MATRIXSYNTH


Tuesday, June 11, 2019

Erica Synths Sample Drum USER REVIEW Eurorack [Pt. 2/2]


Published on Jun 11, 2019 gstormelectro

"Audio and Video by G-Storm Electro c. 2019

Today I am continuing my user review of the Erica Synths Sample Drum. I will be covering the On-Board Effects, CV Mapping, Performance Mode, Saving Projects, and global settings. Along the way I'll try a couple of interesting experiments using the
features covered. Be sure to hang around for the end of the video where I'll share my final thoughts.

Audio samples were recorded and processed in ocenaudio.

0:00 Opening Intro
0:52 On Board Effects
1:35 CV Mapping
3:18 Sample Drum as an Oscillator?
4:44 Performance Mode
5:26 Saving Projects
6:21 Multi-sampled Instrument Project
7:45 Global Settings
9:04 Final Thoughts

Recorded direct to Tascam DR-05.
No outboard effects nor processing of any kind."

Part 1 here.

Oscilloscope Music by Tunç Çakır


Published on Jun 11, 2019 Tunç Çakır

"The image of a real oscilloscope tube screen was recorded with a video camera. Image on the screen is the true reflection of the original sound on the screen."

08-The Dreadbox Nyx v2- Part 7: Patch Panel Part B


Published on Jun 11, 2019 AutomaticGainsay

"Here is part two of a two-part demonstration of the patch panel of the Dreadbox Nyx v2.

The theme to this video was composed (excepting drums) entirely using multitracking of the Dreabox Nyx v2."

AutomaticGainsay Dreadbox Nyx videos

Test Equipment Music FAQ and Guide


Published on Jun 11, 2019 HAINBACH

Some tips on integrating test equipment into your setup for those interested.

"In which I answer your questions on test equipment music, so you can dive into this mad world with less worry. Also, piano."

Patching Panda Hatz - Dynamic Analog Hi Hat (Eurorack Percussion Module)


Published on Jun 11, 2019 DivKidVideo

"After first checking out Punch (link below) here's 'Hatz' from Patching Panda. Hatz is a closed and open hi hat module for Eurorack based upon classic analog hi hat tones from a whole history of drum machines. We have two blend-able noise colours from white to metallic, envelope shaping, decay modulation, two filters with modulation, accent, external input, closed priority open hi hat choking, accents and more. It takes to modulation really well for a range of hi hat sounds and can also be a noisy quirky backend for a synth voice when you use an external oscillator too."

Also see: Patching Panda Punch // Dynamic VCAs, accents, envelopes + more for Eurorack

𝗛𝗼𝘁 𝗟𝗶𝘇𝗮𝗿𝗱 - 𝗧𝗵𝗲 𝗧𝗵𝗲𝗺𝗲 (𝗖𝗮𝗿𝗹 𝗖𝗿𝗮𝗶𝗴 𝗺𝗶𝘅) (𝚖𝚘𝚍𝚞𝚕𝚊𝚛 𝚟𝚎𝚛𝚜𝚒𝚘𝚗 𝚋𝚢 𝚋𝚒𝚛𝚍𝚔𝚒𝚍𝚜)


Published on Jun 11, 2019 birdkids

"Hommage to some of our musical heroes - Carl Craig, Charles Webster, 90s visuals, Detroit - UK connect, and sound & love being the healing forces of the universe. 🖤🌌🦄🌈💗

Performed on 𝕌ℕ𝕀ℂ𝕆ℝℕ 𝔹𝕆𝕆𝕄, 𝐑𝐀𝐕𝐄𝐍, ᵀʰᵉ𝙱𝚊𝚝𝚎𝚕𝚎𝚞𝚛
Visuals on zwobot + Max for Live"

Roland SH-101 vs Behringer MS-101: Can you hear the difference?


Published on Jun 11, 2019 loopop

"The Roland SH-101 is a classic for good reason. It sounds great and has a clear and straightforward interface. Unfortunately, Roland stopped making them over 30 years ago, which is what makes Behringer's MS-101 so interesting, not to mention the fact that the MS costs between a third and fourth of a second hand SH.

