MATRIXSYNTH: Search results for Supersaw


Showing posts sorted by date for query Supersaw. Sort by relevance Show all posts
Showing posts sorted by date for query Supersaw. Sort by relevance Show all posts

Saturday, April 13, 2024

New X1L3 - DRAIL - hacked fx processor - eurorack module


video upload by X1L3

"Hardware hacked fx processor module.
What it is and where to get it - below.......

Available at: https://x1l3.bigcartel.com/product/dr...

A few sections of this vid contain strobing and flashing images. If susceptible to seizures then viewer discretion is advised.

Amiga/P3 W95 demoscene spec run down and demo. Created due to a request to demo the module in a way that wasn't 'just noise'. Initially intended to be one part made from the best track out of three that i came up with. Later deciding to shoe horn the two reject demo tunes into it, which lead to it becoming a ramshackle lesson in polygons and 3d. It also caused the whole thing to end up panning out like some kind of messed up fever dream πŸ’€πŸ€£

Drail is an fx processor module based on a fixed chip set containing 100 preset effects. Reverbs, delays, pitch shifters and modulators of various types, such as flangers and phasers. More details are over on the bigcartel link. Hacked referring to the hardware hacking principles applied in reclocking the cpu and messing with the phase in the signal path to turn it into the somewhat weird thing it is now. Hacked also sounds better than circuit bent, which has been done to death as a term and wouldn't fit on the front panel anyway πŸ’€πŸ—

A bit of a departure from my usual powerelectronix/sound design outings when it comes to modules. Right now this is the only demo i have complete. I'll upload some stuff soon that's more in line with the roots of where i came from, and which features some other new stuff that got completed in the somewhat hell froze over time it took me to complete this outing πŸ”₯πŸ”₯

As always - enjoy - or don't.
The sun rises in the morning either way 😘☀️πŸ‘Œ

Cheers for checking it out."



"The module is based on a fixed stereo fx processor chip which contains 100 presets. These presets consist of numerous reverbs, delays, harmonizer/pitch shifters and modulators such as flangers and phasers.

It has a mono input, a summed L/R mix output with dry wet control which covers 0-100% wet,
Two 100% wet stereo outputs give access to the ping pong delays and different phases of panning in the stereo field that some of the effects use,
The combination of summed dry wet and separate stereo fx ouputs offers some variation in how you might hook the module up to achieve different results in a setup.

Patches can be selected manually, or by gate inputs with an input to cycle each way through the patches and an input to select them.

In stock form it's a fairly vanilla and quite unremarkable, all be it useful set of fx. By applying some of the tricks learned in my time in the circuit bending arena the whole thing becomes a Swiss army knife of weirdness and opens up to some bizarre effects and unruly behavior. With the principles of hardware hacking applied and the cpu reclocked, along with some creative phase altering in the signal path, the processor takes on an entirely new life. Still being able to run as a useful set of stock reverbs, delays or modulators, but doubling up as an interesting sound design tool. All sorts of mad sounds and unexpectedly good processing can be achieved. Great for soundscapes, turning basic sounds into things that are bigger than the sum of their parts, making guitars sounds insane, it can even be used to turn a saw into a pseudo supersaw that somehow looks like a kind of mutated pwm square by using the modulator fx. This kind of thing gets fat when you start using both the dry wet mix output and the 100% wet L/R outs. With 100 fx to choose from, there's generally something interesting and at times fascinating to be found when messing around with it.

From experience, different fx chip sets behave in radically different ways when attempts to circuit bend or reclock them are made. Some prove to be pointless and uninteresting, others become prone to crashes and are rendered too unpredictable.and useless beyond extreme noise This one happens to be an excellent target for a bit of creative alteration. When underclocking the cpu, a kind of subtle low pass filtering effect is applied. Not enough to make the effect undesirable, but enough to eliminate the unwanted noise inherent to underclocking. In testing this chip set and discovering it's predictable, but quite abstract nature when abused, it became obvious that it would make a brilliant target for an interesting module. One which i'm finding to be an excellent addition to my own rigs. Given the roots of how it came about and how that ended up sounding, it is i imagine an acquired taste, but a quite unique acquired taste in the scheme of things."

