"Comes without passive 5u boat .
It can be obtained with boat, but this need to be arranged prior shipping. I have some spare ones, and to be I am hardly using 218r.
It was built in USA by experienced builder (can supply more info about)"
"Hello, this time I have joined a Moog Subsequent and Arp Odyssey mini Rev2 together and put through a Virus TI that has served as an FX processor (tape delay & reverb) The sequence was created on the Sub and played back unisono with the Arp. Enjoy!"
"I finally learned how to use the Roland XP80's built in RPS (Realtime Pattern Sequencer) functionality so here I am triggering four sequences on the fly; two drum patterns, two simple background synths, a baseline. Jamming on top of this with two pad sounds. RPS is actually a cool function which kind of brought an Ableton vibe to this "JV-1080 with keyboard" about four years before Live was released. Roland is a company making synthesizers — often adding an extra edge over the competition. (XP30, 50, 60, 80 and JV-1010, 1080, 2080 are similar & fully compatible instruments from about 1994-1998, later replaced by the Fantom series). The movie was edited with MovieMator Pro. Quite cool — but the rendering / processing took almost 20 hours so it was the slowest Mac application I ever tried."
"There is a little story about the production of this video and why it is called VINTAGE CHAIN or JOURNEY INTO THE PAST. Someone asked me which (modular) oscillator I could recommend him. The reason for that was that a friend had send him some Schulze-like, Berlin School demos. Not his style but still he was so much impressed by how convincing simple practically invarient arpeggios and short sequencer lines could be if they just had this vintage sound vibe to them. That made him doubt his modular setup. I dropped a few names then. But asked him also to send me the tracks causing his doubts. Hearing them I immediately knew what he meant the special vibe was and I also had an idea what the essence of this VINTAGE SOUND could be.
The result is this video. I took DREADBOX EREBUS II as a very sweet sounding modern fully analog synth. But that's not enough it's only half way to the past. The other half is the ANALOG CHAIN after the synth. Erebus has a built in echo which is nice and handy but it's digital, it is also a bit dirty which makes really enjoyable but still, this is not the color we were looking for (you can hear the difference in the video), alright, so I took an ARIA AD-05 which is just average of that era but it's vintage and as sooon it is in the chain our sound was gaining more and more ground! All vintage recordings were made through a mixing desk, so as the last part in the signal path I inserted a NEVE 1073 clone which is doing faily well. First of all for its transformer balanced I/Os responsible for the candy in the sound and used a little bit of its famous EQ but just a little bit.
I stopped here and the audio was directly handed to the RME UFX. And I think it is sounding already quite convincing and pleasant
In order to complete this vintage process a tape multitrack machine and a tape master recorder should be used. Also a compressor could be hooked up.
The musical wiring is very simple. ARTURIA KEYSTEP is playing the arpeggios and triggering the EREBUS II via Midi."
It's comparision time! I love both of my Oceans11 from Electro-Harmonix and my Fathom from Walrus Audio for their differences. They share a few (3 or 4 with the hidden mode of the Fathom) modes in common: Hall, Plate and Shimmer/Sonar. I thought it may be helping some to have a side by side comparision. I use a personnal preset of my trusty SE-02 from Studio Electronics and Roland."