This video starts with a feature comparison but tries to answer the big question which is - do they sound the same? It also includes a blind test - can you hear the difference?

TIMELINE:

0:00 Intro
1:00 Feature comparison
2:30 The Oscillators
4:15 The Filter
6:05 Envelopes
6:40 Blind test
8:20 Conclusion
9:00 Loopop jam
10:30 Isak jam"

Rob Papen Introduces B.I.T. Analogue-Modelled Soft Synth


Live Stream 11 June 2019 B.I.T. -Virtual Analog Synthesizer -


"Rob Papen progresses back in time to bring B.I.T. into being as analogue-modelled soft synth fit for today

ECHT, THE NETHERLANDS: virtual instrument and effect plug-in developer Rob Papen Inspiration Soundware is proud to announce availability of B.I.T. — bringing namesake company founder and acclaimed sound designer Rob Papen’s persistent passion for subtractive synthesis into being as an aptly-named, analogue-modelled software synthesizer fit for today’s DAW (Digital Audio Workstation) workflow — as of June 11…

B.I.T. stands for Back In Time — an apt acronym for Rob Papen, collectively or otherwise. On the face of it, namesake company founder and acclaimed sound designer Rob Papen’s passion for subtractive synthesis remains as strong as when he first started working with synthesizers way back when, purchasing an analogue Korg MS-20 semi-modular monosynth and accompanying analogue SQ-10 sequencer at the tender age of 15 — more recently reaffirmed by self-publishing the publicly praised The Secrets Of Subtractive Synthesis combined book and DVD package based on his The 4-Element Synth© teaching method. Moving back to task — to the wondrous world of B.I.T. specifically and Rob Papen collectively, the virtual instrument and effect plug-in developer’s newest software synthesizer sets its inspirational sights solely on analogue-modelled synthesis, rather than combining the best of analogue modelling with hybrid synthesis techniques that have hitherto formed the much-admired musical backbone of the company’s classy creations.

What’s with the apparent change of musical direction, then? The concept behind B.I.T. comes down to this: classic analogue synthesizers still show an appeal that the renowned Rob Papen brand is perfectly positioned to tap in to. This is not surprising since Rob Papen himself still has a pristine example of Roland’s (former flagship) Jupiter-8 analogue programmable polysynth — purchased brand new back in the ‘dying days’ of analogue in 1983 (albeit now seriously sought after and astronomically priced) — taking pride of place in his studio setup; several other analogue classics comfortably reside there alongside it, including that ‘teenage’ Korg combo. Clearly inspired by backward progression, pure analogue-modelled synthesis is the order of the day when it comes to B.I.T. — no spectrum waveforms or samples required!

Really, making the most of Korg’s classic MS-20 requires patch cables, but B.I.T. does not need any as an analogue-modelled software synthesizer plug-in par excellence — despite demonstrating masterful modular-like attributes. An advanced MOD MATRIX makes for painless patching while a smart ADV (advanced) panel positioned below the oscillators offers a helping hand. Activating ADV allows users to quickly make useful connections, such as the LFO and ENV (envelope) to the oscillator parameters. Pushing further forward, B.I.T. also allows OSC 1 to modulate OSC 2 in several ways, which increases its sound palette to take in phase modulation, frequency modulation, and ring modulation.

Musically, of course, any Rob Papen software synthesizer would likely be viewed as being incomplete without an arpeggiator — as, arguably, would Rob Papen’s prized Roland Jupiter-8, and B.I.T. is no exception to this unwritten rule. Indeed, its fully-featured ARP can also work in sequencer mode and has an additional FREE row that can be used to modulate other elements of B.I.T. by using the MOD MATRIX.

Making it to the finish line, B.I.T. brings with it some superb-sounding effects, comprising CHORUS, DELAY, FLANGER, and PHASER, plus Rob Papen’s proprietary REVERB, so no need (necessarily) to turn to an external reverb of any kind to bring some space to the virtual instrument and effect plug-in developer’s newest software synthesizer.

