Patch Tips & Tricks for Improving Basic Waveforms!

video upload by The Unperson

"In today's video I explore some synthesis techniques and patching tricks for getting the most out of basic waveforms. I had a big list of ideas for this video but I'm not great at being concise so here is half of them, and the other half will be released in a part 2 video out next week! Hope you enjoy.

Cheers!

Ally

#synthesis #eurorack #modular #patch #synth

CONTENT
0:00 - Intro/Vibrato
4:09 - PWM
6:36 - Wavefolding
9:51 - Glissando
12:17 - HP Filter
15:24 - LPG
18:11 - Outro"

The Sound of Pure Analogue - Vintage Tone meets Modern Modular in Eurorack form

video upload by AJH Synth Official

"The Sound of Pure Analogue - Vintage Tone meets Modern Modular in Eurorack form, no compromises. This is a compilation of moments from our past videos, demonstrating the sonic power, character and flexibility of our MiniMod system modules. From the early-Minimoog based MiniMod voice with classic Transistor Ladder Filter, to the various other audio and CV processing tools and generators in our range: Each clip is taken from a full-length video, either demonstrating how to create a specific patch, a performance example, or a complete video user guide to the featured module.

Full Video Index:
00:00 Bass - From Halo to Horror https://youtu.be/VtrT93NaPts
00:26 Fat Bass Patch https://youtu.be/gBoWE7xM8jQ
00:49 Blade Runner Patch https://youtu.be/Tcts4oCyxaI
01:16 Pink Floyd - Shine On https://youtu.be/mUD1cx_FUt4
01:35 Pink Floyd - On The Run https://youtu.be/1Hr07yCtNm8
01:59 Tomita Whistle Lead https://youtu.be/gkp7lqZrat4
02:23 Classic Flute Patch https://youtu.be/ipvFLWMbb_k
02:50 Pan Flute Patch https://youtu.be/PXqvjShvFNM
03:15 Choir Sound 1 https://youtu.be/7ZtfAxBgVTY
03:45 Choir Pad 2 https://youtu.be/Zo6SKrfrALI
04:10 Ring SM User Guide Pt2 https://youtu.be/hTNaYiiTwdY
04:45 MiniMod Keyz https://youtu.be/jYBujTKv7k0
05:02 Next Phase User Guide https://youtu.be/9vzOykUTMtk
05:39 Envelope-controlled Phaser https://youtu.be/hs7qpZthGlc
06:02 Entropic Doom Percussion https://youtu.be/l17z82qy5Vs
06:26 Lunar Module https://youtu.be/89bv0dI8yw4
06:56 Sonic XV's Wave Folder https://youtu.be/pJUb-ZEddqQ
07:18 'Für Klaus' Tribute https://youtu.be/VA-Io4jVKbA
08:05 Stereo Gemini 2412 https://youtu.be/96QRXHZJSL8
08:28 Blade Runner Patch https://youtu.be/Tcts4oCyxaI
08:53 MiniMod Keyz https://youtu.be/jYBujTKv7k0
09:54 Keyz & Arps https://youtu.be/4brCk3LNUXo
10:19 Keyz & 6U System https://youtu.be/eLYCB6Rg_I4

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.
Official website page: https://ajhsynth.com

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Video by @DreamsOfWires"

Rare R.A. Minimoog Featured in Music America Exhibit & Signed Moog Source Giveaway

via The Bob Moog Foundation

Left: Executive Director, Michelle Moog-Koussa, poses for a picture with Bob Santelli, Executive Director of the Bruce Springsteen Archives and Center for American Music alongside Herb Deutsch's R.A. Moog Minimoog at the LBJ Presidential Library in Austin, Texas.

"The Bob Moog Foundation's Executive Director, Michelle Moog-Koussa, and Board of Advisors member Francis Preve recently attended the opening of the Music America: Iconic Objects from America's Music History exhibit at the Lyndon Baines Johnson Presidential Library in Austin, Texas to celebrate the inclusion of a rare R.A. Moog Minimoog from the Bob Moog Foundation Archives.

The R.A. Moog Minimoog, which belonged to electronic music pioneer Herb Deutsch, is serial number 1094 and is one of only 210 R.A. Moog Minimoogs to have been manufactured. The synthesizer was given to Herb by Bob Moog in 1971.

