"August 21, 2018 (Asheville, NC) — Marking its twelfth anniversary, the Bob Moog Foundation has announced it will be moving its headquarters to a new space in the heart of downtown Asheville. The new location at 56 Broadway Street will be home to the Foundation’s operations, and the future home of its long-awaited Moogseum.
The Foundation’s offices will relocate to the new space this October, with monthly events and a pop-up Moogseum store planned shortly thereafter. The Moogseum is expected to open in early 2019.
“We are thrilled to have the opportunity to expand our mission through this new public space,” remarked Michelle Moog-Koussa, Executive Director of the Foundation. “The new location will be an ideal venue for inspiring people through our extensive archives and our varied educational initiatives. Both our offices and the Moogseum will benefit greatly from being part of the vibrant downtown Asheville community, and the millions of visitors that it hosts each year. We look forward to enriching Asheville’s cultural offerings by sharing the legacy of Bob Moog with tens of thousands of visitors every year.”
Since its inception 12 years ago, the Bob Moog Foundation has been a force for science education, historical preservation, and creativity. It has inspired over 10,000 elementary school students with the science of sound through its experiential 10-week curriculum, Dr. Bob’s SoundSchool, as well as preserving thousands of documents, photos, memorabilia, and a vault of vintage instruments. The Foundation has assisted with numerous historical books, including integral contributions to two upcoming biographies about Bob Moog, and played a formative role in creating the upcoming documentary, Electronic Voyager.
'The Moogseum will represent a convergence of the Foundation’s many ongoing projects, as well as opening the door to a wide range of new possibilities,' concluded Moog-Koussa. 'We are truly excited for the opportunity to share the Foundation’s efforts with a wider audience.'
The 56 Broadway location currently houses the Black Mountain College Museum and Arts Center, which is moving to a new location at 120 College Street."
"10 Must-Experience Interactive Art Installations at Moogfest 2016
New commissions + site-specific collaborations from artists such as
Yuri Suzuki, Kyle McDonald, and Floating Point Collective
showcase synthesis of music, art, + technology
Durham, North Carolina (May 5, 2016) - The public will experience the synthesis of technology, art, and music like never before at Moogfest 2016, where an extraordinary array of interactive art installations and immersive sonic environments will be exhibited for free at venues across Durham.
For the four-day festival exploring the future of music, art, and technology, Moogfest will present more than a dozen art installations, many of them new commissions and site-specific collaborations between artists such as Yuri Suzuki, Kyle McDonald, Floating Point Collective, Antenes, and Rangit Bhatnagar, and engineers, musicians, and coders. For the full schedule of Moogfest art installations visit here.
The art experiences are one of the many highlights of Moogfest 2016, which celebrates the legacy of Bob Moog, the visionary engineer who pioneered the analog synthesizer and other technology tools used by artists like Stevie Wonder, David Bowie, and Kraftwerk. The four-day festival from May 19-22 will feature over 250 innovators in music, art, and technology -- from Gary Numan, GZA, Grimes and Laurie Anderson to virtual reality pioneer Jaron Lanier and transhumanist visionary Dr. Martine Rothblatt. For the first time, Moogfest will take place in Durham, North Carolina, a fast-growing capital of technology, culture and entrepreneurship.
The 10 Must-Experience Art Installations at Moogfest are:
We are excited to announce the release of our new CD: Music for Easels!
CD available here: www.cdbaby.com/cd/bartonbayardmononymscram
Digital downloads available soon on iTunes, Amazon, etc.
This is a live recording of a rare convergence on November 7, 2014 at the Schneider Museum of Art in Ashland, Oregon where Todd Barton, Bruce Bayard, Eden Mononym and Adam Scramstad gathered to explore the improvised interactions of four Buchla Music Easels.
In this historic performance these Oregon sound artists met in quadraphonic space surrounding the audience with speakers, offering them a unique listening experience. The CD is a stereo mix of all four channels.
The five tracks on this live performance album range from the world premiere of Todd Barton's composition, Butoh for Easels, to compelling solo improvisations by Eden and Adam to exciting ensemble soundscapes."
Digital downloads available soon on iTunes, Amazon, etc.
This is a live recording of a rare convergence on November 7, 2014 at the Schneider Museum of Art in Ashland, Oregon where Todd Barton, Bruce Bayard, Eden Mononym and Adam Scramstad gathered to explore the improvised interactions of four Buchla Music Easels.
