MATRIXSYNTH


Friday, October 13, 2017

"OFFWORLD DREAMING" Eurorack, Noise Reap Bermuda, MI Rings, Erica Synths Wavetable


Published on Oct 13, 2017 Lost For Words

"My Eurorack is growing - this week I received my Ornament & Crime and Noise Reap's Bermuda VCO. The Bermuda sounds incredible for an inexpensive module. I racked up both new modules to have a play and ended up with this patch. Whether the fact that I saw Blade Runner 2049 on Sunday had anything to do with the feel of this piece I can't say but I'm a big Vangelis fan. I hope you like this dreamy few minutes :)

Patch notes - recorded direct from the case, no external processing.

Yarns - providing arpeggiated clock only, no pitch, to the O&C in CopierMaschine app (F scale pentatonic major) going out to Bermuda VCO and Erica Synths Wavetable.

Bermuda (triangle wave) into DPLPG (first!) then filtered by Ripples which is being modulated by Peaks LFO. Envelope for DPLPG is other by other side of Peaks. A slight FM wobble from Maths. Into Pico DSP for mono delay.

Erica Synths Wavetable filtered by Polivoks with some modulation from Maths.

Maths is plucking Rings on the left hand End of Rise and slowly sweeping the Frequency, Position and Structure to create that lovely bell undulation.

2hp Verb reverb on everything!"

Analog Four MKII — At a glance


Published on Oct 13, 2017 Elektron

"Analog Four MKII is a four voice analog tabletop synthesizer. It represents the best of two worlds, inimitable analog impact combined with razor-sharp digital accuracy."

XAOC Devices - Belgrad


Published on Oct 13, 2017 DivKidVideo

"XAOC Devices absolutely killing it with Belgrad. It's a unique approach to the dual filter concept with a great character that's highly influence by input level and the range of interactive controls. You can span the two filters but the sound always goes through both allowing you to create phase style sweeps on top of low passes or dual bands create formant style peaks and troughs. It also makes for a nice dual oscillator when self oscillating, takes to modulation like a trooper and is all round awesome. Go XAOC!

TIMING INDEX / SECTIONS

00:36 Overview
Sound, input level, span, cut off, resonance, balance, modes, audio and CV inputs, attenuators, XM cross modulation, SM self modulation (feedback).

03:07 filter types, sweeps and sounds
Double slope low pass, low pass + band pass, low pass with pass band notch, double notch, low pass + high pass, double band pass, band pass mode, high pass with pass band notch, band pass + high pass, double slope high pass.

10:08 sequence and nodulation
saw wave acid style sequence with a range of CV modulation added to all inputs.

15:32 Audio rate modulation
audio rate modulation of FM/cut off, resonance, balance and span. Vowels, formants and total awesomeness!

19:42 Tito Switch
XM and SM, cross modulation and self modulation. Added drive, character and grit.

22:24 Self oscillation / dual oscillator
Using the self oscillation with high resonance and dual filter core we can span and balance between two self oscillating resonance points for a dual oscillator style set of sines. With the Tito switch we can add cross or self modulation for more character and unique waveshapes and these sines also FM beautifully.

26:44 Modulation and mangling drums
Audio rate modulation, filter sequencing, looping envelopes and LFOs bend and twist a drum beat."

MIDI CLOCK JITTER // ABERRATION FROM DEFAULT VALUE


Published on Oct 13, 2017 LESINDES

"Here we test 15 hardware units - AKAI MPC LIVE amoung those - and how exact they are transmitting MIDI clock to the very sensitive ELEKTRON MACHINEDRUM at 120 bpm. And the overall stunning result is: The older the tighter! In the end the ashaming results of 2 representative professional DAWs: CUBASE 9.5 and PROTOOLS 12.5 on WIN 10.
The master tempos of two machines (MFB URZWERG, ARTURIA KEYSTEP) deviate a little from our 120 reference tempo because both machines have no own bpm counter.

MIDI is often blamed for being to slow to be really precise in terms of timing. And this also correct notes (to a certain exetent). But triggering of notes are not the main task of DAWs anymore. With a proper MIDI interface DAWs are quite in time. The problem is the MIDI clock since it is not generated by the DAW itself but by the hosting OS and this OS is giving a sh*t on our time requirements handling it with a very low priority. There hardware solutions to avoid the unreliable DAW/OS clock generating it from an audio signal."

Everything Bagel


Published on Oct 13, 2017 Miles Briand

More creepiness around the 1:40 mark. Wait for it... Also see Intangible Phage Part 2.

rhythm & synths: Digitakt, Eurorack (featuring Mysteron), Rise w Repr1 , Serum


Published on Oct 8, 2017 junklight aka mark williamson

"An Industrial Jazz Fusion thing......"

Vintage Analogue Session - Roland Juno 6 + CS-10 + S-950 + Telemark


Published on Oct 13, 2017 Michal Patulski

Casio LD-80 with Korg ARP Odyssey


Published on Oct 12, 2017 Doug Plate

"Using an inexpensive Casio LD-80 to control the Odyssey via MIDI. For me, it's just a novelty because I am not a drummer and have awful stick control. Just wanted to give a short demo to spark your imagination."

Improvisation on 2 Tokarev Protosynth V1LP synths


Published on Oct 12, 2017 Konstantin T

"Making some music on the beloved machines. Older project running in FL Studio, sending midi notes to both synths on separate interfaces. Both synths running in polyphonic mode and featuring integrated multitap delay/reverb/echo. Audio out is processed a bit with a VST delay and flanger to create a better stereo imaging."

DIY analog synth project part 10J (Sound Examples Pads N Strings etc)


Published on Oct 13, 2017 Adamski Ajull

"Hey guys here is a short sound demo , displaying some more sound capabilities. Many thanks to Star for helping with the recordings ;-)"
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