The rare Minimoog synthesizer was chosen to represent Bob Moog's indelible legacy as someone who created instruments that revolutionized the face of music by bringing a brand new palette of sounds to the performing musician, as well as honor Herb Deutsch for the significant role he played in the development of synthesizers and electronic music.

Other objects in the exhibit include: Thomas Edison's wax cylinders, Jimi Hendrix's guitar, Janis Joplin's pants and letters, Dizzy Gillespie's trumpet, Arlo Gurthrie's hand-written song lyrics, and much more.

The exhibit will be at the LBJ Presidential Library from now until August 11, 2024. It will then travel to four other presidential libraries over a two-year period."

And the raffle:

"We are excited to announce that thanks to IK Multimedia, everyone who purchases a ticket for our Moog Source raffle will receive a download code for the Syntronik 2 Sorcerer!

Normally priced at $49, the Syntronik 2 Sorcerer is a virtual synthesizer built by Erik Norlander using the exact Moog Source being raffled. Following the end of the raffle on February 26th, all ticket purchasers will receive an email with download instructions.

The Source, serial number 3948, is an excellent condition vintage synthesizer signed by Bob Moog. It features rich sound quality and a technical lineage rooted in the legendary Minimoog. The Source is lauded for its sequencers, sample and hold, arpeggiator, presets, unique data wheel, and patch memory storage. The synthesizer features a mylar touch control panel, single-knob functionality, and the trademark Moog sound.

THE RAFFLE ENDS IN ONE WEEK!
Tickets for the raffle are $20 each, 6 for $100, 14 for $200, and 40 for $500. The raffle is open internationally.

As an added bonus for this raffle only, get a free 2024 Bob Moog - His Life and Work 90th Birthday Commemorative Calendar when you purchase a bundle of 6, 14, or 40 tickets. This offer is valid until the limited quantity of calendars runs out. This offer does not apply to the purchase of individual tickets."

Exploring the 1st Buchla 100 Modular Synthesizer

video upload by Sarah Belle Reid

"This video is a historical, technical, and musical deep dive into the Buchla 100 Series Modular System at the Mills College Center for Contemporary Music. This instrument was the first voltage controllable modular synthesizer built by Don Buchla—it was delivered to the San Francisco Tape Music Center in the mid-1960s.

In this video we’ll start with a brief historical overview of the Buchla 100 Series Modular System and the San Francisco Tape Music Center. Then, we’ll unpack everything that’s inside the instrument module by module. Finally, I’ll share some of the quirks of this particular instrument, and lots of patch examples to illustrate its unique voice and character.

As I was getting to know this instrument, I tried to keep in mind the circumstances surrounding its development—the people who contributed to it, the time in which it emerged, and the state of electronic music at the time of its invention. These thoughts greatly inspired my approach to working with the instrument and are present throughout this video.

It’s a rare opportunity to be able to work with a historical instrument like this one. I have always been super inspired by Buchla’s work in general, but like many people have had few opportunities to work with his original instruments. Instead, much of my experience has been through newer instruments inspired by his designs. Being able to work closely with this instrument was an incredibly inspiring and clarifying experience that allowed me to gain a deeper understanding of Buchla’s own creative and technical development, as well as the multitude of music, modern modules, and instruments that have been inspired by his work.

Special thank you to Mills College for letting us spend a week in the electronic music studio working with the Buchla 100; to The Buchla Archives and Ryan Gaston for helping to put this video together; and also to all of the amazing folks in my Patreon community for your support in helping to bring educational projects like this one to life!

Learn more / join the waitlist for Learning Sound and Synthesis, my online modular synthesis and sound design class: https://www.soundandsynthesis.com

Join my Patreon community for behind-the-scenes content, unreleased music, and extended tutorials: sarahbellereid

Thank you to:
Mills College Center for Contemporary Music https://www.performingarts.mills.edu
The Buchla Archives https://www.buchlaarchives.com
Ryan Gaston (co-producing + filming) https://gastonsounds.com
Hainbach (tape slicing footage)

TIMESTAMPS:
00:00 Historical Overview: Buchla 100 + the San Francisco Tape Music Center
7:38 Mills Buchla 100 System Overview
14:27 Timbre in the Mills Buchla 100
18:29 Chaos in the Mills Buchla 100
21:52 Voltage Control Quirks
25:00 Sequencing Tactics: Triggered Segments
30:40 Sequencing Tactics: Extended Sequences
32:06 More Patches + Sounds
32:36 Ring Modulated Reverb Patch
34:40 Keyboard Chaos Patch
36:55 Gated Voice Patch
38:29 Wonky Drum Machine Patch
38:57 Triggered Gestures Patch
39:14 Transposed FM Sequence Patch
39:48 Bell Tones Patch
40:27 Touch Controlled Ratchet Patch
41:00 Sequenced Melodic Patch