In this historic performance these Oregon sound artists met in quadraphonic space surrounding the audience with speakers, offering them a unique listening experience. The CD is a stereo mix of all four channels.
The five tracks on this live performance album range from the world premiere of Todd Barton's composition, Butoh for Easels, to compelling solo improvisations by Eden and Adam to exciting ensemble soundscapes.
"Asheville, NC - May 2014... Synthesizer pioneer Bob Moog's upcoming 80th birthday was commemorated in grand fashion on May 8th with a "Tribute to Dr. Bob" concert by virtuoso synthesist Erik Norlander and his band The Galactic Collective to benefit the Bob Moog Foundation.
The concert, held at Asheville's Isis Music Hall, featured Norlander, accompanied by bandmates Jeff Kollman on guitar, Mark Matthews on bass, and Nick Le Par on drums. Norlander's onstage rig included three very special, fully restored vintage synthesizers from the Bob Moog Foundation Archives, including a 1967 Moog modular, an early Minimoog Model D, and an extremely rare Moog Apollo.
"The convergence of the Moog modular, the Minimoog, and the Moog Apollo in one performance is nearly unprecedented," notes Michelle Moog-Koussa, executive director of the Bob Moog Foundation. "Not since Keith Emerson toured with a prototype Apollo in the early '70s have they been heard together in live performance, making this "Tribute to Dr. Bob" concert a truly historic occasion."
The 1967 R. A. Moog Co. modular is an iconic synthesizer on permanent loan from the University of North Carolina at Greensboro. It was built for the first electronic music studio in the state, and hand delivered by Bob Moog.
The 1973 Minimoog was donated to the Foundation by Asheville composer and arranger Tom Coppola, who used it to record the signature three-note "Duracell sound", among many other commercial and musical applications. The Minimoog was the first mass-produced commercially available synthesizer that the working musician could afford. It is considered by many to be the most iconic synthesizer of all times.
Norlander used the Foundation's Minimoog and modular for giant bass sweeps and drones, adding weight and atmosphere to his tracks, "Arrival," "Sky Full of Stars" and "The Dark Water."
The priceless Moog Apollo is one of the few of its kind in the world. This 1973 instrument, newly and fully restored by the Bob Moog Foundation, served as a prototype for the production model Polymoog. The Apollo is one of the earliest polyphonic synths, synthesizers that could play more than one note at a time.
Norlander brought the Apollo alive in a stunning solo during his signature piece, "Dreamcurrents," using the harpsichord program to conjure the early days of polysynth performance art with classic, vintage tones. He reprised the harpsichord again in the waltz section of "After the Revolution," normally played on acoustic piano. Norlander later employed famous "Vox Humana" program in his bombastic choral opening of "Neurosaur" and used the Apollo soft analog brass sound for his gentler introductory theme on "Fanfare for Absent Friends."
"Bob Moog brought a new voice to the musical landscape, and our musical vernacular would be very different without his enduring contribution," Norlander remarked. "The name 'Moog' is synonymous with art, science and innovation, and as a keyboardist and synthesist, I can think of no greater tribute than using Bob's timeless inventions as the core instruments in my own craft."
Drew Heller, guitarist for the African fusion band Toubab Krewe, opened the show for the Galactic Collective, joined by his father, Grammy award winning producer/composer Steven Heller. Bob Moog had a close musical relationship with Toubab Krewe; Steven Heller was long-time friend and musical collaborator. Their acoustic set was marked by stories about Moog's generosity, fearless pursuit of the unknown, and his sense of humor."
"FourierSynth Fourier Synthesiser allows students, engineers and musicians to study quantitatively the Fourier components of periodic waveforms. Real-time superposition of harmonically related sinusoids upto 15th harmonic can be viewed with the built in Time Domain display or alternatively viewed on an Oscilloscope connected to the audio stereo output. Those musically inclined can choose to listen to any two sinusoids or the sum of all selected sinusoids.