Tuesday, March 26, 2024

Introducing... The Swarm, By Artium Instruments


video upload by Artium Instruments

"Artium Instruments is thrilled to introduce its very first offering, The Swarm, a polyphonic desktop synthesizer."



via Artium on Kickstarter

At Artium Instruments, we approach our designs with the understanding that musicians cultivate intimate connections with the gear they employ to create their art. We firmly believe that instruments ought to possess not just functionality, but also personality, character, and a distinct identity that inspires its user. First and foremost, we've dedicated significant effort to ensuring that the synthesizer and onboard effects produce exceptional sound quality akin to professional studio-grade equipment. The Swarm features a SuperSaw oscillator with 8-note polyphony, curated onboard effects, and a full-featured arpeggiator.

At Artium Instruments we are committed to knob-for-knob functionality in our desktop synths. Every feature of The Swarm is directly mapped to a knob, button, switch, or jack, ensuring effortless control. There's no need for menu-diving or complicated button presses to access features; everything is conveniently accessible at your fingertips.

With over a decade of experience in the effects industry, we have carefully curated a selection of effects that complements the synth core. Unique to The Swarm is its capability to use the onboard effects with other equipment, allowing you to route external audio through the input jacks on the back.

We've invested considerable thought into crafting the overall feel of the instrument. From the layout of the knobs to the choice of colors, artwork, and weight of the enclosure, every detail has been considered. These details matter to us because we recognize that the connection a user forms with a piece of gear is nearly as crucial in the creative process as the sounds it produces. We hope you can feel the love and passion we've poured into every detail of The Swarm, from its sonic capabilities to its design aesthetics.

The Swarm is controlled by MIDI through a USB-C port. Most modern class-compliant MIDI controllers with USB functionality should plug in and work immediately with zero setup. Additionally, The Swarm provides power to your controller, streamlining your setup process. For older controllers that only have DIN connections, a USB to DIN converter can be used to ensure compatibility.

The Swarm features a SuperSaw oscillator with 8-note polyphony. This oscillator is composed of seven individual saw waves stacked on top of each other. The magic happens when you detune the waveforms by applying a frequency offset, resulting in one of the most massive synth sounds available.

The Swarm employs this SuperSaw oscillator through two distinct control modes: Polyphonic Mode and Arpeggiator Mode. In Polyphonic Mode, you can play up to eight notes simultaneously. Arpeggiator Mode offers a comprehensive monophonic arpeggiator, automatically sequencing held notes in a variety of patterns.

All onboard effects can be used with external equipment. Simply plug an external audio source into the rear input jacks, and The Swarm will seamlessly mix the external audio with its synth core, allowing for simultaneous processing of both signals.

By pressing the touchpad on the right, The Swarm records a 1000ms sample of the current audio. It then layers, and smears the sample, creating an infinite drone frozen in time—a perfect foundation for layering additional notes. The freeze effect facilitates overdubbing, and pressing the touchpad with the freeze knob at its minimum setting erases the memory, allowing you to capture a fresh sample.

The Swarm's delay is a digital delay with a subtle touch of warmth. The delay length synchronizes with the arpeggiator clock, which can be adjusted manually using the clock knob or via the tap tempo touchpad on the left. Additionally, the delay features a multiplier knob, offering a range of unique subdivisions that complement the synced arpeggiator, including quarter notes, dotted eighth notes, eighth notes, and triplets.

The reverb effect in The Swarm strives to enhance the natural body and ambience of the synth core without overshadowing it. Its stereo reverb algorithm is controlled by a single knob, which adjusts both the mix and decay simultaneously. This versatile control allows you to seamlessly transition from realistic room or hall effects to expansive cathedral-like soundscapes, offering a wide range of atmospheric possibilities.

The SuperSaw oscillator practically demands to be paired with a chorus effect. The Swarm employs a stereo 4-voice chorus effect alongside a gradually shifting LFO, aiming to craft dimensionality without becoming nauseating.

Tuesday, March 05, 2024

GS Music E7 NO TALKING Synth Demo // Custom Patches


video upload by Miles Away

https://www.gsmusic.com/

"Buy these 64 custom programs for the GS Music E7 here:
https://shop.milesawayofficial.com/pr...