So while B.I.T. stands for Back In Time it could conceivably stand for Be Inspired Today! After all, Rob Papen has added a 16-voice, authentic-sounding, analogue-modelled software synthesizer fit for today’s DAW workflow to its lengthening line-up of virtual instruments, intermixing innovative design, uncompromising sound quality, and musical, production-grade presets — over 950 this time — to make tracks truly shine. Still better, B.I.T. brings with it the secrets of subtractive synthesis, thanks to namesake company founder and acclaimed sound designer Rob Papen!


B.I.T. can be purchased from authorised Rob Papen dealers worldwide or as a download directly from Rob Papen for an introductory promo price of €79.00 EUR (including VAT)/$79.00 USD until the end of June 2019 — rising thereafter to €99.00 EUR (including VAT)/$99.00 USD — from here: https://www.robpapen.com/buybit.html

Note that B.I.T. is included in the latest version of the eXplorer 5 bundle (https://www.robpapen.com/eXplorer-5.html), so existing owners only have to download the latest installer and run it to add B.I.T. to their Rob Papen virtual instrument and effect plug-in collection.

B.I.T. is available as a 64-bit AAX-, AU-, and VST-compatible software synthesizer plug-in for Mac (OS X 10.8 - MacOS 10.14) and as a 32- and 64- bit AAX- and VST-compatible software synthesizer plug-in for PC (Windows 7/Windows 8/Windows 10) — AAX for PT 12 or higher (PC).

B.I.T. uses a serial/license system with activation when registering. (A second serial for a secondary computer is available after registering the original.)

For more in-depth information, please visit the dedicated B.I.T. webpage here: https://www.robpapen.com/bit.html"

Introducing Monoment by Softube


Published on Jun 11, 2019 SoftubeStudios

"✮ In the modern day, music production leans more heavily on bass than ever before. Although track counts can number a hundred or more, often the core of a song is built around little more than a beat, a vocal, and a rich, living bass sound.

So an instrument dedicated to just that – tailored to producing huge, solid bass tones with complex, organic overtones and focused effects for a mix-ready low end – is more than just useful. It's foundational. Monoment Bass lays the groundwork for top-quality tracks every time. ✮"




"Monoment Bass includes a two-layer source section, with all-stereo sources offering rich and evolving sounds. Nothing is static, and all the sources were recorded in triplicate, so there are three different samples per key for additional naturalism and life. The resulting sounds leap out of the speakers and grab hold of your track. Right out of the box and with minimal tweaking, this instrument has authority, weight, heft, power, character. The filter, LFO, and amp are all geared to musicians – you don’t need a degree in synth-geekery to use Monoment Bass – and the effects are designed step-by-step for just this crucial task.

Noise, dirt, magic

Using the aging knob, you can introduce a host of analog-ish imperfections to your bass sound. And a third noise source is available at all times, with multiple organic noise options, to add crunch to the attack or grit to the body of your sound. Add analog distortion, ambience, and tone-shaping in the effects section, and you’ll be surprised by the range of colorful living sounds your track can hold. Monoment, by virtue of its high input quality and carefully selected sculpting options, becomes more than a part of your mix. It’s the very core and heart of your mix."

Moog Modular at PS Audio: Do high resolution systems have to go to 40kHz?


Published on Jun 11, 2019 PS Audio

More synth spotting in a non synth oriented video. This time a Moog 5U modular owned by Gus at PS Audio. Last Friday's video featured the ARP 2600 in a wall and a Roland Juno-106 with custom wood sides.

"The highest resolution systems capable of discerning the most minute of details buried deep in the music are often wonders of reproduction most people have never experienced. Do they have to have ultra bandwidth to work? Have a question you want to ask Paul? http://www.psaudio.com/ask-paul/

I have finished my memoir! You can go read it now: https://www.amazon.com/gp/product/173... It's called 99% True and it is chock full of adventures, debauchery, struggles, heartwarming stories, triumphs and failures, great belly laughs, and a peek inside the high-end audio industry you've never known before.

I plan a few surprises for early adopters, so go to https://www.paulmcgowan.com and add your name to the list of interested readers. There's an entire gallery of never before seen photos too."
PREVIOUS PAGE NEXT PAGE HOME


Patch n Tweak
Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH