"Delights of Kyoto" - Akai MPC + Roland SH4d + Roland OpSix + Arturia MiniFreak +

video upload by Patrick Manderson

"'Delights of Kyoto' was recorded live late Saturday afternoon on 3/2/2024 using a MIDI sequencer and a room full of synthesizers and audio gear. All automation was programmed into the Akai MPC X. Some manual tweaks on the Midas console was made during recording.

Inspired by YouTube videos of Japanese restaurants and diners - 'Kyoto' was developed using the Roland SH4d as a drum synthesizer, paired with my usual synthesized drum kit on the Korg Radias and some excellent Hydrasynth patches developed by @Jexus. Voice synthesis on the Arturia MINIFREAK and various pads, plucks, stabs and noises provided by the Sequential REV2, Roland JP-8080, Korg OpSix among others.

The most significant addition to this music is a careful degree of live mixing using the Midas Venice F24 running a stereo mix through the Warm Audio Bus Compressor.

00:00 Introduction
00:11 Pre-dawn activities
00:52 Urban lifeforms waking up
01:13 Sunrise Horizon
01:37 Kyoto
02:21 Kitchen Chaos
02:44 Lunch Jam
03:05 Delights
04:05 Dusk
04:58 Cool Hustle
05:28 I'll have the Udon
05:40 Dinner with the city
07:03 Outro"

KORG Introduces the KAOSS Replay: The Flagship KAOSS is Here

video uploads by Korg

"The KAOSS Replay is the latest and greatest in the critically acclaimed KAOSS series of performance tools. It's a self-contained Dynamic Effects processor and Sampler that offers everything you need to create electrifying live performances! Join Matthew Piecora (EZBOT) as he covers the intuitive touch capacitive LCD screen, 16 adjustable velocity sensitive pads, assignable cross faders, processing incoming audio, monitoring, and loads of effects including filters, distortion, loopers, delays, reverb, and vocal effects."

Chapters:

01:45 Assignable Effects
02:29 Touch Hold
02:46 Pad Motion
03:05 Using A Looper Effect To Transition
04:29 Assignable Crossfaders
5:32 External Audio Transition
06:34 Sampling
07:51 Trigger Pad Edit
09:40 Resampling
10:29 Stretch Sync
10:57 Variable Pitch
11:17 Quantize
11:43 Mute and Solo
12:02 Hot Cue
13:02 Vocal Effects
15:13 Synth Effects
16:02 Surface Control

And a user video by :

Korg KAOSS REPLAY // Pros & cons vs the competition (SP404 MK2, MPC, Blackbox) // Tutorial

video upload by loopop

TIMELINE:
0:00 Intro
1:30 Overview
2:40 Pad, banks
4:55 Faders, groups
5:20 Program, Cue
7:05 Native, Ref BPM
7:45 I/O
8:50 Monitor
9:40 SD import
12:20 Pad edit
14:25 Time-stretch
16:30 Quantize
17:15 Vari pitch
18:15 KAOSS FX
18:35 Filters
19:00 Mod fx
19:25 LFO fx
19:55 Delay, verb
20:35 Loop fx
21:20 Vocoder fx
21:50 Voice fx
23:25 Synth fx
24:30 Sampling
25:45 Looper?
28:15 Live rec
28:45 Misc
29:10 MIDI
29:20 Pros, cons
33:30 Outro

via KORG

With its groundbreaking XY pad and innovative and distinctive FX, the critically acclaimed KAOSS series has reshaped the music landscape, rewriting the rules of live performances and musical innovation across its various iterations.

KAOSS Replay is a self-contained performance tool that reshapes the KAOSS legacy, serving as an all-in-one solution for musicians, performers, and producers. It features unparalleled KAOSS Pad and Effects, expanded sample playback and sampling capabilities, and intuitive and precise DJ controls. In a portable stand-alone unit, KAOSS Replay facilitates electrifying KAOSS-infused performances on the fly, eliminating the need for additional equipment.

KAOSS Replay unlocks a new realm of musical creativity and boundless performance possibilities.

Stand-alone KAOSS

KAOSS Replay
A dream come true for live musicians, KAOSS Replay allows you to immerse yourself in the creative essence of your performance without distractions.

Powered by USB-C and equipped with ample on-board connectivity, KAOSS Replay offers effortless and swift setup, granting you stress-free performances without the hassle of intricate and cluttered gear settings, regardless of your location.

