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Showing posts sorted by date for query John Bowen Solaris Desktop. Sort by relevance Show all posts

Saturday, May 16, 2020

John Bowen Solaris Has Arrived


A few pics of my newly arrived John Bowen Solaris in the studio. I've wanted one of these since they were announced, but could never afford one until a couple of years ago. I talked myself out of one in the beginning, as I already had a Waldorf Q rack and an XTk keyboard, along with plenty of other virtual analog and real analog gear. In the back of my mind though, I knew I might one day own one. A few years ago I reached the breaking point with the synth collection I picked up over the years. I found myself going into the studio and spending time with synths I wasn't sure about keeping to see if I indeed wanted to keep them. I'd decide yes, this synth is great, I should keep it, only to walk out of the studio neglecting other synths that I honestly wanted to play more. I did this for years. The breaking point for me was when a few of the older analogs started exhibiting problems and I realized I didn't have a solid tech in the area. The only way to fix them would be to ship them off incurring the shipping costs to and back over the cost of the repairs. I also began to realize how redundant my synths were. Seriously. They are all either subtractive analog, wavetable, FM, additive, or PCM/sample based in the end. They are all just different flavors of the same thing. I mean how many different brands of vanilla ice cream do you really need? For me synths are about getting lost in the sound - about exploring sound. So yes, the more brands the better, but... just like there's only so much space in my belly for ice cream, I only have so much time in the studio. I realized it was time to let some go and in doing so I could use the money on other gear I'd been GASing on, like the Sequential OB-6, Elektron Digitakt, a Jupiter-XM to replace some vintage Rolands I gave up, and of course the Solaris. The Solaris was actually the first on the list. As I said, I wanted one since the start. I also know John Bowen, and no I did not get a deal on my Solaris. The Solaris is a labor of love and John pretty much runs the show on his own. He does work with others on building them of course, but this is a small enterprise. You can't find these in shops. They are exclusively sold on John Bowen's website: https://johnbowen.com, and there is a wait time. When I reached out to John about finally getting one he let me know this might be the last run. It was run number 7 and I asked him if I could get the last one. He said yes so I went for it. A couple of years later it arrived. (P.S. I heard there might be another run and John is still working on the OS, an expander, and possibly a desktop version, see the update in red below).

Do I have any regrets? I can emphatically say no. This is an amazing synth. What sets it apart is it has four, not three fully blown oscillators that can be morphed with a joystick for vector synthesis of wavetable and virtual analog synthesis. No other synth that I am aware of can do this. It is also fully modular. If you look at each display panel section, each knob, you can essentially load anything into them and route them however you want. Things aren't locked in place like other synths. The Solaris also runs at a super high resolution - 96kHz to be exact. People say it sounds analog and this is not an overstatement. It sounds amazing. I hate to say it, but it leaves my Q in the dust. It just sounds so much more bold and present. It is hands down the best sounding VA and Wavetable synth I own. I've owned a lot of synths over the years including some of the most sought after - Jupiter-8, OB-Xa, Matrix-12, Prophet-5, Rhodes Chroma, Alesis Andromeda A6, Yamaha CS-60, original Minimoog Model D, ARP Odyssey with CMS mods, and more. The Solaris is right up there with them if not surpassing them. It is that good. It feels different too. It feels like a powerhouse design tool. A synth of synths, so to speak. Note it also has the Prophet VS waveforms. I have a Prophet VS rack (you can see it in the top right), and I can say the Solaris sonically matches it - it has that transparent, bold presence missing in many digital synths. An unintended added bonus is the Solaris joystick actually works with the Prophet VS! :)

That said, if you do plan on picking up a Solaris or a Solaris expander, reach out to John first. This isn't an order now and get it next week sort of synth. It's more of a long term investment. How long? For me it was two years as I wanted the last of the final run. It was worth the wait.

