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Showing posts sorted by date for query sputnik radio. Sort by relevance Show all posts

Sunday, October 15, 2023

Explaining this beautiful combo sputnik radio and control freak


video uploads by

Playlist:
Explaining this beautiful combo sputnik radio and control freak
Raw sounds from the magic duo control, freak, and sputnik radio
Control, freak, and sputnik radio magic duo

Sunday, March 19, 2023

Sputnik Spectral Processor with Behringer 1050 demo. sequencing individual band outputs.


video upload by brandon logic

"starts with white nose as the sound source. direct out with some reverb.
0:52 two note sequence on the tip top/buchla 258t oscillator.
the two note sequence is clocked x8 so it changes every 8 steps on the 1050.
2:10 I then add a second oscillator getting a different sequencer into the second spectral input, so some 1050 steps are one oscillator and some are another. and i Switch to an LPG routing with more reverb and delay.
4:17 am radio
5:04 am radio + oscillator
5:53 outro jam"

Friday, December 23, 2022

Tassel gold eurorack www.errorinstruments.com


video upload by errorinstruments paul tas



via Error Instruments

TASSEL. The precision ASMR tuner.

. Autonomous sensory meridian response (ASMR),

see link

https://en.wikipedia.org/wiki/ASMR

Vinyl crackle Slow noise Deep Air sub. Texture More micro sounds.

The TASSEL has a lot of different sounds.

You can stretch the sound by the precision Potential tuner in the middle .

that can have 10 rounds of Revolutions on A really small piece

of sound so between the micro sounds you can go precise .

For the best spot that hate you the most in your ear connected to your brain.

The original engine is from sputnik Radio. A standalone device.

But because of the big tuner you can find totally different sounds.

It’s also possible to play with lights .

An open Vactrol System.

That you can turn on all off that you can choose to use control voltage or use the lights.

10 HP Special part precision Meter from 1956 .

Only 50 Handmade in Amsterdam. Inspired by House of Tassel In Brussel .

see link

https://nl.wikipedia.org/wiki/Hotel_Tassel

Friday, May 21, 2021

Interesting Sounds from bricky Cloudbusting and Sputnik Radio 🙏🏄‍♀️ 2


video by errorinstruments paul tas


Saturday, April 10, 2021

Space music: Korolev's Last Rocket (For the 60th anniversary of human spaceflight)


video by Richard DeHove

"Sergei Korolev was the driving force behind most of the early Soviet successes in space from Sputnik to Vostok-1. Although his last rocket, the massive N-1 failed, Korolev's influence lives on even today in the incredible Soyuz launcher. "Korolev's Last Rocket" (Последняя ракета Королев) is a tribute to Korolev, Gagarin's Vostok-1 mission and the N-1. Release date is to mark the 60th anniversary of human spaceflight: Gagarin's Vostok-1 mission of April 12th 1961. (April 12th is also the annual International Day of Human Space Flight).

Russian ground control audio at the start of the clip is from a modern Soyuz launch; the audio at the end is radio chatter between Korolev and Gagarin. The track was written at DubDub studios and mastered by Scott Craggs at Old Colony Mastering.

The track is available as a 320K MP3 for all Patreon supporters:
https://www.patreon.com/richarddehove

My site: https://richarddehove.com/

The track is also on all the major music sites. A few direct links below:
https://www.amazon.com/gp/product/B08...​
https://www.deezer.com/en/album/20693...​
https://music.apple.com/us/album/koro...​"

Monday, March 15, 2021

Droni di un futuro passato | Error Instruments Radio Sputnik UVB-76 | Soundmit Video [NO TALK] #02


video by SOUNDMIT

"Abbiamo avuto per qualche giorno in studio questo piccolo gioiellino di Error Instruments, un generatore di Droni con una parte dedicata ai patch cables, un micro-modulare dalle sonorità e dalle caratteristiche molto intriganti.

