LXR-02 does the DFAM & beyond (5 kits, no talk)

video upload by Richard DeHove

"I recently made the somewhat rash suggestion to try an LXR-02 emulation of the DFAM. Here it is, sort of. At first I thought I'd use only one voice of the LXR. So in all five kits demoed here Voice 1 or 2 tends to claim almost all the LFOs and be a clock-synced complex sound.

But the LXR-02 and DFAM are such very different beasts it seemed odd to be so restrictive. Instead I've gone for a two or three voice 16-step kit and pattern that attempts to capture the flavor of the DFAM rather than strict technical parameters.

The speed of all parts is 73bpm, a couple of the kits use the internal ping-pong delay, and where there is definite pitch it's always on C - just makes things easier for sampling and later processing.

The result is not exactly DFAMish. Demo 2 even sounds bit chiptune to me. But I've never yet owned any two machines which could exactly replicate the other. As an exercise though it's a bit of fun! All LXR-02 challenges happily considered.

On the plus side the LXR-02's ability to store presets is a massive bonus but the constant click-and-twiddle is no match for the knob-filled interface of the DFAM/Edge.

All five kits are on my Patreon. Unused voices (typically 4, 5 and 6) are mostly on the default sounds.

As usual there is absolutely no extra processing of the sound. It's all completely raw LXR-02.

0:00 Demo 1: Slapper
1:00 Demo 2: Chiptune
1:56 Demo 3: Saw
3:06 Demo 4: Frogpond
4:23 Demo 5: Decay

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Behringer Edge with the DB-01

video upload by Richard DeHove

"The Edge-DFAM class of machines is an odd category. Not a very good as a synth due to the constant (and necessary) manipulation of the oscillator frequencies. Not particularly good as a drum machine due to the 8-step limitations and the delicate juggling required to squeeze out multiple sounds. And not so great live since there are no presets and too many parameters to easily morph to a different sound. OTOH if you want a random percussion chaos layer then it's the perfect solution.

Of course they're great fun to twiddle and make unexpected discoveries. They also pair up pretty well with more conventional machines to produce a more complex result than you'd get with 'ordinary' synths.

Having owned both the DFAM and Edge I'm happy but hesitant to admit that in a 1:1 matchup I'd choose the Edge. This is entirely due to the MIDI clock options: The sequence must always start at the start - duh. Some people say the DFAM sounds better (whatever that means) but I'm not feeling anything radically different. My only complaint is that the LPF feels murky and doesn't interact with the resonance control in a pleasing way. The HPF is much superior imo and saves the filter section. Of course it may be that I've now been trained by prolonged Polivoks filter exposure to expect satisfying grit and tortured screaming.

Back on the topic of 'Would I use it live', the more I thought about that the more I thought I'd use the LXR-02 instead. Perhaps a video 'The LXR-02 does the DFAM' would be good?

It may also be of interest to note the use of the DB-01 gate output connected to the noise level in Demo 1. It generates some noise percussion when playing normally because of the gate length but this largely disappears when playing the arpeggiator's much shorter gate length.

As usual there are absolutely no external effects or DAW processing.

0:00 Unboxing
1:25 The setup
1:42 MIDI reset
2:27 Clock divider
3:13 Tuning
4:05 Demo 1: Cheese
4:39 Demo 2: Swinger
5:19 Demo 3: Rubber
6:22 Demo 4: Wired

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

The drum machine pedalboard Ep2: Monomyth and Acidbox III

video upload by Richard DeHove

"The second episode in the series which explores different pedal and routing combinations with the LXR-02 drum machine. This time it's Joyo's Darkglass Microtubes X-Ultra clone 'Monomyth' and the Erica Synths Acidbox III. Taking just a stereo pair out, the left side goes into the Monomyth, which is a bass pre-amp with EQ; and the right side goes into the Acidbox and then to the Nemesis stereo delay.