Features:
Select Sine and Cosine from fundamental to the 15th harmonic. See how convergence to the ideal improves with more components
Fundamental frequency adjustable from 50Hz to 1kHz
Individually control amplitude and On/Off state of each harmonic
DC term available on iPad display
Select from a range of 10 preset waveforms Square, Triangle, Sawtooth, Amplitude Modulation, Impulse, Half and Full Wave Rectification
Monitor waveforms externally on an Oscilloscope or Listen to audio output
Choose which sinusoid or 'sum' appear on display or audio output
Listen to musical chords and hear the effects of phase change on their sound
Use the full range of Swipe, Tap, Pinch, Tap&Hold Gestures
tap harmonic component to toggle On or Off
swipe up or down to set amplitude of each harmonic component, swipe faster for rapid adjustment, swipe slower for fine settting
press & hold harmonic component to reset to previous amplitude
change fundamental frequency with pinch in or out
tap Time Domain display to toggle channel 1 On or Off
pinch Time Domain display to change oscilloscope timebase
swipe left/right to set horizontal position of oscilloscope display
This is the App Store description.
What can I add?
Nothing... A little bit strict looking, but it is for students, so I suppose that's normal... :-)."
“Arturia’s iMini app is a stunning recreation of the original Minimoog. The performance features and arpeggiator add a whole new twist to this already classic synth. I am completely blown away that I now have this on my iPad.”
- Richard Devine, 2013 (electronic musician and sound designer)
GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce availability of iMini V1.2, an innovative iOS 7-supporting update to its authentic recreation of the 1971-vintage Minimoog * monosynth for Apple’s all- conquering iPad, as of September 26...
Like time and tide, technology waits for no man (or woman). Within days of Apple advancing its iOS — the mobile operating system at the heart of its iPhone, iPad, and iPod touch devices — to iOS 7, with all-new features like smarter multitasking as well as enhanced apps to make everything easier to get to and use, Arturia advances its iMini app to take advantage of iOS 7’s inbuilt Inter-App Audio, allowing users to send MIDI commands and stream audio between apps on the same device. Thanks to its new iOS 7-supporting INTERAPP AUDIO TRANSPORT feature, iMini V1.2 can connect and control other similarly-supportive apps with the greatest of ease, letting users concentrate on what they do best — making music with the ultimate classic analogue synth emulation for iOS whenever and wherever the mood takes them!
Existing iMini owners of course can directly download the V1.2 update for free, which is sure to put them in a good mood to start with, but even with all this developmental discourse of iOS 7 support it’s still nice to know that Arturia will continue to make a donation to The Bob Moog Foundation for every iMini sold in recognition of the innovative instrument to which it owes its very existence. In turn, this supports the dream of building the MoogseumTM (Bob Moog Museum), the convergence of The Bob Moog Foundation’s goals of inspiring and educating people through electronic music.
Today, then, there’s really no excuse for not taking that history-making MinimoogTM sound anywhere anytime with iMini — all the more so with all that improved interactivity, thanks to the inspired iMini V1.2 update. So what are you waiting for? Head on over to Apple’s App Store and treat yourself to the new and improved ultimate classic analogue synth emulation for iOS! Inspiring electronic music awaits appropriate iPad owners everywhere.
* The Minimoog name used here is a trademark of the respective owners, who are in no way associated or affiliated with Arturia. These trademarks are used solely to identify the products whose sound and features were modelled during the development process.
Appropriate iPad owners can purchase and directly download iMini V1.2 from Apple’s App Store for $9.99 USD/€8.99 EURO/£6.99 GBP.
"GRENOBLE, FRANCE: music software and hardware company Arturia is introducing a timely time- limited pricing promotion for its limited-edition Dr. Bob’s Collector Pack produced in collaboration with — and in aid of — The Bob Moog Foundation as a tribute to synthesizer pioneer Dr. Bob Moog who would have been 79 on May 23...
Arturia’s Dr. Bob’s Collector Pack pricing promotion starts on May 23 and runs for one week only. During this time, Moog fans, musicians, and producers worldwide wishing to pay tribute to the inventive individual responsible for singlehandedly revolutionising the sound of modern music production with his namesake 1965-patented Moog Ladder Filter design — which featured in the breakthrough voltage-controlled Moog modular synthesizer and its game-changing 1971-vintage compact MinimoogTM monosynth followup (for which Dr. Bob Moog was posthumously inducted into the U.S. Patent and Trademark Office National Inventors Hall of Fame) — can purchase Dr. Bob’s Collector Pack from the Arturia website at a reduced rate of €129.00 EUR/$129.00 USD (instead of €249.00 EUR/$299.00 USD). As always, a percentage of the sales proceeds will be donated by Arturia to The Bob Moog Foundation. In turn, this supports the dream of building the MoogseumTM (Bob Moog Museum), the convergence of The Bob Moog Foundation’s goals of inspiring and educating people through electronic music.