These 64 Custom Patches from Canadian producer and sound designer Miles Away aim to showcase the powerful and wild analog VCO sound of this beautiful synth. With a variety of epic pads, lush keys, face melting basses, epic leads and more, this is the premier custom patch collection for the GS Music E7 7-Voice Analog Synthesizer.

Blade Runner, Stranger Things, Synthwave, Film Score, Ambient, Synthpop"

Thursday, February 15, 2024

GS Music E7 Custom Patches: Synthwave, Vintage, Ambient


video upload by Miles Away

https://www.gsmusic.com/

"Buy these 64 custom programs for the GS Music E7 here:
https://shop.milesawayofficial.com/pr...

These 64 Custom Patches from Canadian producer and sound designer Miles Away aim to showcase the powerful and wild analog VCO sound of this beautiful synth. With a variety of epic pads, lush keys, face melting basses, epic leads and more, this is the premier custom patch collection for the GS Music E7 7-Voice Analog Synthesizer.

Blade Runner, Stranger Things, Synthwave, Film Score, Ambient, Synthpop

Saturday, February 03, 2024

Quadrature VLFO Quick Minute


video upload by boxoftextures

"A quick minute with the Quadrature VLFO, from Cyberwerks Heavy Industries. Cherry Audio mentioned this somewhere a few days ago, possibly in a tweet I can no longer find, and my immediate thought was, "this will be brilliant for drones." And it is! The VLFO (the V stands for 'very') lets you make ridiculously slow LFOs, but the module also puts out three additional signals that are 90° apart from each other. Which makes it perfect for long, slow drones as each LFO can drive multiple things very, very slowly, but each output is different, because when one is high another one might be low.

So in this patch I have two VLFOs, four out-of-phase outputs in each, running at two different very slow speeds (70,000ms and 15,000ms cycles, respectively) and controlling the volume level of the eight partials in an additive VCO. And I have another VLFO (33,000ms) controlling the volume of the mixer channels of three supersaw oscillators. And just for fun I threw in a super-slow envelope generator to slowly fade the patch in and out (12 seconds in, 50 seconds out).

In a way this is a terrible demo LOL. Because a quick minute is too short to really hear the very slow changes that are happening, and I thought about just making a much simpler straight demo with much faster and more obvious changes but, well, didn't, alas. But I think you can get the idea, and see what these VLFOs are capable of. And also, they're not limited to being very slow either, just to mention it.

No external effects used, everything's in Voltage Modular.

https://store.cherryaudio.com/modules...

Mastodon: https://vmst.io/@selgart
Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures"

Wednesday, January 24, 2024

Introducing Supercritical Redshift 6 - Six voice analog Variable Character Synthesizer


video upload by Supercritical Synthesizers

"Supermassively dense analog oscillator combined with a chameleon analog filter with versatile gain staging. Now sixfold.

Redshift 6 combines technology from the company’s previous products, the Demon Core Oscillator and the Neutron Flux Filter. Each of the six voices features a DCO with analog waveforms generated under digital control. The filter core is an analog 4-pole state variable filter also digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth - plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects.

Redshift 6’s idea is something that is wrapped in the moniker “Variable Character Synthesizer”. Each voice’s analog path regarding tuning, gain staging, filter, and more is under strict digital control. Redshift 6 has as lush and warm sweet spot inspired by the analog polysynth tradition, but it can also cover the full range from almost digitally sterile and clean to distorted misbehavior and beyond. No modeling here - it’s all analog until the bypassable stereo DSP effects processor.

The oscillator, already road-tested in the Demon Core Oscillator eurorack module, is featured in each of the six voices. The oscillator has multiple tricks up its sleeve, each one wrapped as an Engine for the user to choose between. Traditional twin oscillator engines, supersaw engines, flanging phase sync engines, and transistor organ engines are all powerful modes in user-friendly ways that are easily controllable and modulatable.