The kits on the LXR-02 have been slightly tweaked in the panning to push the more kick-like sounds to the Monomyth. They've also been programmed with the effects on, so can sound a bit odd when dry.

Four demo tracks here which mainly speak for themselves although I should mention the last demo 'Transient' is interesting in headphones where you can pick out the big effect the Acidbox has on the transients. In hindsight it may have been better not to twiddle the knobs on that one so much, but it's hard to resist that gigantic filter knob :D

The only thing added in the DAW was a brickwall limiter to catch some of the peaks, otherwise everything is as you see it.

0:00 Talk about routing and devices
1:55 Demo 1: Scratchy
2:58 Demo 2: Fat & Thin
4:40 Demo 3: Industrial
6:33 Demo 4: Transient

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

The drum machine pedalboard Ep1: Roger That & Future Factory

video upload by Richard DeHove

"The first episode in a new series which will explore different pedal and routing combinations with the LXR-02 drum machine. First up are two Roger That pedals from Fairfield Circuitry (for left-right stereo), a Boss GEB-7 EQ and the Future Factory stereo delay from Free the Tone. Some might recognise the pedal setup from my last video with the DB-01. I liked the stereo effect so much it seemed a shame not to swap out the DB-01 for the LXR-02 and give it a test.

0:00 Intro (the only talking)
1:12 Tippy Tap
2:34 Grinder
4:09 Industry Anthem
5:32 King Pong
7:11 Ping Kong
8:49 Rubberman
9:36 Bass Poker
10:41 Modem Dancer

All ideas for the series on combinations, routings or types of patterns are very welcome.

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Create an industrial drone synth on the LXR-02

video upload by Richard DeHove

"Is it an industrial drone synth? Maybe it's an interactive FM sequencer? It's certainly droney with FM sweeps and industrial grind and that's just one variant. Here I create a single synth voice which is then fed with synced LFO modulation. What's most important here is the technique rather than the specific result. My version has a 16-step melodic pattern, but with a few tweaks you could create a retriggering playable voice, or a much slower evolving noisescape using the random LFO waveform. I'm also just using the first voice, but the snare, clap and metal engines have their own flavors and modulatable parameters as well. I was going to look into them as well as quickly creating different melodic "starter" sequences but this was already getting a bit long for something a bit niche. Let me know if you want to go there :D

Finally, from the programming you'll see how easily the LXR performs as a synth. It certainly wasn't my intention to concentrate on the "LXR as a synth" idea, but synthy things start to slip out very easily once you're in the mode.
The five drone kits demoed at the start are available on Patreon.

0:00 Drone kits demo
2:07 With lo-fi FX
2:55 Kit setup
4:55 LFO - tuning
5:40 LFO - decay
7:55 LFO - FM amount
8:55 LFO - FM fequency
10:00 Twiddlings
11:55 LFO - filter
13:10 Oscillator type
14:47 With delay

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove Many thanks to my kind patrons who keep this channel ad-free My website: https://richarddehove.com/"

Patching a basic kit from scratch on the LXR-02

video upload by Richard DeHove

"This isn't a dazzleman superkit showcase video. It's a reality ride-along as I put together a pretty standard kit discussing the various parameters, choices and interactions as we go. It's a moderately long video but then there's a lot to cover and I wanted this to be a real walkthrough of the process. Even so I didn't cover lots of interesting things like LFO sidechaining, panning, effects and velocity - that's for next time.
I put a limiter on the final output to catch a couple of spikes but otherwise there is no other processing than what you see. If listening on headphones you may notice a little noise when the mic is active. There was a lot of ambient noise outside with traffic, birds and power tools - and of course the LXR's buttons are very clicky. With those disclaimers aside I hope you find the process and explanations useful.
The resulting kit 'Clomp' is on Patreon.

