MATRIXSYNTH


Thursday, February 25, 2016

Everything Everything All Of The Time


Published on Feb 25, 2016 100 Things I Do

"Nice and Warm Music Easel plays the Music Easel, while drowning in the Eventide Black Hole!"

The Passenger - Daydream Orange - RF036


Published on Feb 25, 2016 Rennie Foster

Some synth spotting with The Passenger aka Jesse Creed who has been known to sport some MATRIXSYNTH swag over the years.

"Vancouver based artist, The Passenger, joins the RF label. This DIY vid peeks into his studio hide-out full of vintage gear, from every era, many pieces restored on site.

Sunrise Requiem EP coming April 14th, 2016.

Stream on SoundCloud : https://goo.gl/FK08OB

Artwork by Pax North.

www.the-passenger.bandcamp.com
www.renniefoster.com"

Roland TR 606 Drumatix drum machine with mods

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Mods include the analogue solutions tonal controls which change pitch,decay,snappiness, etc making the sounds much more expressive and tweakable.
Also installed is a memory expansion which increases the memory by 32x and can switch between banks on the fly. There's also a live accent button, separate instrument outs, an internal memory battery, a cymbal/hihat audio input, hi quality switches and a couple of noise improvement tweaks.

All mods were installed and have been serviced by Robin Whittle (of Devilfish TB303 mod fame)

tonal mod details
memory/other mod details"

WMD SSF Ultrafold Waveshaping Modular Test


Published on Feb 25, 2016 Jacques Mongrel

"Trying out the SSF Ultrafold on some simple waveforms. Sequencing and drums come from Elektron Analog Four"

Roland JD-XA Advanced Analog / Digital Crossover Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Blippoo Box & RE301 jam


Published on Feb 25, 2016 Chris David

"Some jamming with the Blippoo Box, Node procs, Moon M569 and RE301. Using the control inputs on the RE301 gathered some interesting results. The kickdrum sound was made by gating the Sound on sound input."

Prototype Flame Q Slides Eurorack Module


Don't miss Ebotronix's video below featuring two prototype modules.

Initial details:

"The Q Slides is a simple CV source with unipolar or bipolar outs and invert outs for every channel.

The pods over the slide is the fine tune for lowest and highest voltage.

Two unipolar / bipolar voltage output switches for slider 1&2 and 3&4.

unipolar 0V to 10V

bipolar - 5V to + 5V"





Published on Feb 25, 2016 Ebotronix

"2x Flame Q Slider , quad manual voltage source , prototyp
switchable unipolar 0- 10V , bipolar - 5V ~ + 5V
two pods for lowest / highest slider range, invert outs
- ~ +

Rhea by Oliver Dodd




http://detund.bandcamp.com/album/rhea

"Someone put me in a box with loose objects and they shook it.



There is nothing sexier than a spine that glows in the dark, snaking back and forth with the rise and fall of each hip with each step. Leading the way down a hallway that never seems to end as blinded creatures grasp at bare ankles and reach for their hollowed eyes and scratch at their translucent flesh so full of empty veins. Toothless gaping smiles and harsh whispers that come from deep within the stomach and nowhere from the lungs. Whispers full of bile and acid. Nearly inaudible but felt as they echo through the static of my mind. White noise emphasized by punchy bass that rips my intestines from my body and leaves them trailing behind like breadcrumbs to lead me home.

Occasionally, she stops and convulses in such chaotic spasms that I want to grab her and hold her and shake her hard and slam her against the cement wall as her heeled feet smash the little hands that still scramble to hold her. Push my frigid mouth to hers and breathe whatever air is left.

But then she’s back and all I can see is her glowing spine, lighting up her hair, cropped close, a silver scar, presumably from a razor, shining right in the crevice where the skull meets the neck, my favorite place to rest my nose if she’d let me.

We pass rooms of people. They love her. They cry for her. They scream her name. Rhea. Rhea. Rhea. The murmur moves from mouth to mouth, passed by saliva and hiding in the cracks of one dried mouth and into the next, in the crevices of broken lips and busted mouth. She bites her own and spits blood into their mouths and they are baptized in her unholy holiness and they lick with serpent tongues and they reach for her glowing spine, but she swats their hands and they blindly scatter, drifting and hunching and gliding all at once into corners.

And we continue down the hallway. I follow that spine for an eternity. I feel their claws, their nails bury into my ankles and I know that one day, I will become one of them. One day my flesh will fade and I will be left blue and grasping, murmuring. Rhea. Rhea. Rhea.

~words by Sophia Warren



Growing up in Atlanta in the late eighties, Oliver Dodd began producing music at the young age of twelve.

‘Rhea’ is Dodd’s first release with Detroit Underground.
credits
released February 22, 2016

Design by Monochrome Laboratory™
monochromelaboratory.tumblr.com

Made on 100% Eurorack modular."

Macbeth Elements Transformations II


Published on Feb 25, 2016 Todd Barton

"Continuing first explorations of the Macbeth Elements synth. Begins clear and sweet gets gnarly and fuzzed and back again. No sequencer, just 'Repeat' mode of the Elements."

Part 1 here.

Jean-Michel Jarre on the evolution of music technology: Part 2


Published on Feb 25, 2016 Native Instruments

Part 1 here.

"In part 2 of this exclusive video, Jean-Michel Jarre talks about his use of sampling and delays over the years, and how he keeps music making fun. More on this feature at: http://www.native-instruments.com/jea...

Watch Jarre discuss how his unique artistic journey mirrors the development of music technology by taking us through the evolution of sampling technology – from analog tape, to the Fairlight and E-mu Emulator, to KONTAKT.

And find out why REPLIKA was his go-to delay during the production of his new double album “Electronica”.

Music:

Jean-Michel Jarre & Air - “Close your Eyes” from Electronica Pt.1
Jean-Michel Jarre - “Ethnicolor” from Zoolook
Jean-Michel Jarre & 3D of Massive Attack - “Watching you” from Electronica Pt.1
Jean-Michel Jarre & Fuck Buttons - “Immortals” from Electronica Pt.1
Jean-Michel Jarre - “Heart of Noise” Pt. 2 from Electronica Pt.2
Jean-Michel Jarre - “Oxygène Pt. 2” from Oxygène

All music used with the kind permission of BMG and Sony Music Entertainment.

Pictures used with the kind permission of the Institut national de l’audiovisuel (INA) and AERO Productions."
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