Discover an inspirational, modern take on an innovative yet obscure guitar and synthesizer combo from the late ‘70s.
Including fully-editable vintage synthesizer and guitar tones in a dual-layer configuration, PX Guitar Syn will give you a featured and creative instrument brimming with charactered vibe.
00:00 - Intro / Gilmoured
00:08 - Counterpoint
00:20 - Hybrid Dist
00:30 - Cool Tour
00:39 - Vinny Pad
00:54 - Dreamy Finger 1
01:07 - Hand Made
01:18 - Dusty Strings
01:30 - Bass Seq"
Inspired by the innovative design of GS and GR-500, PX Guitar Syn delivers a versatile and easily editable instrument that's part guitar, part synthesizer, and all fun.
PX Guitar Syn gives you a robust and capable toolset for creating and editing patches. From the dual-layer architecture with ADSR amp envelopes, multimode filters with envelope, poly or mono modes with glide, pitch shifting and advanced stereo modes, and handy modwheel mappings, to LFO and step modulators, two feature-rich arpeggiators, and a generous selection of high-quality effects including 3-band EQ with sweepable crossover, drive, Thorus, ensemble, Phasor, digital delay, and Sparkverb..."
Delivering the authentic hardware sound of an epic 16-voice analog synth, Mission 6 is a sound designers dream: experience a wide range of sounds, from vintage OB-esque tones to thick and gritty FM, lush filter-swept pads to bubbling leads and wild textures. A shapeshifting beast ready to inspire!
Video credits: Anthony Hak
Music credits: Théo G."
True Synthesizer Innovation
An epic instrument both in design and capability, this machine is an audacious synthesizer that seemingly came out of nowhere in 2000. A play on the word "ASICs", this beast took the world by surprise and redefined the capabilities of the analog polysynth, with 16 dual-osc, dual-filter voices using custom ICs, and 16 multitimbral parts.
An Analog Dream Machine
Capable of both cross and ring modulation, and loaded with both SEM and Ladder-style filters per-voice, numerous LFOs, highly-flexible envelopes, a powerful mod matrix, built-in effects, and generous hands-on control, this synthesizer is a sound designers dream, and to this day a potent, massively capable instrument that feels well ahead of its time.
Incredible Sonic Range
No matter how deep you go with the original hardware, it's hard to feel that you've done much more than scratch the surface; the number of tricks this synth can pull off and flavors you can create are nearly endless. That said, our sound designers had an absolute blast putting this machine through its paces, creating an incredible collection of sounds that range from vintage OB-esque tones to thick and gritty FM, lush filter-swept pads to bubbling leads and wild textures.
UVI Mission 6 | Layers
Find Inspiration With All-New Sounds
Mission 6 can easily find a home in anything from '80s era pop to modern genre, hip-hop, scoring, and more. We've included over 33,000 samples recorded directly from the hardware, packing Mission 6 with 400 presets made from 340+ layers, including categories such as Bass, Keys, Pluck, Strings, Polysynth, Leads, Vocals and more. Each sound in Mission 6 is fully-customizable, and can be used straight-away or as the starting point for a new sound.
Deeply Tweakable Architecture
Mission 6's aesthetic was adapted to closely follow the design cues of the hardware, giving you the feel of this radically styled instrument as you edit the dual-layer sounds. You'll find complete control over everything from oscillators, envelopes, multimode filters, LFO and step modulator, dual arpeggiators and a featured effect section including EQ, drive, Thorus, ensemble, Phasor, delay, and Sparkverb, all clearly labeled and easy to tweak.
Epic Analog at Your Fingertips
A true powersynth, Mission 6 delivers the sounds of that epic analog synthesizer and gives you a tremendous collection of all-new hand-crafted patches to explore, tweak, and inspire.
A feat of instrument design, the SunSyn is a fantastically complex-in-all-the-right-places labor of love from German synthmaker JoMoX. Released in 1999, it can be considered in simple terms as an 8-voice polyphonic analog/digital hybrid, or in a more adventurous way as 8 discrete modular mono synths. Each voice is outfitted with 2 true analog oscillators capable of saw, square, or pulse with PWM, and 2 guided digital oscillators with hundreds of waveforms and custom sample support.
Shape-Shifter
The filter section is equally impressive, with a morphable 4-pole true analog filter with discrete control over each pole's cutoff frequency. But maybe the most groundbreaking aspect is the modulation matrix. In spirit it's much closer to that of larger modular analog systems, allowing 4096 possible routings per element, 4 elements per voice, all done in the analog domain. But unlike fully analog systems the modulation routings here can be quickly made through an interactive matrix and saved in patch memory for instant recall.