0:00 Initialize kit
0:47 Hear and play
1:15 Bass drum
2:09 BD - Envelopes
4:25 BD - Add grit
5:30 BD - Transient
7:00 Low tom
8:00 LT - Slope
9:24 LT- Osc 2
10:18 LT - Highpass
11:30 Clavything
12:04 CL - Envelope
12:18 CL - Noise
13:07 CL - Velocity
13:52 CL - LFO
15:59 Snare
16:25 SN - mix
17:27 SN - envelopes
18:28 SN - transient
18:51 SN - filter
19:43 SN - LFO
24:16 Clap
25:57 CP - filter
26:24 CP - LFO
29:12 Hats
30:02 HT - filter
30:16 HT - LFO
31:15 Kit test
32:12 Save kit

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Squeezing variations from 16 steps with the DB-01

video upload by Richard DeHove

"Even the best 16-step pattern gets stale after too many spins. Here I look at a few simple ways to create variations without actually writing any new steps or copying patterns. The LXR-02 helps out in the background. The routing is just the DB-01 into the Boss GEB-7 EQ and then into The Glove pedal. The LXR-02 stereo out is being used as two channels - one into the Boss delay, the other into the Mosky Audio muff clone. The snare sounds are panned mostly to the delay and the bass drum mostly into the Mosky.

The DB-01 is the clock master and one voice of the LXR-02 is simply following the melody from the bassline. The 2-bar LFO on the LXR-02 melodic voice gives it a slow wave effect.

As usual there are no other effects, tweaks or modifications to the sound - only what you see.
ps: Still having some camera wobble issues. I'll solve it next time for sure :/

0:00 No talk variations demo
3:27 Routing setup & FX
6:40 Variation by LFO
8:06 Adding sustain
8:53 LXR doubling
9:32 Key mode mute
10:15 LFO sustain
10:45 LXR tinkles
11:35 Add a pedal

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Create multitrack synth patterns in the LXR-02. Demo and tutorial

video upload by Richard DeHove

"Last time we looked at programming synth sounds on the LXR. This time we take a synth-heavy custom kit of four synth sounds and two drum sounds and team it up with the Midicake Arp. The Arp plays the four synth channels. Later we feed all four synths tracks into the LXR in one pass over 64 steps. While the Midicake is ideal for this you could use any sequencer or arp that can satisfy a few basic requirements: It needs to be able to send note information on different MIDI channels and be able to act as the Midi clock master - pretty basic powers. One tiny caution if you're going to use a Keystep-37: When you press the stop button for the arp or sequencer it sends a value '0' on Midi CC51 - which also happens to be the Midi command on the LXR for amp envelope decay on voice 1.

Feeding pattern data into the LXR is a good idea imo given how many options there are on the Midicake. One of the strengths of the Midicake is that it constantly saves its state as you work so there's no need to ever actively save anything. The downside is that there's no saved version to revert to in case you wander off on some promising but ultimately unsuccessful adventure. The lesson is to copy your patch to a new slot as you go. Same holds for the LXR - I've lost many interesting sounds in furious twiddles or too-confident "save kit" actions that turned out to be 'load kit' instead. Stay organized. For my honoured Patreon friends the LXR kit used here is available for download.

The synth sounds on the LXR are really starting to grow on me. They're pretty harsh and digital but respond well to effects. They're also not like your standard synth sounds so you tend to end up in odd places. It makes a good partner for the Midicake. Another obvious partner-candidate would be the Roland 4D. Not a fan of the superb blandness of Roland sounds but spec-wise it seems like a perfect fit. I only have one criticism of the Midicake Arp: They're now made in black and I've got a white one :/

As usual there is absolutely no extra effects, EQ, compression or alteration of the sound other than what you see.

0:00 Example arp
2:20 Drum pattern
2:45 Each synth sound
4:04 Midicake tracks demo
6:50 How to input data
10:02 LXR playback

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Your LXR-02 drum machine is also an unusual multitimbral synth

video upload by Richard DeHove

"Some machines will never deviate from their designated life mission. Others, like the LXR-02, can entirely reinvent themselves with just a modest push. Erica Synth's little digital drum machine is at heart a six-voice multitimbral synth. The controls are optimised for percussion but it's building blocks are entirely those of synths: Oscillators, envelopes, filters and LFOs. So you're not dressing BoBo the Smoking Chimp with rabbit ears and pretending it's the Easter Bunny. The LXR is already a capable synth.