Moog fans, musicians, and producers will take delight in the beautifully produced and carefully curated package that is Dr. Bob’s Collector Pack on many levels — be it factual, historical, and, of course, musical. First up, the latest versions of two award-winning soft synths from Arturia successfully showcase the company’s ear-opening TAE® (True Analog Emulation) synthesis technology: Mini V 2.5.4 meticulously models the distinctive tones and analogue nuances of the legendary MinimoogTM Model D monosynth; after all, Dr. Bob Moog changed the musical world with the MinimoogTM and Arturia helped change the music software world with the Mini V! Similarly, Modular V 2.6.3 gives Dr. Bob Moog’s monstrous Moog modular synthesizer concept a software makeover fit for 21st Century composition and recording workflow — virtual analogue nirvana, indeed! (The use of trademarks is only meant as a reference to clarify the instruments whose sound was modelled and does not imply any endorsement.)
But that’s not all: the included Moog DVD documentary film by Hans Fjellestad — Best Documentary award winner at the Barcelona Inedit Film Festival — takes viewers on a compelling journey inside the imaginative mind of its illustrious namesake, alongside admiring interviews with and performances from the likes of DJ Spooky, Keith Emerson, Money Mark, Stereolab, and Rick Wakeman. Curated and prefaced by Michelle Moog-Koussa, Executive Director at The Bob Moog Foundation, the limited-edition From Bob Moog’s Private Archives book fascinatingly features never-before-seen photographs and rare documents from the archives of Dr. Bob Moog himself.
And last, but by no means least, the official Bob Moog Foundation button badge is a great way of showing support for The Bob Moog Foundation by buying Dr. Bob’s Collector Pack — wear it with pride! So let’s collectively celebrate a legacy in honour of Dr. Bob Moog’s 79th birthday and help inspire the future.
The Dr. Bob’s Collector Pack pricing promotion runs for one week from May 23 during which it can be bought from the Arturia online store (http://www.arturia.com/evolution/en/buy/online-shop.html) for the reduced rate of €129.00 EUR/$129.00 USD (returning to €249.00 EUR/$299.00 USD thereafter)."
"Mike Hosker presents to you a tutorial video of the iMini, Arturia's first application for Ipad.
iMini is an application recreating the classic Minimoog™ synthesizer that is based on the TAE™ technology found in Arturia award winning Mini V software.
iMini is designed to allow users the classic sound, look and feel of this iconic synthesizer.
iMini endorsers include Stephan Bodzin, Richard Devine, Banco de Gaia"
"COMPATIBILITY
iMini is compatible with iPAD 2, iPAD 3 and IPAD Mini
DESCRIPTION
iMini is a recreation of the classic 1971 Minimoog™ synthesizer, one of most iconic synthesizers of all time.
Based on the TAE® technology found in our award winning Mini V software, iMini offers a level of sound quality never before found on the iPAD as well as over 500 sounds by leading sound designers.
We have also partnered with the Bob Moog Foundation so that a portion of each sale goes to support their work in music education via the Dr. Bob Sound school program, making available the archives of Dr. Bob Moog and funding the dream to build the Moogseum.
The Minimoog™ synthesizer was made famous by artists and bands such as Stevie Wonder, Depeche Mode, Kraftwerk, Keith Emerson, Devo, Jean Michel Jarre and more. We now bring the features and sound of this classic to the iOS platform.
The iMini not only recreates the look and feel of the most legendary synthesizer, it does it with unparalleled sound quality. iMini is based on the award winning Arturia Mini V software that was created in partnership with Dr. Robert Moog himself, back in 2003. Thanks to this heritage, continuous research and refinements over the years, iMini comes with amazing sound quality and a large collection of preset sounds created by top sound designers such as Klaus Schulze (Tangerine Dream) and Geoff Downes (Asia).
What will you do with it?
First you can play the iMini’s numerous sounds from the iPad keyboard. You can create your own sounds and start building your personal sound palette.
If you are an owner of the Arturia Mini V software on your Mac or PC, you can import and export sounds between your laptop or desktop Mini V and iMini.
You can also control iMini from a MIDI keyboard via CoreMIDI and integrate it into your studio or live performances.
But this is not all; iMini is ‘Tabletop Ready’. Tabletop is a free iPad application that allows you to integrate iMini into a full studio of devices. With Tabletop you can build an entire song, with drum machines, FX's, sequencers... and of course the inimitable Minimoog™ sound.
