Popol Vuh ‎– Affenstunde

Published on Apr 13, 2019 Skeleton Archives

Popol Vuh ‎– Affenstunde
Label:
Liberty ‎– LBS 83 460 I
Format:
Vinyl, LP, Album, Repress
Country:
Germany
Released:
1973
Genre:
Electronic
Style:
Minimal, Ambient, Krautrock


A.1 Dream Part 4 8:40
A.2 Dream Part 5 4:50
A.3 Dream Part 49 7:35
B Affenstunde 18:57



Credits
Composed By, Arranged By – Popol Vuh
Design [Cover Design Help] – Heiner H. Hoier, Heinz Lukasz
Design [Cover] – Bettina*, Steffen (8)
Mixed By [Synthesizer-Mixdown] – Frank Fiedler
Percussion – Holger Trülzsch
Producer – Bettina Fricke, Gerhard Augustin
Synthesizer [Moog] – Florian Fricke

M5/M5N sound sampler from patch book

Published on Jul 8, 2018 wedream2

"MacBeth M5/M5N Sound sampler from Owner's Manual and Patch Book. Recorded using video camera microphone, so sound not accurate representation of the synth. Purpose is to introduce the Patch Book with some interesting patch programs."

Roland SH-01A Synthesizer Custom Patch Program Demos

Published on Dec 2, 2017 wedream2

"Roland SH-01A Synthesizer Custom patch programs
Auditioned with effects
Several emulations of Juno-60 sounds"

SH-O1A Part 2

Published on Dec 3, 2017 wedream2

"SH-01A Custom sounds with effects
(Part 2 of 2)
Custom Walnut cabinet for SH-01A displayed at end.
The synth sits snuggly in cabinet. Easily removable.
Sound and cabinet design by John Riesenman"

African Zebrawood Memorymoog & Minimoog

Published on Nov 16, 2018 wedream2

"Brief demo of Memorymoog controlling Minimoog through CV/Gate interface. Both synths can be layered, and the Memorymoog can sequence the Minimoog while playing over it."

Arturia Matrixbrute: Tangerine Dream Covers

Published on Sep 5, 2018 wedream2

Playlist:

1. Matrixbrute: Tangerine Dream's "Sorcerer"

11/12 tracks from Tangerine Dream's soundtrack to the movie "Sorcerer" serve as inspiration for showcasing Arturia's Matrixbrute in split mode. Each sequence is accompanied by 2 additional sounds alternately selected by modulating programmed parameters in real time. (Track 9 "Abyss" is skipped as the sequence and sounds are uninteresting compared to other tracks.)
If you are unfamiliar with Tangerine Dream's soundtrack, I recommend listening to the original first. That way you will appreciate the Matrixbrute's emulation, especially since it's a monophonic synthesizer.

2. Matrixbrute: TD sequences from Phraedra to Tangram

Another demonstration of the Matrixbrute in split mode. More excerpts from Tangerine Dream Sequences: Phraedra, Rubycon, Ricochet, Stratosfear, Cloudburst Flight, Force Majeure, and Tangram. All sounds from Matrixbrute in real time. Additional reverb added. The purpose is to show how versatile split mode can be, assigning different oscillators to the sequencer and to the lead, and using real time controls to transform the sound of the lead and sequence.

3. "Mind at Large" Tangerine Dream's Rubycon

Music slide-video interpretation of Tangerine Dream's Rubycon album.The last image (just prior to the receding universe sequence) with the unconscious astronaut lying on the ground is the clue to what the entire project is about, suggested by the title.

4. Matrixbrute: Tangerine Dream--Logos

My fourt video of Matrixbrute in split mode, borrowing sequences from Tangerine Dream. Logos is my #1 favorite TD album. It is a lot more complex than their earlier works, so it was quite a challenge. I recorded each part seperately and then pasted them together. It would take an ensemble of synthesizers to do a decent cover. Still, the monophonic Matrixbrute pulls its own weight.

5. Matrixbrute: Tangerine Dream & Chris Franke

My 5th video demonstrating Matrixbrute in split mode, using excerpts from Tangerine Dream group & solo albums. Sounds on the right side of the split are morphed using MW and expression pedal controls, demonstrating more sounds than are apparent with a monosynth. All sounds are from Matrixbrute, performed and recorded in real time. Avalanche Run reverb and delay added on some excerpts.

JP-8000 emulates Super Jupiter, Juno 60, & OB-8

Published on May 18, 2018 wedream2

This is pretty impressive. Don't miss the comparisons to the OB-8 later in the video and don't miss the follow-up video below.

"JP-8000 demo: emulating sounds of vintage analog synths, some programming tricks, arpeggiator and phrase sequencer. Also a look at an exotic hard wood end panel upgrade."

