keyboard. In short it offers an extra level of expression and can be quite useful. It's one thing I really liked about the Oberheim Matrix-6 keyboard. A simple example would be to assign the amplitude envelope release level to release velocity so that if you release quickly the sound cuts off, but if you release slowly the sound sustains.