Knif BBD / Modcan videos pt 2 via Drew Neumann

video upload by GSF AGENCY

"'So I set up this simple patch…'
🎧🎧

While the patch would take a while to describe in great detail, here are the main points. All of the audio in the clip is coming from the Modcan processed through the Knif BBD in realtime. The Moog Subsequent 37 is sending arpeggiated notes, modulation, and pitch wheel to the STG Continuo, which is converting that to control voltage (plus internal LFO) and gate for the modular. The pitch CV is then routed to a Wiard Mini Wave, which imposes various quantized key modes and scales on the pitch. The gate signal is routed to various envelopes, LFO resets, and the Milton Sequencer (upper right) to clock everything together and keep it in sync. Milton is handling several duties including pulse width offsets for the oscillators, CV offsets for the filters, Wiard Mini Wave 2s wavetable select, and trigger outputs for the rhythmic parts. The "voice" is 3 oscillators (one of which is processed through the second Wiard Mini Wave for wavetables) through the Moog 904a filter, 2 more oscillators going to 2 Arp 4075 filters panned hard left and right, 2 oscillators plus ring modulator and spring reverb acting at the "cymbal," white noise and Dark Star Chaos triggered by Milton for additional percussion effects. The Knif BBD is tap-tempo synced to the Moog Subsequent 37's arpeggio clock. From there, everything is messing around with the Knif BBD controls, selecting notes on the Moog, and noodling around on the Modcan's front panel controls.

Drew Neumann, Droomusic ASCAP copyright 2026

@knifaudio

#analog #delay"

Arp 2500 - Overview

video upload by Ian Nieman

Self Playing Patches by BENGE

video upload by Memetune Studio

"This series of studies explores an idea that Benge has been working on over the past year or so, namely that of Cybersynthesis. This involves programming self-contained patches on various modular systems which, once set in motion, will produce dynamic, evolving soundscapes, sometimes purely abstract in nature, at other times veering towards the more melodious

Many different methods were deployed in the patches, depending on the system being used, but normally multiple sequencer and switching devices were combined to give varying degrees of control over long time periods, often without repetition

Other things like random control signals and semi-random events were combined with the sequencers and switching units to bring variation to the performances the machines were making

The key idea at the heart of Cybernetics is the concept of bringing control to chaotic processes. To do this, some kind of feedback loop would ideally be established that can monitor and limit events that might otherwise spin out of control. The Serge and Modcan systems featured here each have various comparator circuits that can, to a certain extent, achieve this highly advanced synthesis feature

In the absence of such sensor paths, it is sometimes possible to use audio or voltage mixers and feedback chains to set various parameters to be on the very edge of chaotic behaviour, an approach used in many of the patches on display here

Other techniques such as the quantisation of voltages and the forcing of notes to play within certain predetermined musical scales were also employed in some of the pieces, which is another way of taming chaotic elements into into a more musical realm

Overall, a wholly experimental approach was applied to the various setups, with the intention of providing an insight into how these machines can behave. Of course, each system has an almost limitless depth to the complexity of patches available, and each track on the album provides just a single snapshot of each instrument used. But hopefully it provides an interesting glimpse into the wonders that these self-playing systems can achieve

Tracklist:

01 - Buchla 100 and EMS VCS3
02 - Serge Paperface
03 - Modcan A-Series
04 - ARP 2500
05 - Buchla 200 and DK Synergy
06 - Serge and LW Comparator
07 - Moog Modular 3C
08 - Roland Discrete System
09 - Buchla 200

MORE INFO HERE:
https://modular-station.com/modulisme...



Synthesiser programming and recording, design and concept: Benge (B D Edwards)

Made at Memetune Studios, England

(c)+(p) 2025 Memetune Recordings

Special thanks to Philippe Petit at Modulisme (modular-station.com/modulisme) for his continued support"

Mutable Instruments Ambika - "Organica" Soundset 64 Presets

video upload by LFOstore

"Welcome to unique hybrid analog/digital synthesizer by Mutable Instruments - Ambika!

BUY: https://lfo.sellfy.store/p/mutable-in...

This soundset working with Ambika (LP mode) so if you are having different filter - its not a problem - sounds must be close.

By Nick Klimenko aka Chronos, a creator of 'Organica' for Waldorf Blofeld & 'WS Universe' for Korg Wavestation.

This custom assembling instrument having wide set of digital osc's ,analog filter, arp,sequencer & extensive mod matrix.

Introducing 'Organica' Soundset with 64 fresh & inspirative presets

Inside the pack:

Edge Plucks
Deep Polys
Melodic Arps
Modular Sequences
Evolving Pads
Massive Strings
Huge Drones

Instructions are included - both for Editor & SD Card

Get ready for the new soundtrack ideas with your Ambika synthesizer & 'Organica' pack!"

