4/9/26 Metasonix RK7 RK2 RK8 + Beers Melakarta & DAC + ALM Pamela’s New Workout + Alesis MIDIVERB II

video upload by Cfpp0

This is the first post to feature the Beers Melakarta.

"Feeding the Beers DAC and Beers Melakarta several triggers from ALM Pamela’s New Workout, and then modulating the pitches of the two Metasonix RK7 VCOs and the CV on the Metasonix RK8 Filterwall. Gated reverb from the Alesis MIDIVERB II."

"The idea for this module came from my friend Rodrigo Kendrick. He was a bit burned out on western tonal structures, and had recently missed out on an electronic lehra machine in a facebook marketplace deal which fell through. These machines are a kind of practice tool for carnatic musicians that plays a wide variety of different raga. Think that 'casio auto-chord' function on old casio keyboards, but for carnatic music.

Unwilling to wait for another one to come up on the used market, he did some cursory research, and sent me an early-morning design document, expanding the functionality of DAC with a scheme of two rotary switches and one toggle switch to select the pitch sets for all 72 Melakarta ragas and specified a clock input that would run up and down the selected raga in ascending then descending order, with the ability to turn around or reset on command. In theory this would allow the complex rhythmic and sequence rules of the raga to be implemented with external logic and sequencers, but still give the module enough sequencing functionality to explore the pitch sets of these raga on it's own.

I got excited and went a bit silly 'helping' until we had shoehorned in a pile of other features like binary addressability of the selected swara (interval), gate outputs for each swara, an 'inhibit' input that mutes the transposition voltage while the clock continues in the background, CV controlled halving of the clock frequency, extra +1oct input, and the logic-inverting toggle switches from the DAC on several inputs.

This design is all analogue using discrete MOSFETs and 0.1% tolerance resistors in a weighted DAC driven by a 4000-series CMOS based sequencer.

Yes, it might have been simpler to use a microcontroller."

The Crow Hill Company Introduces the THE SH*T SYNTH

The Sh*t Synth - Walkthrough video upload by CROW HILL XTRAS

Press release follows:


The Crow Hill Company turns to extensive and rare collection to turn out THE SH*T SYNTH as compendium of 48 circuit-, wave- and sample-bent instruments

EDINBURGH, UK: The Crow Hill Company is proud to turn to its own extensive and rare collection of hardware to turn out THE SH*T SYNTH — available as a compendium of 48 circuit-, wave- and sample-bent instruments inspired by some of the Edinburgh-based enterprise’s eclectic musical favourites (spanning the likes of Aphex Twin, Boards Of Canada, Joe Maus, Jon Brion, Laurie Spiegel, Radiohead, Throbbing Gristle, and Yazoo) to create something that they collectively ask: is it just shit or ‘the shit’? — as of April 7…

Whatever way anyone chooses to read into the titling of THE SH*T SYNTH as the latest entry into The Crow Hill’s ongoing ORIGINS series of sample-based virtual instrument plug-ins, one thing is for sure: it readily represents a broad selection of three categories of 16 workhorse instruments each, effectively wrapped up into a single plug-in designed to bring a cohesive approach to making music more edgy, lo-fi, retro, and — swimming against the technological tide of so-called progress — decidedly AI (Artificial Intelligence) slop-free. From pianos to strings, plucks, beeps, bass, and pads, the compendium that is THE SH*T SYNTH has been lovingly sculpted by the Edinburgh-based enterprise’s media composer and ‘samplist-in-residence’ Christian Henson to take the hassle out of making existing sounds less refined, catering to those looking for an entirely new bank of Mellotron-style sounds as well as synths that have been long forgotten — for good reason, too!

CLICK FOR MORE »

Yamaha DX7 - the best (arguable) digital synth ever! Part III (2nd)

video upload by Sebastian Galassi

"The third track on my EP, made almost exclusively with Yamaha DX7 (for the synthesizer part) and a handful of drum machines. As mentioned, this track also features an electric guitar solo, played by Sharad Shakya, which fits perfectly with this unmistakably '80s vibe. Stay tuned."

Yamaha DX7 - the best (arguable) digital synth ever! Part IV

video upload by Sebastian Galassi

"And here's another snippet of the track, created entirely with the Yamaha DX7 and the TX802 FM Tone Generator (a rack-module version of the DX7mkII with full 8-part multi-timbral operation). It also includes the electric guitar solo played by Sharad that enriches the second part of the song."

