Erica Synths Takeover @ Synthux HQ Rotterdam, Netherlands

video upload by Synthux Academy

"We've invited Erica Synths for a takeover at Synthux HQ. They brought Baseck and Jean Diklab for two live sets! Enjoy :)"

Doepfer drones through a Clouds clone.

video upload by Vykaar Tones

"Manipulating a Doepfer three A-110 VCO drone through slowly modulated Wiard Boogie filter, A-134 PAN and Clouds clone. Eventide Time factor and Space effects are also in the mix. Video is of the Solar eclipse in south London 2026."

What happens when you use Space as wavetables with Iris

video upload by Omri Cohen

"This is an experiment with the Iris VCO that can load images and turn them to wavetables. I wanted to see what images from space will look (and sound) like."

Andromeda Galaxy - 00:00
Stellar Forge - 00:55
Crab Nebula - 02:30
Whirlpool Galaxy - 04:50
Mystic Mountain - 06:28

Live session at Moduland in Lyon, FR 2025.

video upload by likaoninstruments

"This performance happened in Lyon at Moduland festival in November 2025.
Big thanks to Xiao-Yann, our power user!"

Isobar Industries Serratus is Completely Unhinged Madness

video upload by Metamyther and Isobar Industries

"Isobar's new module Serratus features 9 comb filters and 9 mutations, which combined with deep sound sculpting parameters, provide completely unparalleled sonic exploration. Make drones, noisy blasts, and even demented choirs with this beast of a module. Required viewing for fans of the Vhikk X, Befaco Oneiroi, or noise, industrial, and dark techno of all kinds."



A matrix of resonant delay bodies and mutations. Serratus weaves nine comb algorithms against nine distortion, saturation, and mutation processes, with each intersection morphable in real time. Chaos and generative modulation treat the whole system as a living organism, while independent routing places filter, distortion, and reverb before, inside, or after the feedback loop, sculpting everything from string plucks and resonant percussion to frozen spectral drones and chaotic self-generating textures.

CLICK FOR MORE »

Melt – The Core Ingredient

video upload by u-he

"MELT is a four-pole analogue low-pass filter module for Eurorack. Designed with a variable character and an extensive feature set, MELT is the ideal final stage for a traditional synth voice!
Pair MELT with your favourite oscillator plus a few modulation sources, and you have the foundation of a complete monophonic synthesizer.
The unique CORE TEMPERATURE control lets you adjust the character from soft to truly wild!"

"MELT analogue low-pass + band-pass filter with character...

An analogue filter module for Eurorack systems with an extensive feature set that makes MELT ideal as the final stage in a traditional synth voice: Pair it with an oscillator plus a few basic modulation sources, and you have the foundation of a complete monophonic synthesizer. MELT's low-pass and band-pass outputs can be used in parallel for a wide variety of tones, and the unique CORE TEMPERATURE control adjusts the character from mellow to truly wild.

'Modulate the modulation' using the built-in VCA in the FM1 cutoff CV path. A sequenced or stepped random CV modulating envelope depth here can add interesting dynamic motion to a bass line, for instance.

CLICK FOR MORE »

Modular relaxation - Ambient sequencing with #buchla unattended

video upload by RandomVoltage

"Modular relaxation with Buchla

Sequencer patch with one 245t sequential voltage/ 264t sample and hold and the 242t pulser
Soundsource is the 259t (two channels)

Strymon starlab reverberation"

MATRIARCH + TAKE 5 + MAGNETO | Live Synth Performance #37 (DEPARTURE)

video upload by David Falcon

"This last few months I've been downsizing a lot in the studio, while focusing on creating a compact system within the Eurorack. Have lots of redundancies and gear that I haven't been using much. Now has been the time for the Sequential Pro 3. I used it a lot in some projects, but the last two years has been gathering dust, so it was time for it to find a new home.

Still trying to find the perfect balance. However I find these these two, the Moog Matriarch and the Sequential Take 5 , so inspiring that I hardly see myself parting with any of them. My plan is to pair the modular with the Matriarch more in the future, so we will see.
Also the Magneto is growing on me, I loved the Strymon dTape sound from the Timeline, but this one is AMAZING. Takes anything to a whole different sound world.

Lastly, I used Rings into FX Aid (Gen Loss algorithm) for the bass sound.

Mastered in Ableton.