Redshift 6’s six voices can be configured in plenty of ways. Choose between true six-voice polyphony, classic vintage poly dual layer mode with 3+3 voices, six individual voices each with their own patch and physical output, or any combination of the above. Each of the six voices can also operate as a paraphonic voice with up to 16 note paraphony. Additionally, multiple filters can be chained by routing audio from one voice to another.

The form factor of Redshift 6 is a modern, compact desktop device with a 2.7-inch color screen. Menu diving is reduced to a minimum, with quick navigation via the shortcut button grid. A selection of familiar synth controls are featured on the front panel. A macro mode is included with six user-assignable controls. The back panel features main audio outputs with a DSP effects processor and four auxiliary voice outputs.

One of the major design principles of Redshift 6 is to have a versatile and capable analog platform and a flexible UI for new Engines, easily updateable via software updates.

Supercritical Redshift 6 Desktop synthesizer module - Technical specifications
● Six voices each featuring:
● Full analog signal chain
● Digitally controlled analog Supercritical Demon Core Oscillator
● Analog four pole Variable Character Filter
● Flexible gain staging with an analog boost circuit
● Physical audio output per voice (2 main outputs and 4 aux outputs)
● Optional voice chaining
● Bypassable digital effects in main outputs 1-2
● 2.7" TFT IPS color screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
● Quick powerful controls for oscillators and filters.
● Six user-assignable macro controls
● Six parts multitimbral
● Modern MIDI implementation with USB-B connection and DIN IN/OUT
● MPE
● 12V power supply
● Physical dimensions: 378 mm x 254 mm x 63 mm

The Supercritical Redshift 6 will be available in summer 2024 with an MSRP of 1259€" Preorders starting now at https://supercriticalsynthesizers.com



Click the pics for the full size shots.

Wednesday, December 27, 2023

Martinic AX73 Preset Collection - Taster - Playthrough


video upload by Martinic

"Playthrough of the Taster preset collection for the Martinic AX73 Software Synthesizer. Download available at https://www.martinic.com/products/ax7..."

TIMESTAMPS:
00:00 - Intro
00:05 - Back To The Basics: Lead, Split, Bass
00:33 - Brassy Lead: Lead, Brass
01:01 - Broken Device: FX
01:13 - Crunchy Kick: Drums
01:41 - D.R.O.N.E.: Atmospheric
02:07 - Dance Organ: Organ
02:45 - Distorted Raindrop: Plucked
03:12 - EDM Supersaw: Lead
03:57 - Fall Up 'n Down: FX
04:26 - gooM Bass: Bass
04:59 - Gritty Bass: Lead, Bass
05:47 - Jumping Head: FX
06:09 - Just a Dream: Pad
06:48 - Little Bells: Split, Plucked, Keys
07:28 - Metbass: Bass
08:15 - Phased Sweep: FX
08:34 - PluckOmatic: Arp
09:04 - Sad Lead: Lead, Split, Keys
09:36 - Saw Everywhere: Lead
10:21 - Snappy Snare: Drums
10:46 - So Windy: Atmospheric, FX
11:15 - Sweet Pluck: Split, Plucked
11:45 - WobWob: Keys
12:18 - Won't Stop: Atmospheric
12:51 - Woosh Up!?: FX
13:19 - Outro

Monday, December 11, 2023

New Minifreak Firmware 2.0 - Wavetables, Super Unison and More!


video upload by Arturia

"Firmware 2.0 take your MiniFreak further with new ways to sculpt, accentuate and shape your sound. This update delivers a significant dose of new features and sonic possibilities for existing Mini Freak hardware and software users. With a new wavetable engine, Super Unison effect, Favourites Panel, LFO modulation and more."


video upload by Oscillator Sink

"Merry Minifreak 2.0 Firmware Day! In this video we'll be taking a look at the new features in this firmware including the new Wavetable oscillator type and Super Unison FX and building a patch using these new featrues.

Transparency Notice: Arturia kinda provided this unit to me for free for the purposes of making videos. They have not asked for, neither have they been given, any editorial oversight into the contents of this video.