Sebastian Galassi DX7 posts

LXR-02 gets Xeno'ed (no talk)

video upload by Richard DeHove

"In the last video I had the DB-01 going into the Nightverb reverb and then into the Xenodrive. This time it's a more conventional routing of the LXR-02 into the Xenodrive and then into the Nightverb. With the Nightverb early reflections, a little pre-delay and a careful amount of shape,it sudden;y came together. I was setting up for a completely different video idea but just had to capture this instead.

It's not all happy accidents though. First I tried Echolocator feedback into the Xeno and then Nightverb. Mildly interesting but even the Xeno couldn't rip the Echo feedback apart. And that's how it goes sometimes - you set everything up, twiddle up to 11 and you draw a blank. Sometimes I'll chew on it for days before admitting it was a rotten idea. I wasted the best part of two weeks recently on a looper pedal I bought and just couldn't get a single thing out of it. So sometimes when I don't post a video for a couple of weeks it's not because I'm too busy with cocktails and cigars, it's because my latest great idea just didn't produce anything worth your time.

Hopefully you'll agree that this little experiment with the LXR-02 was worthwhile. The LXR-02 remains one of my favorite machines. It has its flaws and is still desperately in need of another firmware update but I think it's a brilliant machine. Six assignable LFOs and multiple filters, deep editing and a tiny footprint: So much to love.

If this were a final production drum track I would definitely add a deep and clean bass drum from Hexdrums, but as usual I like to keep things well defined. Adding an external bassdrum would sound better but then you wouldn't be hearing pure LXR-02 / Xeno / Nightverb. My aim is to show you possibilities.

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/
My other channel "IntraCosmos" of long-play dark ambient textures: / @intracosmos"

Self Playing Patches by BENGE

video upload by Memetune Studio

"This series of studies explores an idea that Benge has been working on over the past year or so, namely that of Cybersynthesis. This involves programming self-contained patches on various modular systems which, once set in motion, will produce dynamic, evolving soundscapes, sometimes purely abstract in nature, at other times veering towards the more melodious

Many different methods were deployed in the patches, depending on the system being used, but normally multiple sequencer and switching devices were combined to give varying degrees of control over long time periods, often without repetition

Other things like random control signals and semi-random events were combined with the sequencers and switching units to bring variation to the performances the machines were making

The key idea at the heart of Cybernetics is the concept of bringing control to chaotic processes. To do this, some kind of feedback loop would ideally be established that can monitor and limit events that might otherwise spin out of control. The Serge and Modcan systems featured here each have various comparator circuits that can, to a certain extent, achieve this highly advanced synthesis feature

In the absence of such sensor paths, it is sometimes possible to use audio or voltage mixers and feedback chains to set various parameters to be on the very edge of chaotic behaviour, an approach used in many of the patches on display here

Other techniques such as the quantisation of voltages and the forcing of notes to play within certain predetermined musical scales were also employed in some of the pieces, which is another way of taming chaotic elements into into a more musical realm

Overall, a wholly experimental approach was applied to the various setups, with the intention of providing an insight into how these machines can behave. Of course, each system has an almost limitless depth to the complexity of patches available, and each track on the album provides just a single snapshot of each instrument used. But hopefully it provides an interesting glimpse into the wonders that these self-playing systems can achieve

Tracklist:

01 - Buchla 100 and EMS VCS3
02 - Serge Paperface
03 - Modcan A-Series
04 - ARP 2500
05 - Buchla 200 and DK Synergy
06 - Serge and LW Comparator
07 - Moog Modular 3C
08 - Roland Discrete System
09 - Buchla 200

MORE INFO HERE:
https://modular-station.com/modulisme...



Synthesiser programming and recording, design and concept: Benge (B D Edwards)

Made at Memetune Studios, England

(c)+(p) 2025 Memetune Recordings

Special thanks to Philippe Petit at Modulisme (modular-station.com/modulisme) for his continued support"

Hexdrums and friends

video upload by Richard DeHove

"Noodle the second. Hexdrums plus effects. The routing here has BD1 going to Gallows for a little dirt and reverb; BD2 going to the Boss DM-2w; the machine voice 3 to the Zen delay; and everything else to the Xeno filth machine. A six-minute drum machine solo is a challenge. You're essentially making an 'accompaniment' instrument take the lead.

