MATRIXSYNTH

Retroaktiv HLFO - Module Overview & Function Demo

New England Analog Archives
Published on Aug 9, 2017

"This video demonstrates some of the functionality of the Retroaktiv HLFO (Haptic LFO) for Eurorack. The module is 10HP wide. (Note, the unit shown in this video is a prototype with a lasercut plastic panel. Production units are metal panels with black silkscreen.) It features a voltage-controlled LFO, a sample & hold, a noise source, and a force sensor controller. This module packs a lot of utility into a small space. For more information on this module, please check out www.RetroaktivSynthesizers.com."

Note: I created a new Retroaktiv label for these moving forward. I was previously using the New England Audio label.

Frap Tools SAPÈL teaser

Learning Modular
Published on Aug 9, 2017

"I’m so happy with the Frap Tools SAPÈL Tamed Random Source that I wanted to share a little preview of it before I finished my normal 'training' videos on it.

This is an otherwise-boring arpeggio animated by three of the random voltage streams from one half of a SAPÈL: the quantized 'n+1' stream (the green trace) is controlling the tuning interval between a pair of PWM’d square wave oscillators; the quantized “2n” stream (the blue trace) is selecting the “vowel” on the LimaFlo Motomouth formant filter; the smoothly fluctuating stream (the pink trace) is controlling the cutoff of a Moog Mother-32 LPF between the oscillators and the Motomouth.

I’ll be releasing a few movies about the SAPÈL at the end of August that goes much deeper, including probability distribution, random triggers, and more."

SNAZZY FX- NOISE PATCH2- LOUD AND WEIRD

snazelle
Published on Aug 9, 2017

"in this video, we take a look at using a bunch of SNAZZY FX modules with the sequencer to create some "out there" sounds. The Hi_GAIn, Kitty Eyes, and Eternal Spring Filter all work very well together, and make exploration of noise, chaos, super aggressive trash, and subtle dirt quite simple. In this video we are using the Hi GAIN to process one percussion sound (from the ERICA SYNTHS PICO DRUMS) and the multiple ins and outs on the HI GAIN are being used for feedback loops and cross coupling as well as cv in and out with the Eternal Spring Filter AND with the Kitty Eyes jacked in as well. Also, we are using the KICK_ME as the foundation.

With this video we are trying to show how easy it is to bring a wide range of NEW sounds into your system. And though we kept the results dry, it would be very easy to patch the output of the HI_Gain into the Wow and Flutter delay or into a reverb. SNAZZYFX.COM"

Studiologic Sledge Synthesiser Tutorial 57 & 58

David Clements
Published on Aug 9, 2017

"George Hall recreates sounds from the classic ELP track Tank on a studio logic sledge synthesiser. Learn synth programming with George Hall."

Studiologic Sledge Synthesiser Tutorial 58

David Clements
Published on Aug 9, 2017

"George Hall recreates sounds from the ELP track Tank on a Studiologic Sledge synthesiser. Learn synth programming with George Hall."

You can find all parts in the George Hall series of Studiologic Sledge tutorials here.

Moog Sub Phatty & Marshall Shredmaster

3rdStoreyChemist
Published on Aug 9, 2017

"Sub Phatty synthesiser through a Shredmaster distortion. The Shredmaster has been placed on an aux send.

No further processing except normalisation."

Korg Volca Keys & Strymon Bluesky #2

Benjamin Jimenez
Published on Aug 9, 2017

"Here's my demo with Korg Volca Keys and Strymon BlueSky."

ARP 2600 & Roland Jupiter 4 sequenced from ARP 1601 & synced by Oberheim DX

Waveshaper
Published on Aug 9, 2017

"I recently bought an ARP Sequencer 1601 & want to demonstrate the fun thing of using this with a sync click from the Oberheim DX.

My next EP for 2018 will be with only using these instruments together with Cubase as recording & processing

This is how the did it in the past."