‪@MoogSynthesizers‬ ‪@SequentialLLC‬ ‪@strymon‬"

Making a Techno Rumble (and beat) | Plonk, Sealegs, Swells + More

video upload by Intellijel

"Here's our version of a techno rumble patch - using Plonk as our kick, Sealegs for saturation & delay, and Swells as our 'rumble' reverb. SWELL modulation comes in handy here for ducking the effects against the kick. We also explore some more elements afterwards to create a full techno patch, so stick around till the end.

Chapters
00:00 - Setting up the patch
01:44 - Creating the 'Rumble'
03:59 - Multigrain chord stabs
05:06 - Flurry hi-hats
06:03 - Bifold Bassline from the Kick
08:01 - FSR Drop Macro
09:32 - Outro"

3 Patches from 1 LFO | Vostok Halo

video upload by Braintree56

"In this video, I experiment with building a rack around the Vostok Instruments Halo—with no real plan going in.

I limited myself to just one LFO module. Not because I think that’s necessarily the best way to build a system, but because I wanted to see how far I could push the Halo and what I could get out of it."

Support Me on Patreon!
➜ / braintree56

ESK - Bitbox Jam

video upload by Metunar

"A jam with my eurorack modular. Some Loops are from the 1010music Bitbox MK2.
All recorded live, with post mastering."

http://www.metunar.ch

Small modular system: Noise Engineering techno in just 64 HP!

video upload by Perceptes

"In this "Small Systems" video, we'll explore a collection of modules in a 64 HP case that work together to make a great gritty, atmospheric techno system with improvisational performance capabilities.

Patrons can read the step-by-step patch notes for this video here: / small-systems-in-167282943"

OTTeR Pattern Generator by Otter Mods

video upload by Robots Are Red

"Add some organized randomness to your patches with OTTeR Sequence Generator.

For more information, visit: https://www.ottermods.com/otter

Thank you to Otter mods for providing modules for this video.

00:00 - Opening

00:59 - Overview

01:45 - Walkthrough

04:55 - A, B, C Knobs

06:50 - A, B, C Inputs

10:07 - Audio Rates

16:20 - Semi-Random Patch Example"

This Eurorack filter has AUTO DYNAMICS! // Flow 3 from Joranalogue *MEGA DEMO*

video upload by DivKid and Joranalogue Audio Design

"As we'd expect from Joranalogue, they take inspiration from classic, seemingly simple functions and turn them into musical and technically impressive devices. Flow 3 is a compact filter that builds upon on the idea of an auto wah, it's a filter with 'auto dynamics'. There's on board modulation, that can modulate itself or your modular system, stave variable filter outputs, CV over everything and an easy to play with layout in 6HP."

Update: Press release follows:

Joranalogue Audio Design announces availability of Flow 3 auto-dynamic filter module for Eurorack that sounds bigger than it looks

STEKENE, BELGIUM: having made its impressive-sounding debut during a showcase at SUPERBOOTH26, May 7-9, FEZ-Berlin, Germany, high-quality Eurorack music synthesiser modules-maker Joranalogue Audio Design is proud to announce availability of Flow 3 — an auto-dynamic filter that sounds bigger than it looks, thanks to the novel variation on the classic state variable filter topology that lies behind its compact 6 HP panel — as of August 25…

Firstly, Flow 3’s core integrator saturation of its simultaneous — low-pass (LP2), attenuates frequencies above the filter frequency (or cutoff) at -12 dB/octave and self-oscillates at a phase of 180°; bandpass (BP2), selects a band of frequencies around the filter frequency (but below and above that the attenuation slope is -6 dB) and self-oscillates at a phase of 90°; and high-pass (HP2), attenuates frequencies below the filter frequency at -12 dB/octave and self-oscillates at a phase of 0° — outputs provide for a sound that is clean yet distinctive.

RESONANCE response is exceptionally smooth — it, too, can easily reach self-oscillation (at higher feedback levels), the temperature compensation and exact calibration effectively transforming Flow 3 into a reliable quadrature sine/cosine VCO (Voltage-Controlled Oscillator) with tight pitch tracking.

The ace up Flow 3’s sleeve, however, lies in its auto-dynamic nature — helpfully highlighted by the non-erasable AUTO DYNAMIC FILTER graphic positioned across that compact, clean-cut 6 HP panel. After all, it is a filter that can modulate itself, achieved by a combined DECAY generator/envelope follower circuit controlling the filter frequency over an adjustable range; either fire decay envelopes from external triggers, or flip it to AUTO mode to follow along with the incoming signal’s amplitude envelope (or both, simultaneously).