Here I again use the mute/unmute to create variations. That's reasonably easy on machine with ten voices. I've often thought that four voices is plenty for me. So is ten voices with mutes better than two patterns with four voices; or four voices one pattern and parameter locks? Is one more efficient than another? Is there any way to quantify such things? Just for laughs I asked Grok this exact question. Predictably (just like any forum) it started with "It really depends...". Later it said that: "In the drum machine world, parameter locks (p-locks) on a single pattern are generally considered far more powerful and creative than having multiple patterns or more voices." Hmmm. maybe. P-locks might allow more voice variation on a single pattern but then you have to program that in. With multiple voice and muting you can create multiple 'scenes'. Of course AI isn't going to tell you anything profound, it's just scraping forums.

What really strikes me with Hexdrums is that it hits hard. It's easy to get a very solid bass drum in all sorts of flavors. Why can't cheap drum machines do that? Ah, so many questions...

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

ERICA SYNTHS HEXDRUMS 08 // LØSTLVLS

video upload by LØSTLVLS

"Really enjoyed the last 'clean' HexDrums video so thought I'd make another, this time using the Cymbals voices to add some sampled chord stabs.

Check out my sample packs on Bandcamp - loads of vintage and modern gear (leaning towards drum machines) with kits, sample chains and presets. All ethically-sourced and locally-grown here in the lab in Bristol, UK: https://lostlvls.bandcamp.com/"

c.1971 CRB Elettronica Tanzanite (aka. Diamond) Synthesiser Organ

Note: links to listings are affiliate links for which the site may be compensated.
video upload by riffers

See another model here.

via this Reverb listing

"Serial Nº 21196

Italian-made CRB “Diamond” Cavendish Combo 30 in remarkable condition for its age. Classic combo-organ tones plus a built-in “mini-band” (bass + drums) make it a fun, self-contained writing and performance machine. Built in Ancona under CRB’s Diamond/Cavendish line.

Organ section: Flutes, Clarinets, Reeds, Strings

Presets: Piano, Spinet, Harpsichord

Effects: Sustain and Vibrato (both sound great)

Mini-band (auto-accompaniment)

Drum patterns: Waltz, March, Tango, Bossa Nova, Samba, Slow Rock, Boogie, Disco — all with variable tempo/volume; very much in the vein of early CR-series drum machines.

Bass accompaniment with automatic chords, Free 1-Finger, Memory, and chord quality switching (Major default; Minor/7th via yellow/green buttons).

External output, headphone out
Expression pedal input
Built-in speaker that’s quaint yet surprisingly punchy
UK mains power - we can include a step-up/step-down transformer on request so you can use it in your country without modification, just ask for details."

CLICK FOR MORE »

Ambient Session by SRVND with Elastic OSC & Teenage Engineering OP-1

video upload by Elastic Instruments (Oliver Greschke)

"Audiovisual artist / PureData expert Servando Barreiro / SRVND is playing with some of the presets he created for Elastic OSC. Additional drums and MIDI sequencing of Elastic OSC are handled by the OP-1. These presets are available in the current Elastic OSC 1.2 update!

Technical hint: OP-1 is sending Midi to Elastic OSC"

Another Machines is rocking Elastic OSC with a Digitakt for drums

video upload by Elastic Instruments (Oliver Greschke)

"High-energy techno producer Another Machines is showcasing the presets he created for Elastic OSC. Additional drums and MIDI sequencing of Elastic OSC are handled by the Elektron Digitakt.
These presets are part of the newly released 1.2 update.

Technical hint: Digitakt is sending Midi to Elastic OSC and receiving audio from the iPad - no extra sound card (for the iPad) needed - cool 😎."

Elastic OSC 'LFO' Update 1.2

video upload by Elastic Instruments (Oliver Greschke)

"Update 1.2 brings the long-awaited LFO support to Elastic OSC.
LFO 1 is free - additional 3 LFOs can be unlocked via In-App Purchase.

Each LFO offers:
• Frequency (0.02 – 20,000 Hz, or tempo-synced)
• Shape (Sine, Triangle, Ramp Up, Ramp Down, Pulse, Sample & Hold)
• Fade: Fade-in time after being triggered
• Phase: Define the start phase
• Sync: Run the LFO in sync with project tempo
• Trigger Modes:
• Retrigger – restarts with each new note
• One Shot – plays a single cycle when triggered
• Free – runs freely without retriggering
• Enable: Quickly compare modulation by toggling the LFO on/off

CLICK FOR MORE »

ERICA SYNTHS HEXDRUMS — TWISTING KNOBS: Raw Out-Of-Box Sound Tour 🔊⚙️🎚️

video upload by Another Machines

"ERICA SYNTHS HEXDRUMS — TWISTING KNOBS: Raw Out-Of-Box Sound Tour 🔊⚙️🎚️

No commentary — just the machine. A fast, out-of-the-box sound tour of the Erica Synths × Hexinverter HEXDRUMS.