Songlines (soundscape) for Arp 2600, VCS3 and Gong

video upload by R. Reger

"Original soundscape for analogue instruments."

Bad Gear - PROTEIN

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. Every once in a while we have to remind ourselves why we still prefer the luxury of tangible hardware to the unlimited possibilities of plugins: unique tones, ergonomic control surfaces and - ideally - a timeless piece of music history that effortlessly weathers the decades.

Today, however, we unfortunately need to talk about Protein."

Chapters:
00:00 Intro tune
00:45 Overview Waldorf Protein
01:28 One Problem becomes obvious immediately
01:50 Synth Architecture, Oscillators
02:28 Noise (Dirt), Filter Section
03:02 FX Section
03:14 The problematic Envelopes
03:46 Mod Matrix, LFOs
04:01 Synth Nerd Tic Tac Toe, Flavour
04:20 What else? (Scales, Chords, Arp, Seq, Multis, Thanks)
05:18 H*te Screen
05:38 Jam 1 ( Techno )
06:22 Jam 2 ( Downtempo )
07:27 Finale ( Dub Techno )
07:58 VERDICT

RetroSound Studio Tour: Analog Monophonic Synthesizers

video upload by RetroSound

"Welcome to RetroSound Studio Tour: Analog Monophonic Synthesizers & Duophonic — a deep dive into legendary mono synths from the 1970s and 1980s, including rare East-Bloc classics.

In this new episode, I showcase iconic instruments such as the Minimoog, ARP Odyssey, Roland SH-101, Maxi-Korg, Sequential Circuits Pro-One, alongside Soviet and East German synthesizers like the Polivoks, Alisa 1377 and Vermona mono synths.

These analog monophonic synthesizers defined the sound of electronic music — from the fat Moog and cutting ARP to aggressive Polivoks and raw Eastern European character.

This video explores the sound and architecture of true analog mono synths built around VCO, VCF, and VCA signal paths, highlighting their distinctive basslines, lead sounds, and modulation capabilities. From the Moog basslines to the aggressive Polivoks filter sound and the unique character of East German Vermona synthesizers, each instrument demonstrates why 1970s and 1980s monophonic synthesizers remain highly sought after by collectors, producers, and electronic music enthusiasts."

The Monophonic Analog Synths:
0:07 Maxi-Korg 800DV
3:17 Sequential Pro-One
6:30 ARP Odyssey Mk. III
8:39 Roland SH-101
11:56 Moog Prodigy
15:24 Moog The Source
17:34 Moog Micromoog
18:16 Moog Minimoog
20:56 Moog Taurus
22:21 Formanta Polivoks
24:44 Rodina Alisa 1377
26:48 Vermona Synthesizer

Arturia Pigments Dark Rhythmical Presets/Patterns Sound Demo

video upload by Anton Anru

"Echoes of Night Traffic" is a collection of 50 rhythmic presets for Arturia Pigments, designed to bridge the gap between surreal dreams and aggressive cyberpunk realities.
The bank contains timbres heavily focused on sequences and rhythmic textures: 29 Sequences (SQ), 17 Rhythmic timbres (RH), and 4 Arpeggios (ARP).

📦 Get these presets: https://antonanru.sellfy.store/p/pigm...
👤 The author of the soundset is Daytona Carter.
🔔 Pigments presets can be imported into Arturia Analog Lab V.
If you like these sounds but don’t have Minifreak or Pigments and only own the Analog Lab V plugin, you can still purchase these sets and load them into Analog Lab V.

💎 The library moves effortlessly from hypnotic, cosmic sequences to hard-hitting, aggressive rhythms that cut through the mix.

The soundset creates the atmosphere of a dystopian city, which would suit the soundtrack for a film, game, or electronic music (Techno, IDM, Ambient, Cinematic, Synthwave, Retrowave, Electronica, Acid, Industrial).

