Erica Synths Black Spring Reverb Sound Demo

Published on Nov 6, 2019 Erica Synths

"Erica Synths Black Spring Reverb is a different take on spring reverberation units.
It features a DSP chip in the feedback path with 7 different effects, vactrol based compressor
and option to use internal, external or combination of both spring tanks at the same time.

Timeline:

00:02 - Patch #1 - "Handsaw" patch playing without audio input
00:58 - Patch #2 - YOCTO 808 through "Ringmod" patch
02:07 - Patch #3 - "Pitch Shifter" modulated with Octasource (no audio input)
03:40 - Patch #4 - Playing external spring tank
05:20 - Patch #5 - FM Radio played through "Haunted Shifter" patch
06:23 - Patch #6 - Synth line played through "Creeper" patch
07:41 - Patch #7 - Pitch shifter played with envelope generator on audio input
09:01 - Patch #8 - YOCTO 808 played through "Pitch Shifter" patch
10:17 - Patch #9 - Synth pad played through "Creeper" patch
11:05 - Patch #10 - "Springhausen" patch played without audio input
12:17 - Patch #11 - "Pitch Shifter" patch with Black Stereo Delay in the feedback loop (no audio input)"

Yamaha CS80

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ELTA Music SOLAR 50 - 50 Oscillator Hardware Synth In the Works

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Big ambient machine SOLAR 50 first test. 50 oscillators analog synth coming soon. #synth #synths #synthporn #synthesizer #synthesizers #analogsynth #eltamusic #modular #modularsynth #analogsynth #analogsynths #analogsynthesizer #ambient #dronesynth

A post shared by ELTA Music (@eltamusic) on Oct 8, 2019 at 2:17pm PDT

Pic of the touchpad in orange and black.

Pic of the knob laden panel as in the video above.

UVI Introduces the PX P10 Based on the Sequential Circuits Prophet-10

Published on Nov 6, 2019 UVI

"PX P10 - Analog Prophecy 2x5=10

A new instrument in our Prototype Series, PX P10 delivers the timeless analog sounds of an ultra-rare dual-keybed monster synthesizer. Tremendous warmth awaits, including the true hardware analog unison!

Video Credits: Matt Vanacoro"

via UVI

By far one of the sweetest sounding and most influential analog synths we've had the privilege to work with, an iconic and powerful instrument whose lineage helped shape the sound of music and music for film throughout the '80s and beyond. Developed as the first fully-programmable polyphonic synthesizer with preset storage, this version 10 was the original prototype of what would become the mythical version 5, debuting in 1978 and revolutionizing the synthesizer world. It was only 3 years later, in 1981, that the more complex version 10 would see commercial release.

Essentially two version 5 synths rolled into one dual-keybed monster synthesizer, version 10 sported 2 oscillators, a white noise source, and a resonant low-pass filter per-voice. Depending on mode it could function as two discrete 5-voice keyboards, a single 10-voice keyboard, a single 5-voice 4-VCO "doubled" mode allowing sweet stacked unison sounds, or an alternate mode where subsequent notes would switch between the settings of the two 5-voice keyboards.
Few of these giants were produced, and due to their sheer size and complexity very few remain. A truly iconic instrument from aesthetics and features to sound quality, this synth is a gem with a timeless sound and lasting legacy.

Given the history of this renowned series and particular gravity of this version 10 we spared no expense in the creation of PX P10. The refurbishment was the most difficult and time consuming we've undertaken, but resulted in a perfectly functional instrument with a gorgeous sound that translates directly through to the final presets.
From vintage-styled to contemporary, we designed a huge selection of sounds capturing vibes from '80s classics, modern genre, soundtracks and more. Everything was extensively multisampled including the raw waveforms both with and without unison allowing you to enable genuine hardware 4-VCO stacking on any sound in the library - and unlike the hardware, these can all be played polyphonically, limited only by your computer.

As with the original, you can load two programs at once, and with the unison mode engaged you can create truly massive analog sounds without consideration for a 5 or 10-voice ceiling. Explore the premade sounds or create your own by mixing and matching layers, adjusting amp, filter, panning, effect settings, and utilizing per-layer arpeggiators and modulators.

In the end we recorded over 30,000 samples, packing PX P10 with a whopping 309 presets made from 188 layers, divided into 15 categories including bass, leads, strings, polysynth, ... Each of the sounds is fully customizable and can be used straight-away or as the starting point for your own sound design. Raw waveforms are also available for those who want to build up their own sounds from scratch."

Random Source La Bestia - 03

Published on Nov 6, 2019 Jae Ryan

"Attempting a blanket of La Bestian warmth......"

Random Source La Bestia videos by Jae Ryan

Chaos Culture - Modulat Teaser Trailer - Max For Live Toolkit - Ableton Live - Signal

Published on Nov 6, 2019 Isotonik Studios

"Modulat is a MaxforLive Toolkit of prebuilt modules that you can use to effect parameters, output audio and generally be awesome. Spawn a module from the menu and connect it up using patch cords, this is MaxforLive without the coding! PLEASE NOTE: MaxforLive 8.0.2 is Essential for Use!