Sarah Belle Reid is a performer-composer, active in the fields of electroacoustic trumpet performance, intermedia arts, music technology, and improvisation.

www.sarahbellereid.com"



"In the Spring of 2024, Reid spent a week at the Center for Contemporary Music at Mills College, where she worked closely with their original Buchla 100 modular synthesizer system. This specific instrument’s historical significance can’t be overstated. It was the very first voltage controllable modular synthesizer that the now-famous artist, inventor, and electronic musical instrument designer Donald Buchla built in the mid 1960s—indeed, one of the very first modular synthesizers altogether. In its time, this specific system has been used by countless inspiring and influential musicians, such as Pauline Oliveros, Morton Subotnick, Suzanne Ciani, Warner Jepson, and others.

The video begins with a brief historical overview of the Buchla 100 Series Modular System and the San Francisco Tape Music Center. Then, Reid unpacks everything that’s inside the instrument module by module, with sound demos and examples. Finally, she shares some of the unique quirks of the Mills Buchla 100 instrument, and patch examples of how the instrument can be used to create a wide range of music and sounds."

Minimal Jam: Chance Delay & Entropic Doom - random gates, melodic noise, analogue percussion

video upload by AJH Synth Official

"A minimal jam using 2 Chance Delay modules, triggered by a sequencer clock, with the Entropic Doom to create both percussive and melodic noise-based sounds. Also a simple dual-oscillator analogue bass line using 2 Vintage Transistor Core VCOs and the Transistor Ladder Filter. Turn on Subtitles/Captions for an explanation of what's going on.

The Chance Delay generates randomness with its 'Chance' control, which determines the probability of gates occurring. It also uses its Length control to divide the frequency of the incoming clock signal - this is done by forcing the gate lengths to exceed the interval between clock pulses, and not producing further gates until the current gate cycle has finished. It also has a gate-delay function, and all three of these features can be voltage-controlled.

The Entropic Doom is a noise generator with a built-in, voltage-controlled, low-pass filter. This VCF has 2, 3 and 4-pole modes, and is resonant, producing significant self-oscillation in 4-pole mode, whilst also tracking 1V/Oct. This means it can be used melodically, extending it's usefulness beyond just noise washes or percussion. Additionally, it includes an audio input to add other signals into the pre-filter feedback loop, and it can sync it's noise frequency to an external source. To top it off it also features a CMOS ring modulator and XOR VCA, both of which can be used with or without the rest of the module. This thing can go from subtle and pretty timbres to crushing, mangled, distorted chaos.

CHANCE DELAY Introduction video: https://youtu.be/f4weiEGeOvQ CHANCE DELAY & Sequencer: https://youtu.be/MiOPo6XKgY0 ENTROPIC DOOM used melodically: https://youtu.be/FPfBpyFm_tM ENTROPIC DOOM for percussion: https://youtu.be/l17z82qy5Vs TRIPLE CROSS Introduction video: https://youtu.be/Y1G4Cgka1l8

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability. Official website page: https://ajhsynth.com

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Video by @DreamsOfWires"

Patch Tuesday | Compare 2 | Comparing Sequences

video upload by Joranalogue Audio Design

"Welcome back to Patch Tuesday, a video series where we demonstrate the endless possibilities of the Joranalogue system!

Have you ever wanted to accent specific notes in your pitch sequence? This week, Frits explains how to easily do so with Compare 2.

Mult your pitch CV sequence, send one copy to your VCO and another to Compare 2's input. When the pitch CV is within your chosen window, a gate is generated. You can use this gate to, for example, open an extra VCA. This way you can create a send/return effect path that's enabled whenever the target note is hit."

