todestrieb part II - 磁鬼頻率

video upload by

"more electronic machine music and video machine glitches. 240591"

frank beaning - 磁鬼頻率

video upload by 磁鬼頻率

"sounds from the machines 240591"

Dingo On Pony (Roland MT-100 1988 Lo-fi Mix) - 鬼的影子

video upload by 磁鬼頻率

"song for Ly Ngọc Quyên

artwork by Quyên
video by Sammi
remastered version May 2023

www.soundcloud.com/240591"

lilac fantasies - 磁鬼頻率

video upload by 磁鬼頻率

hardware jam ft. cirklon
soundcloud.com/240591

"This is a blank recorded diskette" - Mirage vs Steve Reich (minimalist / phase / process music)

video upload by 磁鬼頻率

"Inspired by Steve Reich's 'Early Works' album. Track made using a mirage, a cirklon patience and time. VHS glitch art by me.

www.souncloud.com/240591"

Analogue Solutions Colossus, Akai XR10 & Sequentix Cirklon

video upload by 磁鬼頻率

"First time using Cirklon's song mode. No aux events, just straight sequencing.

www.soundcloud.com/240591"

mind-sick (cirklon jam first recording) - 磁鬼頻率

video by 磁鬼頻率

"hardware synth cirklon techno jam www.soundcloud.com/240591. This is my first recording after getting a cirklon this year. I was using basic features and it was a blast being able to jam properly with midi and cv gear so flawlessly. I'm excited to see where it takes me in the future..."

Liquid Landscapes VHS Visuals Rip - 磁鬼頻率

video by 56K Records

"VHS rip from 56K Records show 'Liquid Landscapes' at Geddes Lane Ballroom in Melbourne from the 25th July 2019.

Audio taken from various sets at 56K events by Melbourne-based synth artists. In order of appearance: Moses Carr, Nina Buchanan, Ryan Michael, Antiphon, Hollywood Real Thoughts.

Live analogue video mixing by 磁鬼頻率, taken from the Liquid Landscapes event.

See more of his work here: https://www.youtube.com/磁鬼頻率

56k Records bandcamp here: https://56krecords.bandcamp.com/"

Luke Gomm - Red Flashing Lights (Visualizer)

video by Luke Gomm

New collab with some synth spotting from supporting member 磁鬼頻率.

Filmed & edited by Ben Gomm
Glitch art by 磁鬼頻率
Graphics by @_og_graphics_

Written, performed & produced by Luke Gomm
Co-written by Jason Miles
Additional vocals by Tehillah Daniel
Bass guitar by Darryl Dodoo
Additional programming by Phil Davidson
Mix by David Jones
Mastering by Stuart Hawkes

Cover art by Hasworld

℗ Taste of '96

sp1200 vs ensoniq mirage - 磁鬼頻率

video by 磁鬼頻率

"hardware jam ft. emu sp-1200, ensoniq mirage and pin portabella filter.
https://soundcloud.com/240591​

dawless
electronic
reel to reel
tape recording
12-bit"

Rainbow riding (hardware jam) - 磁鬼頻率

video by 磁鬼頻率

"A live hardware jam with various gear.
www.soundcloud.com/240591"

recurring dreams (vhs visuals / glitch art)

video by 磁鬼頻率

"This track was made with a manikin Memotron sequenced by a Doepfer Darktime. Sound fx from Ensoniq Mirage samples. Please take some time to listen to the track in its entirety. 240591.

WAV download here: https://soundcloud.com/240591/recurring-dreams"

ꈛꀆꊛꋪꊛ꓄ ꌛꋬꁣ℃ꊛꁣꍌ

磁鬼頻率 · ꈛꀆꊛꋪꊛ꓄ ꌛꋬꁣ℃ꊛꁣꍌ

"This is a jam resulting from messing round with the sp-1200 and sampling things from around the house. I eventually swapped out the sampled 'bang on the chair' for a sampled 909 kick and snare and added synth parts from an ensoniq mirage (wavetable created from a casio cz-5000) and black corporation's deckard's dream to compliment the percussion of the sp-1200. Recorded to 2-track via various outboard. 240591"

memotron dream sequencing (lo-fi glitch vid)

Published on Sep 15, 2019 磁鬼頻率

"This is a demo of the Memotron m2d in action - only using one sound. Some processing used before recording to tape.

I used a Doepfer Dark Time to sequence it, and the sequencer of a Casio CZ-5000 to sequence the Dark Time."

www.soundcloud.com/240591

磁鬼頻率4kok (musique concrète)

Published on May 16, 2019 磁鬼頻率

"music made with electric piano, pin electronics portabella and a cassette tape/recorder. processed through various hardware. 240591 ems synthi a clone

A mixture of FM, RingMod, filter, reverb, random voltages and joystick noodling whilst recording to an old cassette tape - later processing in the studio for extra layers, distortion etc. Mic input was used for the external input as I found the line input was a bit weak for doing FM stuff."