Listen to each of the 10 voices (two kicks, Mutant Machine, snare, clap, rimshot, open/closed hi-hats and cymbal samples) as I twist knobs and show the raw character of the engine.

Perfect for synth heads who want immediate, honest sounds straight from the unit — no effects, no processing, no talk.

CLICK FOR MORE »

ERICA SYNTHS HEXDRUMS 03 // LØSTLVLS

video upload by LØSTLVLS

"My Hexdrums arrived a couple of days ago, and it's been great to get to know it away from the hustle and bustle of Machina Bristronica!

In this video you will hear two custom samples on the Crash and Ride (Cymbals) channel - an open hat and a clap. I find adding custom samples to this device really helps it cut through, and works great when layering them with the internal voices.

Check out my samples on Bandcamp - loads of vintage and modern drum machines and more, all samples ethically-sourced and locally-grown here in the lab in Bristol, UK: https://lostlvls.bandcamp.com/"

Update:

ERICA SYNTHS HEXDRUMS 04 // LØSTLVLS

video upload by LØSTLVLS

"Another little jam on the HexDrums - this time another two user samples, the open hat and clap from the TR-909. Classic sounds mixed in with the Hexinverter modules timbres."

MFB Urzwerg Pro

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"One of the best step sequencers ever made, with a degree of immediate flexibility missing with much more expensive and complex machines. Great, compact, sturdy & lightweight tool for modular system or polysynths control. Sweet bakelite retro vibes.

MIDI & CV/gate operation. Control 4 synths or modules simultaneously with one sequencer – or layer 4 polyphonic voices.

4 rows of 8 steps each, linkable to 2x16 steps

gate on/off + CV rotary control per row

set number of steps per row (in real time)

individual gate & CV outputs per row! MIDI in out thru on the back.

range and gate length can be set in real time, for unparalleled improv capabilities

deep MIDI programmability: have 2 rows do pitch, another do velocity etc... adapt to any use

rows can move back, forth and <–>

control number of steps per row and program polyrhythms on the fly

2 shuffle modes

LED per step showing you where you are (new to Pro)

Technically immaculate.

Excellent cosmetic condition."

CLICK FOR MORE »

MACHINA BRISTRONICA w/ Stromkult

video uploads by Stromkult

Playlist:

1. MPE on Supercritical Synthesizer Redshift 6 - Bristonica 25

Now capable of MPE!

The latest Redshift update introduces MPE functionality.
This feature, which addresses frequent customer requests, enables compatibility with MPE-capable controllers, such as the LinnStrument.

2. Verbos Electronics Multistage 16- Bristronica 25

New evolution of the Voltage Multistage, one of the first Verbos Modules.
The original Voltage Multistage has an analog sequencer core with several unique features that allow it to function as a sequencer with switchable slides on each step, multistage envelope of any length with sustain on any stage, any shape of LFO, voltage quantizer, and more.

The Voltage Multistage 16 is no longer based on a CMOS counter core, but is built around discrete transistor stages, which enables gate inputs on each stage. This allows external gates to jump it to any stage, multiple loops and sequences that start at one stage and then enter into a loop later.

3. Ohm Force Bohm - Bristronica 25

Explore uncharted kick territory. Choose from nine unique models (and counting) and let the randomizer surprise your creativity. Precision sound-shaping knobs with wide sweet spots make flawless tweaks effortless.

4. TouellSkouarn - Bristronica 25

Gael is revealing the modules that are currently housed in his suitcase. Including the Strakal Brulu and the one and only Germanium Mixer. If you check the prices of old Germanium mixers, such as the Siemens, you will see that this one is a real bargain. As always, there is a lovely sound at his booth; no sine is allowed to pass through this Eurorack system.

TouellSkouarn: Squaring your sines since 2010

5. Crosspatch Triggerpad Updates - Launchpad Sequencer - Bristronica 25

Mitja tells us the latest news about his module at this year's Machina Bristonica. The Triggerpad module converts your Launchpad into a standalone Eurorack. This allows you to repurpose an older Launchpad that might be gathering dust for your Eurorack system. The workflow is super simple and hands-on. You have features such as polymeter per track, swing and micro steps at your fingertips. The new features are BPM modulation and triplets.