So here I run through the construction of a couple of synth sounds, meander about through the options, get distracted, lament the poor onboard effects, and end up with a reasonable stereo bassy mid-thing. One small technical note of caution: If you're using a Keystep-37's arpeggiator to play the LXR you may need to go into the LXR's config options and filter the incoming MIDI to just be notes (a single 'N' in the display). This is because the Keystep's 'stop' command sends a CC51 message to the LXR which zeroes Voice 1's decay envelope.

If there's one area where the LXR-02 falls a bit short as a multi-track synth it's in programming and manipulating chromatic sequencer tracks. But a possible solution to that is in the next video...

0:00 Music intro
1:06 Why use it as a synth?
2:30 Which voice?
3:36 Config setup
5:08 Synth basics
7:50 Envelope shape
9:30 Second oscillator
10:20 Detune
12:00 Fiddlings
14:21 LFO
17:34 Stereo field
25:20 FX
27:47 Voice 5
29:27 Repeats
31:12 LFO & FM

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Perkons driven by the Midicake arpeggiator (no talk)

video upload by Richard DeHove

"Two examples of the Midicake Arp driving the Perkons drum machine. There's no patterns or steps programmed here, just MIDI triggers sent from the Arp. Each voice is on a different MIDI channel. Variations are created by a gentle modulation of the beats/bar parameter and the two modulations channels variously affecting velocity, groove length and the rhythm pattern length. Timings on individual parts have also been tweaked using the delay parameter. When you see the orange light on a channel it means that part is muted.
The Arp is of course blind to what might make a pleasing drum pattern so it's a little bit chaotic at times but overall I think it's an interesting end result. If the drums weren't the main focus of your performance, but you needed something that continually changed to the avoid simple continuous loops then this might be a good solution. By switching kits you can also create some interesting fills. And while it might all be a bit loose as a jam, it could easily be chopped up into something much more coherant. And a drum machine that was able to receive note information (like the LXR-02) would be even more interesting.
The Geiger Counter provides some grit and there's also a little Fabfilter Pro-R on the kick (which was taken as a separate out).
Anyway, just a little noodle for your consideration and amusement.

0:00 Noodle one
1:32 Noodle two

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

LXR-02: Updating the firmware & loading kits and projects on the SD card

video upload by Richard DeHove

"The microSD card is the heart of the LXR-02 drum machine. Here I update the firmware, load all the default factory content and add the extra Hrtl project with kits and demo patterns from the Erica Synths website.
If you've bought a used LXR-02 and want to 'factory reset', or just want to update the firmware, or start with a fresh "blank canvas" then this is for you.
In the process we look at the contents of all six factory projects as well as the free Hrtl project. At the end I quickly play through the 16 Hrtl kits and demo patterns.

0:00 intro
0:15 Checking the firmware
0:35 Remove the card
0:52 Get the new files
1:30 Card contents
2:20 Load new files
4:00 Factory content
5:20 Load Hrtl project
6:35 Insert SD card
7:05 Firmware updater
8:00 Test
8:20 Hrtl kits (no more talk)