Taking a leap beyond its predecessors, it introduces an advanced sample playback and sampling system, boasting 128 sample slots (16 pads x 8 banks) for each of up to 100 projects, ensuring uninterrupted hours of Kaoss-fueled live sets.

Encased in a robust aluminum body, its sleek and minimalist design strikes the perfect balance between performance-friendly size and backpack-friendly portability.

Unique KAOSS FX

KAOSS Replay builds on the unique KAOSS Legacy, introducing a rich palette of 128 new KAOSS FX. These encompass a spectrum from practical filters, delays, and reverbs to imaginative and exhilarating modulation effects, Loopers, vocoders, and synth effects. Moreover, marking a groundbreaking first in the KAOSS series, KAOSS Replay offers top-tier vocal effects that effortlessly complement any genre and performance, ranging from subtle vocal correction to precise pitch tuning.

Automating your effects is effortless with the PAD MOTION function or by simply holding the desired position using TOUCH HOLD mode. Furthermore, the FX Release function ensures smooth transitions, seamlessly integrating your effects into your musical composition.

With a dedicated MIC Input, KAOSS Replay simplifies the process of playing, performing your tracks, and engaging in improvisation with creative sound effects like never before.

Beyond Effects

Featuring 16 high quality velocity-sensitive pads, KAOSS Replay simplifies and streamlines the process of playing, sampling, or re-sampling. It accommodates up to 128 slots divided across 8 banks per project, with support for up to 100 projects, conveniently storable on a microSD card for effortless storage and instant swapping.

Enhanced by a dual group assign system and dedicated faders, along with BPM detection, sync, and quantization capabilities, KAOSS Replay offers a comprehensive toolkit for a seamless performance experience.

What's more, the onboard sample trimming functionality, coupled with the 12-point Hot Cue triggering system, enables samples to be truly “played” musically and creatively during live performances, opening up a world of dynamic possibilities.

You can find additional details at https://www.korg.com/us/products/dj/kaoss_replay/

Bad Gear - The 90s called...

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about the Korg Electribe EM-1 Music Production Station. Can this all-in-one music production tool from the year 2001 give us the sound of the 90s??? Is it on par with its more famous sibling, the Korg Electribe ER-1 rhythm synthesizer and can it keep up with contemporary grooveboxes like the Korg Electribe 2, Akai MPC One, Roland MC-101, Elektron Digitakt or Teenage Engineering OP-1??? The 90s called... they want their crunchy lofi samples back."

Chapters:
00:00 Intro tune
00:54 Overview Korg Electribe EM1
01:43 Drum & Synth Voices
02:02 Samples
02:21 Differences to the Korg Electribe ES-1
02:28 Sound Design Facilities (AD Env, Filter, Drive)
03:02 FX Section, Delay
03:28 Sequencer, Drum- & Synth Modes
03:44 Additional Features (Roll, Transpose, Accent)
03:58 Motion Recording
04:07 Limitations, What else??? Pricing
04:55 Hate
05:18 Jam 1 (Drum&Bass)
06:14 Jam 2 (LoFi House)
07:09 Finale (Techno)
08:42 Verdict

"Droid Mischief" - Akai MPC X + Arturia MiniFreak + ASM Hydrasynth + Novation BassStation II

video upload by Patrick Manderson

"'Droid Mischief' was recorded live late afternoon on Friday August 25, 2023 using a MIDI sequencer and a room full of synthesizers and drum machines. Three analog mixers were used with a rack of ouboard effects mixed in stereo and recorded. Mixing and automation was controlled by the sequencer directly to the synthesizers. The final recording required manual adjustments and muting of the of mixer channels to suppress the noise coming from some of the devices. Video was recorded weeks after afterwards.

'Droid Mischief' was inspired initially from a previous composition utilizing a number of budget analog synths from Behringer. At [3:35] these synth along with the everpresent Novation BassStation II play a series of bleeps and bloops with a backdrop of ominous vocal grunts and breaths by the *Korg MS2000*. Each of the Behringer analog synths were patched for their perspective parts with CV modulating their volumes from the *Akai MPC X*.

Three patches were programmed for the Xenomorph voice on the *Korg MS2000*. Each utilizing the Korg's distortion. Dual patches were used to mix breathing noise and throat noise with velocities. [0:24], [1:53], [3:21]

The second part 'The Feast', is anchored by a groove using syncopated bass notes on the ASM Hydrasynth and percussive embilishments using AFX-MODE on the *Novation BassStation II*. Note: 4-5 stacked BassStations w/AFX-MODE would make an incredible sounding percussion synthesizer.

The Korg Radias is always present with its flexible 16 voice drum kit filled with various bottom frequencies, mid and high filtered noises layered and mixed with various modulations to make all sorts of lovely percussions [3:30]. Vocal 'Ahhs' embelish the suspensful parts [3:46], [4:45].

Dave Smith Instruments Prophet REV2 filled in a number of spaces, most notably the drama strings at [4:36] with the Roland JP-8080.

Eight patches were staged for use in the first half on the *Roland System-1M*. Its fidelity cuts through very nicely. I was suprised by the sound coming out of it despite the generic sounding filter. The oscillators and overall fidelity is excellent.

The Korg Minilogue and Minilogue XD take turns playing bass as well as other parts throughout. Always useful and never disappointing. The Minilogue is permanently coupled with the Drawmer DL241's gate to manage its noise.

Engine drones were provided by the Sequential Prophet 6*. It also provided additional syncopated notes with the *Hydrasynth in the last 3rd.

The delicious sounds coming from the Arturia MiniFreak was on stage throughout. Liberal use of its two macro modulations over MIDI CC-117, CC-118.

00:00 somwhere on deck D of the Nostromos
00:39 introduction
01:06 MS2000 and System-1 layered voices
01:27 buildup using BS AFX sounds layered with Rytm and Radias
01:49 Minilogue XD playing the bass
02:15 all instruments playing here
02:51 transitions with synthesized percussions
03:28 the chase
04:36 string transition with Prophet REV2*
05:00 Hydrasynth syncopation at 'The Feast'
05:49 resolved tension
06:16 finishing up with 'the groove'
07:25 synth credits"

"The Dreadnaught Factor" - Akai MPC X + Behringer 2600 Blue Marvin + ASM Hydrasynth + MINIFREAK...

video upload by Patrick Manderson

"'The Dreadnaught Factor' was recorded live early Saturday morning on January 21st 2023 using a MIDI sequencer, a room full of synthesizers and drum machines. Four analog mixers were used with a rack of outboard effects and mixed stereo. Mixing and automation was controlled by the sequencer directly to the synthesizers. The final reorded required manual muting of the of mixer channels to suppress the noise coming from some of the devices including the Korg Minilogue. The video was taken afterwards.

"The Dreadnaught Factor" was inspired by the box art of an early 80s video game for Intellivision. It featured a number of spaceships on a blue background much like the 2600 Blue Marvin featured in this music. The melody and chord arrangement originated from a short piece I created several years ago and later merged it with a small piece of unfinished music titled "Driod Mischief". I was pleased how the two sounded when arranged in this way. I look forward to finishing "Droid Mischief".

The Hydrasynth plays a few different roles in Dreadnaught, even doubling up with the BassStation adding filter modulations to the bass parts [3:23].

The Korg MS2000 never disappoints when you use its modulation sequencer and its charasmatic digital distortion. Several parts were played, twisting and swirling in the stereo field. Modulated tremolos off-rhythm and hypnotic.

Korg Minilogue XD has so much range - such a wide sweet spot of sound. Especially when you use the digital user oscillators. Resonating plucks and unnatural reverbs works well for my tastes.

The Behringer 2600 Blue Marvin and Model D is featured in the "Droid Mischief" part at [2:58].
The notes were played over MIDI. Volume modulation was controlled with CV from the *Akai Pro MPC X*.
The Model D ran through the inputs of the Roland TR8s for its Phaser effect. The TR8S did nothing else.

There are a few dark pad patches I re-use often on the Oberheim Matrix 1000 playing disonant chords throughout.

The Elektron Analog Rytm MkII provides most of the rhythms. Each of its 12 voices run on its own MIDI channel with a full complement of continuous controllers. Lots of CC modulation was used on some of the voices. The internal sequencer was not used. All notes and automation comes from the *MPC X*.

Arturia's MINIFREAK layered in a few bits throughout and is featured at the very end [6:11]. Macros were modulated from the *MPC X*.

Korg's Radias is 4 part multitimbral. On part #4 I keep a carefully curated drum kit synthesized with noise, sines and filters - mixed with some of the built in drum samples. Part #1 featured a vocal "ah-ha" patch [3:01] using one of the vowel waves, a formant insert effect and careful modulation of its dual filters.