Per-step Pitch Intervals with a Sequencer using PRECISION VOLTAGES module for Eurorack

video upload by AJH Synth Official

"Using a step sequencer to change VCO pitch per step: The Precision Voltages is a convenient way to offset VCO frequencies musically, by pitch increments of semitones and octaves, which can be either added to, or subtracted from an incoming CV signal, such as a sequencer or keyboard controller. This can have many uses, not just for melodic control of oscillators, but here is a particularly useful function for pattern-based pitch sequencing.
Modules connected to the outputs of the Precision Voltages will be sent fixed voltages of preset musical intervals, based on the 1V/Oct scale. These voltages, here represented as precise intervals of semitones and octaves, are selected by the two rotary switches. With no external CV signal connected to the inputs, the module will function as a source of preset fixed voltages, with a huge range of +11 volts to -11 volts (10 octaves + 12 semitones). These can be conveniently switched on or off with the A & B switches. When an incoming CV signal is present, this voltage sources is added to, or subtracted from the signal, meaning it can be used to easily shift the pitch, frequency, or CV level of modules it is connected to. This is ideal for shifting the pitch of VCO's to create harmonies or simple chords, or for offsetting CV levels in any application that uses them.
The Gate input of this module affects the value of A only, and will allow it to be turned on with a high gate signal, or off when the gate is low. B will remain unaffected, and will continue to output the pitch/voltage offset selected by the rotary pots and switches. The 'OUT' output will combine both A and B, depending on the switch position next to it. As a result, when A is turned off, either by the switch or a gate signal, then only the value of B will be output here.
Official website page: https://ajhsynth.com/Precision.html

I'm also using the new Chance Delay module on this patch for some generative randomness/probability - it's not necessary, the sequencer can be connected directly to the Precision Voltages Gate input.

SEQUENCER ADVICE: Most sequencers will allow you to change gate length, sometimes referred to as 'duty', as is done in this video, but you'll need to consult your sequencer's documentation if you are not familiar with how to do this. On many it is obvious, but others not so much. Also, some will allow you to change the gate length directly and quite precisely, whilst others will only allow you to change it in fractions or percentages. This may mean that you can't quite get the gate to span the entire step length, meaning that the pitch modification made by the Precision Voltages may be heard ending prematurely. This is the behaviour of the sequencer, not the module. However, there is a way around this...
A gate signal is just a voltage of either zero volts (off/gate is low), or a minimum of +5 volts (on/gate is high). Gates are pulse (square) waves for this reason, as they are simply one of these two states, and so some sequencers will also refer to gate length as 'pulse width'.
However, all the gate input needs is one of these two voltage values to turn it on or off. This means the CV outputs of a sequencer can also be used, so long as your sequencer has a range of at least zero to +5 volts, which they almost certainly will. Therefore if you connect the CV output of the sequencer to the Gate input of the precision voltages, set all of the step pitches (or pots such as on the SQ1 used here) to zero, when you run the sequencer the pitch changes set by the Precision Voltages will not be activated. If you then raise the pitch of a step to maximum, it will activate the pitch change on that step. Problem solved!
This is not as immediate or convenient as being able to switch the changes on or off with buttons, but it works just the same otherwise, and may be helpful if you can't get satisfactory results with your sequencer, or are finding it too difficult to adjust the gate lengths accurately.

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Video by @DreamsOfWires"

Tech Thursday | Slew limiters as Filters

video upload by Joranalogue Audio Design

"It's Tech Thursday! In these concise videos, we bring up some overlooked and advanced features of our modules.

Joran is back with a clever feature in one of the Joranalogue modules. We have all been there, you've got an ingenious patch going but you really need an extra filter. You're in luck if you've got an extra slew limiter lying around because this week is all about using Contour 1 as a filter!"

Tech Thursday | Feedback Patching Filter 8

video upload by Joranalogue Audio Design

"It's Tech Thursday! In these concise videos, we bring up some overlooked and advanced features of our modules.

This week, we tackle feedback patching with the very versatile Filter 8. Patching an output to the EFM allows us to craft vastly different waveforms than just the original sine waves that Filter 8 resonates at."

Patch Tuesday | Creating Delays without Delays | Contour 1 & Enhance 2

video upload by Joranalogue Audio Design

"Don't delay, it's Patch Tuesday! Frits shows you how to imitate a stereo ping-pong delay effect using two envelopes, a clock divider, and Enhance 2."

G-Storm Electro - A Demo, Nothing Special on Eurorack Modular

video upload by gstormelectro

"I performed this little demo patch at the DFW Synth Headz Synth Meet over a week ago joined by MOTS.DFW at The Creatives Factory. We didn't get direct audio afaik, so I'm redoing a little session of it here now just for you. Recorded direct with no addititional mastering.