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

JPTR-FX Add Violence on synth and drums (no talk)

video upload by Richard DeHove

"Add Violence is a fuzz pedal but I prefer the sub-heading from JPTR-FX "Planetary Disorder Unit". With just three knobs and a switch they've managed to create a very tweak-worthy machine. At first I put an EQ in front of it but soon took it away - the pedal does a better job by itself. An EQ after might be better but I haven't got that far yet. I've only been using this for a day and was so impressed by the sound I thought I'd better record it before any of the magic evaporated.
I bought this as a pre-order a few months back and am sorry to say I'm the kind of guy who constantly messages "Are we there yet?" Sorry JPTR-FX, my excuse is I'm keen. In truth I wasn't expecting too much. I've tried a lot of overdrive, distortion and fuzz pedals and at least half of them are woeful on synth. I don't know what it is but some of them do almost nothing except add an annoying insect-like buzz. So I was overjoyed at Add Violence - it loves synths and drum machine. Even better, it's silent. My dearly beloved Dark Glass B3K overdrive fizzes and hisses like crazy, but the Add Violence is silent. And when jamming I was torn between constantly turning up the volume and being worried I was going to vibrate the cones to destruction - this thing can really amplify the low harmonics.
There's still more to explore with this pedal since you can open it open and turn it into an octave fuzz. Until then I hope you enjoy this sample of its powers. I was going to blab and blather on this video but the sound seemed to warn me off - the dirt and filth must remain pure. Instead I added a few sampled quotes just to add a little color. Other than them the sound is as you see it: raw from the DB-01 into the Add Violence and a little delay every now and then from the Boss DM-2W. With the LXR-02 I took one channel from the stereo out into the pedal, the other straight into the DAW, then centred both, so the original dry sound is still there. The on-screen waveform is from the effected channel only.
If you like this format - no talk with a few little sample enhancements - please let me know so I can do more, especially since you're one of the good and true people who've read the full description :)

0:00 Drums 1
2:32 Doom keys
3:46 Drum 2
4:49 Arp
5:18 Pattern 1
5:47 Arp 2
6:31 Doom keys 2
7:22 Drum variations
8:25 Pattern 2

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Roland E-4 overloaded by synth and drum machine (no talk)

video upload by Richard DeHove

0:00 Synth 1
1:19 Drum 1
1:42 Synth 2
4:32 Drum 2
5:29 Synth 3
7:28 Drum 3

"Roland's cheap plastic E-4 "voice tweaker" hates line level audio in. It's "allowed" only with a particular flavor of TRRS known only to Initiates of the Fifth Circle. I was shunned by this elite even after offering multiple brands and configurations of TRRS cableware. Why did Roland make it so hard? Because it's a "voice tweaker" and they know best.
So stuff that. I went line-level into the mic input and even cranked up the mic input level as well. The little 'peak' light complained bitterly for some time, then often appeared to just give up and pretend the levels were fine. Was it now broken? I neither know nor care anymore. I don't expect this cheap plastic box to last very long anyway.
Most reviews and demos of the E-4 are launch day promo vids where people gush about their corporate gift. And of course it's easy to say nice things about free stuff. But when you swap your dollar-delineated labour for plastic music boxes, your scrutiny is perhaps a little sharper.
This is a lightweight toy which, although regarded as "cheap", is still way too expensive for what it is. Under no circumstances would I rely on it live but for mucking about, and especially for cutting loops in the studio, it's excellent.
Although some of the video here is chopped and messy it does perhaps give a sense of the reality that for every 30 seconds glitchy loopy joy there's usually another 10 or 15 minutes of unseen sonic garbage that has been edited away.
SIGNAL FLOW:
With the DB-01 it goes: DB-01 mono out to the Xotic SP Compressor, from there to the BOSS RV-6 - which is off - to get two mono channels. One channel goes straight to the DAW. The other goes into the passive DI box and then into the mic input on the E-4.
With the LXR-02 it goes: Left out to the DAW; right out to the SP Compressor, then into the DI box, then into the mic input.
There is absolutely no processing in the DAW aside from centering every channel and creating a simple, roughly 50/50, wet-dry mix. The E-4 has no mix control, just a tiny volume knob.
The white patch cable coming into the E-4 is the clock from the DB-01 / LXR-02. On many settings the clock seemed a bit laggy.
The oscilloscope shows the output of the E-4 only.
Happy to answer any questions.

