MATRIXSYNTH


Friday, June 30, 2017

Vermona Perfourmer Analog Synth

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via this auction

Korg M1 Synthesizer Demo


Published on Jun 29, 2017 North Anchor

"All sounds, drums and effects with the exception of a pick guitar are from the Korg M1. Sequenced on a Alesis MMT8 sequencer. Recorded into a Fostex 4 track cassette. Around 1989."

Riamiwo - Sonar Resonanz / Studio Livesession (Riamiwo StudioVlog 43)


Published on Jun 30, 2017 riamiwovideos

"Release Day of my Sonar Resonanz EP :) Here's a live-session of the first track of the EP. Sonar Resonanz contains also awesome remixes by Beatamines and Paale.

Listen to the EP on soundcloud: http://bit.ly/2ttRu2L

Get your copy here:
Beatport: http://bit.ly/2urvQcL
iTunes: http://apple.co/2u6SA28
Junoload: http://bit.ly/2txHxlv"

Intellijel Cylonix Shapeshifter - What's New In 2.02


Published on Jun 30, 2017 intellijel

"The latest firmware for the Intellijel Cylonix Shapeshifter adds and improves a huge list of features. This video gives a short demonstration of what's new in 2.02.

Version 2.02
Changed: encoder selection for CHORD TYPE or BANK now wraps around the entire list but quick rotation will shortcut you (stop) at the list end or beginning.

Version 2.01.1

Fixed: COMB+LOAD operation to initialize all settings to zero.

Version 2.01

Added: the CHORD TYPE parameter can now be controlled by the MODB signal.
Added: the wave bank selection for oscillators 1 and 2 can now be controlled by the MODB signal.
Added: the two oscillators now have independently selectable SYNC MODES, and both now have 1-shot and Hold modes.
Added: pressing the INT. SYNC button twice causes the internal sync event generator to drop in frequency by one octave (the INT. SYNC LED flashes when this mode is selected).
Added: when the QUANT. button is pressed twice the PITCH2 input becomes a CLOCK input for oscillator 2, where the period of the oscillator 2 cycle is equal to the input clock period. The QUANT. led flashes in this mode. In this mode the RATIO input sets the clock division/multiplication factor.
Added: 8 more pulse modes, including PWM, Square and random.
Added: added another mode to the PRESET STEP menu, where the preset is randomized on each step.
Added: pressing COMBO MODE and MORPH while in PRESET MODE randomizes the settings.
Added: pressing DETUNE and LOAD while in PRESET MODE displays the firmware version.
Added: the oscillator 2 output can be directed to modulate the SHAPE1 or TILT parameters.
Added: the MODA signal can now be used to serve as the SYNC source for oscillator 2 or to step presets.
Changed: the DECAY parameter range has been changed to give a smoother change with more values at longer decay times.
Changed: the PERC. MODE LED now flashes when the Gate behaviour is selected (by pressing the PERC. MODE button twice).
Changed: the initial part of the INT. FM control curve has been changed to give more resolution at the low end.
Changed: the number of presets has been increased to 100 and all presets are now stored in non-volatile memory. The presets now have user-definable 8-character labels, which can be randomized.
Changed: the number of the last preset to be loaded or saved is remembered, and is loaded upon powerup (previously preset# 1 was loaded on powerup).
Changed: the range of the TILT parameter has been lowered by a factor of 4. This gives more resolution in the interesting range of the tilt effect.
Changed: the bank numbers and chord type no longer wrap around, making it easier to reach the ends.
Changed: knobs are set to soft-pickup after a preset is loaded, even when leaving preset mode. Soft-pickup action is changed so that the knob takes over from the preset value when it is moved a little bit.
Changed: the labels for the MODA destinations “Shape1” and “Shape2” have been changed to “Shaper1” and “Shaper2” to better reflect the actual behaviour in these modes.
Fixed: Added a short (4msec) delay to the MODB Preset Stepping after the sync pulse is received. This is needed because many sequencers send the gate signal before the voltage has settled to its new value."

First Look: SynthMaster 2.8.9 Synthesizer Update


Published on Jun 30, 2017 SYNTH ANATOMY

"Quick First Look at the SynthMaster 2.8.9 Synthesizer Update"

Studiologic Sledge Synthesiser Tutorial 54


Published on Jun 30, 2017 David Clements

"George Hall recreates sounds used on the classic ELP track Trilogy from the album of the same name. Learn synth programming with George Hall."

All parts here.

Evil Pt. II Let The Machines Do The Talking. Modular Synth Jam


Published on Jun 30, 2017 LOOK MUM NO COMPUTER

"Quick live CHAOTIC Modular Jam Last night after building the MACRO DUAL 2HP FREEZE.

Figured i should share! High Quality Audio Available on my PATREON."

Novation Bass Station 2 & Strymon Big Sky


Published on Jun 30, 2017 3rdStoreyChemist

"Bass Station 2 synthesiser through the Big Sky.

No further processing except normalisation."

Smooth, click-free stutters and edits with TimeShaper


Published on Jun 30, 2017 Cableguys

Thought this one was pretty interesting as it gives you some insight into what can cause clicks in sample based synthesis.

"Twist time and transform any sound with TimeShaper, the multiband stutter, scratch, reverse and glitch plugin. Try it free: http://www.cableguys.com/timeshaper.html

This demo song is made using Computer Music magazine loops."

Roland TR-606 Drumatix


Published on Jun 29, 2017 tiergrinder

"16+ minutes of sounds from the Rolands TR-606 Drumatix drum machine. Recorded dry without any effects or post processing.

606 is sometimes referred as the poormans TR-808. It doesn't sound quite like an 808 and it only has 7 sounds (Kick, Snare, Lo Tom, Hi Tom, Cymbal, Closed Hihat, Open Hihat), but it still carries that Roland X0X vintage charm. I bet the looks doesn't hurt either.

TR-606 sequencer does something that many other classics didn't do. It can switch between pattern play and pattern write modes, while the sequncer is running. Sounds are classic Roland from the 80's. TR-606 Kick is relatively weak when compaired to other sounds, but with mixing kick all the way up, cranking some accent and mixing other sounds lower levels, the 606 Kick can have some nice punch to it. Snare isn't exactly like on the TR-808 but its similar. Tom sounds gets closest to the 808 realm, while hihats sound more metallic, if thats even possible. From all the rolands analog drum machines, I love the 606 hihats the most. They sizzle and shine, and can really cut through when accent is applied to them. Overall the 606 is fun little box. Its cute, small but powerful and it has that analog drum machine magic.

This video is tad long and even boring at times, but I wanted to record long video, that shows simple beat making from start to finish and show some programmed patterns."
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