JP-8000: More vintage synth emulations

Published on Aug 5, 2018 wedream2

"Here is a another sampling of original patches and performances I programmed on the JP-8000. Of the 120 patches and 57 performances programmed, most are emulations of vintage analog synths.
In this part 2, there is no talking. Each sound is identified with a shot of the LCD screen, followed by a demonstration. Some of the patches with "JU60" in the title, are re-creations of the Juno 60 factory sounds. Some of the OB-8 sounds are similarly named. Performances in most cases are named as a conjunction of 2 patches."

And one for the Roland JP-8080:


Published on Mar 25, 2019 wedream2

"Here is a selection of sounds from among the 128 patch programs and 64 performance programs I created for the JP-8080. Building upon my previous work on the JP-8000 (analogue emulations), I've improved many of those sounds and added entirely new ones on the JP-8080. Best heard with headphones, as several sounds oscillate in the stereo field. All programs will be available for download from the Roland JP-8000/8080 Facebook user's group."

Super Jupiter Custom Sounds

Published on Dec 16, 2017 wedream2

Playlist:

1. Super Jupiter custom sound effects

I created a Super Jupiter patch program book, recording the parameters for 192 sounds. This facilitated the synthesis of new sounds, and through repeated tweaking of parameters, helped continually refine them. Each page contains data for 2 tones, and the patch parameters for split, dual, or 2 separate single tones. This video is part one, and showcases 31 sound effects produced in this manner. Best heard with stereo headphones.

2. Super Jupiter Custom Sounds Part 2

Being mainly a synth programmer rather than a keyboard player, I'm not the best person to showcase my own sounds, so pay more attention to the sound itself, rather than my playing. On some sounds I go up and down the keyboard to show the entire range. Occasionally I get inspired and carried away (as on my favorite lead sound "Lyricon." which has an accompanying water video). Toward the end, I provide a page from my patch book (introduced in the first video of this 3 part series) that shows the tone and patch parameter settings for 2 sounds: Keith Emerson's "Lucky Man" and Rick Wakeman Lead. If you have an MKS-80, pause the video and copy the settings and tweak to your taste.

3. Super Jupiter Custom Sounds Part 3

This is part 3 of 3 of MKS-80 custom sounds: Strings, Brass, Pads, & Keyboards. Pads are my favorite synth sound, so I spent a lot of time on these. The "Super Jupiter Pad" is my favorite, and I got carried away playing this one. It has an accompanying video. The pianos took a lot of time, because they are difficult to synthesize into useful, playable sounds. Velocity sensitivity makes all the difference, and is sorely lacking on the Jupiter 8. The MKS-80 is one of my favorite analogue synths.

4. Super Jupiter revisited: More custom Sound Effects

In my 4th Super Jupiter video, I demonstrate 17 new Sound Effects I recently programmed. Many of the sounds employ Xmod and a parameter rarely found on polysynths--adjustable pitch tracking for either VCO. This allows sound design typically only possible with modular synthesizers. New sounds were inspired by actual events, as on my first video (e.g. thunder sounds and babbling brooks, seashore with gulls, and insects). Check out swamp things, raceway, and flyby (propeller plane passing low overhead). In addition, there are numerous sample and hold variations and a few percussion sounds. IMO, as a sound designer, the MKS-80 module is Roland's best analog polysynth.

Prophet T8 + Roland P330 piano module

Published on Mar 11, 2018 wedream2

"Demo of Prophet T8 with Roland piano module, showing some layering and sequencing. Listening with headphones is recommended. I apologize for some of the background noise."

SH-101 Pink Floyd

Published on Dec 2, 2017 wedream2

"Pink Floyd's "Breathe" and "On the Run" from "Dark Side of the Moon" played on Roland SH-101.
(First rough take)"

SH-101 Pink Floyd

Structured Improvisation for Analog Monophonic Synthesizer: “Overdubbing Grandmother”

Published on Apr 13, 2019 Samuel William Novak

"A structured improv for Moog Grandmother. I first met Grandmother on Thursday. Needless to say she inspired me to write for her. This piece overdubs successive improvisations, each appearing in the order recorded.

Precomposed materials:
Three preprogrammed sequences played by the initial part, serving as both a textural bedrock and to articulate form,
A gradual increase in tempo,
The general textural roles of the other two voices: one mostly melodic and in a high register to balance the low register of the sequences (I’m most happy with the performance of this part) and one to inject an element of unpredictability to balance the repetition of the sequences.

The rest, including all the modulation and patch manipulation, was left to the moment.

#moog #mooggrandmother #synthesizer"