Resurrecting a Sun
Working with such a complicated instrument has its challenges, especially given its age and limited production. Many parts for the SunSyn are extremely rare and almost impossible to source. In our case, to complete the servicing and refurbishment our tech had to purge parts from a second unit. An expensive and somewhat painful process but worth it in the end, as our sound designers headed off to work on a fully-restored and perfectly calibrated instrument with factory-spec parts.
Deep Sound Design
Sound design possibilities on the SunSyn are nearly endless, and the results of our process with it are evident. From massive, rich, and evolving polysynth sounds created in multi-mode, to devastating and aggressive monosynth sounds utilizing modulations of both analog oscillators, the digital RCOs, and filter morphing. We designed and recorded hundreds of multisampled soundsets, ending with a curated selection of 420 layers, delivering what we think represent the most unique, charactered, and sometimes epic, sounds possible on this machine.
Professional Presets
Bass, Bells, Brass, FX, Keys, Leads, Native Sequences, Organ, Pads, Percussive, Plucks, Polysynth, Strings, Sweeps, Voices, Waveform Analog, Waveform Digital, over 450 all-new + custom designed presets are available, built from a library of 30,660 authentic hardware samples. All presets are fully-editable, meaning you can deeply customize them or even create your own. And the dual-layer architecture of PX SunBox allows you to easily create incredible layered tones from any combination of the included sounds.
Fully-Editable Architecture
PX SunBox gives you a deep and capable toolset for creating and editing patches. From the dual-layer architecture with ADSR amp envelopes, multimode filters with envelope, poly or mono modes with glide, pitch shifting and advanced stereo modes, and handy modwheel mappings, to LFO and step modulators, two feature-rich arpeggiators, and a generous selection of high-quality effects including 3-band EQ with sweepable crossover, drive, Thorus, ensemble, Phasor, digital delay, and Sparkverb.
"Algorithmic reverb, redefined With a cutting-edge algorithmic design,
Sparkverb breaks the boundaries of contemporary reverbs giving users modern and
innovative controls that enhance usability, speed and creative freedom while
delivering breathtaking sound quality and remarkable CPU efficiency."
You can find previous UVI releases featuring SparkVerb here.
"Delivering exceptionally deep modulation and an amazingly clear and detailed sound, Thorus is a versatile, easy-to-use effect with modern controls and a fast and intuitive interface.
Thorus is at 50% off ($39/39€ instead of $79/79€) until April 19th, 2021.
Thorus evolved in our pursuit of the perfect chorus algorithm. Building on a state-of-the-art chorus model combined with advancements made in the development of Sparkverb and Falcon, Thorus can create exceptionally deep modulation with an amazingly clear and detailed sound. Combine that with an attractive and easy-to-use interface and you’ve got a very compelling candidate for your next high-quality, go-to modulator.
More Voices, More Choices As opposed to a typical 2 or 4-voice chorus implementations Thorus is designed around a variable 8-voice architecture, allowing both subtle and extreme modulation with exceptional transparency throughout the entire parameter range. Use 2 voices for more pronounced modulation or crank it up to 8 to blur the lines for a thick and immersive effect.
Reflexive Refinement In addition to providing dynamic voice control Thorus includes a number of filtering tools that can be used to further refine your sound. A simple click-drag in the visualizer allows you to tame or boost highs, filter lows to keep the bass tight or add a harmonic edge to your sonic profile to help it stand out in the mix.
Multi-Mode Thorus provides two operational modes; ‘Standard’ provides a typical sound stage reflective of the input material, where ‘Wide’ results in an expanded stereo image that can be utilized to tremendous effect. Create immersive, mind-bending sounds and freely move through them with the Speed and Depth controls.
Creature Comforts Thorus included presets provide starting points suitable for a wide range of material from synths and drums to acoustic instruments, guitar or vocals. An A/B preset comparison switch and effect mix control allow for no-risk experimenting and easily dialing in the perfect amount of sonic mojo on your tracks.
Evolution of a classic A classic effect with a long history, chorus modulation isn’t often regarded as being particularly innovative however, with Thorus we’ve attempted to push that needle. The result is a versatile, easy-to-use and stunningly lush effect that offers a clarity and depth unlike any other.
"Iconic, renowned, and arguably one of the sweetest sounding and most powerful analog synthesizers, PX Memories takes a deep-dive into the Lintronics LAMM. Based on the last and most ambitious of its makes polyphonic synths before going bankrupt in 1987, its development seems to have been incomplete, with a reputation for unstable tuning and difficult system navigation, and a subsequent Plus model with only basic MIDI implementation.
Taking this beast the final mile and making it the rock-solid road-worthy dream machine it was intended to be is Rudi Lindhard's Lintronics, a synthesizer repair and mod shop based in Germany, who developed this comprehensive system modification over 6 years. Those lucky enough to come by a LAMM will find the iconic six-voice sound to be stable, more easily editable, with improved IO, an enhanced stereo output, a world-class MIDI implementation making most all of the front panel controls transmit and be responsive to control change messages, and much more.
The ultimate version of an incredible and exceedingly rare instrument, we're both honored and excited to be able to present you with the iconic and inspirational sounds of the LAMM.
Starting with a pristine, fully-serviced LAMM, our sound design team created a huge range of custom sounds covering everything from classic to modern genres, creative arps, effects, modulating soundscapes and more, providing a huge range of inspirational sounds.
Every patch we designed for PX Memories was extensively multisampled in normal, factory unison, and the special LAMM stereo unison modes letting you seamlessly switch between real hardware samples, and subsequently allowing you to play unison modes polyphonically which is impossible on the hardware unit.
Another massive creative advantage of PX Memories is the ability to load two programs at once, with full expressive control over each. Each program in PX Memories functions as its own layer, essentially giving you another entire LAMM that can be layered, filtered, animated, and arpeggiated together (or discretely) to create truly massive analog sounds. As well, unison settings are per-program, so combined you can essentially have up to 36 authentic hardware analog voices sounding per note.
In the end we recorded over 38,980 samples, packing PX Memories with a whopping 353 presets made from 171 programs, and divided into 16 categories, including basics, animated arps, animated steps, bass, bells, brass, chords, FX, keys, leads, organ, pads, pluck, polysynth, strings and more. Every patch in PX Memories is fully-customizable allowing you to use them straight-away or as starting points for your own sound design.
PX Memories presents you with a full suite of controls to tweak and augment its sound to fit your particular use, including per-program multimode filter, amp and filter envelopes, pitch and stereo controls, handy modwheel assignments, step and lfo modulators, versatile arpeggiators, and a master effect section with 3-band EQ, drive, Thorus, ensemble, Phasor, delay and Sparkverb.
The LAMM is a rare and iconic instrument with a timeless analog sound, inspiring, versatile, effortlessly delivering thundering bass, rich leads, and massive pads; perfect your analog dreams with PX Memories."
Published on May 9, 2020 Matthias Fluor - Media Composer
"Man, this thing is simply a beast, hard to control, beautiful one moment and terrifying the other. After dabbling a bit here there with it and incorporating it as drone source, I decided to make one full Improvisation with only the Lyra-8 and a handful effects.
Effects used: UVI Sparkverb, Waves H-Delay
The camera stopped recording after 10 Minutes, sorry about that."
"Falcon is an advanced and truly unlimited hybrid instrument, bringing together an extensive collection of cutting-edge oscillators, effects, modulators and event processors and delivering them in a workflow-adaptive and highly-scriptable environment. Falcon allows you to create and manipulate sound with unparalleled precision and finesse, from basic sample slicing and synth design to extravagantly modulated multitimbral hybrids.
WIDE RANGE OF SOUND SOURCES
Mix and match sound sources using sampler-like key zones with sample-based or pure synthesis oscillators:
— Each sample can be individually manipulated using timestretch and pitch-shift algorithms as well as granular synthesis from IRCAM. Loops can be sliced, chopped-up and mapped to the keyboard using the Slice oscillator.
— 9 pure synthesis oscillators including virtual analog, wavetable, phase distortion, FM and additive type, and even physical modeling with the pluck oscillator
UNIQUE AND POWERFUL EFFECTS
Over 90 high-quality effects are at your disposal, categorized for easy navigation: Delays, Reverbs, Modulation, Filters, Equalizers, Amps and Stereo, Drive and Distortions, Dynamics, Analysis and more. Add effects at the patch level, as sends or even per note. Including Sparkverb, Thorus, an optimized convolution reverb and many, many more.