CLICK FOR MORE »

Knif BBD / Modcan videos via Drew Neumann

video upload by GSF AGENCY

"'So I set up this simple patch...' 🎧

While the patch would take a while to describe in great detail, here are the main points. All of the audio in the clip is coming from the Modcan processed through the Knif BBD in realtime. The Moog Subsequent 37 is sending arpeggiated notes, modulation, and pitch wheel to the STG Continuo, which is converting that to control voltage (plus internal LFO) and gate for the modular. The pitch CV is then routed to a Wiard Mini Wave, which imposes various quantized key modes and scales on the pitch. The gate signal is routed to various envelopes, LFO resets, and the Milton Sequencer (upper right) to clock everything together and keep it in sync. Milton is handling several duties including pulse width offsets for the oscillators, CV offsets for the filters, Wiard Mini Wave 2s wavetable select, and trigger outputs for the rhythmic parts. The "voice" is 3 oscillators (one of which is processed through the second Wiard Mini Wave for wavetables) through the Moog 904a filter, 2 more oscillators going to 2 Arp 4075 filters panned hard left and right, 2 oscillators plus ring modulator and spring reverb acting at the "cymbal," white noise and Dark Star Chaos triggered by Milton for additional percussion effects. The Knif BBD is tap-tempo synced to the Moog Subsequent 37's arpeggio clock. From there, everything is messing around with the Knif BBD controls, selecting notes on the Moog, and noodling around on the Modcan's front panel controls.

Drew Neumann, Droomusic ASCAP copyright 2026"

Polyend Synth / Dirt Multi-Mode Waveshaper Engine

video upload by Polyend

"Explore the Dirt Synth Engine added to the Polyend Synth firmware 2.0. [announced here]

Download the latest firmware, 2.0.1 now - https://polyend.com/downloads/synth-d...

0:00 - Dirt Features
0:35 - Polyphonic Aftertouch
1:00 - Sound demo: Lofi, 3 Synths in One
1:33 - Sound demo: Saturated Arp + Pluck
2:05 - Sound demo: Single grid Pad
2:49 - Sound demo: Techno"

ARP QUADRA PROGRAMABLE SYNTHESIZER

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

Pics of the inside below.

CLICK FOR MORE »

He Hates This Synth Because…

video upload by Anthony Marinelli Music

"In this video, I pick one thing I think I hate about 12 classic synthesizers—and then follow that feeling wherever it leads.
We’re talking about legendary instruments:
Minimoog, MS-20, Prophet-5, Jupiter-8, ARP 2600, Moog IIIc ('Plantasia'), Oberheim 4-Voice, Oberheim OB-X, Synclavier III, Elka Synthex, and Yamaha CS-30.
What starts as frustration with a workflow choice, a knob, or a design limitation slowly turns into something else entirely.
Along the way, I realize this video isn’t really about hating synths at all. It’s about relationships.
Every one of these instruments has limitations—and so do we. In any good relationship, not everything is perfect. But when you stop fighting what something isn’t and start understanding what it is, those limitations can become the very thing that leads you somewhere creative and unexpected.
Instead of endless options, boundaries create focus.
Instead of frustration, they create identity.
And in learning to understand these instruments more deeply, I ended up learning something about myself.
This is a video about synthesizers—but it’s also a small morality tale about creativity, acceptance, and finding freedom inside constraints.
Let me know in the comments:
Which synth do you love… even though it drives you crazy? 🎛️"

https://anthonymarinellimusic.com/pages/about

ARP Foundation NAMM & Buchla & Friends Pics

via The Alan R Pearlman Foundation newsletter:

"Our West Coast Whirlwind!

Still feeling the synthesizer love from last month’s California visit to NAMM / Buchla & Friends!

At NAMM:

Anthony Marinelli visited our booth
The Blue Meanie was at our booth for a whole day!

ARP 2600: Drew Schlesinger demonstrated patches using the 2600 software included in the Korg Collection VST 6. 2 Lucky folks won a signed CD and poster from Martin Gore

And Congratulations to Violet Burns who won the Korg Collection 6!

Then it was off to Buchla & Friends – January’s biggest two-day collection of hands-on synths on the West Coast!

Remember: The Most Creative Part of an ARP synthesizer is You!

NAMM 2026 would not have been possible without the help of the following people and companies:

Thank you to Korg, Inc for the Korg Collection Giveaway and helping us make NAMM possible.

Thank you to Sean Weizmann of Arturia for the midi controller

Thank you to Beyer Dynamics for the headphones

Thank you to Ryan Hawkins of Hawkins Restorations for use of his Blue Meanie, Tonus 2600, OMNI and Odyssey, and for being the best Booth volunteer along with his assistant Miles.

Thank you to Julie Lewis for volunteering at the booth and for her donation last year of a rare ARP Soloist that was owned and played wonderful late husband synth legend Don Lewis.

Thank you to our Board Member and booth volunteer Stephen DeJesus for selfless assistance at both NAMM and Buchla & Friends.

Thank you also to Chris Cardone, Joe Castronovo, Tom Cusimano, Deanna DelVino, Rich Formidoni, Martin Gore, Andy Joyce, Brian Kehew, Ruperto Ifil, Mary Lock, Anthony Marinelli, Mark Marshall, Mike Metlay, LaMar Mitchell, Tony Notron, Drew Schlesinger, James Terris and Brianna Tortino,

View our West Coast photo dump!"