Chapters:
00:00 Intro
00:54 Sound Store
01:46 New Effect - Super Unison
02:48 Super Unison - Controls
07:19 Super Unison - Sub Types
12:19 Super Unison - Compared to other FX
14:14 Mod Matrix Macros
17:25 LFO Waveshaper Improvements
20:24 Wavetable Oscillaor
20:35 Wavetable Oscillator - Caveats
21:42 Wavetable Oscillator - Controls
24:09 Selecting Wavetables
24:48 Auditioning the Wavetables
30:39 Building a patch with the new features
44:32 Outro"

MiniFreak V2 // Wavetables, Superunison. and other delights!

video upload by Starsky Carr

0:00 intro
0:58 Superunison
4:30 Wavetable Oscillator
10:40 LFO Shaper
12:45 Favourites Panel
14:01 Assigning Mod Matrix to Macros

Arturia Minifreak OS V2.0 Update! FREE UPDATE! | No Talking | #minifreak #minifreak2

video upload by DKS SYNTH LAB



_Introducing MiniFreak firmware 2.0 and MiniFreak V 2.0

MiniFreak update delivers a significant dose of new features and sonic possibilities for existing hardware and software users, with an expanded sonic palette, new FX and more.

Here’s what’s included:

New engine: Wavetable
Including 32 wavetables and 64 new patches to extend the raw potential of your sound, this update brings one of the most powerful engines to MiniFreak (available for Oscillator 1 only).

New FX: Super Unison
Transform a simple patch into a Supersaw monster with Super Unison FX. This chorus-type effect can stack up to 6 copies of a sound on top of a dry signal, for unmistakable width.

Enhanced Custom LFO Users can now decide if the LFO rate corresponds to a single step, or the entire Shaper curve, empowering you to create more nuanced, evolving, and expressive modulations.

A favorites panel for hardware user
Save up to 64 of your favorite presets and access them with ease. Enter the favorites panel by pressing shift + save, store a patch by pressing save + selecting a sequencer slot and recall a saved patch with a step button press.

New sound store for MiniFreak V
Software users can make the most of a brand new Sound Store with two paid banks with 64 patches and three free banks with 32 patches at launch.

And more
Minifreak update also comes with additional enhancements to Macro Edit mode for greater real-time control over modulation amounts. As well as Osc Freerun OFF, which now apply to Bass, Harm and SawX. Clock Send and Transport Send for hardware users, which can now be toggled on and off. Finally, you can now control the instrument volume with MIDI CC7"

Discover more

Thursday, December 07, 2023

Trance 90s-2000s for Novation Peak/Summit


video upload by NatLife Sounds

"Buy Link: https://natlifesounds.com/product/tra...

Trance 90s-2000s For Novation Peak/Summit synthesizers – is a first sound library dedicated for Classic Trance era.

Here is 28 perfectly recreated sounds with a 2 Animated buttons, which transform it into another dimension.

You can find here a big quantity of Lead and especcially Supersaw sounds of 2000s. As additional you will get precisly recreated ARP’s with a full feeling of 90s. And for getting more Classic Trance atmosphering – Pads, Plucks and Synth presets.

Sounpack contains 28 Novation Peak & Summit Presets, which are:

19 Leads
2 Pluck
4 ARP’s
2 Pad’s
1 Synth

Notice! – some of Bass sounds in the video-demo where taken from Peak‘s – Cybertrance sound library"

Wednesday, October 25, 2023

Roland JP-8080 Analog Modeling Rack Synthesizer *SUPERSAW* *SANDSTORM*

Note: Auction links are affiliate links for which the site may be compensated.


via this auction

"Supersaw sandstorm" First I heard it called that way.

The listing mentions:

"Origin of the supersaw! Excellent condition. Includes original rack ears and Hirakawa AC cable."

The JP-8000 keyboard was the first to the have the supersaw. The 8080 was the follow-up with added "Voice Modulator" / vocoder.

Sunday, October 15, 2023

Arturia Pigments - Tranceworld Presets Soundbank


video upload by NatLife Sounds

"Download Link: https://natlifesounds.com/product/tra...

Tranceworld For Arturia Pigments - is a massive Trance invasion into the Pigments synthesizer.

The sounds inside was inspired by golden Trance era between 1996-2008 years.You will find here everything what you need for getting same sound in your production.