Tabletop Ready™
The connect page is also your avenue to open up a whole new world of possibilities with iMini via Retronyms Tabletop application.
Tabletop™ is a free app for your iPAD that allows you to integrate iMini into a complete studio environment. In Tabletop you can use multiple instances of iMini; record your performance into a real-time sequencer; automate any of the parameters; add effects; process other modules through the iMini filters, etc. Tabletop also features number of in app purchase options to add more effects and instruments from other 3rd party companies.
Features include
Classic Minimoog™ sound.
3 Oscillators
24db per octave filter.
Simulated headphone jack/external input feedback.
2 Assignable XY pads
Chromatic or tuned scale keyboard modes
Polyphonic mode
Full featured arpeggiator
Repeat
HOLD and MEMORY latch modes
Octave span
5 note order modes
Speed and sync controls
Virtual Analog Chorus
Virtual Analog Delay
Owners of both the iMini and Mini V software apps can transfer sounds from one platform to the other via iTunes.
Full user MIDI mapping of panel controls.
Supports WIST sync with other iOS devices.
‘Tabletop Ready’
Soundcloud seeder (via Tabletop)
Render to .wav file (via Tabletop)
‘Audiocopy’ to paste your audio into another iPAD application. (via Tabletop)
The Minimoog™ name used here is a trademark of the respective owners, which are in no way associated or affiliated with Arturia. These trademarks are used solely to identify the products whose sound and features were modeled during the development process."
"Arturia advances history-making Minimoog to iPad musical masses!
"The iMini turned my iPad into an ‘old skool’ analogue bass monster! Its sound is irresistibly ‘phat’ and very close to the original. If you want that typical dirty Moog sound then the iMini is all you’ll ever need. It’s by far the most powerful and hypnotising synth app on the market.”
- Stefan Bodzin, 2013 (DJ/producer, remixer of Depeche Mode, Booka Shade, and more)
GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce availability of iMini, an authentic recreation of the all-time classic Minimoog monosynth for Apple’s all-conquering iPad, as of February 27...
iMini is based on the TAE® (True Analog Emulation) synthesis technology found in Arturia’s award-winning Mini V soft synth, meticulously modelling the distinctive tones and analogue nuances of the legendary Seventies-vintage Minimoog Model D monosynth. Moog changed the musical world with the Minimoog and Arturia helped change the music software world with the Mini V.
Arturia now brings the still-sought-after classic Minimoog sound to the musical masses, transforming any iPad mini, iPad 2, or iPad with Retina display into the ultimate analogue synth emulation! Those timeless three oscillators and that 24dB per octave fabled filter are all present and accounted for in iMini. It also successfully sports the look and feel of Dr Bob Moog’s namesake iconic synthesizer for all to see (and hear). But being a game-changing iPad app for 2013 and not an analogue synth design dating back to 1970 means there’s a whole lot more to iMini than first meets the eye...
Any serious synthesizer connoisseur will instantly recognise the MAIN mode screen as an eye-catching rendering of the Minimoog Model D front panel, albeit with welcome additional ‘analogue’ CHORUS AMT. and DELAY AMT. level controls, as well as a POLY switch for playing polyphonically — impossible in 1970, obviously! Other subtle supplements include a gearwheel icon above the keyboard — press to reveal GLIDE, DECAY, LEGATO, and SCROLL switches for performance keyboard control, plus a SCALE function to choose from no fewer than 26 different scales and modes. Meanwhile, iMini comes complete with hundreds of superb sounds showcasing its supreme sonic versatility; press LOAD from the menu bar and choose from sound designer or category — couldn’t be simpler!
But ‘behind’ that familiar-looking MAIN screen lies a wealth of truly 21st Century audio action: the PERFORMANCE page accesses an arpeggiator with two latch modes and two assignable XY pads for creating all kinds of patterns and real-time morphing sounds; the FX page provides iMini with the same wide-ranging CHORUS and accurate ANALOG DELAY models found in the above-mentioned Mini V software — subtle sound thickening to wildly modulated effects (chorus) and sync to external tempo (stereo delay) possibilities abound here! Handily, all onscreen knobs and switches in each iMini page can easily be assigned to MIDI CC allowing automation from any external MIDI source. The default MIDI map will automatically work with Arturia MiniLab or Analog Player 25 Universal MIDI Controller keyboards!