Main Synth part/sequence
Filter | SEMSVF
Reverb | G-Storm Spring Tank Reverb
Frequency Shifter | Sketchy Labs Freak Shift
OSC1 | Capt'n Big-O wavefold out
OSC2 | Pittsburgh Primary Oscillator, Flamingo
VCA | G-Storm 2xVCA

Monotonal Bass
OSC| Jollin Labs Tabor
Filter | G-Storm ProVCF
Delay | Synthrotek DLY

Kick
Pinging G-Storm JU60-VCF with env on self-res oscillation

Weird Snare
Noise from 101-VCO into Pittsburgh Crow, taking HP output
Running that into G-Storm JP6-VCF gated by envelope
Into Delay (Karplus Strong Algo) Happy Nerding FX Aid #1
Into Reverb (Shimmer Input Variable Algo) Happy Nerding FX Aid #2"

G-Storm Electro:
*BLOG* http://gstormelectronica.blogspot.com/
*LISTEN/DOWNLOAD* http://soundcloud.com/gstormelectro
*REVERB* http://reverb.com/shop/gstormelectro

Patch Tuesday | Rungler Feedback Patch | Step 8, Generate 3

video upload by Joranalogue Audio Design

"Welcome back to Patch Tuesday!

This week, Boris takes us into the chaotic world of Rob Hordijk with a Rungler-inspired patch. Unlike the digital CMOS shift register used by Rob, we are using Step 8 as an analogue shift register.

Have fun patching!"

FIGHT & FLIGHT / full system generative 'horror' patch / singing bowl research / farewell Steven

video upload by BRiES

"I started this patch by trying to mimic the tone and frequency beating of a Tibetan singing bowl. Triangle waves seem to be the best match for generating the 'odd' overtones. I used two of them tuned almost to the same frequency to produce a slow beating. One is panned left and one is panned right. I had to run this pair through a LPF to get rid of a lot of the top end fizz.

The other sounds are a bunch of resonating filters and VCOs through Beads tuned up a major 7th with a lot of wet grains fed back to the input. There's some automation going on in terms of gating these, controlled by an output of COMPARE 2 (analyzing ORBIT 3) through a counter (ERFURT).

This week (29th of october) Steven (one of the residents of a farm sanctuary) passed away after a long and hard fight. It's weird and confusing how these events thousands of miles away can still hit you. RIP Steven."

Krelloween Reimagined

video upload by Ultratroninator 3000

"Another take on the spooky krelloween patch from last week. Also some intros to the various Zoxnoxious modules in VCV Rack. And a lot of screen drops from my computer trying to do too many things at once."

Patch Tuesday | 16-Step Drum Sequencer | Route 4, Step 8, Compare 2

video upload by Joranalogue Audio Design

"Welcome back to Patch Tuesday! This week, Boris shows us how to create a 16-step drum sequencer using Step 8, Compare 2 and Route 4. Different sounds are triggered, according to the positions of Step 8's sliders.

Have fun patching!"

Tech Thursday | Filter 8 as a Slew Limiter

video upload by Joranalogue Audio Design

"It's Tech Thursday! In these concise videos, we bring up some overlooked and advanced features of our modules.

In this week's Tech Thursday, we unveil a lesser-known application for one of our classic modules, Filter 8. Not as a filter, not as an oscillator, but as a slew limiter.

Simply switch the frequency range to 'low' and patch your pitch CV into Filter 8's input. You can even spice it up by cranking up the resonance!"

Patch Tuesday | Glistening Arps | Route 4, Delay 1, Generate 3

video upload by Joranalogue Audio Design

"This week on Patch Tuesday: Glistening Arpeggios

Our main sound source is a Generate 3, receiving pitch from a MIDI-to-CV keyboard. Mix 3 is used as a VCA, being modulated by one Contour 1. The two other Contour 1s accentuate the sound by opening the VCA even more. Their inverted signal is sent to the control inputs of Route 4, producing arpeggios.

The extra flavour in this patch comes from Delay 1, clocked by filter 8, resulting in beautiful, lo-fi arps."

Tech Thursday | Step 8 as a Variable Length Sequencer

video upload by Joranalogue Audio Design

"Besides bringing back Patch Tuesday, we're also giving you Tech Thursdays! In these concise videos, we bring up some overlooked and advanced features of our modules.

This week: Step 8 as a variable length sequencer, powered by the stage CV input. Did you know that in addition to directly addressing the register by CV, this input also allows you to change the reset point? By patching Step 8 to reset itself, we can thus dynamically vary the length of the sequence under voltage control.

