"TMINTT is an active Routing and summing Matrix that works with voltages up to the eurorack modular format.
Its principle is quite simple:
Inspired on Meng Qi’s magnetic matrix design, has a patching system that lets you use magnetic pins on a 7 x 11 game board-like grid to route and sum (at unity gain) your signals.
"Mehr Music Machines - Runner is a sleek looking west coast sequencer that super playable and equally fun when patched as a control surface or utilitarian voltage present manager. Runner features three rows of five stages (steps) and can be clocked forwards and backwards at the same time. Each stage has a dedicated button that will force the sequence to a given stage, ignoring clock advances for the duration of the button press. With no clock the buttons will let you to play the module like a mini keyboard. This can also be performed via external gates utilizing the five gate inputs for direct step-address variations . Furthermore there are dedicated outputs for all gates generated via panel buttons, and another output for triggers. Trigger outputs (when the sequence is moving) there are no menus or shift buttons, runner is 100% analog.
Clock runner at audio rates for wild wave shaping
Reserve one of the rows for your VCA, create dynamic patterns.
Extend sequence length with a sequential switch
Runner is 22HP and currently available at Noisebug."
"Inspired by the West Coast modular synth pioneers, this 100% analog CV and Gate sequencer will remind you what makes modular synthesis so special. No nonsense, no menus, no shift function, just voltage
Runner features the following:
100% analog signal path
Five voltage stages for each of the three rows [three voltage outputs]
Two clock inputs for forward and backward sequencing [both can be used at the same time]
Manual stage gate button [can be played as a "keyboard" or preset manager]
Global gate output [outputs a gate at every new stage progression]
Stage gate inputs [send a gate to any stage gate input, and the sequencer will hold that stage's position for the duration of the gate]
Row of red LEDs to track the sequencer's position
Great for pitch sequencing, CV sequencing or use as a keybaord/preset manager"
"A module that has a few different functions, Sequencer, LFSR Noise generator, Semi random CV generator.
The LFSR2R refers to LFSR + R2R. A LFSR is a Linear Feedback Shift Register, and R/2R is a Resistor Netork that is used to convert digital binary outputs to voltages (DAC, Digital Analog Converter). This is what a Digital to analogue converter mostly uses. I chose this name because it its what is in the module + some more. It was not the goal when i started making this module, but it a nice name.
I developed it because i needed a sequencer that works good for drums, especially with the vu-perc modules. The vu-perc module responds to gate signals, and they hit harder or softer depending if the voltages of the gate signal is higher or lower.
This module has a CV input that can be used to modulate the voltage that comes out of all gate outputs (like the starving binary module). This way the volume of the vu-perc modules can be modulated.
There are two versions one with LED's sticking thru and one with LED's that light from the back. From the back it looks nicer but during day light it will be less visible. Thats why i made two versions T (8 step LED's are THT, they stick tru the top panel) And version S (SMD, the 8 step leds are on the PCB)."
"Both units are preowned. Both units are in incredible condition. Each comes with the original PSU.
In a world where fury once ruled their independent hearts, T1 and D-2000 have forged an electrifying bond that transcends their explosive tempers. Once two of the angriest souls around, they discovered that beneath the surface of their rage lay a profound connection. Together, they channel their frustrations into a unique form of expressive tube warmth—Their voices resonate with a powerful mix of raw energy, screaming passion, and valve-charged melodic noise. In their whirlwind of emotions, they’ve found happiness not in calming the storm alone, but in celebrating it together.
The Metasonix T1
is incredibly rare. With only ten ever made, this unit is number 2.
From the Metasonix T1 owner's manual:
The T1 is our FLAGSHIP instrument! Our best/worst! It is an intentionally primitive device, using late 1950s technology for the entire signal path. Do not expect it to sound or behave like a Moooooog! Do not expect it to sound or behave like a copycat machine trying to sound like a Mooooooooooooooog! Do not furiously twist the knobs in search of the 1980s DX7 tone. F*** you and f*** the 1980s! Oh, and PS: there are no presets!