And that’s not all: the CONNECT page is the gateway to making iMini talk to the outside world (using the Apple iPad Camera Connection Kit) — use WIST (Wireless Sync Start Technology) to sync the arpeggiator and delay to other iPad or iPhone apps, and integrate iMini into a complete studio environment via Retronyms Tabletop. This free iPad app allows multiple iMini instances to be simultaneously run; real-time performance recording into a sequencer; parameter automation; processing of third-party, Tabletop-ready apps through the iMini filter, and more. “iMini is an ideal Tabletop-ready app,” says Retronyms Co-Founder John-Paul Walton. “It’s a fresh take on a legendary synth, and comes packed with a ton of amazing presets — everything from retro space sounds to contemporary bass noise.”
Thanks to iMini, today there’s really no excuse for not taking that history-making Minimoog sound anywhere anytime. And in recognition of the groundbreaking instrument to which it owes its very existence, for every iMini sold, Arturia will make a donation to The Bob Moog Foundation, whose Executive Director, Michelle Moog-Koussa, kindly adds: “We are grateful to Arturia and Retronyms for donating part of the proceeds from the iMini in support of our mission to ignite creativity at the intersection of music, science, history, and innovation. A portion of this funding will go to support our educational initiative, Dr Bob’s SoundSchool, which teaches children the science of sound through the magic of music.”
So let’s make music and help history come alive with iMini in more ways than one, and also support the dream of building the Moogseum (Bob Moog Museum), the convergence of The Bob Moog Foundation’s goals of inspiring and educating people through electronic music.
Appropriate iPad owners can purchase iMini directly from Apple’s App Store during a three-week introductory launch pricing period for €8.99 EURO/$9.99 USD (rising to €19.99 EURO/$21.99 USD thereafter)."
"Moogfest History and Technical Panels Draw on Deep Legacy and Industry Connections
The Bob Moog Foundation is bringing together top minds in history, technology and education for this year’s history and technical panels. Experts, ranging from Bob’s colleagues in the seminal days of synthesis to the more contemporary sound sculptors of today, are coming from around the country to share their ideas and vast experiences. The Bob Moog Foundation will be responsible for the historical content at Moogfest, including items from Dr. Bob’s Archives such as rarely seen vintage photographs and historic audio clips from recently restored reel-to-reel tapes.
All panels, demonstrations, and workshops will take place between Noon and 6:30 PM EST at the Moogaplex, located at the Haywood Park Hotel complex at 1 Battery Park Avenue in downtown Asheville, just a stone’s throw from many of the music venues. They are first come, first serve for those who bought either weekend passes or have a pass for that particular day.
Convergence – Hardware and Software Integration in the 21st Century & The Award of OMG-1 One-Of-A-Kind Synth (Friday, 3pm)
The One-Of-A-Kind OMG-1, designed by Eric Persing
The creation of electronic music has always relied on exploring all technologies available. In the modern context, that often means transcending the divide between the tactile experience of hardware devices and the ever-increasing capabilities of computers. An incredible panel of sonic explorers moderated by Spectrasonics’ founder Eric Persing will investigate the challenges of how electronic instruments can reach their ultimate potential through the convergence of multiple technologies.
During this panel, Persing will be awarding his one-of-a-kind OMG-1 synthesizer to the winner of the OMG-1 Contest, Torley Wong. You won’t want to miss this historical moment!
"Inspired. That word is embedded in the history, ethos and mission of the Bob Moog Foundation.
Bob was inspired by the possibilities of unlimited sonic reality and by what he called "the network of ideas." The convergence of those ideas and possibilities in Bob's work effected millions of people around the world who were in turn inspired by his inventions and the music they spawned. This inspiration, and the way it changed people's lives, drives the very heart of our work in igniting creativity at the intersection of music, science, history and innovation.
In 2010, the inspiration that is rooted in Bob's work has manifested itself in some of my proudest moments in the Foundation's history:
* In April we concluded "Waves of Inspiration: The Legacy of Moog" exhibit at the Museum of Making Music in Carlsbad, California. Over 200 items from Bob's archives were on display, seen by over 20,000 people.
* In May, we made modular synthesis accessible (thanks to Amos Gaynes and August Worley) by transforming Erik Norlander's legendary "Wall of Doom" custom modular Moog synthesizer from a 6' x 7' monolithic structure into six portable rack mount cases. It was featured at our spring fundraiser Moogus Operandi. This unique instrument will travel once again this spring (and beyond), giving audiences new insights into the origin of synthesis.