Update: I should note my Solaris has a unique serial number out of the standard sequence. It's 10041. I'm curious if anyone will recognize the reference. :) So, although this might not be the last Solaris keyboard, it will have an interestingly unique SN. :) I also updated the above with the following: "Note it also has the Prophet VS waveforms. I have a Prophet VS rack and the Solaris sonically matches it - it has that transparent, bold, presence missing in many digital synths."

As for a new Solaris, there is work on a Solaris expander and possibly a desktop version. See this post for some desktop pics including an OS update (also in my studio), and see here for the expander sitting on top of two 1U mixers in the top right. You can find a demo from Sonicstate at NAMM 2020 posted here.

Friday, February 28, 2020

Upcoming John Bowen Solaris v2.0 Update Adds Yamaha FM & Casio CZ Phase Distortion Synthesis


http://johnbowen.com

John Bowen dropped by the other day with the Solaris Desktop prototype. Not only did I get a peek at the new design, but I was able to take a look at the upcoming v2.0 OS, which adds both Yamaha style "FM synthesis" and Casio's CZ Phase Distortion synthesis. It also adds multi-part support. You'll find a few pics in this post. Apologies for the lighting but it is dark in the studio. :) Below you'll find a few angled shots of the desktop. In person it's not as large as I had expected. It's similar to an Oberheim Xpander which seems appropriate considering their similarities. Both have multiple displays and have been described as essentially modulars in a box. From what I understand, the Solaris is a bit more flexible as you can essentially re-order the signal path. It's a pretty amazing synth. John Bowen opted for a high resolution 96kHz signal path and you can hear it. The Solaris sounds absolutely astonishing. It has four oscillators with a vector joystick to morph between them. You can also cycle through oscillator waveforms up into the audio range with the unique "Rotors" feature on the Solaris. Click here for a full list of current features. Note the v2.0 features aren't yet listed.

The Solaris has four oscillators allowing for a 4-OP FM synth. If you are familiar with Yamaha FM synthesis you know you select how each operator modulates the other from various algorithms. On the Solaris, however, you can freely map oscillators any way you like, including back into each other. The Solaris is essentially modular, allowing you to freely route components of the synth engine. Aside from FM and Phase Distortion, the new OS also adds an assignable 4-part multi mode. Assignable not only by patch, but by number of voices allocated to each part. The following is what John had to say about the upcoming OS:

"v2.0 OS will add a new Oscillator Type called Phase Mod. This allows for true 'DX style FM,' which is actually phase modulation. With four oscillators, you can create 4 Operator algorithms. It also includes waveshapes emulating the CZ Phase Distortion series. The modulation destination which normally shows as LinFM changes to PhasMod when this oscillator type is selected. For the CZ series, the Shape parameter controls the amount of phase distortion.

The new Multimode code allows for 4-part arrangement. Each part shares a common 'voice pool' of 5 pairs of voices (total of 10), and you decide how many voices can be assigned to each part, with 2 voices in a part as the minimum assignment. (Using identical presets with the new Solaris Voice Expander module adds another 10 voices.)

The Multimode structure converts old presets into a larger preset structure that holds the parameters for all 4 parts. All edits to any parameter are stored separately, so any preset used to populate a part from any other preset is not affected, and remains a separate object. Each of the 4 parts provides control over velocity and key zoning, volume level, pan position, transpose, fine tuning, arpeggiator function, and a number of other MIDI controller settings."

You can find additional posts including demos of the Solaris here.

http://johnbowen.com

Monday, January 20, 2020

NAMM 2020 John Bowen Solaris Desktop Synthesizer & Voice Expander


Published on Jan 20, 2020 sonicstate

"John Bowen's Solaris is now available in desktop form. One of the first all digital synthesizers with many models of classic analog elements. The Desktop version features AMOLED displays and is much smaller than people expect."

http://www.johnbowen.com

John Bowen Solaris Desktop posts

Saturday, January 18, 2020

John Bowen Desktop Solaris Spotted at NAMM


This one was spotted and sent in via Soviet Space Child, via sonicstate's Instagram

You can find one more pic (non-NAMM shot) here.