Powerfull and long Bass sounds, big Supersaw and Analog Leads, beautiful cosmic Plucks, lush atmospheric Pads, AAH and VOC's sounds, inspired from 90s, ARP's, KEY's, Synthes, Strong FX's, which are very usefull for transitions in the tracks.

Overall the library have a 64 Trance Presets & Patches, which are:

2 AAH
6 ARP's
7 Bass
7 FX's
13 Leads
12 Pads
10 Plucks
3 Synths
1 VOC

The demo-song was made with a 30 Arturia Pigments patches, whiout any external effects, FX's, or other sounds, except 1 Kick and 2 Drum sounds.

Soundpack contains instruction for Sound installation and also for Soundbank Image Cover installation."

Thursday, October 05, 2023

Behringer JT-4000 Now Available


Behringer JT4000 Micro the first UK review video upload by Take the Fear out the Gear


video upload by Take the Fear out the Gear

"Hi everybody this time we play all 32 presets of the new Behringer JT4000 micro.

The Behringer JT-4000 MICRO is a portable 4-voice hybrid synthesizer that offers unparalleled sound possibilities. With its two analog modeling oscillators per voice and authentic 12-bit DAC, this synthesizer reproduces the warm and natural sound of the 90s classic virtual analog engine, including the iconic Supersaw waveform that made it a legend in techno and trance. Featuring an additional 2-operator FM engine, the JT-4000 MICRO allows for even greater sonic exploration and creativity.

The JT-4000 MICRO's analog filter further enhances the sound, providing rich and expressive tones. With 16 touch-sensitive keys, this synthesizer offers great playability, allowing you to express yourself fully. You can easily store and recall your favourite sounds, thanks to the 32 memory presets that are expandable through the SynthTribe app. The JT-4000 MICRO also includes an arpeggiator with 3 patterns and a hold function, enabling you to create captivating melodies and intricate sequences."


via Behringer

"She has arrived:-)

The world’s first fully featured synthesizer for USD49."

Friday, September 29, 2023

New Roland GAIA 2: Creating and Explaining Synth Sounds πŸŽΉπŸŽ›✨


video upload by MR TUNA Music

"Let's make some sounds from scratch on the all-new Roland GAIA 2 synthesizer. The GAIA 2 is a digital synth with hybrid architecture; It features one wavetable oscillator and two virtual-analog oscillators (including supersaw). The most interesting part is the Motion XY pad which allows you to record gestures and use it like a trackpad for the menu."

See the announcement post for the Roland GAIA 2 here.

Monday, September 25, 2023

This is Thump One by Toybox Audio | haQ attaQ


video upload by Jakob Haq

"Thump One is a gritty, phat sounding AUv3 wavetable synthesizer for iOS, desktop and laptop systems. The synth has two engines, whereas one is focused on making heavy kick-like sounds and the other on stacked and detuned oscillators for a wide supersaw sound. Check it out!

Thump One is available for desktop and laptop systems and iPads iOS

⏰ TIME STAMPS
0:00 Thump this!
3:37 UI and Feature overview
9:15 MSEG Envelope
11:53 Kick Engine
16:37 Layer Engine
20:45 Focus Pro tips
24:35 Final thoughts"




via Toybox Audio

"Thump One is an easy to use music synthesiser plugin with a fun glitchy 'wavetable' engine and a bank of flexible multi-segment envelopes to shape the sound in any direction you desire. Perfect for powerful kick drums, huge club basses and soaring leads.

The synthesiser features two powerful engines that can be layered together for a variety of complex sounds and textures. The ‘Kick’ engine features a great sounding 'wavetable' oscillator, with a set of wavetables created from a selection of clean and processed analog kick drum sounds. The ‘Kick’ engine has a high quality saturation and filtering circuit plus an additional 'Buzz' circuit to add a buzzy ‘broken speaker cone’ effect. The second engine, ‘Layer’ uses an accurate model of the 'supersaw' oscillator found in the Roland JP8000 synthesiser, this oscillator has a selection of operating ‘modes' that configure the oscillator to play in intervals and adds various amounts of cross-modulation to create noisy, retro synth sounds, fuzzy glitches or just plain noise."