6. UDO Audio DMNO 8-voice 2-part multitimbral - Bristonica 25

We have just had the opportunity to take a first look at the new, innovative synth from UDO Audio: the DMNO.
Here's a short interview and sound demo from George!

Features:
8 voice polyphonic, with 4 ‘super’ voices when in Binaural mode. Binaural mode gives each channel (ear) a full synthesizer voice with independent detuning and modulation, creating an expansive, rich and texturally wide sound 2-Part Multitimbral, comprising 2 independent hybrid synthesizers, each with its own dedicated set of front-panel controls
8 selectable ‘Play Modes’ that immediately reconfigure DMNO’s signal flow, redefining how its two independent synth engines interact with one another

7. Teaching Machines FuzzBillon: Numerical Tone Switching – Bristronica 25

Instead of using potentiometers for the device's settings, Teaching Machines uses numerical switches. This offers the advantage of total recall. The effects range from subtle overdrive to screaming distortion and are based on a completely analogue circuit with amplification devices from Germanium to Silicon and light-emitting diodes. Shipping soon!

0:00 Intro / Explanation 3:34 Sound Demo

Yamaha DX7IIFD MINT, serviced, with case, cartridge, accessories SN 16426

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

CLICK FOR MORE »

Hacking the TIME-SHIFTER - Eurorack module

video upload by LARIX ELEKTRO

"A small addition to the TIME SHIFTER module:
Add a CV input to the MAIN-SHIFT parameter.
A CV input to this parameter hadn't been planned, as in the intended use, it wasn't relevant.
But actually, why not? That's the whole point of being modular: going where the manufacturer hadn't thought!

Ok, it's a bit makeshift, but it works…
More info on the site:
https://www.larix-elektro.com/PRODUCT...

Modules used:
LARIX ELEKTRO 4TOMS for the toms! obviously ;)
LARIX ELEKTRO Ritournelle CV Generator + Shift-R for the rhythm
LARIX ELEKTRO Ritournelle CV Generator (another one) for the CV controlling the MAIN SHIFT"

"WHAT'S THAT THING ?
The Time-Shifter is a delay for gate or trigger signales.
As all good time machines it can delay after and before (!).

The first idea is to find a way to build a swing or a groove.
So to decide which steps of which track is decayed, and how much.

To do this, it is necessary to be able to shift the events after and before. But before, we can't predict when an event will appear...

The solution is to decay everything, and then, decaying less than the others events.
So comparing to the new decaying events, it will sounds like it appear before.


The MAIN SHIFT defines this new reference.
So if you enter the main CLK signal into the input, the output of this circuit can be used as the new CLK reference.

The four circuits A B C and D works according to the value of the MAIN SHIFT reference:
- When the knob is centered, the time decay is the same.
- Left, means less time decay, so the event will appear before.
- Right, means more time, so the event will appear after.

Extend your module:
The module can be enriched by one expansion modules:
- The AttV-4 adds to the CV entries an adjustment of the CV value by an attenuverter.
The connectors on the back of the module save connectivity at the front.

Typical use:
- Groove (or swing, etc.) controlable by CV (!)
- Realignment of gates sequences.
(When using multiple sequencers with different latency)
- Signals sequencing adjustment.
(Be sur that a RST arrives at the right moment, for example)
(Be sur that a your S&H module sample after signal stabilization, for example)"

Elektron Officially Introduces Tonverk

video upload by Elektron

You might remember Tonverk mentioned in previous posts here.

"We are delighted to introduce Tonverk. A machine primed for adventure. An instrument to propel you towards extraordinary music-making and boundless sound exploration. It is packed with 16 varied tracks full of polyphony, multisampled instruments, auto sampling, never-ending routing possibilities, a mass of FX options to play with (including plenty of newcomers), deep modulation, an extended 256-step sequencer, and lots more fun features to get stuck into. All in one special box."

Check with dealers on the right for availability.

CLICK FOR MORE »

Layered Drum Machine Hats by Goldbaby

video upload by GoldbabySamples

"Layered Drum Machine Hats. Available now: https://www.goldbaby.co.nz/ldmh.html

Another pack in my very popular Layered Drum Machine series. This time, hi-hats are getting some love.

Using over 50 drum machines layered in different combos with multiple layering techniques.

