MATRIXSYNTH


Sunday, October 14, 2018

Dreadbox Erebus 3 Synthesizer Demos


Published on Oct 13, 2018 SYNTH ANATOMY

"Dreadbox will release in October the third version of the Erebus paraphonic analog Synthesizer."

See here for more.

The Deluge has an internal Mikrofon - Sunday Jam / Live Session


Published on Oct 14, 2018 Kapuzal

"Weil es so schön war, weil das erste nur schlecht umgesetztes Modulargespiele war (da hab ich einfach noch vieeeeeeeel zu lernen) und weil mich die Pferde heute versetzt haben... eine Sonntags Abend Jam / Session.. Ja, das geht gut ohne Digitakt Master, der macht jetzt einfach nur die Drums und a bissl Bass :-) love it

Because it was so nice, because the first was only poorly implemented Modular gimmick (because I've just sooooo much to learn already) and because the horses have put me today ... a Sunday evening Jam / Session .. Yes, that all works well without Digitakt Master, it just makes the drums and a bit bass :-) Deluge the new Master of Desaster :-)"

One Small Synth, Ep. 8: Bastl Microgranny


Published on Oct 14, 2018 Aidan Burns-Fulkerson

"This is the eighth installment in a micro-series diving deep into my collection of very small synthesizers and samplers. Each episode will explore one little music machine. There will be no talking, just music or noise, depending on the synth in question and your personal taste in sound.

The Bastl Microgranny is the most recent addition to my tiny synth family. It is a monophonic granular synthesizer/sampler, meaning that it can chop up samples into minuscule bits and play those bits back in different ways. It’s a really remarkable little device that can create crunchy and gritty renditions of any sound. It’s also able to interface with midi devices, allowing it to be played like any monophonic synth, using a midi keyboard or sequencer for control. For this demo, however, I’m going to stick with using the Microgranny as a stand-alone device to highlight its sound mangling abilities."

Dolcevita Synth Cover


Published on Oct 14, 2018 Medsound Music

Korg MicroKorg
Roland TR-8, JX-3P, & Juno-60

Deepmind 12 vs Juno 106: How to get similar tones


Published on Oct 14, 2018 Starsky Carr

Playlist:
Deepmind 12 vs Juno 106: How to get similar tones
Deepmind vs Juno 106 Part 2: Free patches - No talking [download here]

"A look at how to get some classic vintage tones from the DM12 by limiting its functionality to replicate the behaviour of the Juno 106 that inspired it.

They're not identical, they're not meant to be, and the DM12 has vast modulation capabilities, FX, extra envelopes, LFOs etc.. so I'm not trying to show how well they match - but if you've got one and you're wondering how to get some classic tones this may help.

1:50 Overview
4:45 Set-up as 106
7:15 Sawtooth
10:45 Square/Pulse
14:45 Sub
17:30 Noise
18:15 HPF
21:55 VCF
27:00 LFO
27:45 Some Sounds
32:36 Chorus + Pads

EWIUSB ARIA Duo / Nine Oyatsu Duets (オヤツな二重奏より)


Published on Oct 14, 2018 mkirino01

"Equipment: AKAI EWIUSB, and Apple Logic Pro9 (multitrack realtime MIDI recording)
Software synth.: ARIA(EWIUSB)
Songs: Oyatsu Duets. comp. by Kazuhiro Takeda (オヤツな二重奏, 武田和大 作曲)
Sheetmusic: http://amzn.to/2i6d86r

[[ Oyatsu Duets (OD) ]]
0:00 OD#002 バウムクーヘンと山の神
0:27 OD#007 午後のお茶とアリガトウ
0:51 OD#013 お姉ちゃんのピアノでマーチング
1:32 OD#010 アーバンと夢の泡
2:17 OD#033 小股の切れ上がり
2:38 OD#012 てっぺんから紙ヒコーキ
3:06 OD#030 飴玉スキップ
3:22 OD#023 玉子ボーロ山盛り
3:48 OD#003 パクチー森のガムの見た夢

2 partのduo曲集ですが音源のARIAは1 partに4音色のレイヤーができるので、1 partに2〜4種の音色を重ねて吹奏しています。"

Fairlight Library III


Published on Oct 14, 2018 100 Things I Do

"A quick look at some sounds from the Fairlight III Library. I have used the Relab 480L Random Hall reverb on this clip. Just a quick look at a few sounds that interest me or call to be explored in the Fairlight III Factory Library!"

Endorphin.es Blck_Noir Sound Demo (no talking)


Published on Oct 14, 2018 Bonedo Synthesizers

Modular Synth Session 091


Published on Oct 13, 2018 Akihiko Matsumoto

Music by Akihiko Matsumoto
http://akihikomatsumoto.com

-
(Sequence: Ableton Live, Cycling'74 Max/MSP, 2hp Euclid, 2hp TM
Mix: Ableton Live
CV Converter: 2hp MIDI, Expert Sleepers ES-3
Drums: Ableton
Synth1: Braids - Curtis Filter
Synth2: General CV - Morpheus
Bass: Piston Honda mk3
Guitar: Ableton
Noise1: One
Noise2: Owl Modular
Noise3: Manis Iteritas
Noise4: benjolin
Effect: Custom M4L on Ableton
MIDI Controller: novation LAUNCH CONTROL XL
Reverb: Eventide Blackhole
Limitter: iZotope Ozone8
Camera: Sony a7RII (Ultrawide Heliar)
)

Echoes Podcast Celebrates 50th Anniversary of Wendy Carlos' Switched-On Bach


"It was 1968 when Wendy Carlos took her Moog synthesizer and applied it to the contrapuntal music of Johann Sebastian Bach. The album was called Switched-On Bach and it changed the shape of modern music forever. It took synthesizers out of the world of sound effects and the avant-garde and into the mass market. Switched-On Bach was the herald of the future and made Robert Moog’s invention synonymous with synthesizer. We celebrate the album’s 50th Anniversary with Wendy Carlos in the Echoes Podcast" Click through to listen.
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