MODULATION
Rich sound means movement and Falcon can create it whenever and however you need it. AHD, Analog ADSR, Attack Decay, DAHDSR, Drunk, classic and parametric LFO, Multi Envelope and Step Envelope modulation generators all come standard and can be used to effect nearly anything in the Falcon environment. Create variation over time or on demand, drive your oscillators, effects or even other modulators, then add the most important parameters to the macro panel for clear and intuitive performance control.
EVENTS AND SCRIPTING
Falcon's event processors provide control and analysis of the pre-synthesis phase of your sound, from manipulating incoming MIDI data to creating it algorithmically. Utilize factory processors such as an advanced Arpeggiator, Drum, bassline and euclidean sequencers, Micro Tuner, Chorder, Harmonizer, Strum simulator, MIDI Player, Unison and Shepard effects, or code your own from scratch with the powerful Lua scripting language.
WORKFLOW
Extensive, adaptable, Falcon's resizable HiDPI interface helps you easily focus on the task at hand with a clear and efficient workflow. From the Tree view where you can jump in and edit any aspect of your patch, to built-in browsers for files, favorites and modules, Falcon is built for speed. New features like User Templates and the Modulation Quick View are just a couple of the ways we're continuing to make Falcon faster and more powerful to use.
"With UVX670 we're heading back in time to the '80s to deep-dive, layer and combine sounds from two unique, underrated analog gems from Japanese synthmaker Akai; the VX600 and the AX73. Both are six-voice analog polysynths, the VX600 being a pad monster with dual VCOs per-voice and the AX73 being remarkable for leads and basses with a 6 VCO architecture usable in either poly, stacked or unison modes through Curtis 4-pole 24/db resonant lowpass filters.
These two synths both employed versatile modulation systems capable of a wide range of sounds. The VX600 had a complex mod matrix, 2 LFOs per voice and allowed frequency modulation. The AX73, with 1 LFO per voice has variable pulse width with PWM usable on any of the waveforms. Individually, neither the VX600 or AX73 have a well-known vintage classic status, but it's not due to lack of capability or rich sound potential. Combined, these synths make an incredible complement, each lending strength to the other and creating some truly powerful sounds when employed together."
And promo video from Doctor Mix featuring the original hardware Voyetra 8:
How To Play "Video Killed The Radio Star" On The Voyetra 8
Published on Dec 6, 2018 Doctor Mix
"Here's the über rare Voyetra 8 vintage synth and how we used it to recreate Video Killed The Radio Star by "The Buggles". Discover UVI's PX V8. Download the Multi-Track of this video for FREE now: https://www.doctormix.com/video-kille..."
"PX V8 is based on an exceedingly rare American polyphonic analog synthesizer, the Voyetra Eight. Released by Octave-Plateau Electronics in 1982, this unassuming 3-space rackmount synth is a 78 lb. analog powerhouse sporting 8 voice cards and an incredibly deep modulation system. With 6 pages of parameters to customize the Voyetra Eight was nothing if not flexible, but in the end it's the sound that counts and it does not disappoint. Thanks to subtle differences in each of the voice cards and a powerful unison mode, the Voyetra Eight delivers a wonderfully uncompromising analog sound with rich, powerful leads, thick basses, warm, modulating pads, strings and more. A unique instrument with a sound greater than the sum of its parts, the Voyetra Eight packs a huge analog punch into a small frame that until now has largely been lost to time.
PX V8 has been a passion project, it took us 2 years to track down a Voyetra Eight, and even then it required significant work to restore to factory condition. Our sound designers spent over 6 months creating sounds with the Voyetra for PX V8; learning the instruments structure, designing patches, exploring possibilities, recording and editing. We tested numerous configurations of cables and converters to ensure you'd experience the highest quality sound before settling on Vovox and Prism, the results are clear.
PX V8’s sampling was made per-key for every patch we designed, both with and without unison mode engaged allowing you to enable genuine hardware unison on any sound in the library. Just like on the Voyetra Eight you can load two layers at once, and with the unison mode engaged you can create truly massive analog sounds without worrying about an 8 voice ceiling.
In the end we recorded over 25,000 samples from the Voyetra - packing PX V8 with a whopping 400 presets made from 176 layers, divided into 10 categories including bass, brass, keyboards, leads, misc, organs, pads, poly, strings and waveforms. Each of the sounds is fully customizable and can be used straight-away or as the starting point for a new sound. Raw waveforms are also available for those who want to create sounds from scratch.
