Patch160918 • Bref, ça va mieux

Published on Sep 18, 2016 Auto Virulent

"Self-playing Eurorack modular synthesizer patch/sequence."

RSF Kobol Expander on top left.

IMPROVISATION 4 (arpeggiators)

Published on Sep 18, 2016 GIANNIS ARK

Instruments: Clavia nord lead A1
Studiologic SLEDGE 2
Roland GAIA SH -01
Novation ULTRANOVA
M audio Oxygen 88 - Propellerheads REASON

Giannis ARK - ARK Home Studio Cy

Lagrange Point - Chilled on JD-Xi

Published on Sep 18, 2016 KlaatuNinja

Safe travels, Don

Published on Sep 18, 2016 repeatle

Pioneer - a modular synthesizer patch for September 2016

Published on Sep 18, 2016 Luke Killen

"Today's patch concentrates on complex oscillators, voltage controllable envelopes and low pass gates. The spirit is of experimentation and extreme modulation that came from the inventions of early synthesizer poineers."

Jomox Xbase 999 - patterns part 02

Published on Sep 18, 2016 Pascal A

"More sounds and patterns from the awesome Jomox Xbase 999 drumcomputer !"

Part 1 here.

Lexicon Primetime 93 with Yamaha DX7 and DX27

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Published on Sep 18, 2016 Christopher Anderson

"Brief general demo of Prime Time broad basic features"

SN E2666 via this auction

"Clean and fully functional Lexicon Prime Time Dual Digital Delay Processor. I've owned this Prime Time for about 5 years and used it frequently without any problems. Includes original manual with a lot of interesting patch examples for all sorts of panning delays and stereo modulation delay effects. It's really worth having the manual and they're not always that easy to come by.

There are two separate digital delays that share a feedback architecture with isolated (and bussed) inputs and outputs, making this a very unique processing unit. The delays can be externally modulated by a passive expression pedal or 0-10v CV (including LFOs, function generators, etc).

Has balanced ins and outs, with switchable 0/+20db input gain.

The one thing I'd mention is that it's easy to overload the input if you don't send the proper signal level. There is no input overload indicator, and the input and signal chain will become over-modulated until the proper signal level is restored. This has happened to me several times. Lately, I typically use a direct box before the input to give me more control over my input signal (to avoid this clipping problem). Please reference the included Owners Manual for input signal level details.

The sliders are at about 97% clean. Occasionally at the top or bottom of a slide I'll hear a grain of static, but on the whole they're pretty clean."

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Vintage 80s Vermona DRM Soviet 808

Published on Sep 18, 2016 Christopher Anderson

"Extremely rare late 80s Analog Vermona DRM most certainly based on 808 architecture and step programming; the DRM has 32 steps, MiDI as well as individual audio outs and trigger outs."

RT-311 Swarm Oscillator: Short Demo Video 1

Published on Sep 17, 2016 Jörg Schaaf

"OK - I have to admit that I had some saturation from time to time at the VCA but beside that, you get a first impression, what you can do with snapshot recalls. After tweaking the knobs a little bit I show the remote control via the data output. So, I am controlling the Cutoff frequency of the RT-451 filter. Then I recall some oscillator snapshots. Beside interpolating between these snapshots they can also be used to recall fixed settings. In this example I synchronised the internal LFO of the swarm oscillator and recall the snapshots with that LFO as presets. Every eight steps it increases the snapshot number by one.

Afterwards I play a cluster, tune the beast up with that cluster, change it to a chord and tine it down again. That video represents only a few of the swarm oscillators features. Our first shipments will be done by the end of october 2016."

Buchla Music Easel - Designed - 1973 Thanks Don

Published on Sep 17, 2016 100 Things I Do

"I had started filming another video yesterday for this weeks clip but after reading the news of Don Buchlas passing I changed direction.

An almost totally random composition allowing for moments where I had to make a choice of personal taste.

Thanks Mr Buchla, for your awesome instruments and allowing us to make complex and diverse sonic texture as well as tone."