Pictured:

Top: The great Stevie Wonder w/ ARP Foundation's Dina Pearlman-Ifil.

Middle: "Richard Devine giving the Blue Meanie a run for its money." Check out the video here.

Bottom: ?! :)

Serviced ARP Omni 2 Synthesizer with Synthchaser MIDI, LED Sliders & Road Case

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"Here's a nice, restored ARP Omni 2... with MIDI!! This synthesizer has just been fully serviced by Synthchaser, the United States' top ARP specialist - recapped, new key bushings, new LED sliders, clean, fully functional, calibrated, in tune and sounding great. And best of all, this has been fitted with the Synthchaser MIDI Adapter! This keyboard is the sound of Joy Division and is all over The Cars' "Moving In Stereo", and many other late 70's/early 80's albums. It produces the lush Solina/String Ensemble sounds plus has a polyphonic synthesizer section with a voltage controlled filter, LFO, and ADSR, and a dedicated bass synthesizer section.

Excellent condition, with some marks on the right leather side panel. Includes a road case that needs new foam and to be aired out as it smells musty. See photos for condition. This synth was serviced by Synthchaser (the top ARP specialist) in February 2026. Work done included:

Synthchaser MIDI Adapter - Supports MIDI IN and THRU (only an "IN" jack has been fitted on this synthesizer). Configurable MIDI channel and starting key on your MIDI controller.

Synthchaser Precision LED slider upgrade. All 15 of the old original sliders have been replaced with new, smooth, high precision LED illuminated sliders (purple color--think Prince!). The difference in the way these sliders feel and perform compared to the originals is a huge improvement.

Power supply rebuilt - All tantalum and electrolytic capacitors in the power supply have been replaced, and high quality, high temperature 105 deg C capacitors have been used for the power supply filter capacitors.

All tantalum capacitors replaced - The tantalum capacitors in ARP synths are ticking time bombs. All of the over 100 tantalum capacitors in this synth, including the power supply and filter submodule, have been replaced with electrolytics to help provide stable operation for years to come.

Synthchaser 4075 Filter Enhancement Kit Installed - The ARP Omni uses the same 4075 filter submodule found in the Odyssey, Quadra, Avatar, and Pro DGX. This has been recapped, and enhanced to provide superior frequency response.

Keyboard rebuild - New key bushings installed, buss bar & key contacts cleaned and adjusted, keybed leveled, keys cleaned

Oscilloscope calibration - Fully calibrated to factory spec using oscilloscope and frequency counter."

CLICK FOR MORE »

Korg Triton Extreme - "Best Analog & Ambient Sounds" FREE

video upload by LFOstore

"Buy: https://lfo.sellfy.store/p/korg-trito...

Welcome to the 'Best Analog & Ambient Sounds' for almighty king of workstation - Triton Extreme!

We made a big work - take all factory and free Korg's soundsets and make electronic & ambient sounds collection - only interesting sounds, no EP & Organs - 256 Programs!

This collection work both with actual Hardware & Triton Extreme Native Plugin!

And its totally free - enjoy!

Big thanks for conversion - PCG to VST - https://github.com/justedni/triton_pc...

Categories:

Arp
Seq
Bass
Lead
Key/Poly
String
Pad
Drone/Sweep
Fx

All instructions on how to load in hardware & plugin are inside.
Note: You need at least Krog Triton Extreme plugin version 1.1.1

Soundset is ready to use in any classic & modern genres: Soundtrack,Ambient, Electronica,Chillout,Synthwave.

Get ready for cosmic debris, deep spaces & floating spheres with Triton Extreme & 'Best Analog & Ambient Sounds' soundset!

By Nick Klimenko aka Chronos, a creator of 'Organica' for Waldorf Blofeld & 'WS Universe' for Korg Wavestation."

RetroSound Studio Tour: Classic Analog String Machines from the 70s and 80s

video upload by RetroSound

"Step inside RetroSound Studio for an in-depth studio tour focused on classic analog string machines from the golden era of the 70s and 80s.

In this video, I showcase my collection of vintage string synthesizers, legendary analog ensemble keyboards that shaped the sound of disco, prog rock, synth-pop, ambient, and early electronic music. These iconic instruments are known for their lush chorus effects, warm analog tone, and unmistakable vintage character.

From rare string machines to well-loved classics, this studio tour is a deep dive into the history, sound, and vibe of analog synth technology that continues to inspire modern music production today.