Update: note the 1U Solaris voice expander above the racks.  I totally missed it in the rush of posting.  Thanks goes to Z for catching it!

Cropped pic below.

http://www.johnbowen.com

Monday, January 06, 2020

New Korg Wavestate Wave Sequencing Synthesizer Revealed


Published on Jan 6, 2020 Korg

Update: Details are in... Playlist with the first user videos added below.

"Legendary synthesis, radically re-imagined. Organic, inspirational, and mind-blowingly powerful.

KORG’s legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS and KRONOS keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, KORG is proud to announce the next step in digital synthesis: the wavestate. Featuring the radically re-imagined Wave Sequencing 2.0, the wavestate delivers astonishing, ever-changing sounds with extensive hands-on control.

Far from a nostalgic reissue, the wavestate is designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition. The compact form-factor, with 37 full-size keys, transports easily and fits neatly into any stage, studio, or desktop setup."

Korg Wavestate User Videos

New Korg Wavestate Vector & Wave Sequencing Synthesizer - Perfect Circuit
Korg Wavestate - All Playing, No Talking! - Kraft Music
Korg Wavestate - Overview with Nick Kwas - Kraft Music
Korg Wavestate - New Keyboard! - sonicstate
KORG WAVESTATE FIRST IMPRESSIONS - BoBeats
Korg WAVESTATE // Review and full tutorial // Wave sequencing and Vector synthesis explained - loopop
Korg Wavestate Wave Sequencing Synthesizer | Reverb Demo
First Look: Korg Wavestate Synthesiser with Wave Sequencing 2.0 - Noisegate
First jam with the Korg Wavestate - Honeysmack
Korg Wavestate - Sound Design Tutorial 1 - True Cuckoo



Highlights:


"With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch. This created ear-catching patterns–but the patterns repeated the same way, over and over. What if they could evolve in organic, unexpected ways, instead of just repeating?

Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently. Also added are new characteristics including shapes, gate times, and step sequencer values. Each of these is a “Lane,” and each Lane can have a different number of steps and its own start, end, and loop points.

Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane’s start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different!

Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities."

"KORG R&D created the original Wavestation, co-created the OASYS and Kronos, and has developed fundamental technologies behind many other KORG instruments. The wavestate reflects their unique aesthetic, delivering stunning sound and deep flexibility via cutting-edge technologies.

Three of the key sound designers from the original Wavestation, John Bowen [of John Bowen Synth Design & the Solaris], John “Skippy” Lehmkuhl (Plugin Guru), and Peter “Ski” Schwartz, joined Belgian artist Airwave and the renowned KORG voicing team to create the incredible wavestate sound library."

"Bursting with knobs and controllers, the wavestate invites you to explore. All of the basics–filter, envelopes, LFOs, effects–are at your fingertips with dedicated front-panel controls. Eight programmable Mod Knobs are customized to bring out the most in every sound, often taking them in entirely new directions. Use the knobs in realtime performance, and also save the results as new sounds. Add in the Pitch Bend and Modulation Wheels and the unique Vector Joystick, and you’ll always have multiple dimensions of realtime expression.

Want to dig deeper? Almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence Steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more."

"Randomization that inspires.

Looking for even more inspiration? A dedicated front-panel button, marked by a “dice” icon, generates new sounds via intelligent randomization. Randomize the entire sound or just a part of it, such as the filter, the Sample Lane, or the effects. Use the results directly, or as a jumping-off point for your own creations.
An arsenal of effects.

The wavestate’s superb effects deliver production-ready sounds. Each Layer has three dedicated effects; additionally, the Performance has a master reverb and parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you’ll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals."

"Choose your filter.

Add vintage character to your sounds with the aggressive MS-20 Lowpass or Highpass filters, or the strong, sweet Polysix Lowpass. Shape and refine with a full collection of resonant 2-pole and 4-pole Lowpass, Highpass, Bandpass, and Band Reject filters. Or, step outside the box with KORG’s unique Multi Filter, which creates modulatable blends of multiple modes simultaneously.
Ample samples. 64 stereo voices.

Totaling in the gigabytes, the wavestate’s sample library is more than a thousand times larger than that of the original Wavestation. That’s a lot of great-sounding raw material for Wave Sequences. There’s a bank of samples from Plugin Guru, brand-new samples from KORG, and a selection from the Kronos and Krome libraries. Of course, KORG also provides all of the Wavestation’s samples (including all options), plus a huge library of Wavestation Wave Sequences. Play up to 64 stereo voices with pristine clarity, using KORG’s proprietary anti-aliasing sample playback technology."

"Multiply by four.

With all of that synthesis power, you might think the wavestate would play only one sound at a time. Not a chance. For even more rich and complex results, layer up to four Programs together in a Performance–each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four Layers, and can also modulate any other parameters."

"Set Lists and Smooth Sound Transitions.

Set Lists offer effortless organization of your wavestate Performances, and deliver instant access at the gig or in rehearsal. Smooth Sound Transitions allow previously-played voices and effects to continue to ring out naturally, even once a new sound has been selected.
Plays well with others.

Balanced stereo outputs connect to any recording or monitoring system, and a stereo headphone output is provided for private playing or onstage cueing. Din-style MIDI jacks ensure connection to other MIDI-equipped instruments and audio gear. The wavestate supports class-compliant USB MIDI connections to Windows and Mac computers, and the wavestate librarian program is available as free download from KORG."

via https://www.korg.com/us/products/synthesizers/wavestate/



Monday, December 02, 2019

Anyone Interested in a Desktop Version of the Solaris by John Bowen Synth Design?


via the John Bowen forums:

"Could there be something new to order soon?
And would you be interested?"

Thoughts?

If you aren't familiar with the John Bowen Solaris, see here.

Thursday, November 15, 2012

Subtractor Meets Creamware ASB


This of course is just a render. I spotted it on Tommy Welsch of Anyware Instruments Facebook feed. What immediately came to mind was a Creamware ASB desktop synth. It's too bad they are gone.  It would have been interesting to see what else they could have come up with.  The Creamware Minimax and Prodyssey ASB boxes are known for sounding incredibly close to the originals and in turn, very, very good.   They also added polyphony, which made them the closest things you could get to a polyphonic Minimoog and ARP Odyssey.
When Creamware folded, Sonic Core and Use Audio were formed. Sonic Core still produces the Scope Platform which features the Minimax and Prodyssey software emulations and well as others. Use Audio released the models in their plugiator desktop hardware synth. Sonic Core also worked with John Bowen Synth Design on the Solaris.


Subtractor of course is part of Propellerhead's Reason.

Sunday, June 03, 2012

MMTA SYNTHFEST 2012 Walkthrough Video by MATRIXSYNTH


YouTube Published on Jun 3, 2012 by matrixsynth

http://www.mostlymodular.com/

More will follow tomorrow. Be sure to see the MMTA SYNTHFEST label below for all coverage of the event.


On display (if I missed anyone let me know! This is from the sign-up list):
Update: Larry Kleinke aka Computer Controlled and Mr.AcidMachine as well as the table map. Note the center tables were spaced apart at the event.

A - NARAS
B - John Bowen & the Solaris - Carbon111 (Facebook)
C - Chris Lehfeldt
D - Synthwerks
E - Scott Rise / Division 6
F - George Mattson / Mattson Mini Modular & the Mattson EML
G - John L Rice YouTube | Vimeo | Facebook | SoundCloud | Grooveshark
H -Steve Turnidge's Desktop Mastering
I - Moog Music
J - Lunchbox Audio
K - Madrona Labs
L - Lorne Hammond & George Welsh
N - Guitar Center
Q - Vidgod aka Gary Bauder and the Cosmic Tumblers
O - Mr.AcidMachine
P - Hans Lindauer / Jabrudian Industries LLC / The Missing Link
S - Jordan Passmore
T - Larry Kleinke aka Computer Controlled

The Harvestman - on foot.
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