Lo abbiamo unito ad un Grayscale Microcell (clone Mutable Instruments Clouds), un Jomox ModBase MK2 per il suono di kick (lo vedremo in una prossima recensione in modo dettagliato) e al prototipo (finale finalmente) del Vega di Faselunare. Tutte le ritmiche (escluso il kick) sono opera del Vega. Il tutto controllato da una sempre valida Beatstep Pro. (ci sono anche un MatrixMixer e un paio di delay)

Mentre guardi e ascolti il video (ti consiglio le cuffie oppure un impianto generoso sui bassi)."

Googlish:

"We had for a few days in the studio this little gem of Error Instruments, a Drone generator with a part dedicated to patch cables, a micro-modular with very intriguing sounds and characteristics.

We combined it with a Grayscale Microcell (Mutable Instruments Clouds clone), a Jomox ModBase MK2 for the kick sound (we will see it in an upcoming review in detail) and the prototype (final finally) of Faselunare's Vega. All rhythms (except kick) are the work of Vega. All controlled by an always good Beatstep Pro. (There is also a MatrixMixer and a couple of delays)

While you watch and listen to the video (I recommend headphones or a generous bass system)."

Saturday, October 10, 2020

Radio Morning


davidryle

"A real time recording of the Moog Subharmonicon, EH Canyon Looper, Empress Reverb, Encore Frequency Shifter, a custom RADIO module for the 5U large format modular, Dove Audio WTF VCO, synthesizers.com Q150 filter and Echo Fix EF-X2 tape delay.
The radio module is voltage controlled by a Q119 step sequencer from synthesizers.com. It is run into the frequency shifter and a mix of several noise and stored random voltages from the Sputnik West Coast Random Source (a Buchla Source of Uncertainty clone) is modulating the frequency center. This is then run to an STG Post Lawsuit Low Pass Filter and on to an Oakley Audio state variable filter in band pass resonant mode. I am playing the center frequency of this filter and sending the signal on to the Echo Fix tape delay. The delay is voltage controlled from a Mega Ohm Audio LFO2 module from the 5U modular with a very slow rising ramp wave. As the voltage drops off the tape delay motor sweeps back down with a wonderful gliding effect.
The Subharmonicon is clocked from another Mega Ohm Audio LFO2. The output of Sequencer 2 is sent to a Dove Audio Window Transform Function VCO and gated to a Q109 Envelope Generator as well as run through the Q150 Transistor Ladder filter by synthesizers.com.
A separate instance of the Subharmonicon was previously recorded to the Electro Harmonix Canyon pedal looper. It is faded up at the last portion to add momentum to the piece. The Empress Reverb pedal is adding some nice modulated reverb to the SubH and Canyon.
What I really enjoyed was the glorious runaway feedback of the tape echo. It was fun to balance out the moving swells at the same time as playing the sub oscillators on the SubH and Oakley filter. As I moved about the antenna of the radio varied in how strong the signal picked up the AM radio stations. This lended another modulation and random aspect to the waveforms injected into the piece. A fun exercise."

Saturday, September 05, 2020

sputnik radio errorinstruments


paul tas

Warning: annoyingly flashy lights in this one. Cool sounds though.

sputnik radio

Wednesday, June 17, 2020

Radio sputnik Standalone


paul tas

"Demonstration about an experimental synthesiser in a small format this recording is just with the phone and you cannot hear the base for more information about this product to go to the website www.errorinstruments.com"

Saturday, June 06, 2020

Error Instruments Sputnik Radio

Error Instruments Sputnik Radio . . Video By The Falling Girl . . Synth By Paul Tas

Published on May 15, 2020 Soi11 The Falling Girl


Published on Jun 6, 2020 paul tas


via Error Instruments

"It’s a Voice sound source for experimental purposes

who is based and inspired by radiowave

you can use it as a drum or oscillator

There is also a really low sub Sounds

Thanks to variable Oscillators Elic And his team It’s 11 HP

And it sounds Really deep With a lot of

Texture Low deep bas sub together with high Micro tone ASMR Crackling sound .

Like the radio of the early days.



Ia small patch bay To make different sounds.

It also allowed you to use sensors and LED. s

Of course is it’s really nice to mix

this With the other model Tropical Noise v 3

It comes with two sensors and four different LEDs

for different rhythms and pm modulation .