Sunday, August 27, 2023

'Arp & Drone' 2-Voice Melodic Eurorack performance (ambient, minimal, all analogue synth sounds)


video upload by AJH Synth Official

"A rather gentle 2-Voice, all-analog melodic performance using random arp mode on a Keystep Pro, whilst controlling a 2-note drone sound with the keyboard. This time a slightly simpler version of this recording: [below]

The system includes three Vintage Transistor Core VCOs and noise from the Glide + Noise module, which are split between the two filters of the Gemini 2412 dual multi-mode VCF. Two of the VCO sawtooth waves go to the Wave Swarm , which thickens them, creating the effect of many stacked saws (or supersaw) buzzing as their waveform timings collide. This makes an excellent basis for drone sounds, even from a single VCO.

Other important modules here are the Tap Tempo Voltage-controlled LFO, which is clocked by the arp (gate out to clock in), and modulates/varies the frequency of the filter on each new arpeggio note, creating more movement. Also the Ring SM adds a -1 sub-octave to the single VCO of the arpeggio, and mixes in some white noise, fattening the sound hugely.

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Video by @DreamsOfWires"

'Not moving on' - Mellow, Melodic Eurorack Performance (AJH Synth MiniMod & Gemini 2412)
video upload by DreamsOfWires

"Melodic real-time performance using 2 modular analogue synth voices, a work-in-progress version for this album: https://tomorrowthecure.bandcamp.com/... [posted here w/ video]

This track makes particular use of the Gemini VCF as two seperate filters - the melodic part (an arpeggio from the Keystep in random mode) consists of either the Entropic Doom (alone as a pitched noise VCO, sometimes with a regular VCO mixed into it's audio input, or used as a sync source), or just the standard VCO through the Ring SM (where additional octaves are added). The output of both the Entropic Doom and the Ring SM go to independent filters on the Gemini, Low Pass and Band Pass respectively. Then, the keyboard/sequencer gate from the Keystep triggers the Sample & Hold module, which modulates the mix between the output of these two filters using the Gemini's built-in voltage controlled mixer/cross-fader. I'm also using the CV Mix module to set the modulation level, range, and start/end positions.
The drone sound is two VCOs going through the Wave Swarm to the Ladder Filter, at certain points I manually shift the pitch of one of the VCOs using the Precision Voltages module, via the Glide module (up only). Recorded into AUM on an iPad with EOS2 reverb.
Added video footage is of the North Norfolk Railway, then the Mid Norfolk Railway, UK (before 'lockdown')."

Friday, August 18, 2023

Groove Synthesis 3rd Wave OS 1.5 Update Adds MPE Support, Poly Unison, Free Running OSCS & Long LFOs



via Groove Synthesis

3rd Wave OS version 1.5

new in this release:

- support for MIDI MPE controllers - enable MPE from the GLOBAL menu and explore the new modulation sources at the end of the list. Pitch bend range can be set in the MISC menu

- option for free running analog oscillators in the MISC menu which is settable per patch - In the analog waveform mode, which you are using when you select the Axx waveforms like Saw and Square, now has the option to make the waveforms not reset when you start a new note. In this mode, the oscillators will continue to drift from each other as they do on some fully analog synthesizers. There are two side effects if you are using free running for the analog waveforms:

1. When two or more oscillators are running at the same time, the phase of the waveforms will not be reset and could start at any position. As a result, there will be phase cancellation compared to having the oscillators always start at the same point. What you will hear is that the notes will change volume level slightly as the oscillators start and also drift in and out of phase with each other.

2. In the normal mode the oscillator always starts at zero. Now it could start at any point in its phase position. That means when you hit a note, a single oscillator could be at 0, +1.0, -1.0, or anywhere in between. If it starts at or close to +1.0 ot -1.0, you are going from no sound to fully on immediately. This can cause a click at the beginning of the note depending on the phase. It is noticeable mostly when using a sine wave, and not too noticeable with something like a saw or square. If you want to use this free running mode, turn the attack time up to +20 or higher to quickly fade in and avoid the potential click.

