"I was on SuperBooth this year for creating video content. More gear news will coming soon. Please support me on Patreon if you enjoy my content. https://www.patreon.com/synthanatomy?...
I was on the booth of Roger Linn where Geert shows me the concept of the LinnStrument and the connection to the iPad.
LinnStrument is an interesting controller for all people who want to play key but can't play a piano. The controller is great for guitar and bass players."
"We examine the 8 Step Meta Sequencer in the Bees In The Trees alt firmware for Mutable Instruments Braids, with wave shape, pitch, repeat and assignable parameter values for each step.
"First video excerpt from Burnt Dot Quartet's February 2016 concert at the Wild Beast Pavilion, Valencia CA. A concert of improvised music for trumpets and synthesizers.
Featuring Sarah Reid and Kris Tiner on trumpets, Ryan Gaston on Euro, Frac, and Serge, and Todd Barton on Buchla, Hordijk, Euro, and waterphone. Todd performed telematically from his studio in Oregon.
Special shout out to Sahir Khan and Andrea Yasko for motion graphics and David Howe for videography.
"Just a quick look inside the Roland TR-808 rhythm composer drum machine. no fix and no important info just a quick look around. schematics can be found on my google+ page"
Dmitri SFC is the man behind COA-Modular, makers of the "paper-face" style Serge systems you see in this video. An Elektron Octatrack and Arturia Beatstep Pro help drive things.
This one in via Martin Walker of Sound on Sound and Yew Tree Magic. In addition to the Steampunk style case, there are a number of mods available. If you already own a Shruthi SMR4-mkII, step-by-step guides for the mods are also available on site.
"Housed in a polished wood and brass steampunk-styled casing, the SDE (Sound Designer Edition) is an extensive mod by Martin Walker, giving a host of extra features to the Shruthi-1 with the SMR-4 MkII analogue filter, including:
SHAPES: six filter shapes (LP2, LP4, BP2, BP4, HP2 and Notch).
FLAVOUR: six resonant types from extra IR3109 acid squelch, soft resonance, germanium limiting, to evil half-wave rectification.
FMOD: allows the audio signal to directly modulate the filter cutoff frequency - cue rubbery, wobbly sounds and FM mayhem!
DRIVE: for adding overdrive and distortion effects.
FEED: variable filter feedback for extra tonal changes and circuit-bent mayhem.
RESCMP: three different resonance compensation treatments mimicking Roland, Moog and Korg filter types.
Extensive audio demos and step-by-step circuit mod guides are provided at www.yewtreemagic.co.uk/soundworlds2.php, so you can add any or all of the mods to your own Shruthi SMR4-mkII synth."
"I was on SuperBooth this year for creating video content. More gear news will coming soon. Please support me on Patreon if you enjoy my content. https://www.patreon.com/synthanatomy?...
On the booth of Dave Smith Instruments, I make some audio demos of the new Hardware Synthesizer OB-6. OB-6 is an absolute stunning polyphonic Synthesizer."
"Ace Tone Rhythm Ace FR-3 midi triggered with full velocity control via Tubbutec UniPulse. UniPulse is an universal midi interface for drum machines."
"uniPulse – universal drum machine midi interface
Main features
Highly customizable, compatible to almost any drum machine
16 pulse outputs
Full velocity sensitivity
5 different pulse shapes
Outputs positive and/or negative pulses up to 12V/-12V
Voltage and length can be mapped to velocity, controller or CV-input
4 Digital outputs for gates and clocks
Up to 21 simultaneous clock outputs with different midi dividers
Analog output with various functions
Potentiometer / CV input to control length or voltage of pulses
Internal clock multiplier for DIN sync
Easy to use configuration app with preset database for common drum machines
Very small, fits in most drum machines
Various midi socket configurations
Runs off a single supply voltage between +15 and +25V, generates negative voltage internally
Some features in more detail
PULSE SHAPES
Various pulse shapes can be selected for each output: Rectangular, Triangular, Decay, Gaussian and Open Rect. The latter is similar to the rectangular pulse, with the exception, that instead of returning to zero volts, it goes into a high impedance state. This allows it to make use of the characteristics of an existing pulse shaping network, such as an RC network built into the drum machine.
The pulse shapes have different sonic characteristics, experimenting which suits best is recommended. The Gaussian pulse for example contains less higher harmonics and can be used to simulate drums hit by a felt headed mallet.pulseshapes
CLOCK AND SYNC GATES
The analogue output and the four digital outputs can be configured to act as sync clocks and gates. This allows it to sync the drum machine to the midi clock. Clock dividers and polarity are adjustable in order to achieve compatibility with all drum machines. Clocks speeds between 48PPQN (din-sync 48) and 1PPQN (one pulse per quarter note) are possible.
By using the 16 pulse outputs, the uniPulse can output up to 21 different clocks simultaneously.tempo-small
CONFIGURATION PROGRAM
The uniPulse configuration program, available for windows and OSX, uses midi sysex to configure the uniPulse. We are constantly working on expanding a database of presets for common drum machines.
For each channel, you can select pulse shapes, polarity, length, midi channels, note numbers and mappings. For sync outputs clock dividers can be chosen.
A velocity sensitive test button an be used to instantly listen and refine your configuration, and thus choose what sounds best for your particular drum machine and taste."