You can also watch some FM see demo"

Tuesday, December 12, 2017

Agitato - A Modular Etude 11.12.1


Published on Dec 12, 2017 Izhar Ashdot

"Agitato - A Modular Etude by Izhar Ashdot

Making music on a Modular Synthesizer teaches me how to lose some of my self criticism.
When I write songs in the "conventional" way, with a guitar or piano, I tend to be self judgmental and critical over the result, but when I work with the Modular system, I easily get into a state of "flow", where I disconnect from the surroundings and move into a meditative state of creativity.
I created dozens of pieces of music this way, most of them remain on the proverbial cutting room floor, but some of them are good enough to be developed into a complete piece of music.
Here's a piece I created in a two hour session yesterday and edited the video last night.
Will I continue developing it or will it gather dust in my digital storage area? Only time will tell.
Headphones or speakers recommended, preferably loud.

Featuring:
The Turing Machine II
Korg EX800 (Modded)
TipTop Z8000 Sequencer
DIY Bass Drum
DIY LPG & Doepfer A-118 Noise (The Snare)
Omsonic Pixel Dust HiHat
Obstacle Avoidance IR Sensor
Radio Music Sampler Module
Bastl Little Nerd
Blue Lantern CMOS Party
Eowave Envelope
Sputnik Mixer
Arturia BeatStepPro


© 2017 Izhar Ashdot"

Friday, November 24, 2017

Ceremony II - A Eurorack Performance featuring the E352 Cloud Terrarium


Published on Nov 24, 2017 Genshi Media Group

"Ceremony II - A Eurorack Performance featuring the Synthesis Technology E352 CLOUD TERRARIUM and other modules.

- Patch notes are as follows, in order of appearance:

• CLOUD TERRARIUM is Wavefolding its Morphing Wavetables, then sequenced via the Make Noise RENE.

• Intellijel METROPOLIS sequencing Mutable Instruments BRAIDS which is going into WARPS, then RIPPLES then into the Make Noise OPTOMIX low pass gate.

• Beats provided by two Erica Synths PICO DRUMS sequenced by PICO TRIGG and going into the PICO A MIX and finally the PICO DSP. This is all clocked by the Make Noise TEMPI going through a Sputnik Modular SELECTOR Sequential Switch (which is also clocking RENE.)

• Erica Synths BLACK WAVETABLE VCO is surfing through it's own Wavetables and going into the BLACK STEREO MIXER.

• All of the above (except for the Beats) is going through Mutable Instruments CLOUDS.

• Mutable Instruments RINGS then makes an appearance and the whole thing is finished off by two Music Thing Modular RADIO MUSIC modules going into the Make Noise MORPHAGENE which is also going through CLOUDS.

• Modulation for everything provided by Make Noise RICHTER WOGGLEBUG and Xaoc Devices BATUMI."

Sunday, August 20, 2017

Preclipse


Preclipse from Noise Jockey on Vimeo.

"Pre-eclipse techno session on a hot Saturday afternoon.

Patch notes, in order of voice appearance: Verbos Harmonic Oscillator Output 6 ring-modulated (via Circuit Abbey Twiggy, bottom channel as ringmod and upper channel as VCA) by Verbos Complex Oscillator A saw wave. Harmonic Oscillator master output drone has Tilt modulated by a rhythmic gate from Pamela’s New Workout and Center modulated by an LFO from Batumi. Acid bassline from Abstrakt Instruments Avalon, which drives the whole patch over DINSync via an ALM D.S.G. into Pamela’s New Workout. Kick drum is my customized Bugbrand DRM-1, hi-hats are the TipTop Hats909 (seen hanging out below the drum rack), additional percussion from the Radio Music (custom metal-on-metal grinding field recording) and Loquelic Iteritas into Bastl Skis; all drum programming done live via the Bastl Knit Rider, and modulated by the Qu-Bit Nano Rand. Drums mixed with SSF Mixmode and distorted by Audio Damage Shapes. West Coast voice comes from the Complex Oscillator, modulated by LFO from Batumi and the Verbos Random Sampling, sequenced by Verbos Voltage Multistage. Envelopes from an Intellijel Quadra, triggered either from the Voltage Multistage or Pamela’s New Workout. Mixed by Sputnik Six Channel Mixer, recorded straight to iPhone via Line6 Sonic Port. No audio post-processing applied."

Friday, March 03, 2017

Patch Notes #31 - Varigate 8+, Voltage Block & Chord Organ


Published on Mar 3, 2017 Voltage Control Lab

"I was setting up a generative patch using the Malekko Varigate 8+ and Voltage Block, and discovered that Music Thing had released a new module/Radio Music firmware, the Chord Organ, so I had to use it.

Varigate 8+ outputs 5 through 8 are randomized using Random Gate mode, with the END gate out routed back into the RND input, generating slightly (or not so slightly) randomized rhythms from those outs, as well as the Voltage Block when in slave mode. The V8 clock out is routed to the VB clock in, so the clock/slave modes can be toggled, randomizing the VB sequences in slave mode but not in clock mode.

V8 channel 5 is routed out to Make Noise Maths channel 1 trigger input, then from the unity output to trigger the Noise Engineering Basimilus Iteritas, and from the channel 1 out to the pitch input on the BI to give a little punchier of a kick. The output is routed to the Malekko Mix4.

Channel 6 on the V8 is routed to the trigger input on the Mutable Instruments Braids, which is in snare mode, then out to the Mix4. One channel on the Voltage Block is routed to the FM input, which is set to modulate the volume level of the internal VCA, giving the snare some more feel (hopefully).

Channel 7 is routed out to trigger channel 4 on Maths, the unity output from which is opening the Optomix channel for the Chord Organ. The root note and chord quality on the Chord Organ are controlled by two separate channels on the Voltage Block, then routed through the Make Noise MMG filter, into the Optomix and on to Mutable Instruments Clouds for some reverb and granularizing. Then, out to the Mix4.

Channel 8 is routed to the Malekko AD/LFO, which is opening the 2nd channel on the Optomix. This channel is creating the crunchy high frequency percussion from the Malekko Anti-Oscillator, frequency modulated by the the Sputnik Oscillator, both “sequenced” by two random voltage sources from the Sputnik West Coast Random Source. The Anti-Osc is routed to the Optomix and then on to the Mix4.

https://www.voltagecontrollab.com/"

Friday, December 09, 2016

Dark Explorations: Eurorack + Make Noise 0-Coast


Published on Dec 9, 2016 Genshi Media Group

"Just trying stuff out... Modules used (by order of appearance):

Music Thing Modular RADIO MUSIC (x2)
Noise Engineering BASIMILUS ITERITAS
Make Noise TEMPI
Sputnik Modular SELECTOR
Intellijel Designs METROPOLIS
Mutable Instruments BRAIDS
Intellijel Designs DIXIE II+
Mutable Instruments ELEMENTS
Mutable Instruments RINGS
Make Noise 0-COAST

Processing and Modulation by Mutable Instruments PEAKS,
Mutable Instruments CLOUDS, Make Noise RICHTER WOGGLEBUG and Expert Sleepers DISTING.
————————————————————————————
Hear more of my music at - https://soundcloud.com/genshi
And on my record label - http://www.zerogenshi.com/index2.html"

Saturday, July 09, 2016

Borderlands


Published on Jul 9, 2016 davidryle

"I recall driving along Highway 9 in south New Mexico from El Paso, Texas to Animas, New Mexico on the way to Tucson, Arizona. The long bouncy road made an unforgettable impression of the remote southern US border region.

I tried to produce the drone impression of the road noise and wide open scenic expanse in this project.

A live studio take of the modular synthesizer recorded in Cubase and captured by the iPhone. Video edited in Final Cut Pro.

Some module patch highlights include the MI Clouds in Parasite Resonator mode dealing with a few voltage controlled radio station audio signals and one of the melodic sequencer lines.

The bass line is a Q960 step sequencer sent to a Q106 vco through a Yusynth Minimoog LPF. It is sent through a Modcan dual delay and Lexicon studio delay. There is a doubling with the MakeNoise Mysteron through a STG Sea Devils filter and the TipTop Z-DSP with Halls of Valhalla.

Other sequencer lines play various slow melodic passages over the top. Some of the vco sources are half dozen Q106's, Mos Lab 901 + 904A suite, Harvestman Piston Honda and Ian Fritz Synthetic Sound Labs DDVCO through Yusynth Arp 4072 LPF. Effects included Strymon Blue Sky reverb, Behringer DD400 delay, SSL 1310 digital delay, Lexicon MX200's and TC Electronics D-Two.

A periodic low frequency drum sound is generated by an envelope to a STG Post Lawsuit LPF and noise from a Sputnik WCRS.

Clock timing handled by Cubase to Future Retro Mobius which drove the STG Soundlabs sequencer suite, 4MS RCS and QCD and Moon Modular dividers, Pressure Points as well as the Q960 and Q119 sequencers"

Monday, May 30, 2016

Beatstep Pro + Eurorack - First Test


Published on May 29, 2016 Genshi Media Group

"I finally broke down and bought a Beatstep Pro. This is my first test with it sequencing the Mutable Instruments Braids on Sequencer Track 1 and the Intellijel Dixie II+ on Sequencer 2. The Intellijel Metropolis is sequencing both the Mutable Instruments Elements and Rings at the start of this video. Make Noise Tempi and Sputnik Selector is triggering the Noise Engineering Basimilus Iteritas. Teenage Engineering Pocket Operator PO-12 added for additional beats. FX Processing via Mutable Instruments Clouds & Warps, and Expert Sleepers Disting MK 3. Modulation via the Make Noise Richter Wogglebug and Mutable Instruments Peaks. Occasionally out of tune voices from the Music Thing Modular Radio Music."

Wednesday, April 13, 2016

Rings and Clouds


Published on Apr 13, 2016 PaulLawlerMusic

"First patch with Mutable Instruments Rings, being sequenced by the Sputnik 5 Step, and processed through Clouds."

Scuba Patch

Published on Apr 13, 2016

"Atmospheric patch using Mutable Instruments Rings and Clouds.
Sequenced by the Sputnik 5 Step. Additional audio-in modulation from the Radio Music Module."

Tuesday, April 12, 2016

Dark Experimental Ambient Ideation (in two parts)


Published on Apr 12, 2016 Genshi Media Group

"Just trying out a couple of new ideas... Modules used:

• Intellijel Buff Mult
• Magpie Modular's Custom Radio Music (with my own samples loaded)
• Make Noise Richter Wogglebug and Tempi
• Mutable Instruments Peaks, Braids, Warps, Elements, Rings and Clouds
• Noise Engineering Basimilus Iteritas
• Sputnik Modular Selector
• Synthrotek MST 4 Channel Audio/CV Mixer and Stereo Out"

Friday, January 15, 2016

Dork 14 melodies. A 90 BPM patch for eurorack modular synthesizer.


Published on Jan 15, 2016 Luke Killen

"A short and simple melodic track jammed from a patch that i made today. The melodies and bass drum are kept simple to offset the complex percussive elements.
Part i: A Mutable Instruments Braids running through two channels of a Sputnik Quad VCF/VCA and is pitch sequenced by a makenoise Rene.

Part ii: Hi-pass output of an Epoch Modular Benjolin with it's VCO A modulated heavily by a SSF Ultra-Random Analogue set to a very high rate and output level (white noise). MakeNoise Maths is acting as a voltage controllable EG for this part and has it's rise and fall modulated by a 4ms PEG that has it's division modulated by an LFO from an Abstract DATA ADE32. the triggers from this are coming from two channels of a Delphtronics Triggerman as well as a 4MS QCD which is modulated by one channel of the 4MS PEG. these three trigger sources are switch between one and other using a Doepfer A151 voltage controlled switch.

part iii: a kick drum made with a Noise engineering Basimilus Iteratus with it's pitch being modulated by a Frequency central envelope X set to a very short attack and decay.

Part iv: A melodic plink made from a WMD/SSF Spectrum passed through a Doepfer A106-5 SEM LPF filter modulated in frequency by a Tiptop Z4000 EG which also modulates the Linix VCA that it passes through.

Part v: A textural sample playing on a Music Thing Radio Music. the sample has the start cropped off it to become more textural than percussive.

Reverb and Delay are applied as needed per voice in my DAW as the audio comes in live."
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