Whether you’re a synth enthusiast, producer, collector, or just love retro sounds, this tour of RetroSound Studio highlights why analog string machines remain timeless.

Stringmachine list:
0:07 Logan String Melody 2
1:30 Roland VP-330 Vocoder Plus Mk2
4:38 Crumar Performer B
7:53 Korg EPS-1
10:03 ARP Quadra
13:50 Rmif Opus
15:29 Elektronika EM-26

The analog string machine playlist:"



Shop: https://retrosound.creator-spring.com/
Bandcamp: https://retrosound.bandcamp.com/"

TerrainSynth 4PartArp

video upload by Conductive Labs

"Terrain Synth by Conductive Labs... a long time in the making!
Kickstarter still open: https://www.kickstarter.com/projects/...

Terrain Synth Arp mode with 4 Parts playing at different rates and modes etc...
/ discord

Terrain Synth features:
Unique terrain oscillators
32 note polyphony (8 per timbre)
Four timbres (layers) that can be split or stacked
Two morphable terrains per voice
Up to 7x unison for each voice
Two sub-oscillators (-1 & -2) oct for each voice
White, Pink, Blue and Brown noise
Oscillator sync, Phase distortion, Mirroring and Windowing

CLICK FOR MORE »

FreqGen - Orbital Drift (Live Modular Performance)

video upload by celldweller

"I haven't done this in a while. No softsynths. No presets. Just raw voltage, evolving sequences, and semi-controlled chaos, captured in real time. Why would I do this? Because I can.

Available on all DSPs Wed, February 4th.
A Celldweller Production.

Patch Notes

I’ve had Intellijel’s Metropolis for a long time and have used it on many songs. A family member bought me Metropolix as a gift and it was time for me to wrap my head around all the upgrades and new features, so that was the impetus for this track and the foundation it was built on.

Intellijel Metropolix to Livewire AFG. Modulating pulse width and harmonic animation with Ornament & Crime. That’s run through one of my fav filters of all time, the Cwejman MMF-2 modulated by the Tip Top Z4000 EG for a bit of snap but mostly as seen in the vid, manual modulation of the cutoff. Hands are handy.

Drums are sequenced by the Erica Synths Drum Sequencer with kick, hats and percussion all in random mode. The Drum Sequencer is controlling the VPME QD & QEX which I loaded up with my own selection of drum samples.

I used Make Noise Pressure Points/Brains for the main played lead, controlling pitch of the XAOC Devices Odessa. Gates fired from PP/Brains trigger another Z4000 EG which mults through a Synthrotek mult to a Pittsburgh Modular VCA and the Roland 521 VCF (The thing I keep looking up at, hoping it would wave or say hi. It never did, but it did an amazing job at filtering the Odessa.)

The little arp I added at the last minute. It lives on another rack which contains all my 5U stuff. Sadly it’s not in the video bc I didn’t know I was going to utilize it when I set up the cameras. Next time. The arp uses all Synthesizers.Com modules, sequenced by the Q119 and filtered by the Q150 Transistor Ladder filter.

Delays and reverbs from multiple Tip Top Z-DSPs. Some EQ & compression and maybe a delay in Cubase which mainly acted as my tape machine to record the performance. As I normally do when I patch, it’s all synced to Cubase clock using Expert Sleepers modules & Silent Way software.

If you read even one sentence from these patch notes, you get a lollipop and if you made it to the end you’re a true legend and clearly as nerdy as I am. 🙌"

Take something - SQF - Vermona PerFourmer - Digitone 2 - Sub37

video upload by SQF

"DN2 drums
Roland S-1 on chords
Sub37 with some arp leads (a few program changes along the way)
GS Music e7 (multi mode, so I'm using several of the 4 multi-patches at once)
Vermona PerFourmer on bass and nastiness."

Semiqiuncentennial Tension

video upload by Rhythmicons

"An EMS VCS3 does a throbbing drone. The Moog Model 10 is sequenced by a synthesizers dotcom q960/q119 with a little help from the Mos-Lab envelope.

The Serge comprised of licensed circuits by Elby Designs, Catgirl Synth, all lovingly paneled and assembled by Rich at Lower West Side Studios of Canada. There is a Buchla clone of a Source of Uncertainty module assembled and paneled by Jason Fry of Free State FX that is randomizing various parts of an M401 Multimode (Arp 1047 clone) also built by LWSS.
From the 401, the audio heads to the Analog Craftsman Gristleizer. The result is a little rhythmic bubbling.

The title is a nod to Tricky’s Pre-millennium Tension album but nevertheless reflective of the current zeitgeist.

But hey, no sirens this time!

In the meantime I crave my own."