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

RE-202 Space Echo on the LXR-02 drum machine

video upload by Richard DeHove

"In earlier tests the space echo seemed to be a little lacking in level on synth - not so on drums. The different modes change the whole feel quite dramatically. It's even better if you take it off a MIDI clock and allow a little 'slop' into the timing - it suddenly sounds a lot more spacey. And like the Zen delay, it can easily create the illusion of reverb without reverb. OTOH the space echo does have built-in reverb which I switch in and out here. I have it on the plate setting. I've also pushed up the maximum delay time to 2 seconds which you need to enable. To avoid my blatherings start at 5:02 - there's no more taling after that.

0:00 Intro blather
0:48 Double the delay time
2:40 Manual rate adjust
3:20 Gentle examples
5:02 -- No more talking --
7:00 Dark
8:25 Mids
9:00 Bright
9:40 New pattern & kit
11:15 Max reverb
12:00 New kit
13:50 New kit
14:20 Sloppy tap tempo
16:30 Maxxed out
17:02 Wow & flutter test
18:12 New kit
19:27 New kit

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Or maybe just try the 'Thanks' button - you'll be the first!"

DB-01 Bassline: One pattern, 20 sounds (no talking)

video upload by Richard DeHove

"On a recent video one comment said 'Cool machine, but it only has one sound'. The truth or otherwise of that here is in the ear of the beholder. With the very distinctive Polivoks filter and a single oscillator maybe every sound does sound a bit the same? And this is a bass synth after all. But to my ears there is a lot of difference. At the very least the different settings emphasize different parts of the pattern, in this case the pitchmod drum-like thumps and the noisy highs.

If you want to replicate any of these sounds make sure to connect the CV out to the filter CV in for the classic filter tracking effect. Without it the settings here will sound very different.

And yes, the Space Echo does add a whole extra layer on top, but it's reasonably subtle and the settings remains unchanged the whole way through. Am also thinking I should give the Space Echo a try on the LXR-02 - any votes for that?

0:00 One - Square
0:47 Two - Shakey
1:02 Three - Ramp
1:52 Four - Skinny
2:03 Five - Drive
2:23 Six - Harsh
2:43 Seven - Squelch
2:56 Eight - Poke
3:26 Nine - Noise
3:38 Ten - Dirt
3:56 Eleven - Discord
4:10 Twelve - Noise
5:00 Thirteen - Filth
5:38 Fourteen - S&H
6:13 Fifteen - Bandpass
7:10 Sixteen - Vocal
8:13 Seventeen - Zap
8:26 Eighteen - Unison
8:40 Ninteen - Smooth
8:50 Twenty - Grit
9:07 Twenty-one - Hollow

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

LXR-02: Updating the firmware to 1.3

video upload by Richard DeHove

"Updating firmware is always a bore to be weighed against what new features might be gained. Version 1.3 is definitely worth the effort due to mnay bugfixes but especially (for me) for the much simplified oscillator tuning. Now when the coarse tuning displays a "0" it means you are in tune. So if you play a connected MIDI keyboard or controller it will play exactly the same pitch as the controller. Each increment is a semitone (as before) so +12 is one octave up; -12 is one down. A simple but very handy change.

0:00 Check your version
0:20 Osc tuning under 1.2
0:50 Remove the SD card
1:14 Replacing files
2:15 Replace card
2:40 Boot + encoder
3:00 Normal boot
3:15 Boot + encoder
3:40 Final boot
4:00 Oscillator tuning test

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

LXR-02 tutorial - Part 8: Euclidean triggers

video upload by Richard DeHove

"Part eight of a guide for the Erica Synths LXR-02 drum machine. This is with firmware 1.2. In some ways this is less of a tutorial and more of a fun exploration with the LXR-02 paired with a DB-01 Bassline and then a Vermona PerFourMer MkII with a Zen delay. The Euclidean triigers come from the LXR-02's pattern generator. In the first example one channel is dedicated to running the DB-01. The interesting sude effect of the triggering is that it adds sustain to the DB-01 sound. This means switching it on and off gives a very different quality to the sound. In the second example four channels of the LXR-02 trigger four different sounds on the Vermona PerFourMer. The fun comes from switching between channels on the LXR-02 to create rythmic variations. The Zen delay gives some extra complexity and dirt on top.
0:00 Technical setup
1:12 DB-01 pattern
1:44 DB-01 triggered
2:37 Changing the pitch
3:37 Euclidean jam
5:44 PerFourMer MkII setup
6:39 PerFourMer sounds
7:20 Fiddling with triggers
9:10 Zen delay
10:08 Overdrive
12:00 Kick fiddlings
13:00 More drive!

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

LXR-02 tutorials by Richard DeHove

LXR-02 tutorial - Part 7: Fun with LFOs

video upload by Richard DeHove

"Part seven of a getting started guide for the Erica Synths LXR-02 drum machine. This is with firmware 1.2. This tutorial looks at applying multiple synchronized LFOs to a sound. You'd think a 17-minute tutorial could cover a big chunk of this topic, but instead it really only covers the more obvious options of modulating the pitch, filter, resonance and decay. There are dozens of other targets that can produce some extremely interesting and unusual sounds. At least this will get you started. Be warned though, it's a deep tunnel to explore! With six LFOs the LXR-02 can get very intricate very quickly.

As an aside: A non-synth friend who discovered me working on this video asked what it was about. When I tried to give a quick overview they thought it was hilarious. In the nicest way possible they dismissed it as 'incredibly niche'.

Some people just don't appreciate how much fun you can have with low frequency oscillators - but I know you understand.

0:00 LFO basics blather
1:20 Hats LFO one
2:40 Offset
3:30 Destination
4:00 Hats LFO two
5:40 Tom with an LFO
8:30 Noise with an LFO
10:15 Noise with a second LFO
11:30 Noise with a third LFO
13:50 LFO on noise tuning
14:15 Noise with a fourth LFO
14:40 Lost in too many LFOs :D
15:30 Order restored
15:55 Saving the SyncKit
16:20 SyncKit on a new pattern

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

LXR-02 tutorials by Richard DeHove

LXR-02 tutorial - Part 6: Useful shortcuts

video upload by Richard DeHove

"Part six of a getting started guide for the Erica Synths LXR-02 drum machine. This is with firmware 1.2. This tutorial covers a selection of shortcuts which are sometimes not even indictated on the machine - they're just things you have to know. Some things here, like the Pattern generator, I've covered in detail in other videos, but I thought it worth grouping the best shortcuts together as a reference. And with the Automation shortcut here, this is the "quick and easy" method rather than going into the options in detail. Hope you find it useful.

0:00 intro
0:14 Pattern Generator
1:30 Deleting steps
1:55 Rolling steps
2:53 Last Step All
4:45 Copy & extend
5:50 Global sample rate
7:04 Easy automation
9:30 Deleting automation
11:14 Revert pattern

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

LXR-02 tutorials by Richard DeHove

LXR-02 tutorial - Part 5: Automation

video upload by Richard DeHove

"Part five of a getting started guide for the Erica Synths LXR-02 drum machine. This is with firmware 1.2. This tutorial looks just at automation. How to automate steps and tracks isn't obvious at first glance and maybe doesn't sound all that exciting but it can add a huge amount of interesting variation to your patterns. It's also very fast and easy to create the automation tracks, change them, erase them and redo them. I think it's one of the LXR's best features.

0:00 intro
0:43 Creating a track
1:04 Choose an automation track
1:36 Real-time automation
2:17 Second track of automation
3:40 Erasing automation
4:18 Reloading your kit
5:11 Realtime example two
5:53 Panning automation
6:51 Realtime example three
9:25 Step-by-step automation
12:20 Trying different kits

My site: https://richarddehove.com
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

LXR-02 tutorials by Richard DeHove