My favorite guitar pluck patch on the Korg EX-8000 makes an appearance.

At the center of it all, the MPC X seemlesssly connects to everything and manages to keep all devices in perfect sync. As mentioned before - meticulous editing of MIDI events is a breeze and very comfortable over long editing sessions. Approximately 21 tracks were used including Control Voltage for the modulars.

Timeline:
00:00 project notes
00:08 introduction
00:33 The Dreadnaught
00:40 JX-08 - melodic pipes
00:58 Minilogue XD - haunted melody
01:22 Hydrasynth
01:43 MS2000 + Prophet REV2 picking up the pace
02:09 EX-8000 transition
02:16 Minilogue - vocal haunts
02:37 2600 Blue Marvin - the derelict
02:58 Model D + Radias - "Droid Mischief"
03:23 Hydrasynth doubling with the Bass Station
03:58 MS2000 + 2600 Blue Marvin - mono lead and accompaniment
04:22 GB4 + compressors + MINIFREAK handling the build up
04:51 Part 2 - "Derelict Adrift"
06:38 end titles"

"Ichika's Brand New Dress" - Akai MPC X, Korg Wavestate, Minilogue XD, Sequential Prophet REV2

video by Patrick Manderson

"'Ichika's Brand New Dress' - recorded live on February 27, 2021 using a MIDI sequencer, 3 mixers and room full of synthesizers.

The roots of "Ichika's" was composed on a Yamaha RS7000 sequencer and left unfinished for several years. The intricate timings and swing notes were too difficult to mix when overdubbing and editing on the RS7000 and was nearly abandoned altogether. Fast forward to December 2020 - I don't think I would have ever finished this without the Akai MPC X. It's essentially a sports car wrapped around a Rolls Royce. The 10" display is comfortable to use and the generous physicality of buttons, knobs, OLED displays make editing a breeze. Mixing straight notes, with triplets and swing was something nearly impossible to manage on the RS. The MPC not only made it easy, but I never felt constrained to try things out. Although I may never touch its sampler and built-in synths, the MIDI capabilities alone are amazing and worth the price - especially coming from the RS7000.

The breakout stars of this piece are the Korg Wavestate and the Sequential REV2 which due to its versatility played the bulk of parts [00:11​], [01:13​], [0:31​], [05:50​] both layered and split all throughout [02:27​], [02:56​], [04:32​]. Its generous modulation capabilities allowed nuance everywhere needed especially since the MPC X made editing so much easier. Velocity and the MOD wheel are used primarily to articulate notes; discrete use of specific CC modulations were also used. The digital distortion and filter modulations were synchronized with MIDI [04:52​].

The Wavestate's factory patches are so expertly designed although I found it difficult to fit them in initially. Luckily I know enough to adjust the envelopes to get a good fitting. Still the Wavestate remains a challenge for me to wrap my head around. Swirling strings [02:03​], [02:38​], [03:50​] and bell tones [02:29​].

Drums - I'm surprised how many drums are in this. The Roland TR8s was used to replace RS7000 analog kit used in the original 'Ichika's'. The MDX 1400 was used to compress the 808 kick. Two acoustic kits from the Yamaha Motif XS were tweaked to make use of its built-in VCM compressors - room reverb first, then the compression. Most of the acoustic kit performance was sequenced on the RS7000 and later tweaked on the MPC X. The crash choke was made by playing a regular crash using a second note at a lower velocity (greater than zero) at [05:14​]. The delicious sound of the Boss DR-660 [03:26​] was added to "Ichika's" recently as new sections using the Wavestate were created. The Alesis 3630 was used to tame the dynamics of the DR-660, especially the toms. Lastly, my custom "noise and sine" kit on the Korg Radias embellishes all through the piece.

The Korg EX-8000 had a minor role except for the amazing sweeping patch showered in its digital delay [03:27​], [03:48​]. I believe an original preset patch with minor tweaks on the envelopes.

Upbeat vox played by the Korg Radias near the beginning [00:12​] and at the end [05:25​], also modulated here [01:22​] and here [01:32​].

The original Minilogue wears its characterful filter again throughout "Ichika's", reusing patches from previous arrangements. Layered up, the Minilogue XD *high-def* embellishments filled in when needed.

The lightning acrobatics of the Novation Bass Station II and its ability to switch patches on a tick emphasized individual notes in a few places [01:27​], [03:36​]. Unfortunately my mixing isn't sufficient to put these subleties out front enough to hear.

Brassy swells [00:53​] and stringy melodies [02:06​] on the Prophet 6. Digital voice chatter here [02:30​] and here [03:18​], melodic emphasis on the main parts [00:11​] on the Korg MS 2000 - shining near the end with a chaotic sequence of LFO modulations [04:52​].

The Yamaha Tx81Z played a minor part filling in space when needed [01:00​], [05:17​].

Video from a Canon EOS SL3 was captured over a two day period while the audio was recorded after getting a satisfying take."

Moby's Drum Machines For Sale

Note: Auction links are affiliate links for which the site may be compensated.

You can find them on Reverb here.

Don't miss the video here.

Update: some pics and details captured. I made the mistake of trying to capture them all and then realized how many were listed. :) I ended up switching to the more esoteric models. Quite a few have never been featured here on MATRIXSYNTH before. What's a little bit interesting, is only two new labels were needed, one for Domino and one for Side-Kick-Er. All other brands have been featured before. See the labels at the bottom of this post. Side note: Blogger limits the number of characters to 200 for labels, so I wasn't able to capture them all for this post. You can always search for the brand names featured for more. I assume most do this anyway. The labels are more for maintenance and for finding posts that may not feature brand names in descriptions.

Pictured:

Realistic Concertmate Electronic Accompanist-Metronome

"Fully analog rhythmic companion utilizing 5 beat buttons to combine how you wish. Features metronome, speaker and line out, and tempo control.

Serial: 42-2103. Works with no issue."

CLICK FOR MORE »

Backstage with Kebu and Roland

Published on Nov 14, 2017 Woody Piano Shack

"Backstage footage with Kebu and his live rig during a Roland promotional tour at 4sound, Stockholm.

Many of his analog synthesizers from Korg and Moog have been temporarily replaced with modern Roland virtual analog and analog synths.

With kind permission of Kebu I will share some moments from his live concert.

The gear list is below, well some of it anyway.

Roland alpha juno 1
Roland alpha juno 2
Roland juno 60
Roland jd-xa
Roland system 8
Roland boutique
Roland sh-01
Roland tr-8
Roland jx-8p
Roland jx8p
Akai mpc"

You can find previous posts featuring Kebu here.

Elektron Digitakt and MIDI Tutorial Videos by umonox

Published on Jun 12, 2017 umonox

Playlist:
Digitakt and MIDI #01: Controlling the Korg ARP Odyssey (Your Questions Answered!)
Digitakt and MIDI #02: Working with the Strymon BigSky (Your Questions Answered!)
Digitakt and MIDI #03: Controlling the Elektron Analog Four (Your Questions Answered!)
Quick Tip #04: Controlling the Digitakt with the MPC Live (Sync, CC, Program Change)

Pepe - KORG M1 Card Set MPC-03/MSC-03 "Drums 1"

Published on Mar 8, 2013 wwwPepeMusicDE·41 videos

"A demonstration of the 50 sound programs of the KORG M1's expansion card MPC-03 with the PCM waveform card MSC-03.

I'm going to make further demo videos of all the other official KORG M1 program and PCM memory cards (MPC/MSC-01 to 016 and MPC-11 to 13).

---

Eine Demonstration der 50 Programme der KORG M1-Erweiterungskarte MPC-03 mit der PCM Wellenformen-Karte MSC-03.

Ich werde in Zukunft noch weitere Demovideos von allen anderen offiziellen KORG M1 Programm- und PCM-Speicherkarten (MPC/MSC-01 bis 016 und MPC-11 bis 13) machen.

---

MSC-03 PCM-Sounds:

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Pepe - KORG M1 EX Factory Presets (MPC-0EX) Part 1 - 4

YouTube Uploaded by wwwPepeMusicDE on Apr 26, 2011

"A demonstration of the 100 factory sound programs of the KORG M1 EX (the expanded version of the M1 with lots of new PCM waveforms).

I'm going to make further demo videos of all the other official KORG M1 program and PCM memory cards (MPC/MSC-01 to 016 and MPC-11 to 13).

I'm still searching for the PCM card MSC-015 "Drums 2". If you don't need your card anymore, please make me an offer! :o)

---

Eine Demonstration der 100 Werksdaten-Programme des KORG M1 EX (der erweiterten Version des M1 mit vielen neuen PCM Wellenformen).

Ich werde in Zukunft noch weitere Demovideos von allen anderen offiziellen KORG M1 Programm- und PCM-Speicherkarten (MPC/MSC-01 bis 016 und MPC-11 bis 13) machen.