Metasonix - D-2000
WARNING: this is an extremely abnormal product . If you purchased it expecting to get 'TR606-like' or 'vintage-like' drum sounds, you will be sorely disappointed. WARNING: The D-2000 is NOT a 'Linndrum' or a 'TR606 simulation' or a sample playback device! Do not expect it to sound or behave like a classic drum machine or a real drummer! Do not expect it to sound or behave like a machine trying to sound like a drummer! It is ABNORMAL. It does NOT behave like other music products. Also, please do not power it up, experiment for a few minutes, and then quickly contact us, claiming it is 'broken' or 'bad'. Each new D-2000 was tested at the factory very carefully. Many of our past products were often returned with a warranty claim that they were 'broken'. And most such 'broken' units turned out to be working perfectly. We will publicly mock anyone who returns a working D-2000 claiming it is 'broken'. The D-2000 contains five drum 'voices', which use vacuum tubes, plus a monophonic mixer also using a tube. Pushbuttons are provided to trigger each of the drum sounds. The mixer also has a CV input that can be used to completely mute the output if desired. At the far right of the panel is an 8hp space for a Eurorack synthesizer module."
"The Hypster from Synthetic Sound Labs strikes the perfect balance of chaos and playability.. it's full of surprises. The Hypster can be used as an oscillator in addition to chaotic CV generator. These are in stock and ready to ship. #mumodular #synth #synthesizer #5umodular
Want to add a little more CHAOS into your life? Here’s just the thing!
Introducing the Hypster – Model 1720 —It takes orderly, mundane circuits and transforms them into a wild ride of unpredictable mayhem! Why settle for boring, consistent signals when you can have a chaos generator that truly lives on the edge? Designed for those who find comfort in confusion and thrive on uncertainty, this gadget will have your synth screaming for mercy.
Designed in close collaboration with the Chief Chaos Crafter and Elite Entropy Engineer himself, Ian Fritz.
Features include:
Unruly Squiggles: Square waves? Sinusoidal? Yah! How about “It does what it wants”? The Hypster generates signals that even it doesn’t fully understand. Good luck figuring them out. Whacky Waveforms: Comes with it’s own limited 2 channel Lissajous oscilloscope that will have your eyes crossed and your head spinning. Touch screen control of trace length & thickness. Random Frequency Hopping: Is it 1Hz? Is it 10KHz? Who knows? The Hypster can help you slog through your synth frequencies like a snail on acid, or skip like a caffeinated rabbit on a pogo stick. Amplitude Anarchy: Say goodbye to predictable voltage. Every signal is a surprise—a rollercoaster ride of peaks and troughs that’ll keep you on your toes. Pseudorandom Personality: Switch between “Mild” or “Wild”, and “Curly” or “Squirrelly”. Turn up the “Rate”, “Gain” and “Damp” controls, and you’ll summon a signal so erratic, it might start communicating with the cosmos (no promises on what it’ll say). Perfect for:
Mad Scientists: Because who doesn’t want to create something that could inadvertently open a portal to another dimension? Frustrating Your Colleagues: Plug it into your synth setup, sit back, and watch the confusion unfold. Breaking the Laws of Physics (Probably): We haven’t verified it, but we’re pretty sure the Hypster bends reality itself. Important Notices:
The Hypster does its best to keep the chaos under control, but some settings can overload the circuits, requiring a restart (power-down). Expect abnormality! The Lissajous LCD display tries to keep up, but is only a CRT simulation using software. At faster rates the CPU can’t keep up and smooth curves turn to spider webs. Sorry. 'U' & '-U' Outputs have larger P-P voltage swings by design. Order now because your synth —and your brain—need it!"
"Streichfett combines the best of the previously extinct species of String Synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and an eight voice solo section, which is essential for recreating classic movie sounds from the 70s and 80s. The Ensemble Effect provides depth and movement to the String Section, while the Effects section adds adjustable Phaser and Reverb. Additionally, the Animate Effect can be used to modulate the strings registration, allowing spectacular sound morphs. The Solo Section offset presets named Bass, E-Piano or Clavi, and just like in your typical string machine, the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the string section.
Although the User Interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable to deliver rich and creamy pads unlike any other instrument."
"The Metasonix T1 is an ultra rare piece. Only 10 in existence. this model is serial number #2 of 10.
This T1 is preowned but in absolutely pristine condition.
Includes:
original PSU, original owner's manual, product box and replacement tubes.
From the Metasonix T1 owner's manual:
The T1 is our FLAGSHIP instrument! Our best/worst! It is an intentionally primitive device, using late 1950s technology for the entire signal path. Do not expect it to sound or behave like a Moooooog! Do not expect it to sound or behave like a copycat machine trying to sound like a Mooooooooooooooog! Do not furiously twist the knobs in search of the 1980s DX7 tone. F*** you and f*** the 1980s! Oh, and PS: there are no presets!