Thanks for watching!"

Korg MS-10 SN 131712

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Monophonic, made in Japan. Serial #131712. Measures 20"x12"x10". See images for all features. This auction includes the keyboard, 8 short patch cables, and some literature I downloaded from the internet a few years ago with patch settings.

32 full size-keys, control wheel for modulation or pitch), and modulation button below control wheel.

Functionally excellent. Cosmetically very good with paint scratch on top surface. I bought it used in 2011, and have used it very little in my smoke-free studio. I tested all its functions this week in order to write an accurate description for this ad. Note that the control wheel requires included cable patching from Control Wheel out to VCO Frequency to function,

Fully tested. All functions work well. All knobs, buttons, sliders, etc. work smoothly. Keys are even and smooth. Manual is in very good condition. Images are of the actual auction item."

CLICK FOR MORE »

AJH New Module & Melodic Performance: Chance Delay, Wave Swarm, Gemini 2412, Fixed Filter Bank 914

video upload by AJH Synth Official

"A melodic track performed using a sequencer with the new Chance Delay module during the opening section. It also uses the Wave Swarm, Gemini 2412 and Fixed Filter Bank 914 together to creating backing chords/drone. The melodic sequence sound is just a single VCO going into the Ring SM, which adds a -1 and +1 sub/octave generated from the incoming VCO, and some white noise via its mixer.

Reverb and dual delay is added in a DAW.
Turn on subtitles for a commentary/patch explanation.

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Video by @DreamsOfWires"

AJH NEW MODULE! 'CHANCE DELAY' Voltage-Controlled Probability/Random Gate Delay and More

video upload by AJH Synth Official

"The Tone Science Chance Delay is a unique concept in Eurorack modules that combines chance and randomness, with pulse delay and pulse conditioning. It is a collaboration between between electronic musician/composer Ian Boddy and AJH Synth. It can perform as a Chance generator, but is also capable of pulse stretching for Trigger to Gate conversion, pulse shortening for Gate to Trigger conversion, Gate Delay, Sub Bass Generation and also "divide by n" clock division. There is a wide range of control and all functions can be operated manually from the front panel or can be automated using external CV voltages. Chance can range between 0 to 100%. The Gate out can be delayed by anywhere between from 0.5mS to 30 Seconds, and the output Pulse length can also vary from 0.5mS to 30 Seconds. The TRIG push button allows manual triggering of pulses, also determined by the Chance control, and a green LED shows the output pulse status. It includes a handy "Gate pass through" mode; when the Length control is set to zero the incoming pulse or trigger will still be determined by the Chance and Delay controls, whilst the outgoing gate length will be the same as the incoming gate length. Its compact 8hp form factor and very low power consumption make this an excellent addition to any Eurorack system. For a full description of the module, and more information about Ian Boddy & Tone Science, visit the product page on the official AJH Synth website: https://ajhsynth.com/ChanceDelay.html See Ian Boddy's video about the Chance Delay [below]

Tone Science (Ian Boddy) is a sub-label of DiN Records: https://dinrecords.bandcamp.com/album...

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Video by @DreamsOfWires"

Chance Delay Module

video upload by theianboddy

"It's great to announce my second Eurorack module design, the Chance Delay, in conjunction with AJHSynth. Launching under the Tone Science brand this can perform as a Chance generator, but is also capable of pulse stretching for Trigger to Gate conversion, pulse shortening for Gate to Trigger conversion, Gate Delay, Sub Bass Generation and also 'divide by n' clock division.

There is a wide range of control and all functions can be operated manually from the front panel or can be automated using external CV voltages. Chance can range between 0 to 100%. The Gate out can be delayed by anywhere from 0.5mS to 30 Seconds, and the output Pulse length can also vary from 0.5mS to 30 Seconds.

The TRIG push button allows manual triggering of pulses, also determined by the Chance control, and a green LED shows the output pulse status.

Includes a handy "Gate pass through" mode; when the Length control is set to zero the incoming pulse or trigger will still be determined by the Chance and Delay controls, whilst the outgoing gate length will be the same as the incoming gate length.

Compact 8hp form factor and very low power consumption make this an excellent addition to any Eurorack system.

Module Width: 8hp
Module Depth: 26mm (Including power lead)
Current Usage: 25mA Positive, 6mA Negative

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability."