"The Minimoog is a monophonic analog synthesizer ,date 1975 , Yamaha CS-10 date produced 1975 , low-pass, band-pass or hi-pass resonant filter. The LFO can modulate the filter cutoff"
"Discover electronics and sound design while making your own music synthesizer with sound designer, Andrew Bucksbarg. You will learn basic electronics including schematic reading, IC chips, bread-boarding, oscillators and simple circuits for sound-making and filtering, sound design concepts, and adding controls and sensors that react to touch, temperature and light. The workshop will provide expert instruction to build your own sonic electronics and get you thinking about new ways of composing, controlling and performing with your first electronic, analog mini-synth. The instrument includes a 1/4" output so it can be sampled and incorporated into your own beats, compositions, and performances. Once you have finished the workshop, it’s yours to take home and use or design further! This class is suitable for all levels, all materials for the workshop are included."
"MAY 21: ARTIST ANDREW BUCKSBARG LEADS WORKSHOP IN ELECTRONIC MUSIC SYNTHESIZER BUILDING AND SOUND EXPLORATION
Los Angeles, CA - Discover electronics and sound design while making your own music synthesizer with sound designer, Andrew Bucksbarg through a collaboration with the design collective Poketo and The Line Hotel. You will learn basic electronics including schematic reading, IC chips, bread-boarding, oscillators and simple circuits for sound-making and filtering, sound design concepts, and adding controls and sensors that react to touch, temperature and light. The workshop will provide expert instruction to build your own sonic electronics and get you thinking about new ways of composing, controlling and performing with your first electronic, analog mini-synth. The instrument includes a 1/4" output so it can be sampled and incorporated into your own beats, compositions, and performances. Once you have finished the workshop, it’s yours to take home and use or design further! This class is suitable for all levels, all materials for the workshop are included.
3515 Wilshire Blvd. Los Angeles, CA 90010
Phone: 213 - 381 - 7411 Ext: 3076
Andrew Bucksbarg (N_DREW) is an artist, musicican, producer, controllerist and audio-visualist. Andrew was an early innovator of hacking and circuit bending and noizical instrument building. He has over a decade of experience teaching courses and workshops in art, new media and sound design. Andrew's work appear has appeared in museums, galleries and festivals internationally, including installations/performances at The Hammer Museum in Los Angeles, The St. Louis Art Museum, and The Santa Monica Museum.
In need of a little post-workshop R&R? Book a room online at thelinehotel.com with code: POK3515 and receive a very special Friends and Family rate from Poketo. Some exclusions may apply."
"FMBass Volume 1 for the Yamaha Reface DX, 32 sounds handmade doing some old fashioned front panel programming, these will be available very soon. No effects are used in any of these sounds.
Visit fmbass.com for more information.
Usage/distribution of the demo's is prohibited without my written permission.
Copyright 2016 fmbass.com."
FM Bass Volume 1 Soundbank Demo
Published on May 19, 2016
"FM Bass Volume 1 for Multi Wave 4-OP FM Synthesizers is available now. The following sounds are compatible with: DX11, TX81Z, WT-11 (32 Sounds) Yamaha TQ-5, B200, YS100, YS200, DS-55 (100 Sounds).
Yamaha V50 (100 Sounds) NOTE: Derelict, DS-55 Bass, Hybrid Bass and Industrial are V50 Only.
Visit fmbass.com for more information.
Usage and or distribution of any content in the video is prohibited without my written permission.
Copyright 2016 fmbass.com."
"This is almost unedited video showing KOTELNIKOV modulated by audio-rate oscillations.
The second module is a VCF in self-oscillation mode, sequenced by the same source as the SM042 module. (Elektron Analog Four is used as sequencer, which sends 1v/Oct pitch CV and unipolar envelopes for AM directly to this mini-system)
Since VCF CV input is also 1v/octave, a dramatic sound enhancement is possible using FM techniques as well as audio-rate Waveform Modulation and Hard-syncing."
"The SSSR Labs KOTELNIKOV is a digital voltage controlled wavetable oscillator module with morphing feature and built-in transient generator. This oscillator can generate number of sounds with diverse spectral content and combine them in various proportions. Kotelnikov can be used as a usual oscillator in a traditional subtractive synthesizer system, but it is also possible to use it as a complete voice module as it features shaped timbres, envelope generator and amplitude modulation.
Technical highlights
The sound engine sampling rate is locked to pitch and varies from 4.2 to 133 kHz, which gives very clear highs and uniform spectral content over the full range.
The Pitch resolution is 6 cents and CV input sampling rate is 6 kHz, which gives smooth analogish FM-ready CV response.
Analogue Amplitude Modulation input is bipolar, linear, rail-to-rail.
Kotelnikov contains 80 waveforms organized in 4 banks:
Note: this is the first post to officially feature Svarog Audio on the site. The Aspid is their first module. Previous videos by rpocc primarily featured SSSR Labs.
Video description followed by full details on the new Aspid module:
"Eurorack module from Russia!
The Aspid Analog fuzz module by Svarog Audio was made especially for working with bass synthesizers and modules as well as kick, electro and bass-guitars. It is assembled by hand in accordance with the classic analog scheme. Only the best quality parts have been used, such as the original circuit LM308N and EPCOS film capacitors."
"Analog fuzz 'Aspid' by Svarog Audio was made specially for working with bass synthesizers and modules, 'kick' and also electro and bass-guitars. It's assembled by hand in accordance with the classic analog scheme. Only the best quality parts have been used, such as the original circuit LM308N and film capacitors EPCOS. It is screened to avoid interference.
The MIXING knob is used for mixing raw and processed incoming signals. This knob is meant for processing bass pieces and kicks. It's common knowledge that the overload effect reduces low frequencies to a certain extent. To avoid trapping of sound waves take advantage of the knob.
The VOLUME knob is the volume of effects. At its original position the mixing handle works as volume of the initial signal.
Tone enables you to regulate the quantity of a high frequency spectrum in the effect's sound.
GAIN is the degree of distortion.
FAT adds 'richness' to the sound structure.
CLIP MODE changes the structure of distortions.
The first mode gives a softer sound typical of vintage distortion effects. The second mode is meant for hard distortions, the sound acquires a lot of harmonics.
The 'GAIN' knob works together with 'fat' and 'clip mode'. Each of them affects the other two. It allows to obtain different variations of sounding the module."
Los Angeles, CA - Discover electronics and sound design while making your own music synthesizer with sound designer, Andrew Bucksbarg through a collaboration with the design collective Poketo and The Line Hotel. You will learn basic electronics including schematic reading, IC chips, bread-boarding, oscillators and simple circuits for sound-making and filtering, sound design concepts, and adding controls and sensors that react to touch, temperature and light. The workshop will provide expert instruction to build your own sonic electronics and get you thinking about new ways of composing, controlling and performing with your first electronic, analog mini-synth. The instrument includes a 1/4" output so it can be sampled and incorporated into your own beats, compositions, and performances. Once you have finished the workshop, it’s yours to take home and use or design further! This class is suitable for all levels, all materials for the workshop are included.