Formerly known as Signal, Modulat is a toolbox of modules that can be connected together to create or modify signals from Ableton Live, transform and output them as Audio or control for parameters. Begin by spawning modules from the menu and then connect them with patch cords by clicking on each modules inputs (left) and outputs (right). You can click on any output to monitor its signal within the scope and all modules run at audio rate. Use the Audio In & Out Modules to exchange signals between devices or to send & receive control voltage.

Modulat is a node based / modular playground for control signals such as LFOs, envelopes and automations. Most Max for Live control devices have a lot of issues and limit the possibilities by completely taking over the control of a parameter in Live. Signal uses audio signals for all its calculations and lets you route them however you want giving you a lot more options while keeping the highest quality possible along with staying sample accurate.

Additionally it eliminates chain mapping, where you would use an LFO on another one. Since every mapping in Live introduces a delay as well as CPU usage, chain mapping is not useful at all. With Modulat you only need one mapping to make everything possible. You can always add another signal and keep expanding the setup. Especially by using multiple instances you can use Lives own routing to mix control signals, record them and play them back in any way using the session view, the Looper device or simply by triggering them using Simpler/Sampler.

Additionally Modulat is the only device on the market that provides a workaround to control parameters in sync with Live by compensating for the delay. You can find out more about this workaround on page 10 of the user guide linked below.

The modules in Modulat are versatile, you don’t need a lot of them to create something useful. With a lot of additional features that haven’t been done before, bypassing mapped parameters for example, Signal is the ultimate control device.

With the flexibility Modulat becomes a meta language, you can basically create your own control devices exactly how you like it without actually having to program them in Max. Signal takes away all the work of getting the basics to work and leaves you only with the decision making.

https://isotonikstudios.com/product/modulat/"

Ambient with Medusa-Polyend /sequencer Random mode in chromatic scale

Published on Nov 6, 2019 Dziam Bass

"Hello guys.

Today I have my first movie with the synthesizer Medusa from Polyend.

Now Medusa is at a discounted price, so is also a great opportunity to get yours.!!!

It's a Hybrid Synthesizer with 3 analog oscillators, 3 digital oscillators, 5 loopable envelope and 5 assignable LFOs plus of course a great multi mode filter.

the advantage of course is grid as a sequencer and its touch control, under the pressure of X, Y, Z you can assign modhell or pitch ,lfo's and many other functions.

Here I showed the sound itself in quite ambient music, I set the sequencer to random which it scales on a chromatic scale.

Add effects Reverb from Black Hole DSP from Erica Synths and Euro DDL Delay from Eventide .

more info about medusa here :http://polyend.com
but now I invite you to check this movie.
have a nice day!

#polyend #medusasynthesizer #polyendmedusa #hybridsynthesizer #dreadboxpolyend"

Soundmit 2019: Dreadbox Chromatic Eurorack Synth Modules Outdoors

Published on Nov 5, 2019 Ask.Audio

"This is the serious interview with Yannis from Dreadbox, showcasing their new colorful, cute and powerful Chromatic synth modules at Soundmit 2019."

Listen to more sounds from Stimming on the Hydrasynth (Electronic Beats TV)

Published on Nov 5, 2019 Telekom Electronic Beats

"Martin Stimming experiments on the new ASM Hydrasynth."

Max for Live Grain Scanner by Amazing Noises for Ableton Live

"Grain Scanner lets you design experimental noises, glitchy effects, alien textures and massive clouds of ambience. Its advanced sound engine turns any sample into a blank slate for otherworldly synth parts.

A 10-voice polyphonic granular synth and re-synthesizer, Grain Scanner chops samples into small slices, then re-arranges and plays them back in a multitude of ways. The result is sound that lives somewhere between the organic and the synthetic.

Grain Scanner is set up for intuitively creating evolving textures that change in complex and unpredictable ways. Its advanced granular engine can play up to 1000 microscopic slices of a sample simultaneously. A dedicated modulation page features four LFOs. Modulate each of the 10 voices individually or modulate the global parameters with up to four modulation sources at once. And its step sequencer and separate effects panel let you mold your sound even further.

The Pack comes with more than 100 presets to play with, and a database of dozens of source sounds ready to be bent, twisted and transformed. You can also import your own samples to create a completely personal sound. What’s more, Grain Scanner was made with Push and other keyboard controllers in mind, so you can easily start making melodies and harmonies with sounds you designed yourself.

Key Features:

10-voice polyphony with an advanced granular engine
Advanced 4x modulation system and step-sequencer
Dedicated effects page
Perfect for Push and other keyboard controllers
Key Follow adds depth and expression to your performances
118 presets"