Saying all that, then, creating heavy-hitting analogue kick drum sounds becomes a breeze, but, with a bit of patching, Flow 3 can even be used as a spectrum splitter (or crossover), cleanly separating the full audio range into low and high portions, for dual-band signal processing — perfectly possible thanks to the Linkwitz-Riley filter response at minimum resonance.

Ultimately, users of Flow 3 can clearly get carried away as the Eurorack module concerned creatively takes the old auto-filter concept to new voltage-controlled heights, hearing for themselves exactly what the fuss was all about at that impressive-sounding SUPERBOOTH26 showcase!

Coming complete with a 16-to-10-pin Eurorack power cable, two black M3 x 6 mm hex screws, two black nylon washers, and a hex key, Flow 3 is available as a 6 HP module — measuring 128.5 mm (H) x 30 mm (W) x 52 mm (D) with a +12 V: 45 mA/-12 V: 45 mA maximum current draw, reverse polarity (MOSFET) power protection, 100 kΩ impedance inputs and 0 Ω (compensated) impedance outputs — through Joranalogue Audio Design’s growing global network of authorised dealers at a MSRP (Manufacturer’s Suggested Retail Price) of €215.00 EUR or $225.00 USD.

Check with dealers on the right.

CLICK FOR MORE »

Time multiplication

video upload by SCHLAPPI ENGINEERING and Stazma

"Schlappy Patching 2026 EP.16

Hey there!
Today I want to show you how to use the BTFLD to multiply the number of events inside a single sycle of a Boundary / Boundary Layer (any function generator). This can be used to create interesting rhythms and can be voltage controlled!

Have fun!!!!"

Make better synth voices with samples

video upload by Monotrail Tech Talk

"You can layer a synth voice with samples to add interesting texture, crunch, and detail to a sound. In this video I show simple ways to use that technique in a modular synth, and make the sample feel integrated in your sound."

Timetable: 00:00 – Intro
03:21 – Simple sample
05:44 – Shaped sample

phase fiasco eurorack modules

via phase fiasco

Skalman

240dl

[i]

meteor shower

CLICK FOR MORE »

TTMC Sequencer Card , KORG volca sample2 , Buchla Easel

video upload by Tokyo Tape Music Center

TTMC 112-3 , BBD Tokyo Delay , TTMC 5Step Sequencer , 291 , Tokyo Gate 2 , 158 , TipTop BD808

video upload by Tokyo Tape Music Center

TTMC 291 Card , Buchla Easel Command

video upload by Tokyo Tape Music Center

Ellitone Osage Modular Synthesizer System (EOMSS) system #000 Prototype Plays Bach

video upload by ellitone instruments

"Ellitone Osage Modular Synthesizer System (EOMSS) system #000. This was the final prototype system built before official production began. Usually, I do not keep my prototype units around for very long. I see the destruction of prototypes as an essential part of progress, a sacrifice to the forces of forward momentum. However, this system was good enough that it deserved to survive. This system is 98% identical to the production units that followed. The ONLY real difference between this system and the later production units is the USB connection style. This system has a hard-wired USB connection that runs out of the bottom of the case. The USB connector on the back of the case itself is NOT connected here. Also, on the back of the case there is a defunct 5-pin din MIDI connector that also is not connected. Other than these minor technical differences, this system is in perfect working order and sounds truly fantastic in every way. The pcb circuity in this system is all through-hole hand assembled and includes hand-matched transistor pairs in the expo-converters. It tracks very well across 5 octaves. It has been very fun getting this system ready for sale and hearing it roar again. This modular system is something special, I know that someone out there will appreciate this opportunity to acquire something truly out of the ordinary. -ellis"

ellitone.com

How to use diode patch cable

video upload by Meska (Meska)

"Quick demo of how i use diode patch cable"

How to make : diode patch cable
video upload by Meska (Meska)

Thank you for watching. My name is Meska of the statik collective . I've been making mostly 'dark and expérimental' music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with. You can stream my albums and EPs at https://statikwave.bandcamp.com/. If you'd like to support the channel​ consider buying music from bandcamp ;) Contact/booking: meskastatik@gmail.com"