These hats are production-ready and can be used in a variety of genres.

Some of the drum machines used: 808, 909, 707, 626, 505, R50e, MFB-522, LXR-2, Machine Drum, Nord Drum 2, Model Cycles, DMX, PO-32, Microtonic, Metasonix D1, Tempest, MRX-185, PB-300, 4 In The Floor, Pulsar23, ADX1, XD5, Ritmo, RZ-1, RPM40, Syntakt, RX5, CrashPad, DDD-1, Tanzbar, Linn 1 and 2."

Deuxd - Stereo Cross-Modulation VCF for Eurorack

video upload by Mehr Music Machines

"Deuxd (DUDE) is a dual filter that encourages stereo audio-rate modulation, experimentation and can easily be configured in number of ways.

• 2 Completely Independent LP/HP VCFs
• True stereo VCF with global cutoff control + offset per channel
• Mono to stereo signal processor
• Stereo to mono signal processor
• Variable width bandpass filter with dual resonant peaks
• Freaky feedback machine with 2 flavors of overdrive and FM
• Stereo pingable-thing
• Dual FM Oscillator / Drone

Audio Input 1 (left side) is normalled to Audio input 2 (right side). This let's you easily process 1 signal with two separate filters. Audio 1 is also normalled to FM input 2. To break either connection, simply patch a cable into the respective input jacks. Similarly, Audio input 2 is normalled to FM input 1. This means that each signal input is ready to frequency modulation the opposite side's filter cutoff. (pre XFM)

The top Frequency controls (top right and top left) act as the primary cutoff for each side's filler. Use the global Cutoff (large knob top center) to offset the position of both filter's cutoff position at the same time. The global cutoff control can be used in one of two modes: SYNC - This will change the filter's cutoff of both sides in parallel with one another. OPPOSE: when switched to Oppose, the right side filter will receive inverted control voltage from both the large cutoff knob and signal patched into the Cutoff jack.

When using the Sum (mono) output, you can switch between two flavors of diode clipping (Dirty and Filthy) :)

For bandpass operation, switch one side to High-pass and the other side to Lowpass (results change depending on which side is LP/HP) patch a signal into either filter's audio input, then patch the output the starting filter to the input of the other filter. You can now pull your audio from either the 2nd filter’s output or the SUM output for added harmonics.

The X-mod knob is hardwired, this circuit isolates the output from each side, sends one signal to the cutoff of the opposite side, and visa versa. (post XFM)

For dual pinging fun, patch a slow moving square wave into the audio inputs. the resonance controls should be at about 10:00, just before self oscillation. You will get different results depending on how the internal FM circuits are set. also experiment with pinging while in dual resonant peak bandpass config."

WHY OPEN SOURCE IS KING: 3 New Kits for Our 8‑Bit Eurorack Drum Module

video upload by wgd modular

"In this video, we take another look at UTF-8 SAMPLIFIED – the fully open-source 8-bit Eurorack drum module I released with ASCII Synth. It’s made its way into racks all over the world, and even into DIY workshops like the one run by mzourack at Noise Kitchen in Prague.

Now it’s getting even better:

Thanks to a pull request by community member poetaster, three new kits have been added: 808, Jungle, and Beatbox – plus a handy wav2c.py script that lets you convert your own samples into custom kits!

Check out the GitHub Repository:

🔧 https://github.com/wgd-modular/utf-8-...
📚 Wiki and build instructions: https://github.com/wgd-modular/utf-8-...
🔌 Flash your module online: https://wgd-modular.github.io/ut-flas...

📖 Chapters:

0:00 – Intro
0:05 – Our drum module: The story so far
1:44 – PCBWay Advertisement
2:15 – Demo 1: Jungle kit
4:01 – Demo 2: 808 kit
6:20 – Ending words"

FREE OPEN SOURCE DRUM MACHINE DESIGN! DIY BUILD + DEMO

video upload by wgd modular

"In this video we are building a tiny - almost credit card sized - drum machine called UTF-9 SAMPLIFIED. It is based on the bleep drum. Check out my version on GitHub:

https://github.com/wgd-modular/utf-9-...

Original bleep drum design: https://bleeplabs.com/product/the-ble...
My eurorack footprints: https://github.com/wgd-modular/eurocad

00:00 - Hello!
00:06 - Tiny drum machines?
01:15 - PCBWay Sponsorship
01:31 - Building the Drum Machine
02:17 - Jam 1
03:31 - Jam 2 using MIDI"