* In October, the Bob Moog Foundation wowed standing-room-only audiences at Moogfest with historical, educational and technical panels and discussions, drawing the attention of the New York Times and The Wall Street Journal . That same month, preservationist Seva Ball finished restoring and transferring 88 reel-to-reel tapes from our archives.
* Throughout the year, we exposed children and adults to the science of sound through MoogLab; we gave people all over the world a rare glimpse into some little known facets of the Moog legacy through historian Brian Kehew's detailed explorations of moments in time captured in material from our archives; and we reveled in the varied and important work of our corps of committed, talented volunteers.
What inspires you? Unbridled musical exploration? Innovative methods in education? Unknown history brought alive to illuminate the future? Opening people's minds to a world of possibilities that in turn make them more creative thinkers?
This is our work-- the work of the Bob Moog Foundation. We illuminate history so that it might serve as a lesson for the future. We provide unparalleled opportunities for young and old to explore sonic realms and sculpt sound as an avenue to ignite creativity through science.
Take this opportunity at year's end to be part of our inspired and inspiring work. Make an on line donation today or send a donation to:
Bob Moog Foundation P.O. Box 8136 Asheville, NC 28814
Inspired and grateful for your support, Michelle
Michelle Moog-Koussa Executive Director Bob Moog Foundation"
"The Bob Moog Foundation Announces 'Moogus Operandi' Fundraising Event featuring Synthesizer Virtuoso Erik Norlander and his Massive Wall of Doom Modular Synthesizer
April 19, 2010 – For immediate release The Bob Moog Foundation is proud to announce Moogus Operandi, a concert event honoring the pioneering work and legacy of synthesizer maverick Robert Moog, to be held on May 27, 2010 at the Orange Peel in Asheville, North Carolina. The event will be a celebration of the Moog legacy through music, art and mulitmedia entertainment. Tickets are $10 in advance and $12 at the door the night of the event.
Northern California based synthesizer virtuoso Erik Norlander (ASIA featuring John Payne, Rocket Scientists, Lana Lane) will headline the evening, performing songs from his new album, The Galactic Collective. Norlander, an accomplished rock, electronic and symphonic keyboardist known for his command of vintage and cutting edge synthesizer technology alike will bring the Moog legacy alive with his synth-heavy instrumentals and his “Wall of Doom” modular synthesizer (so named by his roadies). The Wall of Doom, a massive analog modular synthesizer with restored 1967 Moog modules at its heart, will grace the stage of the Orange Peel as the musical and historical representation of Bob Moog's legacy of pushing the boundaries of sonic reality. This marks Norlander's first performance in Western North Carolina.
Norlander states "I have been a fan of the Moog instruments since I was kid, and I had the great privilege of knowing Bob Moog in his later years. Moog is, without a doubt, the most iconic name in synthesizers, and to many, the word Moog is synonymous with the word synthesizer. I am really looking forward to this stellar event for The Bob Moog Foundation in Asheville where we will celebrate the legacy of Bob Moog through music using his wonderful, timeless instruments."
Norlander will be joined on stage by a host of Asheville's top musicians including percussionists, brass and string players as well as a choral group of four vocalists. The exact lineup of will be announced in the coming weeks.
Opening for Norlander and accompanying musicians will be Asheville street musician sensations Blind Boy Chocolate and the Milk Sheiks featuring Dwight Hawkins (Saw, Guitar, Vocals), Nicky The Squirrel (Mandolin, Harmonica, Kazoo, Vocals), Tony Costa (Guitar, Kazoo, Vocals), Alex Brady (Gut Bass) performing ragtime, jug band, early blues & country. Furthering the spirit of celebrating musical genres and technologies, the Bob Moog Foundation is proud to feature this group whose sound incorporates the musical saw, an instrument whose sound is much like the theremin, an early electronic musical instrument upon which the Moog legacy was founded.
In addition to fantastic music, Moogus Operandi will explore the Moog legacy through visual art. The Bob Moog Foundation has issued a call to Asheville artists to donate original works of Moog-inspired art to raise funding for the Foundation through an online auction. In the week leading up to the celebration, the foundation will hold an eBay auction featuring the unique pieces of Moog-inspired art. The eBay format will be used to provide an opportunity for the local artists to have their work showcased to a multi-national audience. It will also give the worldwide community of Moog enthusiasts a chance to bid on one-of-a-kind pieces of art created in the pioneer's hometown.
The auction, which will begin on May 20th, is scheduled to close at the end of the May 27th Moogus Operandi event at 10 pm; attendees will be able to participate through bidding stations set up by CityMac. Artists can register their pieces of art through May 1, 2010 at www.moogfoundation.org/artist-registration/. Submissions must be received by May 15 at 2pm. More information about the auction can be found on the Foundation's website.
Additionally, visitors will be treated to a multimedia presentation by Gene Felice, the graphics artist who created the Moogseum 3D conceptualization for the Foundation's hallmark project, the Moogseum. Felice will be highlighting the profound impact of Moog’s inventions on the music industry and on the musicians who have taken his instruments far beyond Bob’s wildest expectations. Felice will be using media directly from Bob Moog's archives, such as vintage photos, schematics, movie clips and more.
Attendees of the event will be able to participate in a raffle, with generous prizes given by Asheville area businesses. Raffle prizes include an Ipod Touch courtesy of CityMac ($250 value), an Mp-201 Multi-Pedal from Moog Music, Inc. ($499 value) and a chance to lay down some tracks and pull shapes in a day session at the world-class facility of Echo Mountain Recording ($1000 value).
Finally, guests will be able to explore the sonic boundaries of the Moog sound in the Foundation's MoogLab interactive experience. Theremins and synthesizers will be set up in the back of the Orange Peel, with BMF volunteers standing by offering instructional advice.
Moogus Operandi promises to be a unique opportunity to be immersed in a rich musical experience that blends musical genres and showcases musical technology from its most primal form to its most cutting edge. The combination of talent that will be found on the Orange Peel stage on the 27th will be as unique as the Moog Legacy itself.
As a small non-profit, the Bob Moog Foundation creates unique fundraising events to fulfill its mission and to raise much needed funding for its three projects. The funding supports the Foundation's staff and many volunteers who are painstakingly working to carry Bob Moog's legacy forward to future generations.
Erik Norlander is a self described “keyboardist, composer, producer and engineer”, but despite his humble admission, he is a prolific artist. With 32 albums under his belt over the last 15 years, he has embodied the sound of Moog and his works are a great testament to the beast that is securely encased within the heart of his levethian “Wall of Doom” analog synthesizer…a 22 oscillator custom 1967 Moog Modular. Keyboard Magazine describes Erik's work this way:
“From lightning-fast, Bach-like synth leads and arpeggios to thunderous rhythm beds and sci-fi lyrical themes (2003’s Music Machine chronicles the rise and fall of a genetically-engineered rock star, for example), Norlander’s solo work gleefully summons the operatic spirit of ’70s prog. At the same time, it displays the kind of originality, virtuosity, and cohesion best achieved by one artist taking a vision from conception to final mix.”
Erik has been a valued contributor to the foundation as well as a musician who speaks through the vessel of Moog and thus, the sound that Bob created over 50 years ago will continue to make waves through him for many years to come.
The Bob Moog Foundation is a 501 c (3) non-profit organization whose mission is to educate and inspire people through the intersection of music, science and innovation. The Foundation's goals include creating a MoogLab interactive educational experience and curriculum that teach children science through electronic music, preserving a fast decaying collection of electronic music memorabilia contained in Bob’s archives, and creating a Moogseum facility where its educational and preservation efforts will come alive in an innovative, interactive experience for people of all ages.
An important aspect of the Foundation's work is to embrace the local and international communities to which Bob was so deeply dedicated. In this spirit, the foundation works to promote the cultural richness of the local artists and musicians and to act as a converging force for musicians around the world. Moog believed strongly in the music as a unifying force. He wanted people to get out from behind the confines of their garages and home-studio headphones to bring their music to the world. He felt strongly that music is meant to be performed and art is meant to be seen. He was fond of working in his garden in his spare time, and the key to a healthy garden is fertile soil and tending. Part of the Foundation’s goal is to help create fertile minds in young people and adults with exposure to the convergence of music and science. In this time of economic crisis, when arts and music are being eliminated from the schools, the Bob Moog Foundation aims to fill a void and elevate the level and quality of music and science education; the foundation seeks the support of the local and international communities to bring this project to fruition.
TICKETS For ordering information please call the Orange Peel at 1-866-468-7630, visit their website or visit their box office at 101 Biltmore Ave. in Asheville. Hours are from Wed-Sat 12 noon to 5:30pm."