Ich bin noch immer auf der Suche nach der PCM-Karte MSC-015 "Drums 2". Wenn ihr eure Karte nicht mehr braucht, macht mir doch bitte ein Angebot! :o)"

Pepe - KORG M1 Card Set MPC-02/MSC-02 "Synth 1" Part 1/2

YouTube via wwwPepeMusicDE | October 18, 2010

"A demonstration of the 50 sound programs of the KORG M1's expansion card MPC-02 with the PCM waveform card MSC-02.

I'm going to make further demo videos of all the other official KORG M1 program and PCM memory cards (MPC/MSC-01 to 016 and MPC-11 to 13 and the M1 EX factory presets).

I'm still searching for the PCM cards MSC-010 "Ethnic 1" and MSC-015 "Drums 2". If you don't need your cards anymore, please make me an offer! :o)

---

Eine Demonstration der 50 Programme der KORG M1-Erweiterungskarte MPC-02 mit der PCM Wellenformen-Karte MSC-02. Dieses Kartenset wird inoffiziell auch "Variety" genannt.

Ich werde in Zukunft noch weitere Demovideos von allen anderen offiziellen KORG M1 Programm- und PCM-Speicherkarten (MPC/MSC-01 bis 016 und MPC-11 bis 13 und den M1 EX Werksdaten) machen.

Ich bin noch immer auf der Suche nach den PCM-Karten MSC-010 "Ethnic 1" und MSC-015 "Drums 2". Wenn ihr eure Karten nicht mehr braucht, macht mir doch bitte ein Angebot! :o)"

Pepe - KORG M1 Card Set MPC-02/MSC-02 "Synth 1" Part 2/2

video upload by wwwPepeMusicDE

Pepe - KORG M1 Card Set MPC-01/MSC-01 Part 1 - 3

YouTube via wwwPepeMusicDE | October 13, 2010

"A demonstration of the 100 sound programs of the KORG M1's expansion card MPC-01 with the PCM waveform card MSC-01. This card set is inofficially also called "Variety".

I'm going to make further demo videos of all the other official KORG M1 program and PCM memory cards (MPC/MSC-01 to 016 and MPC-11 to 13 and the M1 EX factory presets).

I'm still searching for the PCM cards MSC-010 "Ethnic 1" and MSC-015 "Drums 2". If you don't need your cards anymore, please make me an offer! :o)

---

Eine Demonstration der 100 Programme der KORG M1-Erweiterungskarte MPC-01 mit der PCM Wellenformen-Karte MSC-01. Dieses Kartenset wird inoffiziell auch "Variety" genannt.

Ich werde in Zukunft noch weitere Demovideos von allen anderen offiziellen KORG M1 Programm- und PCM-Speicherkarten (MPC/MSC-01 bis 016 und MPC-11 bis 13 und den M1 EX Werksdaten) machen.

Ich bin noch immer auf der Suche nach den PCM-Karten MSC-010 "Ethnic 1" und MSC-015 "Drums 2". Wenn ihr eure Karten nicht mehr braucht, macht mir doch bitte ein Angebot! :o)"

CLICK FOR MORE »

Pepe - KORG M1 MPC-00P Factory Presets Part 1/3

YouTube via wwwPepeMusicDE | August 25, 2010

"A demonstration of the 100 factory sound programs of the KORG M1.

I'm going to make further demo videos of all the other official KORG M1 program and PCM memory cards (MPC/MSC-01 to 16 and MPC-11 to 13 and the M1 EX factory presets.

I'm still searching for the PCM cards MSC-10 "Ethnic 1", MSC-13 "Ethnic 2" and MSC-15 "Drums 2". If you don't need yours anymore, please make me an offer! :o)

---

Eine Demonstartion der 100 Werksdaten-Programme des KORG M1.

Ich werde in Zukunft noch weitere Demovideos von allen anderen offiziellen KORG M1 Programm- und PCM-Speicherkarten (MPC/MSC-01 bis 16 und MPC-11 bis 13 und den M1 EX Werksdaten) machen.

Ich bin noch immer auf der Suche nach den PCM-Karten MSC-10 "Ethnic 1", MSC-13 "Ethnic 2" und MSC-15 "Drums 2". Wenn ihr eure Karten nicht mehr braucht, macht mir doch bitte ein Angebot! :o)"

CLICK FOR MORE »