So, let's put it in terms even a musician might possibly absorb.
Think of the T1 as a primitive box containing 3 screaming children, being punched in the face to the rhythm of the internal sequencer or user supplied (this means you!) control-voltage source. These screaming voices are generated by the thyratron VCOs that are staring at you right now (you do like to read the manual while you have the unit in front of you, right?) The VCOs are modified RK7 modules, okay?
The knobs control the amount of strangle of the screaming voice. Turn them to the right for higher pitched screaming, and turn to the left for a tighter strangle and more choking. They go thru a mixer/mangler similar to the RK3 module, thence thru a bandpass filter similar to the RK4, then to a lowpass filter/LPG similar to the RK6. Finally there is a pentode VCA on the output, and one envelope generator to control either it or the LPG, selectable by the toggle switch between the LPG and envelope. There is only ONE envelope on this bastard thing, because it’s supposed to be as primitive as possible. If you want to sweep the filter or suchlike, or you want an 'LFO' thing, use the sequencer to do it. Or use external control-voltage sources. There were no such things as “envelope generators” or “LFOs” in the 1950s.
'I believe the common denominator of the Universe is not harmony, but chaos, hostility and murder.' – Werner Herzog"
"introducing EP–1320 medieval – the world’s very first medieval electronic instrument by teenage engineering.
EP–1320 medieval includes hundreds of expertly recorded playable medieval instruments – processed through analogue dynamics, tape, vinyl and more; from strings and bows, to drums, percussion, and foley.
embarking on a harrowing quest? this pint-sized medieval instrument is perfect for the treacherous road ahead."
"Behind the Latin-printed labels and familiar panel layout is one incredibly powerful new device. Expanding on the huge success of the knockout 2, teenage engineering delivers a wildly fun new device with an all new set of punch-in effects, powerful arpeggiator and hundreds of percussive medieval samples to get started. The EP 1320 Medieval is sure to impress. Similar but the same.
with the EP-1320’s sample engine you can timestretch, re-pitch, chop and pan to your heart’s content. Transform ordinary sounds into glitching basses, chordal patterns or arpeggiated atmospheric leads.
The Teenage Engineering EP-1320 is available immediately for shipping and in-store pickup at Noisebug
"a medieval experience like no other, EP–1320 features hundreds of built-in medieval sounds. go back in time and play along with the included magical melodies, sultry songs and bubonic beats. included in the box are 4 knobs, a sticker pack and a quick start guide.
built-in mic and speaker
6 stereo voices / 12 mono
128MB memory including 96MB ROM sounds and 32MB user sample memory
9 user projects
7 built-in pocus and 12 punch-in pocus
pressure sensitive keys and multi-functional fader
sampling frequency: 46 kHz / 16-bit
1x stereo in/out, sync in/out, midi in/out and usb-c
powered by 4x AAA batteries, or via usb-c
dimensions: 240 mm x 176 mm x 16 mm | 9.45 in x 6.93 in x 0.63 in
Modifica is a densely featured Low Frequency Oscillator with a clock sync and tap-tempo inputs, rate-multipliers and tons of shaping options.
16 waveforms CV selectable via two banks of eight. Just press the top left button to change banks. Scan though the different waveforms via external voltage control, or manually change your shapes with the waveform knob
CV controllable Wave shaping/distort/PWM/ slew depending on waveshape selected
Selectable bipolar/ unipolar button
Smooth button - applies gentle filtering to the output to very-subtly round out edges. Turn smooth off for added clicky punch on angular edges"
"Cor #synthesizer #eurorack #synth #analogsynthesizer #modularsynth #mumodular synth - C115 Dual LFO
Two LFOs in one space!
LFO1 range : 20 seconds per cycle to 20Hz (can be extended using CV).
LFO2 range : 40 seconds per cycle to 10Hz
Each LFO has an independent Sync input that will reset the LFO.
LFO1 is voltage controlled. It has a FM input with attenuator.
LFO2 triangle wave is normalized to the LFO1's FM input. This connection allows to create complex modulations without any patching. The normalization will be broken if a patch cable is inserted into the FM input.
LFO1 has two waveforms available simultaneously Triangle and Saw
LFO2 has three waveforms available simultaneously , Triangle, Sine and Square."
