"Polysix synthesizers normally have worn and rusty metal panels with scratches on paint.
It was decided to re-manufacture the WHOLE metal panel incl. new paint coat and new silk screen printing.
The paint coat (in comparison to original panel) ist on both sides, so the panel will not rust nowhere.
All silk printings are as close as possible to original to preserve the original look of this great synth.
Printed texts „1 OCT DOWN“ and „2 OCT DOWN“ of the SUB OSC switch stick out of the violet rectangle around 0,5mm. This small defect is present on all panels.
"Here I take a look at the recently released v.1.1 free firmware update for everyones favourite midi and CV controller, the Arturia Keystep. I have it hooked up via MIDI to my Dreadbox Abyss to demonstrate some of the funky new features. I haven't fully figured out some of the new stuff especially the random modes within the arpeggiator so instead I focus on the new sequencer stuff."
"Borrowing a friend's Juno 60 for a while, thought I'd make a few sounds and give it a good test drive. I didn't use Chorus in any of these patches, to be honest, I don't really like Chorus except on guitar (and even then, I prefer delay, so... I don't know?). It's a beautiful synth, but I think I'm OK not owning one personally."
"Right now all the Leds are blue. The bender is a lighted bender. Will add some photos of it on. Customer decided to return in the middle of the project. Currently there is no sound coming from the output. But it turns on beautifully."
"In this video I, Marc, give my first impression about the new Korg Volca Nubass vacuum tube tynthesizer. The Nubass is a bass synth with a sound source based around a vacuum tube oscillator."
"I recorded this over a year ago, and there's probably numerous errors in it. Let me know and I'll add corrections as we go!
Here's a brief introduction to Meng Qi's realization of the fantastic Ciat-Lonbarde Rollz-5. It's sort-of-a drum machine which produces strange and wonderful rhythms and timbres.
"Here's another awesome instrument I don't use nearly enough: Meng Qi's realization of the Ciat-Lonbarde Rollz-5, which I picked up from Modular Addict
This thing is awesome: 2 sets of Rollzer (3, 4, 5, and 6), 4 AV-Dogs, 2 Ultrasound Filters (with two inputs each), and 4 gongs. The instrument is unruly and chaotic - the odd rollz can't quite produce a repeatable pattern, and some of the even ones struggle, too!
The rhythmic lengths are designated by the capacitors in each set of rollz, so there's no knob to make things faster or slower. There's only the ability to patch between them and inject and react to new rhythms and pseudo-rhythmic sonic events. As a result, even something as 'predictable' as the gong, which should just act as a tom, can produce wild timbral variation when activated by an audio-rate input. Despite such simple ingredients, loops can be created that last longer than expected, and with more variation than a normal drum machine would offer.
It's not quite a PlumButter, but it's still quite remarkable."