PX V8's aesthetic was adapted to closely mimic design cues from the hardware, giving you the feel of the original instrument as you easily tweak and edit the oscillators, envelopes, multimode filter, LFO and step modulators, dual arpeggiators and a featured effect section including EQ, drive, Thorus, ensemble, Phasor, delay and Sparkverb.
Rare and relatively unknown, the Voyetra Eight is not the simplest synthesizer to master - but the sounds it can create are brilliant, making PX V8 one of our most unique and inspiring libraries yet.
"PX V8 is based on an exceedingly rare American polyphonic analog synthesizer, the Voyetra Eight. Released by Octave-Plateau Electronics in 1982, this unassuming 3-space rackmount synth is a 78 lb. analog powerhouse sporting 8 voice cards and an incredibly deep modulation system. With 6 pages of parameters to customize the Voyetra Eight was nothing if not flexible, but in the end it's the sound that counts and it does not disappoint. Thanks to subtle differences in each of the voice cards and a powerful unison mode, the Voyetra Eight delivers a wonderfully uncompromising analog sound with rich, powerful leads, thick basses, warm, modulating pads, strings and more. A unique instrument with a sound greater than the sum of its parts, the Voyetra Eight packs a huge analog punch into a small frame that until now has largely been lost to time.
PX V8 has been a passion project, it took us 2 years to track down a Voyetra Eight, and even then it required significant work to restore to factory condition. Our sound designers spent over 6 months creating sounds with the Voyetra for PX V8; learning the instruments structure, designing patches, exploring possibilities, recording and editing. We tested numerous configurations of cables and converters to ensure you'd experience the highest quality sound before settling on Vovox and Prism, the results are clear.
PX V8’s sampling was made per-key for every patch we designed, both with and without unison mode engaged allowing you to enable genuine hardware unison on any sound in the library. Just like on the Voyetra Eight you can load two layers at once, and with the unison mode engaged you can create truly massive analog sounds without worrying about an 8 voice ceiling.
In the end we recorded over 25,000 samples from the Voyetra - packing PX V8 with a whopping 400 presets made from 176 layers, divided into 10 categories including bass, brass, keyboards, leads, misc, organs, pads, poly, strings and waveforms. Each of the sounds is fully customizable and can be used straight-away or as the starting point for a new sound. Raw waveforms are also available for those who want to create sounds from scratch.
PX V8's aesthetic was adapted to closely mimic design cues from the hardware, giving you the feel of the original instrument as you easily tweak and edit the oscillators, envelopes, multimode filter, LFO and step modulators, dual arpeggiators and a featured effect section including EQ, drive, Thorus, ensemble, Phasor, delay and Sparkverb.
Rare and relatively unknown, the Voyetra Eight is not the simplest synthesizer to master - but the sounds it can create are brilliant, making PX V8 one of our most unique and inspiring libraries yet.
Get it for FREE today ! Limited time only !!!
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Hark back to the heyday of classic rock and one instrument stands above the rest, a 350lb behemoth that would forever change the way we think about making music. At the heart of this monster was an array of tape machines, one per note on the attached keyboard, each playing a uniquely recorded sound. With only 8 seconds of tape per key and a cumbersome frame this machine had its limitations but was nonetheless impressive for its time, boasting a multitimbral and truly polyphonic 'engine'. Instantly made famous by the Beatles hit 'Strawberry Fields Forever' and used by countless others including The Moody Blues, Rolling Stones, and prog rock legends Yes, this was the 'must-have' sound of the 60's. While its use fell out of fashion the implications it made have become fundamental to modern music production.
With Mello we've aimed to deliver a complete and authentic recreation of this prolific instrument. Dozens of original tapes were multi-sampled on 3 different machines in order to give you the best representation of each of the 28 available sounds. To capture the live experience the key noise and inner mechanical sounds were stereo recorded, including tape noise and key-off sounds, and are all mixable to taste.
To make Mello even more versatile we've added a few tricks of our own, including an analog-modeled tape delay, reverb, a custom unison mode to give you stereo sound without unwanted transposition or chorusing, a switchable multimode filter, a 3-band EQ and more.
With these classics Flute, Brass, Celesta, Choir, Strings, Organs, Guitars, Piano and many more, Mello delivers a warm and buttery tone indistinguishable from the original and is, in every way we could make it, a perfect tribute to the quintessential studio instrument of the 60's.
Features:
• Pristine and comprehensive sample library from 3 original machines
• Mixable key and mechanical noise for authentic experience
• Switchable keyboard range (original or extended)
• Stereo modes including custom unison
• Switchable multimode filter with cutoff and resonance
• ADSR envelopes for amplitude and filter with velocity sensitivity
• 3-band EQ with sweepable mid frequency
• Built-in Sparkverb
• Analog-modeled tape delay"
❐ Buy Digital Synsations : http://bit.ly/ultra-mini
❐ UVI Official Website : http://www.uvi.net
❐ UVI Official Blog : http://blog.uvi.net
Music by Clem B
http://www.myspace.com/klemb
Two revered analog synths spanning a 4 decade legacy make sweet love with the UVI Engine™. The result: a 3-oscillator subtractive synth with devastating sonics and supreme ease-of-use. Experience the power of authentic overdrive, dual-filters and more in this ode to the arbiters of analog!
The Minimoog was made available to the public in 1971 and continued to be produced with very little change over the next 10 years. Considered the most popular synth ever by some, there's no doubt the instrument has led a prolific life, leaving a massive wake in its path -- changing perceptions and influencing synthesizer design to this day.
The Minimoog has a near-perfect balance of simplicity and sonic beauty.
HEART OF A HYBRID MONSTER : 2 ANALOG SOULS
One of our specialties is making hybrid instruments to get the best of both worlds.
We started with a beautiful 1971 Minimoog, sampling every waveform of every oscillator across every key -- and we did this for multiple overdrive settings. UltraMini seeps with a thick and immediate analog sound produced with the same 3-oscillator configuration as the Minimoog.
But we didn't stop there. In 2002 the Minimoog had a second coming in the form of the Voyager. This synth has its own wild character. Taking a 2011 Limited Edition Voyager XL, we performed the same comprehensive session, creating an identical sample footprint.
UltraMini includes two fully independent instruments with uniquely skinned GUIs, giving you the choice of vintage analog or crushing new school grit.
MAIN FEATURES
3-oscillator configuration, amplitude and filter key follow, unrestricted polyphony, mono retrigger, per-oscillator amplitude, stereo, color and drive control, a built in bit crusher, phaser, delay, limiter and our advanced algorithmic reverb -- SparkVerb, built-in phraser and arpeggiator assignable per-oscillator, step and LFO modulations and a huge library of expertly crafted presets.
———————————————————————————
*All trademarks are held by their respective owners. Moog is not affiliated with UVI or UVI products.
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UVI Darklight IIx is the latest UVI product, inspired by the most mythical Computer Music Instrument of the 80's.
Costing upwards of $100 000, the dream machine of the 80's was unattainable by most. Used by countless prominent artists including: Peter Gabriel, David Bowie, Michael Jackson, Kate Bush, Herbie Hancock, Jean Michel Jarre, Thomas Dolby and many more, it remains a highly regarded and sought after instrument.
Nearly thirty years later, no one has accurately captured the essence of this digital monster.
Today, UVI is proud to say all of that is about to change... Introducing UVI Darklight IIx.
We took our obsession to the next level, creating a complete set of instruments, sounds and sonic tools deeply inspired by the original digital monster. A unique, hybrid process of exhaustive multi-sampling, analysis, and advanced audio processing allowed us to not only capture the original character of this machine but to enhance its ability with a host of today's most powerful analog modeled filters, LFOs, envelopes and effects--packaged beautifully in an old-school interface.
Darklight IIx offers several 'Pages', each an instrument on its own :
PAGE P - "Organic" Digital Sound
• Immediate access to hundreds of sounds and instruments including: Bass, Brass, Bells, Strings, Guitar, Orchestral Hits, Synth, Drums, Percussion, FX, Keys, Piano, Organs, Winds, Reeds and Voices
• Efficient and versatile control set allows for everything from quick tweaks to deep sonic exploration
• Accurate reproduction of aliasing characteristics
• More than 250 ready-to-play presets
• A multitude of effects, including the new UVI SparkVerb™, allow you to create sounds like the original machine and process them to sound like your favorite cult records from the 80's or something totally new!
PAGE B - Digital Drum Machine
• 80's-style beatbox with step sequencer
• Hundreds of authentic vintage drums and percussion sounds
PAGE U - Creative Multi-Phraser
• UVI exclusive multi-phraser; 3 parts with 3 sounds and 3 smart step sequencers
• Create 3-track arrangements or moving drones, let your imagination run!
All of these combine to present you with the authentic sound and soul of this mythical machine. Packaged in an easy-to-use interface with modern controls for enhanced expression and musicality, Darklight IIx gives you control over one of the most coveted computer musical instruments ever.