Saturday, July 08, 2023

Synthesis Technology Modules Come to VCV Rack

"Authentic re-creations of Synthesis Technology Eurorack modules

Accurate DSP models of analog circuitry

Digital firmware optimized for VCV Rack"

Playlist:
Synthesis Technology E340 Cloud Generator for VCV Rack
All sounds from Synthesis Technology E340 Cloud Generator
Synthesis Technology E350 Morphing Terrarium for VCV Rack
All sounds from Synthesis Technology E350 Morphing Terrarium
Synthesis Technology E355 Morphing Dual LFO for VCV Rack
All sounds from Synthesis Technology E355 Morphing Dual LFO
Synthesis Technology E440 Discrete OTA VCF for VCV Rack
All sounds from Synthesis Technology E440 Discrete OTA VCF

https://vcvrack.com/SynthesisTechnology

Patch created by Simon Bader. https://linktr.ee/circadiansound





The Synthesis Technology E340 is a super-saw/sine oscillator capable of generating up to 8 waveforms per output. If you want massive bass and lead voices like the JP-8000 supersaw, or thick ambient drones as if played from a slow rotary speaker, the E340 is the perfect audio source for your synth patches.

Detune the swarm of oscillators using SPREAD or with randomly filtered noise using CHAOS and CHAOS BW (bandwidth). Reset the phase of all waveforms using the SYNC trigger input, which can use another oscillator to produce a sync-lead sound.

This module supports VCV Rack’s polyphonic cables, so with 16 voices, you can generate a total of 128 waveforms per output.

This VCV Rack software module uses the original firmware from the hardware Synthesis Technology E340 module.

Friday, July 07, 2023

Roland V-Synth XT OceanOfSaws


video upload by Michael Sagov

"this almost 20 years synth still sound amazing
this how supersaw should sounds
Added reverberation from Eventide Eclipse and compression on top"

Friday, June 30, 2023

Bad Gear - Roland V-Synth


video upload by AudioPilz

"Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about Roland V-Synth. Does this highly misunderstood former Roland flagship synth deserve the online hate and why did it fail back in the time when it was released? Is it on par with other classics like the Roland Jupiter-8, Roland D-50 or Roland JP-8000?

Thanks to Mario Reithofer of TSAMM for this synth from his great collection:
https://www.tsamm.com/

Chapters:
00:00 Intro tune
00:55 Overview Roland V-Synth XT
01:34 Virtual Analog Oscillators (Juno, D-50, SuperSaw, HQ,...)
02:33 Ext. Input, PCM Waveforms (Samples)
02:53 VariPhrase (Elastic Audio)
03:25 Patch Modes (Ring Modulation, FM)
03:33 Filter, COSM FX (Waveshaper, Resonator,...)
03:57 Structure Modes, TVA (Amp), Multi FX
04:15 Multitimbrality, Arpeggiator, Modulation Sequencer, Virtual TTP
04:40 Presets
04:54 V-Cards (pre-installed on the XT): D-50, Vocal Designer
05:32 Limitations, Loading Times,...
05:54 V-Synth Range (Original, V-Synth XT, V-Synth GT)
06:11 Rear Panel, Pricing, Thanks!!!
06:21 Hate
06:47 Jam 1 (Bassline)
07:38 Jam 2 (Patch Overkill)
08:41 Finale (Techno Anthem)
09:11 Verdict
10:29 Patreon Vocoder Shoutout"

Tuesday, June 27, 2023

Schlappi Engineering THREE BODY / gentle chords


video upload by BRiES

"THREE BODY's audio palette is not limited to noise, harsh fm and destruction, it's actually very easy to get nice chords out of the unit. I'm using STEP 8 by Joranalogue Audio Design for shift register duties (creating chords out of a sequence coming from MOSKWA 2 by Xaoc Devives). Β΅CHORUS 6 by Soundforce is used to create width. Additional external effects (delay and reverb) take care of the spaciousness.

What's not demonstrated in this video but very easy with THREE BODY: you can create supersaw sounds where the 3 VCOs are either drifting in and out of phase or slightly detuned for a more thick unison sound. All you need is some external modulation and a way to mix the 3 (or more) outputs."
NEXT PAGE HOME


Patch n Tweak
Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH